Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 1)
- Classical music composed by Richard Wagner R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico ...
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Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 2)
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 2 - Morte di Isotta Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico,Panama,Costa Rica <b>...</b>
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 2 - Morte di Isotta Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico,Panama,Costa Rica <b>...</b>
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Preludio from Partita No. 3 in E Major for Solo Violin - J.S. Bach
Hilary Hahn plays Preludio from Bach's Partita for Solo Violin No. 3 at the Grammy's on Feb. 8, 2009.
Hilary Hahn plays Preludio from Bach's Partita for Solo Violin No. 3 at the Grammy's on Feb. 8, 2009.
Preludio from Bach's Partita No. 3 for Violin, on Clavichord
Prelude from Partita No. 3 in E Major for Solo Violin by J.S. Bach, played on a replica of a fretted clavichord built in Frankfurt around 1670 by Israel Gellinger. The piece was transposed to G Major to fit the range of the instrument.
Prelude from Partita No. 3 in E Major for Solo Violin by J.S. Bach, played on a replica of a fretted clavichord built in Frankfurt around 1670 by Israel Gellinger. The piece was transposed to G Major to fit the range of the instrument.
La Traviata - Preludio (Musica Classica)
Bellissimo Preludio dalla Traviata di Giuseppe Verdi edited by a.vullo
Bellissimo Preludio dalla Traviata di Giuseppe Verdi edited by a.vullo
Preludio nº5 en La menor (Francisco Tárrega)
Esta es probablemente la melodía más triste y melancólica que yo conozco. Los preludios no son piezas demasiado conocidas en la obra de Tárrega aunque son maravillosos, como todo lo suyo. Francisco Tárrega, a pesar de su enorme humildad, marcó un antes y un después en la guitarra clásica, considerada un instrumento vulgar antes de su tiempo. Su labor como compositor, transcriptor, intérprete y profesor es la causa de que hoy la guitarra sea un instrumento reconocido en la musica culta. Es uno de los músicos que más respeto. ----------- This is probably the saddest and most melancholic melody I know. The "Preludios" are not too known pieces throughout Tarrega's work, though they are wonderful, like his whole work. Francisco Tarrega, despite his huge humility, marked a milestone in classical guitar, considered a vulgar instrument until then. Thanks his labour as composer, transcriber, performer and teacher, guitar is nowadays a worldwide renown instrument in cultivated music. He is one of the musicians I respect the most.
Esta es probablemente la melodía más triste y melancólica que yo conozco. Los preludios no son piezas demasiado conocidas en la obra de Tárrega aunque son maravillosos, como todo lo suyo. Francisco Tárrega, a pesar de su enorme humildad, marcó un antes y un después en la guitarra clásica, considerada un instrumento vulgar antes de su tiempo. Su labor como compositor, transcriptor, intérprete y profesor es la causa de que hoy la guitarra sea un instrumento reconocido en la musica culta. Es uno de los músicos que más respeto. ----------- This is probably the saddest and most melancholic melody I know. The "Preludios" are not too known pieces throughout Tarrega's work, though they are wonderful, like his whole work. Francisco Tarrega, despite his huge humility, marked a milestone in classical guitar, considered a vulgar instrument until then. Thanks his labour as composer, transcriber, performer and teacher, guitar is nowadays a worldwide renown instrument in cultivated music. He is one of the musicians I respect the most.
