Josef Hassid - Achron - Hebrew Melody Op.33
- Classical music Josef Hassid (Dec. 28/1923 - 1950) - Achron - Hebrew Melody Op.33 Composer: Joseph Archron (1886 - 1943) Gerald Moore (piano) Recording Date 11/29/1940 Hassid was noted for his intense vibrato and temperament, causing Fritz Kreisler to say "A Heifetz violinist comes around every 100 years, a Hassid every 200." His great legacy to music is in the form of 9 recordings among which Achron's Hebrew Melody is notable. For more inf. : www.violinist.com
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Josef Hassid - Jules Massenet - Meditation de Thais
Josef Hassid (Dec. 28/1923 - 1950) - Massenet - Meditation de Thais. Composer: Jules Massenet (1842 - 1912) Gerald Moore (piano) Recording Date 11/29/1940 Arranged: Marsick For more inf.: www.violinist.com Many thanks to people whose pictures are used to make this video.
Josef Hassid (Dec. 28/1923 - 1950) - Massenet - Meditation de Thais. Composer: Jules Massenet (1842 - 1912) Gerald Moore (piano) Recording Date 11/29/1940 Arranged: Marsick For more inf.: www.violinist.com Many thanks to people whose pictures are used to make this video.
Pavel Josef Vejvanovský - Sonata Vespertina - Trumpet duo
Played on the 12.th of June 2011 by Chananel Sichrovský and Jaroslav Kollert.
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Leila Josefowicz Plays Kreisler - 1991
Miss Josefowicz, age 13, Plays 'Praeludium & Allegro' by the violinist/composer Friedrich Maximilian "Fritz" Kreisler, 1875-1962
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Franz Josef Haydn: Trumpet concerto Es-Dur
Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. It is in fact impossible for me to know if some of my videos constitute copyright infringement because all the material I uploaded is the result of TV recording and passion for the music. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding REDPRRIEST ----------------------------------------------- Joseph Haydn Trompetenkonzert Es-Dur: 3. Satz Trummpet: Alison Balsom Deutsche Kammerphilharmonie Bremen Musikalische Leitung: Louis Langrée
Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. It is in fact impossible for me to know if some of my videos constitute copyright infringement because all the material I uploaded is the result of TV recording and passion for the music. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding REDPRRIEST ----------------------------------------------- Joseph Haydn Trompetenkonzert Es-Dur: 3. Satz Trummpet: Alison Balsom Deutsche Kammerphilharmonie Bremen Musikalische Leitung: Louis Langrée
Josef Hassid - Dvorak - Humoreske
My first video... Josef Hassid (Dec. 28/1923 - 1950)- Humoreske I started listening to Humoreske with Heifetz's, and, u know, Heifetz's shadow is so huge. But ... Hassid's totally won my heart even then (when I first heard Hassid's)I didn't know who he was. Humoreske For Piano Op. 101/B 187: No. 7 in G flat major. Composer: Antonin Dvorak (1841-1904) Arranged: Fritz Kreisler Gerald Moore (piano) Recording Date 11/29/1940 For more inf. about Hassid, pls check out this link: www.violinist.com Notes: pics in this video are just what close to my heart, not related to Hassid.
My first video... Josef Hassid (Dec. 28/1923 - 1950)- Humoreske I started listening to Humoreske with Heifetz's, and, u know, Heifetz's shadow is so huge. But ... Hassid's totally won my heart even then (when I first heard Hassid's)I didn't know who he was. Humoreske For Piano Op. 101/B 187: No. 7 in G flat major. Composer: Antonin Dvorak (1841-1904) Arranged: Fritz Kreisler Gerald Moore (piano) Recording Date 11/29/1940 For more inf. about Hassid, pls check out this link: www.violinist.com Notes: pics in this video are just what close to my heart, not related to Hassid.
