JN Hummel 1/2 Trumpet concerto in E-flat major (David Guerrier, Nant
- Classical music composed by Johann Nepomuk Hummel Johann Nepomuk Hummel : Concerto pour trompette en mi bémol majeur - 1/2 (Trumpet concerto in E-flat major), 1er mouvement. I. Allegro con spirito ( JN Hummel 2/2 Trumpet concerto in E-flat major : www.youtube.com ) David Guerrier : trompette (trumpet) Peter Csaba : Chef d'orchestre (director) Orchestre : Sinfonia Varsovia La folle journée de Nantes, 2005 (France) : www.follejournee.fr
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Johann Nepomuk Hummel (1778-1837) Grande Sonate pour mandoline et pianoforte Andante moderato Florentino Calvo, Aline Zylberajch Enregistrement / Olivier Moulaï Prades, Juillet 2008
JN Hummel 2/2 Trumpet concerto in E-flat major (David Guerrier, Nant
Johann Nepomuk Hummel : Concerto pour trompette en mi bémol majeur - 2/2 (Trumpet concerto in E-flat major), 2ème et 3ème mouvement. II. Andante III. Rondo ( JN Hummel 1/2 Trumpet concerto in E-flat major : www.youtube.com ) David Guerrier : trompette (trumpet) Peter Csaba : Chef d'orchestre (director) Orchestre : Sinfonia Varsovia La folle journée de Nantes, 2005 (France) : www.follejournee.fr
Johann Nepomuk Hummel : Concerto pour trompette en mi bémol majeur - 2/2 (Trumpet concerto in E-flat major), 2ème et 3ème mouvement. II. Andante III. Rondo ( JN Hummel 1/2 Trumpet concerto in E-flat major : www.youtube.com ) David Guerrier : trompette (trumpet) Peter Csaba : Chef d'orchestre (director) Orchestre : Sinfonia Varsovia La folle journée de Nantes, 2005 (France) : www.follejournee.fr
1. JN Hummel, piano concerto n.2, rondo, 3rd part, Hae-won Chang, P
Resignation. Stoicism mixed with a modest optimism in the classical times. This comes into my mind when listenning to this rondo. It is the third part of the piano concerto in A minor, op.85, no.2, rondo:allegro moderato. A well balanced work by JN Hummel. Well intentionned Hae-won Chang is a leading figure of pianistic art in S.Korea. She has studied in Germany and it shows. Budapest Chamber Orchestra conducted by Pál Tamás. I like this rendition for its moderate solemnity and mature sound. A captivating finale at 04:34 of the second video where the bravoura of the pianist does not dominate the whole scene. Photos taken by me at Hummel´s natal house and now a museum in Bratislava, Slovakia (wondeful country where the kind habitants and the ex-governors do not still exactly know why they drifted apart from Czech; do not worry guys, banks and some other countries know). I had to butcher the video due to YT´s time restrictions. Enjoy.
Resignation. Stoicism mixed with a modest optimism in the classical times. This comes into my mind when listenning to this rondo. It is the third part of the piano concerto in A minor, op.85, no.2, rondo:allegro moderato. A well balanced work by JN Hummel. Well intentionned Hae-won Chang is a leading figure of pianistic art in S.Korea. She has studied in Germany and it shows. Budapest Chamber Orchestra conducted by Pál Tamás. I like this rendition for its moderate solemnity and mature sound. A captivating finale at 04:34 of the second video where the bravoura of the pianist does not dominate the whole scene. Photos taken by me at Hummel´s natal house and now a museum in Bratislava, Slovakia (wondeful country where the kind habitants and the ex-governors do not still exactly know why they drifted apart from Czech; do not worry guys, banks and some other countries know). I had to butcher the video due to YT´s time restrictions. Enjoy.