G. Mahler, Symphony nr. 5, Adagietto / Morte a Venezia
Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )
Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Hannah plays Chopin Nocturne 20 in C Sharp Minor
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
Rachmaninoff Plays Chopin Nocturne Op 9 No 2
Nocturne In E-Flat, Op. 9, No. 2 Sergei Rachmaninov, piano
Nocturne In E-Flat, Op. 9, No. 2 Sergei Rachmaninov, piano
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Verdi Requiem Dies Irae M° Ino Savini (Part 1)
Maestro Ino Savini rehearsing Verdi´s Requiem in Prague. Tenor: Gaetano Bardini Soprano: Margaret Tynes Mezzo: Vera Soukupova Bass: Jan Kyzlink Janacek Philharmonie Ostrava (JFO) Conductor: INO SAVINI This is a rare Footage of the Great Italian Conductor Ino Savini (Faenza 1904-95). This rehearsal was filmed in The Cathedral of St.Vitus in Prague the 8 September 1972. The performance was on the 9 September 1972 with a huge success. The video clips were a Super 8,Silent film from the rehearsals, the audio is from the Performance on the 9.9.72. Maestro Alessandro Pagliazzi did the Audio Remastering and the Video-Audio sincronization,including some rare and beautifull Fotos of M° Savini in rehearsal in Ostrava,Prague and Porto. Maestro Savini studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,all Europe,South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri ,Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts and the first performances of young singers like Gianni Raimondi,Filippeschi,Valdengo, Protti,Kabaivanska,Cappuccilli,Giacomini,Martinucci,Freni,Nucci,Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi,Corelli, Simionato,Di Stefano,Poggi, Tagliabue,Pavarotti ( in a wonderfull" I Puritani" with Freni in Bologna 1969) and his Recital for the <b>...</b>
Maestro Ino Savini rehearsing Verdi´s Requiem in Prague. Tenor: Gaetano Bardini Soprano: Margaret Tynes Mezzo: Vera Soukupova Bass: Jan Kyzlink Janacek Philharmonie Ostrava (JFO) Conductor: INO SAVINI This is a rare Footage of the Great Italian Conductor Ino Savini (Faenza 1904-95). This rehearsal was filmed in The Cathedral of St.Vitus in Prague the 8 September 1972. The performance was on the 9 September 1972 with a huge success. The video clips were a Super 8,Silent film from the rehearsals, the audio is from the Performance on the 9.9.72. Maestro Alessandro Pagliazzi did the Audio Remastering and the Video-Audio sincronization,including some rare and beautifull Fotos of M° Savini in rehearsal in Ostrava,Prague and Porto. Maestro Savini studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,all Europe,South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri ,Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts and the first performances of young singers like Gianni Raimondi,Filippeschi,Valdengo, Protti,Kabaivanska,Cappuccilli,Giacomini,Martinucci,Freni,Nucci,Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi,Corelli, Simionato,Di Stefano,Poggi, Tagliabue,Pavarotti ( in a wonderfull" I Puritani" with Freni in Bologna 1969) and his Recital for the <b>...</b>
Verdi Requiem M° Ino Savini (Part 2)
Maestro Ino Savini rehearsing Verdi´s Requiem in Prague. Tenor: Gaetano Bardini Soprano: Margaret Tynes Mezzo: Vera Soukupova Bass: Jan Kyzlink Janacek Philharmonie Ostrava (JFO) Conductor: INO SAVINI This is a rare Footage of the Great Italian Conductor Ino Savini (Faenza 1904-95). This rehearsal was filmed in The Cathedral of St.Vitus in Prague the 8 September 1972. The performance was on the 9 September 1972 with a huge success. The video clips were a Super 8,Silent film from the rehearsals, the audio is from the Performance on the 9.9.72. Maestro Alessandro Pagliazzi did the Audio Remastering and the Video-Audio sincronization,including some rare and beautifull Fotos of M° Savini in rehearsal in Ostrava,Prague and Porto. Maestro Savini studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,all Europe,South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri ,Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts and the first performances of young singers like Gianni Raimondi,Filippeschi,Valdengo, Protti,Kabaivanska,Cappuccilli,Giacomini,Martinucci,Freni,Nucci,Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi,Corelli, Simionato,Di Stefano,Poggi, Tagliabue,Pavarotti ( in a wonderfull" I Puritani" with Freni in Bologna 1969) and his Recital for the <b>...</b>
