INVIERNO PORTENO by ASTOR PIAZZOLLA performed by the Mandolin Chambe
- Classical music The Invierno Porteno (Winter) by Astor Piazzolla performed by the Dutch Mandolin Chamber Orchestra Het CONSORT conducted by Alex Timmerman, Amsterdam, March 20th at the 2010 Festival of the Dutch Mandolin Union. Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. The Invierno Porteno (Winter) by Astor Piazzolla was composed in 1970 as the third Tango of the Cuatro Estaciones Porteñas also known as The Four Seasons of Buenos Aires. The other three Tangos in this cycle are Verano Porteño (1964 - Buenos Aires Summer), Otoño Porteño (1969 ...
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Joshua Bell Stop and Hear the Music by the Washington Post
From the Washington Post:
Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
From the Washington Post:Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
Classical Medley by Buddy Greene on the Harmonica
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:
1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
Jascha Heifetz Plays Rondo by Mozart
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
ASTOR PIAZZOLLA - LIBERTANGO performed by HET CONSORT
Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. Like the guitarist Andres Segovia Piazzolla has taken his instrument and the tango on to an international concert stage. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. In this time he composed his famous Libertango, a work that brought him fame and an enormous success in Europe.The setting for mandolin orchestra of Piazzollas Libertango by the conductor of HET CONSORT was made after hearing the fine arrangement of the work for accordion orchestra that was made by the Dutch musician Marc Belder. With his orchestration as the <b>...</b>
Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. Like the guitarist Andres Segovia Piazzolla has taken his instrument and the tango on to an international concert stage. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. In this time he composed his famous Libertango, a work that brought him fame and an enormous success in Europe.The setting for mandolin orchestra of Piazzollas Libertango by the conductor of HET CONSORT was made after hearing the fine arrangement of the work for accordion orchestra that was made by the Dutch musician Marc Belder. With his orchestration as the <b>...</b>
Handel's Messiah - Pastoral Symphony
The London Philharmonic Choir & Orchestra under the direction of Sir Adrian Boult. Another favorite selection from this Christmas music classic. www.youtube.com
The London Philharmonic Choir & Orchestra under the direction of Sir Adrian Boult. Another favorite selection from this Christmas music classic. www.youtube.com
Adios Nonino Guitarra (Astor Piazzolla) - Gustavo Eiriz -Tabs
El guitarrista argentino interpreta su arreglo para guitarra solista del clasico tema de Piazzolla. The Argentinian guitarrist playing self-arranged for solo classical guitar version of Astor Piazzolla`s famous tango piece *Adios Nonino*, which he dedicated to his beloved grandfather. If you want the complete tabs/sheet music with fingering tabs, contact to gustavoeiriz@hotmail.com
El guitarrista argentino interpreta su arreglo para guitarra solista del clasico tema de Piazzolla. The Argentinian guitarrist playing self-arranged for solo classical guitar version of Astor Piazzolla`s famous tango piece *Adios Nonino*, which he dedicated to his beloved grandfather. If you want the complete tabs/sheet music with fingering tabs, contact to gustavoeiriz@hotmail.com
Glenn Gould - Scarlatti sonata in D minor "Pastorale"
Glenn Gould plays a Domenico Scarlatti sonata, K. 9 (L. 413)
Glenn Gould plays a Domenico Scarlatti sonata, K. 9 (L. 413)
Anderson & Roe Piano Duo play "LIBERTANGO" (Piazzolla)
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".
The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
Grande Piece Symphonique performed by Organist Joseph Felice
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
J N David "Chaconne in A Minor" Performed by Joseph Felice
You are viewing and listening to "Chaconne in A Minor", composed by Johann Nepomuk David in 1927, and performed live by Joseph Felice, using sounds from InspiredAcoustics.com Matyas (Rieger-Kloss organ of St. Matthias Church of Our Lady in Budapest, Hungary) virtual pipe organ sample library, under license of Hauptwerk software.<br /><br />The Matyas organ console you see is a photorealistic depiction of the stops, keys, pedals and other moving parts of the real Rieger pipe organ. The sound of this instrument was augmented with third party convolution reverb in the form of an Apple Space Designer surround impulse response.<br /><br />Opinions and comments are welcomed and encouraged.<br /><br />Enjoy,<br /><br />Joseph Felice
You are viewing and listening to "Chaconne in A Minor", composed by Johann Nepomuk David in 1927, and performed live by Joseph Felice, using sounds from InspiredAcoustics.com Matyas (Rieger-Kloss organ of St. Matthias Church of Our Lady in Budapest, Hungary) virtual pipe organ sample library, under license of Hauptwerk software.<br /><br />The Matyas organ console you see is a photorealistic depiction of the stops, keys, pedals and other moving parts of the real Rieger pipe organ. The sound of this instrument was augmented with third party convolution reverb in the form of an Apple Space Designer surround impulse response.<br /><br />Opinions and comments are welcomed and encouraged.<br /><br />Enjoy,<br /><br />Joseph Felice
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter". The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams. Guitar tablature: www.classtab.org
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter". The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams. Guitar tablature: www.classtab.org
Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.
