Spanish Dance No. 5: Andaluza, transcribed for solo guitar - Enrique
- Classical music www.onlineguitaracademy.net - Enrique Granados' love for his native Spain comes through in his music, most of which has a distinctive Spanish character. This piece, the Danza Española in E minor, op. 37, no. 5, is part of his 12 Danzas Españolas, a delightful collection of Spanish dances. Originally written for the piano in 1890, this piece's Spanish flavor comes alive on the classical guitar. To learn to play this piece on your guitar, try the free mini-lesson on the Spanish Dance No. 5 on Los Angeles Guitar Academy's website, http To access sheet music, close-up, slow walk-through clips for thispiece and LAGA's complete online classical guitar lesson program to bring your playing up to this level, enroll in a full subscription to LAGA's online classical guitar lessons, LAGA Classical. You can get started today by signing up for a free, no-obligation, three-day trial on the website listed above. For updates on our latest music postings, please subscribe to our YouTube channel on the button above. Thanks!
Related Videos
With Love - Classical Spanish Guitar
I don't have tabs or sheet music for this song yet. Its an improvisation in free time which makes it a little challenging to transcribe. I haven't had time to work on it yet. If there are any volunteers out there that would like to attempt a transcription I would very much appreciate it. -John, Sept. 14th, 2010
for my sweet emma and ani.
MP3: http://www.cdbaby.com/cd/JohnHClarke1
I don't have tabs or sheet music for this song yet. Its an improvisation in free time which makes it a little challenging to transcribe. I haven't had time to work on it yet. If there are any volunteers out there that would like to attempt a transcription I would very much appreciate it. -John, Sept. 14th, 2010for my sweet emma and ani.
MP3: http://www.cdbaby.com/cd/JohnHClarke1
Spanish Love Song | Spanish Guitar Music | Beautiful Music
FREE SONG DOWNLOAD AT: http://ReverbNation.com/dglas The music of D. Glas (Douglas Stambler)
FREE SONG DOWNLOAD AT: http://ReverbNation.com/dglas The music of D. Glas (Douglas Stambler)
Nelson Amos plays "Spanish Romance"
Spanish Romance, by an anonymous 19th century composer, is a favorite work for classical guitar. Played here by EMU professor Nelson Amos. Purchase this song (Romanza) on Nelson's CD "Summer Serenade." Available on iTunes and cdbaby. www.cdbaby.com
Spanish Romance, by an anonymous 19th century composer, is a favorite work for classical guitar. Played here by EMU professor Nelson Amos. Purchase this song (Romanza) on Nelson's CD "Summer Serenade." Available on iTunes and cdbaby. www.cdbaby.com
Panaderos Flamencos - My favourite Spanish tune !!!
Seguidilla "Panaderos Flamencos" by Esteban de Sanlucar. I have recorded this cherfull and sunny piece while doing daily routines on my spruce-top classical guitar :D
Seguidilla "Panaderos Flamencos" by Esteban de Sanlucar. I have recorded this cherfull and sunny piece while doing daily routines on my spruce-top classical guitar :D
Brahms Hungarian Dance 5 - 6 Cecchetto
Vittorio Cecchetto conducting "Citta Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Vittorio Cecchetto conducting "Citta Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Jascha Heifetz plays Brahms Hungarian Dance No. 7
Jascha Heifetz plays Hungarian Dance #7 by Johannes Brahms (transcribed by Heifetz).
Accompanist: Emanuel Bay
Jascha Heifetz plays Hungarian Dance #7 by Johannes Brahms (transcribed by Heifetz).Accompanist: Emanuel Bay
Wine Glass Duo - Anitras Dance Peer Gynt
That's amazing... Professional concert played just on wine glasses. The instrument is called glass harp or musical glasses. E.Grieg - Anitra's Dance (Peer Gynt)
That's amazing... Professional concert played just on wine glasses. The instrument is called glass harp or musical glasses. E.Grieg - Anitra's Dance (Peer Gynt)
Anitras Dance Peer Gynt
The Chamber Orchestra of S.Joao da Madeira Music Academy directed by Richard Tomes plays 'Anitras' Dance' from Peer Gynt by Grieg during a concert at the Music Academy SJM.
in June 2006.