JNHummel - Piano Sonata in F Minor (I mov.), Daria Gloukhova (piano)
Johann Nepomuk Hummel (1778 -- 1837) is an Austrian composer and virtuoso pianist (originally of Chezh persuasion). Music by JNHummel is on a transition from classicism to romanticism. The best of his heritage is piano music, that stands out with its virtuosity, sentimental-romantic nature and exquisite melodics. Looking ahead, Hummel had made a step into the next epoche of music in his works. Music by Hummel took a different direction from that of Beethoven, he didn't challenged established traditions. His Piano Sonata No.3 in F-Minor (Op.20) is an example of harmonic combination of classical structure and new lengthy sonata forms. Hummel's philosophy that lays in the basis of his works is «To enjoy the world, gibing it peace and joy». In general, all of his works are written for piano -- instrument that he mastered, and was one of the best virtuosos of his time. He written eight piano concerts, ten sonatas for piano, eight piano trios, piano quartet, piano quintet, octet for brass instruments, sonata for cello, two piano septets, sonata for mandoline with orchestra, concert E-Major for trumpet, 22 operas, messas and many other works. Russian pianist Daria Gloukhova was born on February 27, 1986 in Moscow. At the age of four she began her music practices. When she was 18 years old, Daria had graduated musical college of the Tchaikovsky State Conservatory of Moscow (class of professor A.Malkus). Since 2006, she is an active performer. During her concert programs, Daria <b>...</b>
Johann Nepomuk Hummel (1778 -- 1837) is an Austrian composer and virtuoso pianist (originally of Chezh persuasion). Music by JNHummel is on a transition from classicism to romanticism. The best of his heritage is piano music, that stands out with its virtuosity, sentimental-romantic nature and exquisite melodics. Looking ahead, Hummel had made a step into the next epoche of music in his works. Music by Hummel took a different direction from that of Beethoven, he didn't challenged established traditions. His Piano Sonata No.3 in F-Minor (Op.20) is an example of harmonic combination of classical structure and new lengthy sonata forms. Hummel's philosophy that lays in the basis of his works is «To enjoy the world, gibing it peace and joy». In general, all of his works are written for piano -- instrument that he mastered, and was one of the best virtuosos of his time. He written eight piano concerts, ten sonatas for piano, eight piano trios, piano quartet, piano quintet, octet for brass instruments, sonata for cello, two piano septets, sonata for mandoline with orchestra, concert E-Major for trumpet, 22 operas, messas and many other works. Russian pianist Daria Gloukhova was born on February 27, 1986 in Moscow. At the age of four she began her music practices. When she was 18 years old, Daria had graduated musical college of the Tchaikovsky State Conservatory of Moscow (class of professor A.Malkus). Since 2006, she is an active performer. During her concert programs, Daria <b>...</b>
Alison Balsom - Hummel Trumpet Concerto in E flat, Rondo
Alison Balsom plays "Hummel Trumpet Concerto in E flat" at the Classical Brit Awards, programmes dated 19th May 2009. This is produced solely to promote Alison and her music.
Alison Balsom plays "Hummel Trumpet Concerto in E flat" at the Classical Brit Awards, programmes dated 19th May 2009. This is produced solely to promote Alison and her music.
Wynton Marsalis - Hummel Trumpet Concerto In Eb Major
As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the NO symphony brass quintet, the NO community concert band, NO youth orchestra, NO symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had <b>...</b>
As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the NO symphony brass quintet, the NO community concert band, NO youth orchestra, NO symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had <b>...</b>
Hummel. 3º mov -Wynton Marsalis
Rondó 3º movimiento concierto en mib de Hummel. Trompeta Wynton Marsalis
Rondó 3º movimiento concierto en mib de Hummel. Trompeta Wynton Marsalis
Johann Nepomuk Hummel - Trumpet Concerto - 1.Mov. - Chananel Sichrov
In the 17.th of March 2009 Chananel Sichrovský (CZE-16.years) plays JN Hummel´s trumpet concerto Es dur 1.st Movement. Hehas been playing the trumpet 10. years. On the Brass and Drums competition. He won 1. place with succession. (Region) (24,75 points from 25.00) Place: Jičín - ZUŠ (CZE) Played the: Trumpet: Vincent Bach Stradivarius Model 43. (B Trumpet) Excerpt: Music isn't about competing, just check the Dizzy & André video and you see that great players are respecting each other and have fun playing together, not competing against each other. BY: Trumpetvideos In a few days Chananel Sichrovský was on the Brass and Drums competition. He was 1.st from whole Czech Republic (Just his Category). He was very happy, and he will play more and more! :-)
In the 17.th of March 2009 Chananel Sichrovský (CZE-16.years) plays JN Hummel´s trumpet concerto Es dur 1.st Movement. Hehas been playing the trumpet 10. years. On the Brass and Drums competition. He won 1. place with succession. (Region) (24,75 points from 25.00) Place: Jičín - ZUŠ (CZE) Played the: Trumpet: Vincent Bach Stradivarius Model 43. (B Trumpet) Excerpt: Music isn't about competing, just check the Dizzy & André video and you see that great players are respecting each other and have fun playing together, not competing against each other. BY: Trumpetvideos In a few days Chananel Sichrovský was on the Brass and Drums competition. He was 1.st from whole Czech Republic (Just his Category). He was very happy, and he will play more and more! :-)
Rachmaninoff Concerto N. 2 - I. Moderato (1/2)
Soloist: Georgii Cherkin - piano Classic FM Radio Orchestra Conductor: Georgi Dimitrov A high quality MP3 of this recording is available on iTunes: itunes.apple.com Thank you for watching!
