A Clockwork Orange - Extended Theme & Title Music
- Classical music composed by Henry Purcell Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic ...
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E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
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VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
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solinga ne' tumulti
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de' suoi colori occulti!
Lui che modesto e vigile
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e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
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E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
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Conducted by Gabriele Santini
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VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
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godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
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destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
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vo' che scorra il viver mio
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Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
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Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
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Follie! follie! Ah sì! Gioir, gioir!
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vo' che scorra il viver mio
pei sentieri del piacer.
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sempre lieta ne' ritrovi,
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Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
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E di pensier
E di pensier
E di pensier
è sempre misero
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Chi le confida
Mal cauto il core
Pur mai non sentesi
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Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
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E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
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In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
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Chi le confida
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Pur mai non sentesi
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Title Theme - A Clockwork Orange - Played by Denise Hewitt
Originally written by Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". More info on music genius Wendy Carlos at: www.wendycarlos.com This very personal interpretation of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic Keyboard by amateur transgendered musician - Miss Denise Hewitt. - - - - - - - - - - - - - - - - - - - - - Note: Anthony Burgess called his invented language in his 1962 <b>...</b>
Originally written by Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". More info on music genius Wendy Carlos at: www.wendycarlos.com This very personal interpretation of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic Keyboard by amateur transgendered musician - Miss Denise Hewitt. - - - - - - - - - - - - - - - - - - - - - Note: Anthony Burgess called his invented language in his 1962 <b>...</b>
Main Theme - "A Clockwork Orange" Performed by Denise Hewitt
Originally written by Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Music was adapted and abridged for the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was composed by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". More info on music genius Wendy Carlos at: www.wendycarlos.com This very personal interpretation of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary II" (1694) is performed on a 1990s Technics PR60 Electronic Keyboard by amateur transgendered musician - Miss Denise Hewitt. - - - - - - - - - - - - - - - - - - - - - Note: Anthony Burgess called his invented language in his 1962 Clockwork Orange Book - Nadsat - and is based upon words from the slavic group of <b>...</b>
Originally written by Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Music was adapted and abridged for the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was composed by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". More info on music genius Wendy Carlos at: www.wendycarlos.com This very personal interpretation of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary II" (1694) is performed on a 1990s Technics PR60 Electronic Keyboard by amateur transgendered musician - Miss Denise Hewitt. - - - - - - - - - - - - - - - - - - - - - Note: Anthony Burgess called his invented language in his 1962 Clockwork Orange Book - Nadsat - and is based upon words from the slavic group of <b>...</b>
A Clockwork Orange - Extended Theme Music - 2009 Version