Maestro Ino Savini rehearsing Verdi´s Requiem in Prague. Tenor: Gaetano Bardini Soprano: Margaret Tynes Mezzo: Vera Soukupova Bass: Jan Kyzlink Janacek Philharmonie Ostrava (JFO) Conductor: INO SAVINI This is a rare Footage of the Great Italian Conductor Ino Savini (Faenza 1904-95). This rehearsal was filmed in The Cathedral of St.Vitus in Prague the 8 September 1972. The performance was on the 9 September 1972 with a huge success. The video clips were a Super 8,Silent film from the rehearsals, the audio is from the Performance on the 9.9.72. Maestro Alessandro Pagliazzi did the Audio Remastering and the Video-Audio sincronization,including some rare and beautifull Fotos of M° Savini in rehearsal in Ostrava,Prague and Porto. Maestro Savini studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,all Europe,South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri ,Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts and the first performances of young singers like Gianni Raimondi,Filippeschi,Valdengo, Protti,Kabaivanska,Cappuccilli,Giacomini,Martinucci,Freni,Nucci,Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi,Corelli, Simionato,Di Stefano,Poggi, Tagliabue,Pavarotti ( in a wonderfull" I Puritani" with Freni in Bologna 1969) and his Recital for the <b>...</b>
Dvorak - Sinfonía Del Nuevo Mundo - Allegro con fuoco (Parte 1)
Antonin Dvorak - Sinfonía Nº9 en Mi menor opus 95 "Del Nuevo Mundo" - Finale: Allegro con fuoco (Parte 1) Orquesta de Cámara Ciudad de los Reyes Director: Guillermo Salvador Auditorio del Colegio Santa Ursula Lima - Peru, 10 Abril 2008
Antonin Dvorak - Sinfonía Nº9 en Mi menor opus 95 "Del Nuevo Mundo" - Finale: Allegro con fuoco (Parte 1) Orquesta de Cámara Ciudad de los Reyes Director: Guillermo Salvador Auditorio del Colegio Santa Ursula Lima - Peru, 10 Abril 2008
Dvorak - Sinfonía Del Nuevo Mundo - Allegro con fuoco (Parte 2)
Antonin Dvorak - Sinfonía Nº9 en Mi menor opus 95 "Del Nuevo Mundo" - Finale: Allegro con fuoco (Parte 2) Orquesta de Cámara Ciudad de los Reyes Director: Guillermo Salvador Auditorio del Colegio Santa Ursula Lima - Peru, 10 Abril 2008
Antonin Dvorak - Sinfonía Nº9 en Mi menor opus 95 "Del Nuevo Mundo" - Finale: Allegro con fuoco (Parte 2) Orquesta de Cámara Ciudad de los Reyes Director: Guillermo Salvador Auditorio del Colegio Santa Ursula Lima - Peru, 10 Abril 2008
Tchaikovsky Trio: Heifetz, Rubinstein, Piatigorsky (part 1)
Out of the hundreds and thousands of different classical recordings I have heard in my lifetime, I can safely say this is one of my favorites. Heifetz is the greatest violinist the world has ever known and this is one of his best recordings (if you don't believe me, just listen to variation #4). Part 1: First Movement
Out of the hundreds and thousands of different classical recordings I have heard in my lifetime, I can safely say this is one of my favorites. Heifetz is the greatest violinist the world has ever known and this is one of his best recordings (if you don't believe me, just listen to variation #4). Part 1: First Movement
My Favourite Classical Music (Part 1)
My Favorite Classical Music. Part 1: 1) Pachelbel, Canon in D major. 2) Charpentier, Te Deum. Prelude. 3) Vivaldi, The Four Seasons. Spring. 4) Bach, Cantata BWV. 147. Jesu, Joy of Man's Desiring. 5) Bach, Cello Suite No.1, BWV 1007. Prelude. 6) Bach, Toccata and Fugue in D minor, BWV 565. 7) Haendel, Messiah HWV 56, Hallelujah. 8) Haendel, Water Music HWV 348-350, Alla Hornpipe. 9) Mozart, Overture to The Marriage of Figaro, KV 492. 10) Mozart, Symphony 40 in G minor, KV 550. 1st Mov. 11) Mozart, Eine Kleine Nachtmusic KV 525. 12) Mozart, Rondo Alla Turca, KV 331. 13) Mozart, Piano Concerto No.20, KV 466. Romance. 14) Beethoven, Symphony No. 3, Heroica. 15) Beethoven, Symphony No. 5. Allegro con Brio. 16) Beethoven, Symphony No. 6, Pastoral. 17) Beethoven, Symphony No. 9. Choral. 18) Beethoven, Ruins of Athens Op. 113. Turkish March. 19) Beethoven, Bagatelle in A minor. Fur Elise. 20) Beethoven, Moonlight Sonata Op.27. 21) Schubert, Trout Quintet. Die Forelle Op. 114. 22) Schubert, Ave Maria. 23) Schubert, Symphony No. 8, Unfinished. Hope you enjoy this first part!
