Tchaikovsky Overture 1812 - The Final - ending (V for Vendetta)
- Classical music composed by Pyotr Ilyich Tchaikovsky Ouverture Solennelle, L'Année 1812, Op. 49 (Festival Overture, The Year 1812) (Russian: Торжественная увертюра 1812 года, Toržestvennaja uvertjura 1812 goda), better known as the 1812 Overture, is a classical opus written by Russian composer Pyotr Ilyich Tchaikovsky. The piece was written to commemorate Russia's defense of Moscow against Napoleon's advancing Grande Armée at the Battle of Borodino in 1812. The Overture debuted in the Cathedral of Christ the Saviour in Moscow on August 20, 1882 (in the Gregorian or NS calendar; the date in the Julian or OS calendar was 8 August). The overture is best known for its climactic volley of cannon fire and ringing chimes. While this piece has no historical connection with United States history, it is often a staple at Fourth of July celebrations. Remember, Remember the 5th of November
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Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.
This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
William Tell Overture Rossini with MysteryGuitarMan
for those who haven't figured it out yet, I'm a biiiiig fan of MysteryGuitarman,
check his channel : http://www.youtube.com/user/mysteryguitarman
for those who haven't figured it out yet, I'm a biiiiig fan of MysteryGuitarman,check his channel : http://www.youtube.com/user/mysteryguitarman
Georg Friedrich Händel: Royal Fireworks Overture [City of Prague Ph
EPIC ORCHESTRA, including Royal Fireworks and Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com... Facebook.com -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
EPIC ORCHESTRA, including Royal Fireworks and Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com... Facebook.com -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
1812 Overture - Tchaikovsky (Full)
Pyotr Ilyich Tchaikovsky's famous 1812 Overture by Ljubljana Symphony Orchestra, Anton Nanut. In my opinion is the best ending I've heard. Enjoy.
Pyotr Ilyich Tchaikovsky's famous 1812 Overture by Ljubljana Symphony Orchestra, Anton Nanut. In my opinion is the best ending I've heard. Enjoy.
Tchaikovsky "1812 Overture" with 105mm Cannons 20101017 (2/2)
Composed by Peter Ilyich Tchaikovsky. Played by Eastern Army Band, 1st Division Band, 12th Brigade Band and 1st Artillery Unit, Japan Ground Self-Defense Force. Conducted by Major SHIGA Tōru, the commander of the Eastern Army Band. On October 17, 2010 at JGSDF Asaka Training Area, Saitama, Japan. ピョートル・イリイチ・チャイコフスキー『大序曲 1812年』 演奏： 陸上自衛隊 東部方面音楽隊，第1音楽隊，第12音楽隊, 第1特科隊 指揮： 東部方面音楽隊長 志賀亨 3等陸佐 自衛隊 中央観閲式 総合予行 陸上自衛隊朝霞訓練場
Composed by Peter Ilyich Tchaikovsky. Played by Eastern Army Band, 1st Division Band, 12th Brigade Band and 1st Artillery Unit, Japan Ground Self-Defense Force. Conducted by Major SHIGA Tōru, the commander of the Eastern Army Band. On October 17, 2010 at JGSDF Asaka Training Area, Saitama, Japan. ピョートル・イリイチ・チャイコフスキー『大序曲 1812年』 演奏： 陸上自衛隊 東部方面音楽隊，第1音楽隊，第12音楽隊, 第1特科隊 指揮： 東部方面音楽隊長 志賀亨 3等陸佐 自衛隊 中央観閲式 総合予行 陸上自衛隊朝霞訓練場
1812 Overture Moscow Militia and Cannons
Royal Philharmonic Orchestra at the Royal Albert Hall 21st Nevember 2008. Ending the Classic spectacular with Tchaikovsky's 1812 overture helped by the Moscow Militia riflemen and their cannons and the London Philharmnonic choir. The laughing you can hear is us laughing at the man next to me who fell asleep and was woken by the cannons going off about 6 feet behind us!! Oh and Jaime laughing hysterically as she was scared by the cannons!! ENJOY
Royal Philharmonic Orchestra at the Royal Albert Hall 21st Nevember 2008. Ending the Classic spectacular with Tchaikovsky's 1812 overture helped by the Moscow Militia riflemen and their cannons and the London Philharmnonic choir. The laughing you can hear is us laughing at the man next to me who fell asleep and was woken by the cannons going off about 6 feet behind us!! Oh and Jaime laughing hysterically as she was scared by the cannons!! ENJOY
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Johann Strauss II - The Blue Danube Waltz
Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Title : Johann Strauss II , The Blue Danube WaltzDate : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Carnival of the Animals - Finale
With Sir Roger Moore, Julian Rachlin, Mischa Maisky & many more... Julian Rachlin´s festival unites the best and finest musicians of the classical music world. Enjoy!!! A film by Jasmina Hajdany; music written by Camille Saint-Saëns
With Sir Roger Moore, Julian Rachlin, Mischa Maisky & many more... Julian Rachlin´s festival unites the best and finest musicians of the classical music world. Enjoy!!! A film by Jasmina Hajdany; music written by Camille Saint-Saëns
Alfredo Casella : Galop Final (Polka Gallop), by Tongthong (age 8)
Alfredo Casella : Galop Final ( Polka Gallop ), played by Tongthong ( Pert ) when he was 8 years old
Alfredo Casella : Galop Final ( Polka Gallop ), played by Tongthong ( Pert ) when he was 8 years old