Welcome to my Spring 2009 Version of the Theme Music from the soundtrack of Stanley Kubrick's futuristic film - A Clockwork Orange - I recorded this version to celebrate my 10th Anniversary On-Line - March 1999 to March 2009 Wow! - Originally my on-line tag line in the olden days of Web1.0 was "Denise in Cyberspace", but since the birth of YouTube and Web2.0 I've updated my channel tag to "Dressed for the Classics" - Enjoy the power, depth & beauty of Henry Purcell's Eternal Theme played on a 20thC Technics PR903 Digital Piano! The photo in the opening titles and closing credits was shot by Denise just before sunset from the rocky peaks of the Valley of Desolation near the Karoo town of Graff Reinet in South Africa - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Originally written by Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie <b>...</b>
Welcome to my Spring 2009 Version of the Theme Music from the soundtrack of Stanley Kubrick's futuristic film - A Clockwork Orange - I recorded this version to celebrate my 10th Anniversary On-Line - March 1999 to March 2009 Wow! - Originally my on-line tag line in the olden days of Web1.0 was "Denise in Cyberspace", but since the birth of YouTube and Web2.0 I've updated my channel tag to "Dressed for the Classics" - Enjoy the power, depth & beauty of Henry Purcell's Eternal Theme played on a 20thC Technics PR903 Digital Piano! The photo in the opening titles and closing credits was shot by Denise just before sunset from the rocky peaks of the Valley of Desolation near the Karoo town of Graff Reinet in South Africa - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Originally written by Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie <b>...</b>
Prokofiev plays March from The Love for Three Oranges
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Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
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Pirates of the Caribbean [Main Theme] by hemo
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I HAVEN'T GOT TABS, I played it by ear, so I won't answer to people who ask for tabs. sorry. 1 million views 03/04/2008. _______________________________ Mp3 download: www.myspace.com _______________________________ My cover of this song -He's a Pirate- on classical guitar. On this video i'm playing the lead guitar, but rhythm guitars and others (2nd, 3rd guitar..) are also recorded by me. NOTE: I have also uploaded an animated version (uhm.. i think it's better) that includes the rhythm guitar video.. check it if u want: www.youtube.com Sorry but i don't have tabS =( i picked up the notes by ear.. Thanks for your comments :) Hope you enjoy. _____________________________________ HONORS: #15 - Most Discussed (All Time) - Spain #9 - Most Discussed (All Time) - Music - Spain #48 - Most Responded (All Time) - Spain #14 - Most Responded (All Time) - Music - Spain #68 - Most Viewed (All Time) - Music - Spain #26 - Top Favorites (All Time) - Spain #20 - Top Favorites (All Time) - Music - Spain #3 - Top Rated (All Time) - Spain #97 - Top Rated (All Time) - Music - GLOBAL #3 - Top Rated (All Time) - Music - Spain __________________________________ NO TENGO TABS, la saqué de oído, lo sientooooo, no contesto a la gente q pide tablaturas pq preguntan a diario y lo he dicho ya en todos los idiomas =( He's a pirate, tema principal de Piratas del Caribe. En el vídeo toco la guitarra principal, de fondo (es un audio) suenan la rítmica y demás arreglos que también grabé yo antes de grabar <b>...</b>
I HAVEN'T GOT TABS, I played it by ear, so I won't answer to people who ask for tabs. sorry. 1 million views 03/04/2008. _______________________________ Mp3 download: www.myspace.com _______________________________ My cover of this song -He's a Pirate- on classical guitar. On this video i'm playing the lead guitar, but rhythm guitars and others (2nd, 3rd guitar..) are also recorded by me. NOTE: I have also uploaded an animated version (uhm.. i think it's better) that includes the rhythm guitar video.. check it if u want: www.youtube.com Sorry but i don't have tabS =( i picked up the notes by ear.. Thanks for your comments :) Hope you enjoy. _____________________________________ HONORS: #15 - Most Discussed (All Time) - Spain #9 - Most Discussed (All Time) - Music - Spain #48 - Most Responded (All Time) - Spain #14 - Most Responded (All Time) - Music - Spain #68 - Most Viewed (All Time) - Music - Spain #26 - Top Favorites (All Time) - Spain #20 - Top Favorites (All Time) - Music - Spain #3 - Top Rated (All Time) - Spain #97 - Top Rated (All Time) - Music - GLOBAL #3 - Top Rated (All Time) - Music - Spain __________________________________ NO TENGO TABS, la saqué de oído, lo sientooooo, no contesto a la gente q pide tablaturas pq preguntan a diario y lo he dicho ya en todos los idiomas =( He's a pirate, tema principal de Piratas del Caribe. En el vídeo toco la guitarra principal, de fondo (es un audio) suenan la rítmica y demás arreglos que también grabé yo antes de grabar <b>...</b>
Cinema Paradiso: Love Theme
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
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Rachmaninoff Rhapsody on a Theme of Paganini 18th Variation