The Chamber Orchestra of S.Joao da Madeira Music Academy directed by Richard Tomes plays 'Anitras' Dance' from Peer Gynt by Grieg during a concert at the Music Academy SJM. in June 2006.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Telemann - "Wassermusik" Suite in C TWV55:C3 - Mov. 1/10
GEORG PHILIPP TELEMANN (1681-1767) "Wassermusik" suite for orchestra in C major TWV55:C3 "Hamburger Ebb' and Fluth" 1. Ouverture *George Philipp Telemann's Wassermusik (commonly known as 'Hamburger Ebb und Fluth' -- an oblique reference to the local method of sewage disposal!) was composed for the 100th anniversary of Hamburg's admiralty, 1723. Each of the movements picture the sea in all it's moods and characterized figures from the world of ancient mythology who would have been familiar to any educated seafarer. Performed by The King's Consort Conducted by Richard King
GEORG PHILIPP TELEMANN (1681-1767) "Wassermusik" suite for orchestra in C major TWV55:C3 "Hamburger Ebb' and Fluth" 1. Ouverture *George Philipp Telemann's Wassermusik (commonly known as 'Hamburger Ebb und Fluth' -- an oblique reference to the local method of sewage disposal!) was composed for the 100th anniversary of Hamburg's admiralty, 1723. Each of the movements picture the sea in all it's moods and characterized figures from the world of ancient mythology who would have been familiar to any educated seafarer. Performed by The King's Consort Conducted by Richard King
String Quartet No. 5: Through the Night - II. Chaconne
The Emerson String Quartet performs an excerpt from the second movement of "String Quartet No. 5: Through the Night" by Lawrence Dillon http://www.lawrencedillon.com. The second movement is a chaconne based on the melody "All Through the Night." Live recording from the premiere by the Emerson String Quartet at the Kölner Philharmonie.
The Emerson String Quartet performs an excerpt from the second movement of "String Quartet No. 5: Through the Night" by Lawrence Dillon http://www.lawrencedillon.com. The second movement is a chaconne based on the melody "All Through the Night." Live recording from the premiere by the Emerson String Quartet at the Kölner Philharmonie.
Lawrence Dillon String Quartet No. 5: Through the Night - III. Dream
The Emerson String Quartet performs an excerpt from the third movement of "String Quartet No. 5: Through the Night" by Lawrence Dillon http://www.lawrencedillon.com. The third movement is a passacaglia based on the melody "All Through the Night." Live recording from the premiere by the Emerson String Quartet at the Kölner Philharmonie.
The Emerson String Quartet performs an excerpt from the third movement of "String Quartet No. 5: Through the Night" by Lawrence Dillon http://www.lawrencedillon.com. The third movement is a passacaglia based on the melody "All Through the Night." Live recording from the premiere by the Emerson String Quartet at the Kölner Philharmonie.
Telemann - Suite in A Minor TWV55:A3 - Mov. 2-3/7
GEORG PHILIPP TELEMANN (1681-1767) Suite for recorder, strings, harpsichord, and basso continuo in A minor TWV55:A3 2. Les Plaisirs 3. Air a l'Italian Performed by The Parley of Intruments Featuring Peter Holtslag, treble recorder Directed by Peter Holman
GEORG PHILIPP TELEMANN (1681-1767) Suite for recorder, strings, harpsichord, and basso continuo in A minor TWV55:A3 2. Les Plaisirs 3. Air a l'Italian Performed by The Parley of Intruments Featuring Peter Holtslag, treble recorder Directed by Peter Holman
Domenico Scarlatti - Sonata K178 transcribed for guitar
Visit my website! www.rick-graham.co.uk A piece written for the harpsichord by Domenico Scarlatti transcribed for classical guitar
Visit my website! www.rick-graham.co.uk A piece written for the harpsichord by Domenico Scarlatti transcribed for classical guitar
Domenico Scarlatti - Sonata K78 transcribed for the guitar
My New album 'Insideout' is available for pre-order NOW! purchase here: www.rick-graham.co.uk A sonata written for the harpsichord by Domenico Scarlatti and transcribed for the guitar
My New album 'Insideout' is available for pre-order NOW! purchase here: www.rick-graham.co.uk A sonata written for the harpsichord by Domenico Scarlatti and transcribed for the guitar
Ave Maria - Franz Schubert (Transcribed for Classical Guitar)