This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Johann Strauss II - The Blue Danube Waltz
Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Title : Johann Strauss II , The Blue Danube WaltzDate : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Chris Thile - Mandolin Concerto (Ad astra per alia porci)
Mandolin Concerto (Ad astra per alia porci)<br /><br />written by Chris Thile of Punch Brothers and Nickel Creek<br /><br />Movements<br />1 “A March, a Waltz and a Jig”<br />2 “Air on the F Train”<br />3 “The Fifth Glass”<br /><br />orchestration: solo mandolin; 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 2 horns; timpani; percussion; piano; strings<br /><br />January 2010 in Los Angeles with the Los Angeles Chamber Orchestra<br /><br />Jeffrey Kahane, director<br />Chris Thile, mandolin
Mandolin Concerto (Ad astra per alia porci)<br /><br />written by Chris Thile of Punch Brothers and Nickel Creek<br /><br />Movements<br />1 “A March, a Waltz and a Jig”<br />2 “Air on the F Train”<br />3 “The Fifth Glass”<br /><br />orchestration: solo mandolin; 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 2 horns; timpani; percussion; piano; strings<br /><br />January 2010 in Los Angeles with the Los Angeles Chamber Orchestra<br /><br />Jeffrey Kahane, director<br />Chris Thile, mandolin
Antonio Vivaldi, Mandolin Concerto, 1st Movement
Classical music with Detlef Tewes (mandolin, www.detlef-tewes.de ), mandolin orchestra of Ettlingen Germany www.mandolinenorchester-ettlingen.de , conductor Boris Björn Bagger (http ), Prof. Boris Bagger is teacher for guitar at the University of Music, Karlsruhe / Germany, www.hfm-karlsruhe.de , Hochschule für Musik, Musikhochschule This piece is used as sountrack to the movie Kramer vs. Kramer dieses Stück ist als Filmmusik Kramer gegen Kramer mit Dustin Hoffman und Meryl Streep in den Hauptrollen benutzt worden sheet music available www.edition49.de New CD available with Detlef Tewes & Boris Björn Bagger Mozart - World premiere recordings sold more than 10 000 times new arrangements for mandolin and guitar Detlef Tewes & Boris Björn Bagger - a fantastic CD - 5 stars are not enough! order here http More infos and informations about this CD www.borisbagger.de Thanks for visiting our pages
Classical music with Detlef Tewes (mandolin, www.detlef-tewes.de ), mandolin orchestra of Ettlingen Germany www.mandolinenorchester-ettlingen.de , conductor Boris Björn Bagger (http ), Prof. Boris Bagger is teacher for guitar at the University of Music, Karlsruhe / Germany, www.hfm-karlsruhe.de , Hochschule für Musik, Musikhochschule This piece is used as sountrack to the movie Kramer vs. Kramer dieses Stück ist als Filmmusik Kramer gegen Kramer mit Dustin Hoffman und Meryl Streep in den Hauptrollen benutzt worden sheet music available www.edition49.de New CD available with Detlef Tewes & Boris Björn Bagger Mozart - World premiere recordings sold more than 10 000 times new arrangements for mandolin and guitar Detlef Tewes & Boris Björn Bagger - a fantastic CD - 5 stars are not enough! order here http More infos and informations about this CD www.borisbagger.de Thanks for visiting our pages
J.S. Bach's Sonata in G minor, 4th Movement - Mandolin
Chris Thile plays the 4th movement from Bach's Sonata in G minor on mandolin.
Chris Thile plays the 4th movement from Bach's Sonata in G minor on mandolin.