visit my webpage - www.joolsscott.co.uk The Rhapsody on a Theme of Paganini (Russian Рапсодия на тему Паганини, Rapsodiya na temu Paganini) in A minor, opus 43, is a concertante work (20 to 25 minutes in length), written by Sergei Rachmaninoff. It is written for solo piano and symphony orchestra, closely resembling a piano concerto. The work was written at Villa Senar, according to the score, from July 3 to August 18, 1934. Rachmaninoff himself, a noted interpreter of his own works, played the solo piano part at the piece's premiere at the Lyric Opera House in Baltimore, Maryland on November 7, 1934 with the Philadelphia Orchestra conducted by Leopold Stokowski. You can download my most recent 10 track piano album for $4 at payloadz.com The piece is a set of 24 variations on the twenty-fourth and last of Niccolò Paganini's Caprices for solo violin, which has inspired works by several composers. The slow eighteenth variation is by far the most well-known, and it is often included on classical music compilations without the rest of the work. It is based on an inversion of the melody of Paganini's theme. In other words, the A minor Paganini theme is played "upside down" in D flat major. Rachmaninoff himself recognized the appeal of this variation, saying "This one, is for my agent." This variation has been featured in several movies, including 1953 The Story of Three Loves 1954 Rhapsody 1980 Somewhere in Time 1991 Dead Again 1995 Sabrina 1998 Ronin In collaboration with <b>...</b>
visit my webpage - www.joolsscott.co.uk The Rhapsody on a Theme of Paganini (Russian Рапсодия на тему Паганини, Rapsodiya na temu Paganini) in A minor, opus 43, is a concertante work (20 to 25 minutes in length), written by Sergei Rachmaninoff. It is written for solo piano and symphony orchestra, closely resembling a piano concerto. The work was written at Villa Senar, according to the score, from July 3 to August 18, 1934. Rachmaninoff himself, a noted interpreter of his own works, played the solo piano part at the piece's premiere at the Lyric Opera House in Baltimore, Maryland on November 7, 1934 with the Philadelphia Orchestra conducted by Leopold Stokowski. You can download my most recent 10 track piano album for $4 at payloadz.com The piece is a set of 24 variations on the twenty-fourth and last of Niccolò Paganini's Caprices for solo violin, which has inspired works by several composers. The slow eighteenth variation is by far the most well-known, and it is often included on classical music compilations without the rest of the work. It is based on an inversion of the melody of Paganini's theme. In other words, the A minor Paganini theme is played "upside down" in D flat major. Rachmaninoff himself recognized the appeal of this variation, saying "This one, is for my agent." This variation has been featured in several movies, including 1953 The Story of Three Loves 1954 Rhapsody 1980 Somewhere in Time 1991 Dead Again 1995 Sabrina 1998 Ronin In collaboration with <b>...</b>
Anderson & Roe Piano Duet play "BLUE DANUBE FANTASY"
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
Anderson & Roe Piano Duo play "LIBERTANGO" (Piazzolla)
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
Carnival of the Animals - Introduction & Lion
Julian Rachlin unites in his festival the best and finest musicians of the classical music world. Enjoy the performance by an all star-cast including Sir Roger Moore, Julian Rachlin, Mischa Maisky & many more. A film by Jasmina Hajdany Written by Camille Saint-Saëns.
Julian Rachlin unites in his festival the best and finest musicians of the classical music world. Enjoy the performance by an all star-cast including Sir Roger Moore, Julian Rachlin, Mischa Maisky & many more. A film by Jasmina Hajdany Written by Camille Saint-Saëns.
Cinema Paradiso: Main Title (Ennio Morricone)
"Cinema Paradiso" by Ennio Morricone My arrangement No tabs or scores available from me. I don't have anything written down! Taylor NS54-CE, hybrid classical
"Cinema Paradiso" by Ennio Morricone My arrangement No tabs or scores available from me. I don't have anything written down! Taylor NS54-CE, hybrid classical
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Joshua Bell Stop and Hear the Music by the Washington Post
From the Washington Post:
Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
From the Washington Post:Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
The Making of a Musician Joshua Bell
The career of Joshua Bell is documented in this video vignette following his career from childhood to virtuoso violinist. From the Live From Lincoln Center broadcast on December 31, 2007. Hosted by Renee Fleming.
The career of Joshua Bell is documented in this video vignette following his career from childhood to virtuoso violinist. From the Live From Lincoln Center broadcast on December 31, 2007. Hosted by Renee Fleming.
Guitar Impossible stop motion music short by MysteryGuitarMan
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.
I know. I was bored.
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Song is Mozart - Marriage of Figaro
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.I know. I was bored.
Like this video? Tweet about it!
http://bit.ly/GuitarTweet
Get my t-shirts:
http://bit.ly/MGMshirts
MY LINKS:
Watch my other videos:
http://www.youtube.com/MysteryGuitarMan
My Website: http://www.pennajoe.com/
Follow me on Twitter:
http://www.twitter.com/MysteryGuitarM
...and Facebook:
http://www.facebook.com/MysteryGuitarMan
Song is Mozart - Marriage of Figaro