www.onlineguitaracademy.net - This exquisite work has that unbeatable combination of an unforgettable melody blended with a text that is a familiar refrain to many, particularly those of the Roman Catholic faith. As such, it has become a holiday classic in the Western world, sung by artists as diverse as Bing Crosby and Luciano Pavarotti. Its origins, however, were not liturgical. The original, in German, was a translation of part of Sir Walter Scott's "The Lady of the Lake." A prayer, to be sure, but an improvised one, spoken from the heart by a maiden in need of divine intervention. Through the medium of the classical guitar, one can experience the piece's meditative tone through one's own thoughts, without words, through the lenses of one's own beliefs. Ifyou would like to learn to play this piece and add it to your repertoire, take advantage of the free mini-lesson on this piece, available on Los Angeles Guitar Academy's website, http To access sheet music, close-up, slow walk-through clips for this piece and LAGA's complete online classical guitar lesson program to bring your playing up to this level, enroll in a full subscription to LAGA's online classical guitar lessons, LAGA Classical. You can get started today by signing up for a free, no-obligation, three-day trial on the website listed above. For updates on our latest music postings, please subscribe to our YouTube channel on the button above. Thanks!
www.onlineguitaracademy.net - This exquisite work has that unbeatable combination of an unforgettable melody blended with a text that is a familiar refrain to many, particularly those of the Roman Catholic faith. As such, it has become a holiday classic in the Western world, sung by artists as diverse as Bing Crosby and Luciano Pavarotti. Its origins, however, were not liturgical. The original, in German, was a translation of part of Sir Walter Scott's "The Lady of the Lake." A prayer, to be sure, but an improvised one, spoken from the heart by a maiden in need of divine intervention. Through the medium of the classical guitar, one can experience the piece's meditative tone through one's own thoughts, without words, through the lenses of one's own beliefs. Ifyou would like to learn to play this piece and add it to your repertoire, take advantage of the free mini-lesson on this piece, available on Los Angeles Guitar Academy's website, http To access sheet music, close-up, slow walk-through clips for this piece and LAGA's complete online classical guitar lesson program to bring your playing up to this level, enroll in a full subscription to LAGA's online classical guitar lessons, LAGA Classical. You can get started today by signing up for a free, no-obligation, three-day trial on the website listed above. For updates on our latest music postings, please subscribe to our YouTube channel on the button above. Thanks!
Tariq Harb: Beethoven's Violin Concerto transcribed for Guitar!
Aside from his tremendous contributions to the modern classical guitar technique, Kazuhito Yamashita transcribed many beautiful pieces for solo guitar, including Beethoven's only Violin Concerto Op.61. Shown here are excerpts from this transcription. www.tariqharb.com
Aside from his tremendous contributions to the modern classical guitar technique, Kazuhito Yamashita transcribed many beautiful pieces for solo guitar, including Beethoven's only Violin Concerto Op.61. Shown here are excerpts from this transcription. www.tariqharb.com
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".
The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
Fanfare for the Common Man Aaron Copland
WOODY HERMAN and the THUNDERING HERD
Nice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
WOODY HERMAN and the THUNDERING HERDNice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
Romance - classical guitar tremolo solo
http://nylonguitarist.com
The classic Spanish Ballad played tremolo style.
http://nylonguitarist.comThe classic Spanish Ballad played tremolo style.
Pachelbels Canon for Solo Bass Zander Zon
My solo album - Sonorous - is now available on CD Baby:
http://www.cdbaby.com/cd/ZanderZon
(Also available on iTunes.)
Well, I decided to give my favorite classical piece a try. And it's safe to say that, after coming up with this arrangement and practicing it every day for two weeks, there is a 60% chance I will never be able to use my left hand again. : )
Copyright 2009, all rights reserved.
FACEBOOK:
http://www.facebook.com/pages/Zander-Zon/406208269151
MYSPACE:
http://www.myspace.com/zanderzonmusic
My solo album - Sonorous - is now available on CD Baby:http://www.cdbaby.com/cd/ZanderZon
(Also available on iTunes.)