Josef Hassid- Tchaikovsky -- Sourvenir d'un lieu cher Op. 42
My 8th and, perhaps, the last Hassid's so far... This video is wholeheartedly dedicated to my beloved friend who ends my days on high notes since being in his company. Josef Hassid- Tchaikovsky -- Sourvenir d'un lieu cher (Remembrance of a Beloved Place) Op. 42, No.3 Melodie. Gerald Moore (piano). Rec. 6/12/1940 Josef Hassid (Dec. 28, 1923 -- 1950) was a Polish violinisit. He was noted for his intense vibrato and temperament, causing Fritz Kreisler to say "A Heifetz violinist comes around every 100 years, a Hassid every 200." His great legacy to music is in the form of 9 recordings, recorded for HMV, among which Achron's Hebrew Melody is notable. Two of these recordings are the same piece; later recording was made after undergoing roughly a year under Carl Flesch's teachings. Sorry, I don't have that piece. For more inf.: www.violinist.com Many thanks to people whose pictures have been used to make videos. Tchaikovsky's sounds really sad, but I wanna see a happy ending tho. Enjoy! :)
My 8th and, perhaps, the last Hassid's so far... This video is wholeheartedly dedicated to my beloved friend who ends my days on high notes since being in his company. Josef Hassid- Tchaikovsky -- Sourvenir d'un lieu cher (Remembrance of a Beloved Place) Op. 42, No.3 Melodie. Gerald Moore (piano). Rec. 6/12/1940 Josef Hassid (Dec. 28, 1923 -- 1950) was a Polish violinisit. He was noted for his intense vibrato and temperament, causing Fritz Kreisler to say "A Heifetz violinist comes around every 100 years, a Hassid every 200." His great legacy to music is in the form of 9 recordings, recorded for HMV, among which Achron's Hebrew Melody is notable. Two of these recordings are the same piece; later recording was made after undergoing roughly a year under Carl Flesch's teachings. Sorry, I don't have that piece. For more inf.: www.violinist.com Many thanks to people whose pictures have been used to make videos. Tchaikovsky's sounds really sad, but I wanna see a happy ending tho. Enjoy! :)
Josef Hassid -- Edward Elgar - La Capricieuse
Josef Hassid (Dec. 28, 1923 - 1950) -- La Capricieuse, Op. 17 Composer Sir Edward Elgar (1857 - 1934) Ivor Newton (Piano) Rec. 1/9/1939 "Round & round the planets revolve round the Sun." Our sun very slowly burns itself out - bleeds itself dry - to warm up the Earth; so do our parents, they warm up our lives. This video I make to thank our parents. Many thanks to people whose pics I've used. Many amazing pictures in this video were taken from this following link. Thanks so much to its owner - Dan Bush. www.missouriskies.org
Josef Hassid (Dec. 28, 1923 - 1950) -- La Capricieuse, Op. 17 Composer Sir Edward Elgar (1857 - 1934) Ivor Newton (Piano) Rec. 1/9/1939 "Round & round the planets revolve round the Sun." Our sun very slowly burns itself out - bleeds itself dry - to warm up the Earth; so do our parents, they warm up our lives. This video I make to thank our parents. Many thanks to people whose pics I've used. Many amazing pictures in this video were taken from this following link. Thanks so much to its owner - Dan Bush. www.missouriskies.org
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Joseph Achron - Third Violin Concerto (Excerpt)
Gernot Süßmuth, violin Robin Engelen, conductor Brandenburger Symphoniker From the first performance since 1939 of Achron's Third Violin Concerto (on May 27, 2011 in Brandenburg an der Havel, Germany). The first published edition, used for this performance, was issued by the Joseph Achron Society in 2011. Joseph Achron was one of the greatest Russian-Jewish nationalist composers of the early 20th century. His Third Violin Concerto, commissioned by Jascha Heifetz in 1933, fuses together American, Jewish, and Classical influences. Himself an accomplished violinist, Achron premiered this work as soloist with Otto Klemperer conducting the Los Angeles Philharmonic in 1939. For more information or to inquire about scores, please visit the Joseph Achron Society website at www.JosephAchron.org