NEAPOLITAN MUSIC - Italian mandolin by Antonio & Linda Calsolaro "T
Neapolitan music by the mandolin of the Italian maestro Antonio Calsolaro, NAPOLI MUSIC the most fresh and sweet TE VOJO BENE ASSAJE - 1835 (Ti voglio bene assai = I love you so much = Te quiero mucho in Napoli language, also called Caruso).. Music from Napoli "Te vojo bene assai" part of the Italian history. ITALIAN MUSIC of NAPOLI with a Neapolitan Mandolin and classical guitar executed by the Mandolin Maestro Antonio Calsolaro and his sister the Guitar Maestro Linda Calsolaro during the live concert at the beautiful PALAZZO ROMASI at Alessano Lecce in the very heel of Italy. The Maestro Calsolaro offered this concert as specail TRIBUTE TO NAPOLI and plays the traditional and classical Neapolitan songs with his Mandolin for more info about the Italian mandolin and the Maestro lessons visit: www.italianbusinessguide.com TE VOJO BENE ASSAJE is an incredible and beautiful song of the traditional Neapolitan culture composed by SACCO 1835. MUSIC OF NAPLES with MANDOLIN by Maestro Antonio Calsolaro The music of Naples (heart of the Italian music) played by the incredible Mandolin and Guitar of the Maestro Antonio Calsolaro and Linda Calsolaro are: "Luna Nova, Di Giacomo - Costa", "Scétate, Russo - Costa", "Catarì, Di Giacomo - Costa", "Serenata Napulitana, Di Giacomo - Costa", "Te Voju bene assaje, Sacco", "Serenatella, Bovio - Valente", "Reginella, Bovio - Lama", "Funiculì Funiculà, Turco - Denza" There are various kinds of mandolins in use in Italy; they bear the names of <b>...</b>
Neapolitan music by the mandolin of the Italian maestro Antonio Calsolaro, NAPOLI MUSIC the most fresh and sweet TE VOJO BENE ASSAJE - 1835 (Ti voglio bene assai = I love you so much = Te quiero mucho in Napoli language, also called Caruso).. Music from Napoli "Te vojo bene assai" part of the Italian history. ITALIAN MUSIC of NAPOLI with a Neapolitan Mandolin and classical guitar executed by the Mandolin Maestro Antonio Calsolaro and his sister the Guitar Maestro Linda Calsolaro during the live concert at the beautiful PALAZZO ROMASI at Alessano Lecce in the very heel of Italy. The Maestro Calsolaro offered this concert as specail TRIBUTE TO NAPOLI and plays the traditional and classical Neapolitan songs with his Mandolin for more info about the Italian mandolin and the Maestro lessons visit: www.italianbusinessguide.com TE VOJO BENE ASSAJE is an incredible and beautiful song of the traditional Neapolitan culture composed by SACCO 1835. MUSIC OF NAPLES with MANDOLIN by Maestro Antonio Calsolaro The music of Naples (heart of the Italian music) played by the incredible Mandolin and Guitar of the Maestro Antonio Calsolaro and Linda Calsolaro are: "Luna Nova, Di Giacomo - Costa", "Scétate, Russo - Costa", "Catarì, Di Giacomo - Costa", "Serenata Napulitana, Di Giacomo - Costa", "Te Voju bene assaje, Sacco", "Serenatella, Bovio - Valente", "Reginella, Bovio - Lama", "Funiculì Funiculà, Turco - Denza" There are various kinds of mandolins in use in Italy; they bear the names of <b>...</b>
Zagreb Chamber Music Festival Smetana Piano Trio - 3rd Mov
Susanna Yoko Henkel (violin), Monika Leskovar (cello) and Milana Chernyavska (piano) perform Bedrich Smetana's Piano Trio in G minor op. 15 at the Zagreb International Chamber Music Festival 2007 (October 19th 2007) - http://www.zagreb-festival.com
http://www.susanna-yoko-henkel.com
Here you can see the third movement: Finale - Presto
Susanna Yoko Henkel (violin), Monika Leskovar (cello) and Milana Chernyavska (piano) perform Bedrich Smetana's Piano Trio in G minor op. 15 at the Zagreb International Chamber Music Festival 2007 (October 19th 2007) - http://www.zagreb-festival.comhttp://www.susanna-yoko-henkel.com
Here you can see the third movement: Finale - Presto