Well, I decided to give my favorite classical piece a try. And it's safe to say that, after coming up with this arrangement and practicing it every day for two weeks, there is a 60% chance I will never be able to use my left hand again. : )
Copyright 2009, all rights reserved.
FACEBOOK:
http://www.facebook.com/pages/Zander-Zon/406208269151
MYSPACE:
http://www.myspace.com/zanderzonmusic
Romance - classical guitar tremolo solo
nylonguitarist.com The classic Spanish Ballad played tremolo style.
nylonguitarist.com The classic Spanish Ballad played tremolo style.
Jack Gibbons plays Alkan Concerto for solo piano (1st mvt)
Jack Gibbons plays the first movement (complete) of Alkan's Concerto for solo piano. <br /><br />The monumental Concerto for Solo Piano makes up Etudes 8-10 of Charles-Valentin Alkan's 'Douze Etudes dans les Tons Mineurs' (Twelve Studies in the Minor Keys), Alkan's magnum opus, published in 1857. The Concerto for solo piano has been described as a musical epic and as one of the most original works of its century, and contains some of Alkans finest and most haunting music. As the title of the work suggests, Alkan recreates the massive and contrasting sounds of both piano and orchestra through just one pair of hands (the entry of the solo pianist, following the 'orchestral' exposition, is obvious from the rising sweep of a pianistic scale). The gigantic proportions of the first movement are superbly controlled in Alkans masterly construction, the contrasting mixture of excitement and tenderness, ferocity and lyricism being held together in a model of coherence and logical progression. <br /><br />Jack Gibbons made his London debut in 1979, at the age of 17, performing the Alkan Concerto for solo piano. A year earlier, at the age of 16, he had given only the second ever performance in history of the complete Concerto (Ronald Smith gave the first ever complete performance of the work the previous year, 1977). In 1995 Jack Gibbons became the first pianist to perform the entire three and a half hour 'Douze Etudes dans les Tons Mineurs' of Alkan in a single concert. <br /><br />For more information on Jack Gibbons visit his official website at http://www.jackgibbons.com
Jack Gibbons plays the first movement (complete) of Alkan's Concerto for solo piano. <br /><br />The monumental Concerto for Solo Piano makes up Etudes 8-10 of Charles-Valentin Alkan's 'Douze Etudes dans les Tons Mineurs' (Twelve Studies in the Minor Keys), Alkan's magnum opus, published in 1857. The Concerto for solo piano has been described as a musical epic and as one of the most original works of its century, and contains some of Alkans finest and most haunting music. As the title of the work suggests, Alkan recreates the massive and contrasting sounds of both piano and orchestra through just one pair of hands (the entry of the solo pianist, following the 'orchestral' exposition, is obvious from the rising sweep of a pianistic scale). The gigantic proportions of the first movement are superbly controlled in Alkans masterly construction, the contrasting mixture of excitement and tenderness, ferocity and lyricism being held together in a model of coherence and logical progression. <br /><br />Jack Gibbons made his London debut in 1979, at the age of 17, performing the Alkan Concerto for solo piano. A year earlier, at the age of 16, he had given only the second ever performance in history of the complete Concerto (Ronald Smith gave the first ever complete performance of the work the previous year, 1977). In 1995 Jack Gibbons became the first pianist to perform the entire three and a half hour 'Douze Etudes dans les Tons Mineurs' of Alkan in a single concert. <br /><br />For more information on Jack Gibbons visit his official website at http://www.jackgibbons.com
Edgar Cruz - Bohemian Rhapsody classical guitar
http://videoprogressions.tv/downloads/product_info.php?products_id=35
"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
http://videoprogressions.tv/downloads/product_info.php?products_id=35"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
Guitar Impossible stop motion music short by MysteryGuitarMan
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.
I know. I was bored.
Like this video? Tweet about it!
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Watch my other videos:
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Follow me on Twitter:
http://www.twitter.com/MysteryGuitarM
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Song is Mozart - Marriage of Figaro
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.I know. I was bored.