Soloist: Georgii Cherkin - piano Classic FM Radio Orchestra Conductor: Georgi Dimitrov A high quality MP3 of this recording is available on iTunes: itunes.apple.com Thank you for watching!
Rubinstein - Brahms, Piano Concerto No.1 - II Adagio (1/2)
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were <b>...</b>
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were <b>...</b>
Pierre Fournier Haydn Cello Concerto in D 1.(1/2) live
www.facebook.com Pierre Fournier (1906-1986) was born in Paris on June 24, and known in his lifetime as "the aristocrat of cellists," because of his lyrical playing, and for his impeccable artistic sensitivity. Fournier was the son of a French army general, and as a child was taught piano by his mother. At the age of nine he suffered a mild case of polio, and lost some of the dexterity in his legs and feet. No longer able to master the use of the piano pedals, he searched for another musical instrument, and turned to the cello. He quickly made good progress on his new instrument, and was able to win entrance to the Paris Conservatoire, where he became a pupil of Paul Bazelaire, and later Anton Hekking. He graduated at the age of seventeen, in the year 1923. Maurice Marechal called him "the cellist of the future." Even at such a young age, Fournier had tremendous virtuosity, and was famous for his bowing facility. Fournier was a friend of another great French cellist, Tortelier. Once, meeting backstage after a recital by Tortelier, Pierre said to him, "Paul, I wish I had your left hand." Tortelier replied, "Pierre, I wish I had your right arm!" Fournier became well known in 1925 after a successful performance with the Edouard Colonne Orchestra in Paris, and began to give concerts all over Europe. Fournier played with all the great musicians of his time, including Cortot, Thibaud, Furtwangler, Karajan and Kubelik. Together with Artur Schnabel, Szigeti and Primrose he <b>...</b>
www.facebook.com Pierre Fournier (1906-1986) was born in Paris on June 24, and known in his lifetime as "the aristocrat of cellists," because of his lyrical playing, and for his impeccable artistic sensitivity. Fournier was the son of a French army general, and as a child was taught piano by his mother. At the age of nine he suffered a mild case of polio, and lost some of the dexterity in his legs and feet. No longer able to master the use of the piano pedals, he searched for another musical instrument, and turned to the cello. He quickly made good progress on his new instrument, and was able to win entrance to the Paris Conservatoire, where he became a pupil of Paul Bazelaire, and later Anton Hekking. He graduated at the age of seventeen, in the year 1923. Maurice Marechal called him "the cellist of the future." Even at such a young age, Fournier had tremendous virtuosity, and was famous for his bowing facility. Fournier was a friend of another great French cellist, Tortelier. Once, meeting backstage after a recital by Tortelier, Pierre said to him, "Paul, I wish I had your left hand." Tortelier replied, "Pierre, I wish I had your right arm!" Fournier became well known in 1925 after a successful performance with the Edouard Colonne Orchestra in Paris, and began to give concerts all over Europe. Fournier played with all the great musicians of his time, including Cortot, Thibaud, Furtwangler, Karajan and Kubelik. Together with Artur Schnabel, Szigeti and Primrose he <b>...</b>
Rachmaninoff Concerto N. 2 - II. Adagio sostenuto (1/2)
Soloist: Georgii Cherkin - piano Classic FM Radio Orchestra Conductor: Georgi Dimitrov A high quality MP3 of this recording is available on iTunes: itunes.apple.com Thank you for watching!
Soloist: Georgii Cherkin - piano Classic FM Radio Orchestra Conductor: Georgi Dimitrov A high quality MP3 of this recording is available on iTunes: itunes.apple.com Thank you for watching!
Rafael Mendez - Haydn Trumpet Concerto
In this second installment of the Rafael Mendez special entitled "The Trumpet," Mendez begins with discussing the origins of the trumpet and then plays an exceptional rendition of the third movement of the Haydn trumpet concerto.
For those of you familiar with this piece it will be a breath of fresh air to hear Mendez's version. This was the first piece written for the keyed trumpet, and Haydn wrote this concerto to really showcase this brand new instrument. Unlike other classical trumpet performances of this piece where the trumpet sounds like a part of the orchestra, Mendez electrifies the show by playing with such vigor and virtuosity. I think Mendez is doing Haydn a great favor by playing this piece not as part of an orchestra, but as a trumpet player. Haydn intended this to showcase the trumpet, and Mr. Mendez does just that.