(Pt 1) Music by Gabrieli - New Holland Chamber Brass [HD] - Music Sh
![(Pt 1) Music by Gabrieli - New Holland Chamber Brass [HD] - Music Sh](http://img.classicalclips.com/TAymQts9XIa4tARu.jpg "(Pt 1) Music by Gabrieli - New Holland Chamber Brass [HD] - Music Sh")
Some of the most memorable music for brass was written by Renaissance composer Giovanni Gabrieli, and this new ensemble from Sydney (formed for a Sydney Chamber Choir concert) played some of it and talked about how they got 'surround sound' back in the 16th century. In this video, the chamber performs Sonata XIII by Giovanni Gabrieli. Musicians: David Cervi, trumpet Nigel Crocker, bass trombone Andrew Evans, trumpet Will Farmer, trombone Matt Harrison, trombone Bruce Hellmers, trumpet Roslyn Jorgensen, trombone Justin Lingard, trumpet Roland Peelman was the conductor, and Natalie Shea, who sings with the Sydney Chamber Choir, also spoke. www.abc.net.au
Some of the most memorable music for brass was written by Renaissance composer Giovanni Gabrieli, and this new ensemble from Sydney (formed for a Sydney Chamber Choir concert) played some of it and talked about how they got 'surround sound' back in the 16th century. In this video, the chamber performs Sonata XIII by Giovanni Gabrieli. Musicians: David Cervi, trumpet Nigel Crocker, bass trombone Andrew Evans, trumpet Will Farmer, trombone Matt Harrison, trombone Bruce Hellmers, trumpet Roslyn Jorgensen, trombone Justin Lingard, trumpet Roland Peelman was the conductor, and Natalie Shea, who sings with the Sydney Chamber Choir, also spoke. www.abc.net.au
(Pt 2) Music by Gabrieli - New Holland Chamber Brass [HD] - Music Sh
![(Pt 2) Music by Gabrieli - New Holland Chamber Brass [HD] - Music Sh](http://img.classicalclips.com/sIxlKQ1GL9cX6gqh.jpg "(Pt 2) Music by Gabrieli - New Holland Chamber Brass [HD] - Music Sh")
Some of the most memorable music for brass was written by Renaissance composer Giovanni Gabrieli, and this new ensemble from Sydney (formed for a Sydney Chamber Choir concert) played some of it and talked about how they got 'surround sound' back in the 16th century. In this video, the chamber performs Canzona per sonore No. 4 by Giovanni Gabrieli. Musicians: David Cervi, trumpet Nigel Crocker, bass trombone Andrew Evans, trumpet Will Farmer, trombone Matt Harrison, trombone Bruce Hellmers, trumpet Roslyn Jorgensen, trombone Justin Lingard, trumpet Roland Peelman was the conductor, and Natalie Shea, who sings with the Sydney Chamber Choir, also spoke. www.abc.net.au
Some of the most memorable music for brass was written by Renaissance composer Giovanni Gabrieli, and this new ensemble from Sydney (formed for a Sydney Chamber Choir concert) played some of it and talked about how they got 'surround sound' back in the 16th century. In this video, the chamber performs Canzona per sonore No. 4 by Giovanni Gabrieli. Musicians: David Cervi, trumpet Nigel Crocker, bass trombone Andrew Evans, trumpet Will Farmer, trombone Matt Harrison, trombone Bruce Hellmers, trumpet Roslyn Jorgensen, trombone Justin Lingard, trumpet Roland Peelman was the conductor, and Natalie Shea, who sings with the Sydney Chamber Choir, also spoke. www.abc.net.au
Zagreb Chamber Music Festival: Smetana Piano Trio - 3rd mov.
Susanna Yoko Henkel (violin), Monika Leskovar (cello) and Milana Chernyavska (piano) perform Bedrich Smetana's Piano Trio in G minor op. 15 at the Zagreb International Chamber Music Festival 2007 (October 19th 2007) - www.zagreb-festival.com http Here you can see the third movement: Finale - Presto
Susanna Yoko Henkel (violin), Monika Leskovar (cello) and Milana Chernyavska (piano) perform Bedrich Smetana's Piano Trio in G minor op. 15 at the Zagreb International Chamber Music Festival 2007 (October 19th 2007) - www.zagreb-festival.com http Here you can see the third movement: Finale - Presto