Like this video? Tweet about it!
http://bit.ly/GuitarTweet
Get my t-shirts:
http://bit.ly/MGMshirts
MY LINKS:
Watch my other videos:
http://www.youtube.com/MysteryGuitarMan
My Website: http://www.pennajoe.com/
Follow me on Twitter:
http://www.twitter.com/MysteryGuitarM
...and Facebook:
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Song is Mozart - Marriage of Figaro
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
mozart guitar enrique solinis
themadmanoftheguitar.vox.com enrique solinis live in donostia (resume). The guitarist Enrique Solinís in the decade of the 90. At present he also dedicates his work in the ancient music, being the guitarist and laudist of Jordi Savall among other musicians. (Trans. W. Kanengiser)
themadmanoftheguitar.vox.com enrique solinis live in donostia (resume). The guitarist Enrique Solinís in the decade of the 90. At present he also dedicates his work in the ancient music, being the guitarist and laudist of Jordi Savall among other musicians. (Trans. W. Kanengiser)
JOSE ENRIQUE PEDREIRA Mis Amores
La danza de Puerto Rico "Mis Amores" compuesta por Simon Madera. Jose Enrique Pedreira (February 2, 1904-January 6, 1959) born in San Juan, Puerto Rico, was a renowned composer of Puerto Rican danzas. Pedreira was born into a family that formed part of San Juan's "High Society" who sent him to the best known private schools on the island and from a young age gave him private music lessons. In 1922 he graduated from high school and was sent to New York City, by his parents, to continue his musical education. Here he enrolled in the music school of Segismundo Stojowski where he learned piano and music composition. It was here that he met a fellow student who was also to become his wife, Alicia Hutchinson. In 1932, he returned to Puerto Rico with his wife and established the Pedreira Academy of Music in San Juan. Together with his wife (a violinist) he gave piano and violin lessons. During his spare time he composed music and danzas for piano, violin and cello. Among his compositions are the following: * "Caricias" (Your tendertouch) * "Siempre" (Always), dedicated to Juan Morel Campos * "Valses de Concierto" (Concert Waltzes) * "Jardin de Piedra" (Garden of Rock) - a ballet * "Concert for Piano and Orchestra" * "Elegía India, Poema y Souvenir" * "Enseuño de Marta" (Martha's Dream) * "Encanto" * "Colibri" Pedreira received many awards and recognitions during his lifetime. Some of the institutions that honored him were: * The University of Puerto Rico * The Puerto Rican <b>...</b>
La danza de Puerto Rico "Mis Amores" compuesta por Simon Madera. Jose Enrique Pedreira (February 2, 1904-January 6, 1959) born in San Juan, Puerto Rico, was a renowned composer of Puerto Rican danzas. Pedreira was born into a family that formed part of San Juan's "High Society" who sent him to the best known private schools on the island and from a young age gave him private music lessons. In 1922 he graduated from high school and was sent to New York City, by his parents, to continue his musical education. Here he enrolled in the music school of Segismundo Stojowski where he learned piano and music composition. It was here that he met a fellow student who was also to become his wife, Alicia Hutchinson. In 1932, he returned to Puerto Rico with his wife and established the Pedreira Academy of Music in San Juan. Together with his wife (a violinist) he gave piano and violin lessons. During his spare time he composed music and danzas for piano, violin and cello. Among his compositions are the following: * "Caricias" (Your tendertouch) * "Siempre" (Always), dedicated to Juan Morel Campos * "Valses de Concierto" (Concert Waltzes) * "Jardin de Piedra" (Garden of Rock) - a ballet * "Concert for Piano and Orchestra" * "Elegía India, Poema y Souvenir" * "Enseuño de Marta" (Martha's Dream) * "Encanto" * "Colibri" Pedreira received many awards and recognitions during his lifetime. Some of the institutions that honored him were: * The University of Puerto Rico * The Puerto Rican <b>...</b>
Grand Overture - Mauro Giuliane by Álvaro Henrique
Álvaro Henrique abre a série de concertos do 1º Festival de Violão da BRAVIO interpretando a Grande Abertura de Mauro Giuliane em 27 de julho de 2007, Brasília/DF - Brasil.
Álvaro Henrique abre a série de concertos do 1º Festival de Violão da BRAVIO interpretando a Grande Abertura de Mauro Giuliane em 27 de julho de 2007, Brasília/DF - Brasil.