YouTube Symphony Orchestra 2011 Grand Finale
Join 101 musicians from over 30 countries who make up the YouTube Symphony Orchestra 2011 playing a spectacular Grand Finale concert at Sydney Opera House.The musicians met for a weeklong celebration of music in Sydney culminating in the Grand Finale featuring animated visuals on the interior and exterior projections by Obscura Digital on the iconic sails, all synchronised to the music of the YouTube Symphony Orchestra 2011's performance and conducted by YouTube Symphony Orchestra Artistic Advisor Michael Tilson Thomas. 0:02:05 Introduction by MTT 0:03:20 Hector Berlioz - Roman Carnival - Overture, Op. 9 (featuring Android Jones - digital artist) 0:13:00 Meet Maria Chiossi - Harp 0:18:00 Percy Grainger - Arrival on a Platform Humlet from in a Nutshell - Suite 0:22:20 Johan Sebastian Bach - Toccata in F major for organ (featuring Cameron Carpenter) 0:30:00 Meet Paulo Calligopoulos - Electric Guitar and violin 0:32:55 Alberto Ginastera - Danza del trigo (Wheat Dance) and Danza final (Malambo) from the ballet Estancia (conducted by Ilyich Rivas) 0:42:22 Wolfgang Amadeus Mozart - 'Caro' bell'idol mio' - Canon in three voices, K562 (featuring the Sydney Children's Choir and soprano Renee Fleming via video) 0:45:14 Meet Xiomara Mass - Oboe 0:48:42 Benjamin Britten - The Young Person's Guide to the Orchestra, Op. 34 1:08:00 William Barton - Kalkadunga (featuring William Barton - Didgeridoo) 1:13:15 Timothy Constable - Suna 1:16:36 Meet Roman Riedel - Trombone 1:18:38 Richard <b>...</b>
Join 101 musicians from over 30 countries who make up the YouTube Symphony Orchestra 2011 playing a spectacular Grand Finale concert at Sydney Opera House.The musicians met for a weeklong celebration of music in Sydney culminating in the Grand Finale featuring animated visuals on the interior and exterior projections by Obscura Digital on the iconic sails, all synchronised to the music of the YouTube Symphony Orchestra 2011's performance and conducted by YouTube Symphony Orchestra Artistic Advisor Michael Tilson Thomas. 0:02:05 Introduction by MTT 0:03:20 Hector Berlioz - Roman Carnival - Overture, Op. 9 (featuring Android Jones - digital artist) 0:13:00 Meet Maria Chiossi - Harp 0:18:00 Percy Grainger - Arrival on a Platform Humlet from in a Nutshell - Suite 0:22:20 Johan Sebastian Bach - Toccata in F major for organ (featuring Cameron Carpenter) 0:30:00 Meet Paulo Calligopoulos - Electric Guitar and violin 0:32:55 Alberto Ginastera - Danza del trigo (Wheat Dance) and Danza final (Malambo) from the ballet Estancia (conducted by Ilyich Rivas) 0:42:22 Wolfgang Amadeus Mozart - 'Caro' bell'idol mio' - Canon in three voices, K562 (featuring the Sydney Children's Choir and soprano Renee Fleming via video) 0:45:14 Meet Xiomara Mass - Oboe 0:48:42 Benjamin Britten - The Young Person's Guide to the Orchestra, Op. 34 1:08:00 William Barton - Kalkadunga (featuring William Barton - Didgeridoo) 1:13:15 Timothy Constable - Suna 1:16:36 Meet Roman Riedel - Trombone 1:18:38 Richard <b>...</b>
Bedřich Smetana: Má Vlast Moldau (Vltava) [City of Prague Philharm
A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
Art Tatum plays Chopin (Valse in C# Minor, Op. 64, No. 2)
Vladimir Horowitz once said that if Art Tatum ever took up classical music seriously, Horowitz would quit the next day. This was recorded on a cheap tape recorder at somebody's home, so pardon the sound quality.
Vladimir Horowitz once said that if Art Tatum ever took up classical music seriously, Horowitz would quit the next day. This was recorded on a cheap tape recorder at somebody's home, so pardon the sound quality.
Barbra Streisand - "Pavane (Vocalise - Gabriel Faure)"
Fan Post. Official Site: www.barbrastreisand.com CD Barbra" Buy CD Here: www.cduniverse.com (c)1976/1990 Sony Classical Records
Fan Post. Official Site: www.barbrastreisand.com CD Barbra" Buy CD Here: www.cduniverse.com (c)1976/1990 Sony Classical Records
Pachelbel's Canon in D (Very full orchestra)
Pachelbel's Canon in D (wedding version) played by the Academy of St. Martin's in the Field orchestra. Sorry, no video, and I don't have sheet music. If you want audio download @: www.4shared.com 50000 views! :D 100000 views! Never expected it to break 1000, much less 100000. Thanks to all you listeners!
Pachelbel's Canon in D (wedding version) played by the Academy of St. Martin's in the Field orchestra. Sorry, no video, and I don't have sheet music. If you want audio download @: www.4shared.com 50000 views! :D 100000 views! Never expected it to break 1000, much less 100000. Thanks to all you listeners!
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".
The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
Fanfare for the Common Man Aaron Copland
WOODY HERMAN and the THUNDERING HERD
Nice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
WOODY HERMAN and the THUNDERING HERDNice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