My Favorite Classical Music. Part 1: 1) Pachelbel, Canon in D major. 2) Charpentier, Te Deum. Prelude. 3) Vivaldi, The Four Seasons. Spring. 4) Bach, Cantata BWV. 147. Jesu, Joy of Man's Desiring. 5) Bach, Cello Suite No.1, BWV 1007. Prelude. 6) Bach, Toccata and Fugue in D minor, BWV 565. 7) Haendel, Messiah HWV 56, Hallelujah. 8) Haendel, Water Music HWV 348-350, Alla Hornpipe. 9) Mozart, Overture to The Marriage of Figaro, KV 492. 10) Mozart, Symphony 40 in G minor, KV 550. 1st Mov. 11) Mozart, Eine Kleine Nachtmusic KV 525. 12) Mozart, Rondo Alla Turca, KV 331. 13) Mozart, Piano Concerto No.20, KV 466. Romance. 14) Beethoven, Symphony No. 3, Heroica. 15) Beethoven, Symphony No. 5. Allegro con Brio. 16) Beethoven, Symphony No. 6, Pastoral. 17) Beethoven, Symphony No. 9. Choral. 18) Beethoven, Ruins of Athens Op. 113. Turkish March. 19) Beethoven, Bagatelle in A minor. Fur Elise. 20) Beethoven, Moonlight Sonata Op.27. 21) Schubert, Trout Quintet. Die Forelle Op. 114. 22) Schubert, Ave Maria. 23) Schubert, Symphony No. 8, Unfinished. Hope you enjoy this first part!
Best of Classical Piano (part 1)
A few of my favourite pieces for piano. I know some of the clips in both 'Part 1' and 'Part 2' might actually be considered New Wave, Romantic, etc. rather than classical, but the term 'classical' just sums them all up into a category everyone can recognise. 1) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - Third Movement 2) Rachmaninoff: Piano Concerto No. 2, Op. 18 3) Chopin: Ballade No. 3 in A flat major, Op. 47 4) Rachmaninoff: Prelude in C sharp minor, Op. 3, No. 2 5) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - First Movement 6) Scriabin: Etude in D sharp minor, Op. 8, No. 12 7) Satie: Gnossienne 1
A few of my favourite pieces for piano. I know some of the clips in both 'Part 1' and 'Part 2' might actually be considered New Wave, Romantic, etc. rather than classical, but the term 'classical' just sums them all up into a category everyone can recognise. 1) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - Third Movement 2) Rachmaninoff: Piano Concerto No. 2, Op. 18 3) Chopin: Ballade No. 3 in A flat major, Op. 47 4) Rachmaninoff: Prelude in C sharp minor, Op. 3, No. 2 5) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - First Movement 6) Scriabin: Etude in D sharp minor, Op. 8, No. 12 7) Satie: Gnossienne 1
