Arturo Benedetti Michelangeli.1949 Parte 1
- Classical music composed by Domenico Scarlatti Il grande pianista Arturo Benedetti Michelangeli esegue brani musicali di Domenico Scarlatti
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Beethoven Symphony No. 6 "Pastorale" 1° MOVEMENT Orchestra: BBC Symphony Orchestra Director: Arturo Toscanini --- 1° MOVEMENT www.youtube.com 2° MOVEMENT (part1) www.youtube.com 2° MOVEMENT (part2) www.youtube.com 3° 4° 5° MOVEMENT (part1) www.youtube.com 3° 4° 5° MOVEMENT (part2) www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
Arturo Benedetti Michelangeli.1949 Parte 2
Il grande pianista Arturo Benedetti Michelangeli esegue brani musicali di Domenico Scarlatti
Il grande pianista Arturo Benedetti Michelangeli esegue brani musicali di Domenico Scarlatti
Tributo ad Arturo Benedetti MICHELANGELI: RAVEL piano concerto in G
Tributo ad Arturo Benedetti Michelangeli (Brescia, 5 gennaio 1920 Lugano, 12 giugno 1995) -Ravel piano concerto inciso nel 1957- Philharmonia Orchestra/Ettore Gracis - London March 1957 « Essere un pianista e un musicista non è una professione. E' una filosofia, uno stile di vita che non può basarsi né sulle buone intenzioni né sul talento naturale. Bisogna avere prima di tutto uno spirito di sacrificio inimmaginabile. » (Arturo Benedetti Michelangeli) Biography di ABMichelangeli: Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of 3, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age 18, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh. A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michelangeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be <b>...</b>
Tributo ad Arturo Benedetti Michelangeli (Brescia, 5 gennaio 1920 Lugano, 12 giugno 1995) -Ravel piano concerto inciso nel 1957- Philharmonia Orchestra/Ettore Gracis - London March 1957 « Essere un pianista e un musicista non è una professione. E' una filosofia, uno stile di vita che non può basarsi né sulle buone intenzioni né sul talento naturale. Bisogna avere prima di tutto uno spirito di sacrificio inimmaginabile. » (Arturo Benedetti Michelangeli) Biography di ABMichelangeli: Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of 3, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age 18, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh. A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michelangeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be <b>...</b>
EPSYOs Youth Orchestra Danzón no. 2 Arturo Márquez
The El Paso Symphony Youth Orchestras' Music Director Andres Moran conducts the Youth Orchestra in a rehearsal of Danzón no. 2 by Arturo Márquez at the Plaza Theater on April 24, 2010. The EPSYOs will present their Season Finale concert on Sunday, April 25, 2010 at 3:00PM at the Plaza Theatre. The concert will feature all four EPSYOs large ensembles in pieces including movements from Jean Sibelius Karelia Suite, and Arturo Marquezs Danzon No. 2. The concert will also feature violin virtuoso Giora Schmidt in Mendelssohns Violin Concerto in E minor. Born in 1983 to professional Israeli musicians, Mr. Schmidt began playing the violin at the age of four. At 13, he met Maestro Itzhak Perlman at the Perlman Music Program and at 16 was invited by Perlman to study under him full-time at the Juilliard Pre-College. Giora continued his studies with Perlman at the Juilliard School and also with the late violin pedagogue Dorothy DeLay. Mr. Schmidt was the First Prize winner of the Philadelphia Orchestras Greenfield Competition in 2000, the recipient of a 2003 Avery Fisher Career Grant, and in 2005 won the Classical Recording Foundations Samuel Sanders Award. He has also appeared with numerous symphony orchestras across North America including, Philadelphia, Chicago, Detroit, New Jersey, Fort Worth, Honolulu, San Diego, Toronto, Vancouver, and the Israel Philharmonic. Tickets are $7/student, senior, military; $12/adult and are available by calling (915) 532 - 3776, or at the door the <b>...</b>
The El Paso Symphony Youth Orchestras' Music Director Andres Moran conducts the Youth Orchestra in a rehearsal of Danzón no. 2 by Arturo Márquez at the Plaza Theater on April 24, 2010. The EPSYOs will present their Season Finale concert on Sunday, April 25, 2010 at 3:00PM at the Plaza Theatre. The concert will feature all four EPSYOs large ensembles in pieces including movements from Jean Sibelius Karelia Suite, and Arturo Marquezs Danzon No. 2. The concert will also feature violin virtuoso Giora Schmidt in Mendelssohns Violin Concerto in E minor. Born in 1983 to professional Israeli musicians, Mr. Schmidt began playing the violin at the age of four. At 13, he met Maestro Itzhak Perlman at the Perlman Music Program and at 16 was invited by Perlman to study under him full-time at the Juilliard Pre-College. Giora continued his studies with Perlman at the Juilliard School and also with the late violin pedagogue Dorothy DeLay. Mr. Schmidt was the First Prize winner of the Philadelphia Orchestras Greenfield Competition in 2000, the recipient of a 2003 Avery Fisher Career Grant, and in 2005 won the Classical Recording Foundations Samuel Sanders Award. He has also appeared with numerous symphony orchestras across North America including, Philadelphia, Chicago, Detroit, New Jersey, Fort Worth, Honolulu, San Diego, Toronto, Vancouver, and the Israel Philharmonic. Tickets are $7/student, senior, military; $12/adult and are available by calling (915) 532 - 3776, or at the door the <b>...</b>
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
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Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
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Lima - Perú
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Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 1)
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico <b>...</b>
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico <b>...</b>
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Antonin Dvorak - Sinfonía Nº9 en Mi menor opus 95 "Del Nuevo Mundo" - Finale: Allegro con fuoco (Parte 2) Orquesta de Cámara Ciudad de los Reyes Director: Guillermo Salvador Auditorio del Colegio Santa Ursula Lima - Peru, 10 Abril 2008
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
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Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Chopin Mazurka op17 No 4 - Michel Mananes Live
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.

