Sviatoslav Richter plays Prokofiev: Suggestion Diabolique
- Classical music composed by Sergei Prokofiev Sergei Prokofiev, Suggestion Diabolique, Op. 4, No. 4 Live recording, 1961
Sviatoslav Richter plays Schumann Concerto in A minor Op. 54 Part I Robert Schumann, Piano Concerto in A minor, Op.54 1. Allegro affettuoso Recording 1958
Sviatoslav Richter plays Prokofiev Sonata No. 7 (1/2) Part 1 Sergei Prokofiev - Sonata no.7 in B-flat major, op.83 1. Allegro inquieto Live recording, 1958 (?)
Sviatoslav Richter: Schubert Sonata A major 1st mvt. 1/2 Sviatoslav Richter plays Franz Schubert´s Sonata in A, D 664, Op. posth. 120, 1st movement
Sviatoslav Richter plays Ravel "Pavane" Maurice Ravel - "Pavane pour une Infante Defunte" Live recording, 1954
Richter - Prokofiev's Piano Sonata 2 Op 14 Mvt IV - Vivace Sviatoslav Richter plays Piano Sonata #2 in D minor, Op. 14 by Prokofiev (Recorded in B/W for telecast in 1964).
Mvt. IV. Vivace
Mvt. IV. Vivace
Richter - Maurice Ravels Alborada del Gracioso Sviatoslav Richter plays Alborada del gracioso by Maurice Ravel (Recorded in black and white for telecast in 1964)
Sarajevo by Max Richter last.fm/music/Max+Richter Composer Max Richter was born in Germany in 1966 and grew up in the UK. He studied composition and piano at Edinburgh University, the Royal Academy of Music and in Florence with Luciano Berio. He then co-founded Piano Circus, a contemporary classical ensemble, where he stayed for ten years. His influences include both classical artists—Terry Riley, Steve Reich, Philip Glass, Arvo Pärt, Iannis Xenakis, Brian Eno, Henry Purcell, John Taverner, Henryk Górecki, Michael Nyman—and electronica, early dance music, punk, psychedelia—The Clash, The Beatles, Pink Floyd, Kraftwerk, Autechre, Boards of Canada.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Hannah plays Chopin Nocturne 20 in C Sharp Minor 8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
Argerich plays Tchaikovsky Piano Concerto Part 1 Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1 Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prokofiev: Romeo and Juliet - Montagues and Capulets, Dance Of The K Great piece, maybe my favourite out of all Prokofiev's music. Montagues and Capulets also known as Dance of the Knights is a score composed by Sergei Prokofiev. It is from Act I, Scene 2 of the ballet Romeo and Juliet. A dark and atmospheric piece, it has become a de facto signature tune for the Soviet era, and is used as the soundtrack for numerous dramas, documentaries and adverts that have Soviet subject matter. It was used as the background music in a popular 1990s French commercial for Chanel's Egoiste fragrance, and it was the competition music for the Canadian television mockumentary Kenny vs. Spenny. The piece has also been used as the theme score for the English football club Sunderland who play at the Stadium of Light in order to evoke a stirring mood before kick-off and to trouble the nerves of visiting opponents. Since the stadium opened in 1997, Dance of the Knights is played, in full, before the teams walk out onto the pitch before the game. The use of the piece in this context saw interest in Prokofiev's Romeo and Juliet rise sharply in the North-East of England toward the end of the 1990s. Furthermore, this composition is used as title music for the movie Caligula. The German Technical Death Metal band Necrophagist uses a portion of this piece at the end of their song Only Ash Remains. It is also used in the song 'Lords of Bedlam' by the Austrian symphonic death metal band Hollenthon. The Smiths would also famously come on stage to the <b>...</b>
Prokofiev: Symphony No. 5 / Dudamel · Berliner Philharmoniker Full-length concert at www.digitalconcerthall.com Serge Prokofiev: Symphony No. 5 / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 7 March 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Prokofiev: Cinderella (Paris Opera Ballet) Rudolf Nureyevs colourful, movie-star version of Prokofievs Cinderella retains the classic Perrault story but sets it in America during the difficult years of the Great Depression in the 1930s and 1940s. Agnès Letestu stars as Cinderella who, living with her alcoholic father, tyrannical stepmother and two spiteful stepsisters, dreams of escape and stardom in Hollywood. After a promising screen-test during which The Film Star, suavely portrayed by José Martinez, falls head over heels in love with her, she is fearful that her new-found happiness is too good to be true and will vanish with her youth. Fortunately, her magical protector (in the form of The Producer) and her lover move heaven and earth for a happily ever after ending. This is Paris Opera Ballet at its very best. Available from Opus Arte on DVD www.opusarte.com Please 'Like' us at www.facebook.com
PROKOFIEV: Classical Symphony 1st & 2nd Movements Allegro Larghetto Slide show showing medallic art by Cabral Antunes and Humberto Mendes National Orchestra of the ORTF Jean Martinon, Conductor PORTRAITS OF COMPOSERS See Part 2 www.youtube.com
Prokofiev Plays Prokofiev Suggestion Diabolique (1935) Suggestion Diabolique, Op. 4 No. 4 Recorded February 26, 1935 in Paris, France Sergei Prokofiev, piano
S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu) S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu). Early in the 20th century, an aspiring 17-year-old composer named Sergei Prokofiev wrote a collection of primal, abrasive piano pieces that defied the lush, romantic inclinations of Russian classical music of the time. One of these compositions was a 3-minute piece called "Suggestion Diabolique". When Prokofiev performed this composition at the St. Petersburg Conservatory in 1909, he was denounced as an "extreme leftist", and a "bad boy of Russian music" (this wasn't meant as a backhanded compliment, like in the Russell Crowe sense). Since then, however, "Suggestion Diabolique" has come to be regarded as a piano masterpiece, a foil for concert pianists everywhere.
Musica Moderna/ Suggestion Diabolique Prokofiev Devlish Inspiration Aloysio Rachid, brazilian (brasilianische) (brasilianer) (breziliene) (brésiliénne) pianist, plays (performs) (spielt) (toca) (executa) Devlish (Suggestion) Inspiration opus 4 number 4 by Serge (Sergei) Prokofiew (Prokofief) (1891-1953). Sugestões Diabólicas. Sugestão Diabólica (diabolica). Suggestion Diabolique. Teuflische Einflüsterung. Obsession Diabolique. Diabolic Suggestion. Suggestione Diabolica by Sergei Prokofieff. Russian (Russe) (Russo) (Russi) modern (moderne) (moderno) russische musik (muderno) classical (klassic) (classique) (classico) (clasico) composer (kompozer) (compositeur) (compositor) (komponist). Piano (klavier) (pianoforte) solo instrumental performance. Dificult music (musica difícil) (muzica dificile) (musique). Música percussiva requer uma técnica de braços e punho mais apurada, não indicada para iniciantes do instrumento. 20th Century Composers. Compositores famosos (famozos) (fameux) do século XX (vinte). Op. 4 No 4. Four piano pieces (cuatro piezas) (quatro peças) ( vier stücken) opus 04. Klavir kompozicije (musica) (muzica). Klavir solo instrumental song music. Musici classici russi per pianoforte solo performance execuciion. Músicas modernas russas macabras. Musique russe macabre pour piano (pian). Sons macabros. Muzica de terror. Medo. Susto. Moderner klassik musik für klavier spieler. Russische moderne klassische musik.