In this second installment of the Rafael Mendez special entitled "The Trumpet," Mendez begins with discussing the origins of the trumpet and then plays an exceptional rendition of the third movement of the Haydn trumpet concerto. For those of you familiar with this piece it will be a breath of fresh air to hear Mendez's version. This was the first piece written for the keyed trumpet, and Haydn wrote this concerto to really showcase this brand new instrument. Unlike other classical trumpet performances of this piece where the trumpet sounds like a part of the orchestra, Mendez electrifies the show by playing with such vigor and virtuosity. I think Mendez is doing Haydn a great favor by playing this piece not as part of an orchestra, but as a trumpet player. Haydn intended this to showcase the trumpet, and Mr. Mendez does just that.
Tine Thing Helseth: Haydn Trumpet Concerto, 3rd mvt
Get the SACD here: goo.gl iTunes: goo.gl Tine Thing Helseth made her recording debut release on SACD internationally in February 2008, toghether with Norwegian Chamber Orchestra. This video was made during the recording sessions.
Get the SACD here: goo.gl iTunes: goo.gl Tine Thing Helseth made her recording debut release on SACD internationally in February 2008, toghether with Norwegian Chamber Orchestra. This video was made during the recording sessions.
Haydn: Trumpet Concerto In e Flat (I Allegro) - Tine Thing Helseth
Haydn: Trumpet Concerto In e Flat (I Allegro) by Tine Things Helseth & composed by Franz Joseph Haydn (P) 2007 Simax Classics Genre: Classical Released: Jun 01, 2009
Haydn: Trumpet Concerto In e Flat (I Allegro) by Tine Things Helseth & composed by Franz Joseph Haydn (P) 2007 Simax Classics Genre: Classical Released: Jun 01, 2009
Henry Purcell's Trumpet Voluntary sheet music - Video Score
http://www.virtualsheetmusic.com/video58<br />Virtual Sheet Music presents the famous Henry Purcell's Trumpet Voluntary for piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
http://www.virtualsheetmusic.com/video58<br />Virtual Sheet Music presents the famous Henry Purcell's Trumpet Voluntary for piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part2
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
First Movement from Piano Sonata in E-flat minor - Samuel Barber
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Beethoven Symphony No. 3 in E-flat Major, Op. 55 - 1st Movement
Leonard Bernstein and the New York Philharmonic perform Allegro con brio from Beethoven's 3rd Symphony.
Leonard Bernstein and the New York Philharmonic perform Allegro con brio from Beethoven's 3rd Symphony.
Frederic Chopin - Nocturne in E-flat major Op. 9 No. 2
HAPPY BELATED NEW YEARS! XD To start off 2008 with something special and interesting, I've decided to present to you my VERY FIRST CLASSICAL video on YouTube! This is my all-time favorite nocturne by Chopin. I learned this with the help of my piano teacher when I was 10, and when I recently found the sheet music to it again, I sight read it so I could play it for YouTube. **SHEET MUSIC** www.sheetmusicarchive.net Under 'Chopin' in the left hand side, scroll down until you find the right nocturne. :D ENJOY! :)
HAPPY BELATED NEW YEARS! XD To start off 2008 with something special and interesting, I've decided to present to you my VERY FIRST CLASSICAL video on YouTube! This is my all-time favorite nocturne by Chopin. I learned this with the help of my piano teacher when I was 10, and when I recently found the sheet music to it again, I sight read it so I could play it for YouTube. **SHEET MUSIC** www.sheetmusicarchive.net Under 'Chopin' in the left hand side, scroll down until you find the right nocturne. :D ENJOY! :)
Mozart's Concerto no. 9 in E-flat major, K. 271 (First Movement)
Eldred Marshall conducts members of the Meadows Symphony Orchestra and Meridian String Quartet (Dallas) in Mozart's Piano Concerto no. 9 "Jenamy" (or "Jeunehomme"). Cadenzas are by E. Marshall.
Eldred Marshall conducts members of the Meadows Symphony Orchestra and Meridian String Quartet (Dallas) in Mozart's Piano Concerto no. 9 "Jenamy" (or "Jeunehomme"). Cadenzas are by E. Marshall.
Handel - Water Music Suite in DG Major HWV349350 1
GEORGE FRIDERIC HANDEL (1685-1759)
Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
GEORGE FRIDERIC HANDEL (1685-1759)Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
Brahms - Violin Concerto in D major
Brahms - Violin Concerto in D major - II. Adagio (G. Kremer, L. Bernstein and Wiener Phil. O.)