Gernot Süßmuth, violin Robin Engelen, conductor Brandenburger Symphoniker From the first performance since 1939 of Achron's Third Violin Concerto (on May 27, 2011 in Brandenburg an der Havel, Germany). The first published edition, used for this performance, was issued by the Joseph Achron Society in 2011. Joseph Achron was one of the greatest Russian-Jewish nationalist composers of the early 20th century. His Third Violin Concerto, commissioned by Jascha Heifetz in 1933, fuses together American, Jewish, and Classical influences. Himself an accomplished violinist, Achron premiered this work as soloist with Otto Klemperer conducting the Los Angeles Philharmonic in 1939. For more information or to inquire about scores, please visit the Joseph Achron Society website at www.JosephAchron.org
Sergey Prokofiev - "Overture on Hebrew Themes" op.34
Prokofiev's "Overture on Hebrew Themes" For Clarinet, String Quartet and Piano . Performers : Narek Arutyunian - Clarinet Yury Revich - Violin Recorded in Moscow International Soloist Narek Arutyunian was born in Gyumri, Armenia in 1992. When Narek was 10, he took the clarinet in his hands for the first time ever. He studied at the Central Music School of the Tchaikovsky Moscow State Conservatory (2003-2009) ,at the Tchaikovsky Moscow State Conservatory in class of Evgeny Petrov (2009-2010) Since 2010 he studies at Queens College of the City University of New York in class of Charles Neidich. In Recital Narek has appeared at such prestigious venues as the Carnegie Hall in New York, the Louvre Auditorium in Paris, the Museum of Grenoble, Glenn Gould Studio in Toronto, "Palazzo del Principe" in Genova, Teatro Savio in Messina, Kaliningrad Philharmonic Hall,Glendale Presbyterian Church in Los Angeles, Chamber Hall of the Moscow Philharmonic Society Narek has performed numerous concerts major concert halls all throughout Europe and North America Theatre des Champs Elysees in Paris, Rudolfinum - Dvorak Hall in Prague, Kennedy Center in Washington DC, United Nations Hall in Geneva, Tchaikovsky Concert Hall in Moscow , George Weston Recital Hall in Toronto, Great, Small and Rachmaninov Halls of the Moscow Conservatory, St.Petersburg Philharmonic Hall , Svetlanov's, Theater and Chamber Halls of Moscow International House of Music , Kaufmann Hall in New York Narek has appeared as <b>...</b>
Prokofiev's "Overture on Hebrew Themes" For Clarinet, String Quartet and Piano . Performers : Narek Arutyunian - Clarinet Yury Revich - Violin Recorded in Moscow International Soloist Narek Arutyunian was born in Gyumri, Armenia in 1992. When Narek was 10, he took the clarinet in his hands for the first time ever. He studied at the Central Music School of the Tchaikovsky Moscow State Conservatory (2003-2009) ,at the Tchaikovsky Moscow State Conservatory in class of Evgeny Petrov (2009-2010) Since 2010 he studies at Queens College of the City University of New York in class of Charles Neidich. In Recital Narek has appeared at such prestigious venues as the Carnegie Hall in New York, the Louvre Auditorium in Paris, the Museum of Grenoble, Glenn Gould Studio in Toronto, "Palazzo del Principe" in Genova, Teatro Savio in Messina, Kaliningrad Philharmonic Hall,Glendale Presbyterian Church in Los Angeles, Chamber Hall of the Moscow Philharmonic Society Narek has performed numerous concerts major concert halls all throughout Europe and North America Theatre des Champs Elysees in Paris, Rudolfinum - Dvorak Hall in Prague, Kennedy Center in Washington DC, United Nations Hall in Geneva, Tchaikovsky Concert Hall in Moscow , George Weston Recital Hall in Toronto, Great, Small and Rachmaninov Halls of the Moscow Conservatory, St.Petersburg Philharmonic Hall , Svetlanov's, Theater and Chamber Halls of Moscow International House of Music , Kaufmann Hall in New York Narek has appeared as <b>...</b>