Brahms - Violin Concerto in D major - II. Adagio (G. Kremer, L. Bernstein and Wiener Phil. O.)
Johann Pachelbel Canon in D Major fantastic version, classical music
Classical music, Johann Pachelbel - Canon in D Major from "London Symphony Orchestra Plays Great Classics" Johann Pachelbel Canon or Kanon baroque christmas classical music song songs the London Symphony Orchestra the "London Symphony Orchestra Play Great Classics" 卡農我的野蠻女友搖滾卡農卡農鋼琴電吉他
Classical music, Johann Pachelbel - Canon in D Major from "London Symphony Orchestra Plays Great Classics" Johann Pachelbel Canon or Kanon baroque christmas classical music song songs the London Symphony Orchestra the "London Symphony Orchestra Play Great Classics" 卡農我的野蠻女友搖滾卡農卡農鋼琴電吉他
Pachelbel's canon in D Major - Romantic Modernized Version
This is one of the most popular compositions in the classical world which was composed during the baroque era in the 1680's by Johann Pachelbel. Performed by the Slovak Chamber Orchestra. This is a non-HIP(Historically Informed Piece) adaptation of the Canon, which means this is NOT the original "version" of the piece, as Pachelbel composed it. If you're looking after a good HIP performance, I suggest listening to Musica Antiqua Köln's, that can be found under "Video Responses". Highly recommended, enjoy! You can find the mp3 here: www.megaupload.com I've uploaded the file again to RapidShare: rapidshare.com Sheets: www.sheetmusicfox.com
This is one of the most popular compositions in the classical world which was composed during the baroque era in the 1680's by Johann Pachelbel. Performed by the Slovak Chamber Orchestra. This is a non-HIP(Historically Informed Piece) adaptation of the Canon, which means this is NOT the original "version" of the piece, as Pachelbel composed it. If you're looking after a good HIP performance, I suggest listening to Musica Antiqua Köln's, that can be found under "Video Responses". Highly recommended, enjoy! You can find the mp3 here: www.megaupload.com I've uploaded the file again to RapidShare: rapidshare.com Sheets: www.sheetmusicfox.com
Beethoven - Sonata in D Major, Op.10 No.3, 1st Movement (David Fung)
Beethoven - Sonata in D Major, Op.10 No.3, 1st Movement (David Fung) web.ics.purdue.edu www.facebook.com The beginning is rushed. Sorry
Beethoven - Sonata in D Major, Op.10 No.3, 1st Movement (David Fung) web.ics.purdue.edu www.facebook.com The beginning is rushed. Sorry
Prokofiev - Lieutenant Kijé//Romance
Sergei Prokofiev - Lieutenant Kijé Played by the "Orchestre National de France" under the direction of Lorin Maazel. The Melody is used as some kind of a refrain in the song "Russians" by Sting
Sergei Prokofiev - Lieutenant Kijé Played by the "Orchestre National de France" under the direction of Lorin Maazel. The Melody is used as some kind of a refrain in the song "Russians" by Sting
Scott Tennant : M. Tadic 3 Balkan Pieces
XVII INTERNATIONAL GUITAR FESTIVAL & COURSES BRNO ´08 3--9 AUGUST 2008 guitarcz.com SCOTT TENNANT is a founding member of the Grammywinning ensemble Los Angeles Guitar Quartet, and is himself considered to be one of the world's top classical guitarists. He authored books on guitar technique, including Pumping Nylon, which has attained a "cult" classic status
XVII INTERNATIONAL GUITAR FESTIVAL & COURSES BRNO ´08 3--9 AUGUST 2008 guitarcz.com SCOTT TENNANT is a founding member of the Grammywinning ensemble Los Angeles Guitar Quartet, and is himself considered to be one of the world's top classical guitarists. He authored books on guitar technique, including Pumping Nylon, which has attained a "cult" classic status
Scott Tennant performing on a Marchione Classical
Scott Tennant Performing Arada and Danza from the Suite Castellana by Torroba at the University of Texas Classical Guitar Festival; Brownsville Texas 2008. Mr. Tennant is playing a new 2008 Marchione Classical guitar with an Italian Spruce Top and Jacaranda back and sides.
Scott Tennant Performing Arada and Danza from the Suite Castellana by Torroba at the University of Texas Classical Guitar Festival; Brownsville Texas 2008. Mr. Tennant is playing a new 2008 Marchione Classical guitar with an Italian Spruce Top and Jacaranda back and sides.
