HEITOR VILLA-LOBOS- MAZURKA CHORO (MANUEL ESPINÁS)
- Classical music THE CUBAN- MEXICAN CLASSICAL GUITAR PLAYER MANUEL ESPINÁS PERFORMANCE DURING THE INTERNATIONAL GUITAR FESTIVAL IN PARACHO, MICHOACÁN, MÉXICO, IN THE YEAR 2004. PLAYING ANDANTE Op.64 BY NAPOLEÓN COSTE, GAVOTTE CHORO, VALSA CHORO, AND MAZURKA CHORO BY HEITOR VILLA-LOBOS AND FINALLY SONATINA MERIDIONAL BY MANUEL M. PONCE.
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David Russell Heitor Villa-Lobos Choro No.1
Courtesy of the Official DavidRussellGuitar.com website. TVE Canal clasico - Spain 2003
Courtesy of the Official DavidRussellGuitar.com website. TVE Canal clasico - Spain 2003
Heitor Villa Lobos- Gavotte Choro (Manuel Espinás)
THE CUBAN- MEXICAN CLASSICAL GUITAR PLAYER MANUEL ESPINÁS PERFORMANCE DURING THE INTERNATIONAL GUITAR FESTIVAL IN PARACHO, MICHOACÁN, MÉXICO, IN THE YEAR 2004. PLAYING ANDANTE Op.64 BY NAPOLEÓN COSTE, GAVOTTE CHORO, VALSA CHORO, AND MAZURKA CHORO BY HEITOR VILLA-LOBOS AND FINALLY SONATINA MERIDIONAL BY MANUEL M. PONCE.
THE CUBAN- MEXICAN CLASSICAL GUITAR PLAYER MANUEL ESPINÁS PERFORMANCE DURING THE INTERNATIONAL GUITAR FESTIVAL IN PARACHO, MICHOACÁN, MÉXICO, IN THE YEAR 2004. PLAYING ANDANTE Op.64 BY NAPOLEÓN COSTE, GAVOTTE CHORO, VALSA CHORO, AND MAZURKA CHORO BY HEITOR VILLA-LOBOS AND FINALLY SONATINA MERIDIONAL BY MANUEL M. PONCE.
Camerata Heitor Villa-Lobos - Parte 01
Apresentação do conjunto de violões de Santos no Programa do Jô. Obras: La Malagueñae El Vito. Violão Guitarra Chitarra Battente La Guitare Classical Guitar class
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Prelude No.2 - Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887 - November 17, 1959) was a Brazilian composer, possibly the best-known classical composer born in South America. He wrote numerous orchestral, chamber, instrumental and vocal works. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas brasileiras ("Brazilian Bach-pieces"). This piece is dedicated to my friend from Rio de Janeiro, Ovidio, who inspired me to explore the beautiful music of Brazil. Guitar by Darren Hippner, USA
Heitor Villa-Lobos (March 5, 1887 - November 17, 1959) was a Brazilian composer, possibly the best-known classical composer born in South America. He wrote numerous orchestral, chamber, instrumental and vocal works. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas brasileiras ("Brazilian Bach-pieces"). This piece is dedicated to my friend from Rio de Janeiro, Ovidio, who inspired me to explore the beautiful music of Brazil. Guitar by Darren Hippner, USA
Chopin Mazurka op17 No 4 - Michel Mananes Live
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Patricio Molina - Chopin Mazurka Op. 59 No. 3
RecitalPATRICIO MOLINA, PIANIST A native of Chile, the 18- year-old pianist Patricio Molina made his debut at the tender age of three appearing with the Catholic University of Chile's Orchestra on the popular television program "Venga Conmigo" (come with me). Immediate following his appearance, Patricio was awarded a full scholarship by "Amigos del Teatro Municipal", the educational funding arm of the Municipal Theater of Santiago. This scholarship enabled Patricio to study free of charge in the School for the Arts within the University of Chile for the next ten years. During this time he won the "Claudio Arrau International Piano Competition" three times (I, II and III Level), and performed concerts in Germany, Jordan and throughout Chile. Upon his arrival in the United States in 2004, Patricio entered Manhattan School of Music where he is a full scholarship student in the studio of Dr. Marc Silverman, Chairman of the Conservatory's Piano Department. His talents were quickly recognized by the New York Times which described him as "a gifted young artist" when they heard his performance on the Symphony Space "Wall-to-Wall Stravinsky" program. In 2005, Patricio was awarded First Prize in the International Piano Competition of New as well the Grand Prize as the outstanding performer in all categories of the competition. As the winner of last season's Precollege Concerto Competition, Patricio performed Saint Saens's Concerto No. 2 in G minor with the Manhattan School of Music <b>...</b>
RecitalPATRICIO MOLINA, PIANIST A native of Chile, the 18- year-old pianist Patricio Molina made his debut at the tender age of three appearing with the Catholic University of Chile's Orchestra on the popular television program "Venga Conmigo" (come with me). Immediate following his appearance, Patricio was awarded a full scholarship by "Amigos del Teatro Municipal", the educational funding arm of the Municipal Theater of Santiago. This scholarship enabled Patricio to study free of charge in the School for the Arts within the University of Chile for the next ten years. During this time he won the "Claudio Arrau International Piano Competition" three times (I, II and III Level), and performed concerts in Germany, Jordan and throughout Chile. Upon his arrival in the United States in 2004, Patricio entered Manhattan School of Music where he is a full scholarship student in the studio of Dr. Marc Silverman, Chairman of the Conservatory's Piano Department. His talents were quickly recognized by the New York Times which described him as "a gifted young artist" when they heard his performance on the Symphony Space "Wall-to-Wall Stravinsky" program. In 2005, Patricio was awarded First Prize in the International Piano Competition of New as well the Grand Prize as the outstanding performer in all categories of the competition. As the winner of last season's Precollege Concerto Competition, Patricio performed Saint Saens's Concerto No. 2 in G minor with the Manhattan School of Music <b>...</b>
Mazurka Apassionata Agustin Barrios Mangore
Mazurka Appasionata Agustin Barrios Mangore Solo Classical Guitar
Mazurka Appasionata Agustin Barrios Mangore Solo Classical Guitar
Mike Brown Plays Mazurka-Choro by Villa-Lobos
EMU guitarist Mike Brown plays Mazurka-Choro by Heitor Villa-Lobos for classical guitar. This piece is the first movement of the Suite Populaire Bresilienne by Villa-Lobos
EMU guitarist Mike Brown plays Mazurka-Choro by Heitor Villa-Lobos for classical guitar. This piece is the first movement of the Suite Populaire Bresilienne by Villa-Lobos
Choro Transcendental # 4 - Choro para kapustin - Dihelson Mendonça
"Choro" is a kind of popular dance from Brazil. It´s like a samba, but has some differences. It´sa traditional rhythm. I have composed several choros. Indeed, a whole collection. This one, is specially difficult to play. It´s dedicated to the great russian composer and pianist Nikolai Kapustin who has greatly influenced my way of thinking about jazz and Classical music.
"Choro" is a kind of popular dance from Brazil. It´s like a samba, but has some differences. It´sa traditional rhythm. I have composed several choros. Indeed, a whole collection. This one, is specially difficult to play. It´s dedicated to the great russian composer and pianist Nikolai Kapustin who has greatly influenced my way of thinking about jazz and Classical music.
Sonata Mexicana --1st movement (Manuel Maria Ponce)
Sonata Mexicana (Sonata No. 1) --1st movement (Allegro Moderato) Music by Manuel M. Ponce Taylor NS54-CE, hybrid classical
Sonata Mexicana (Sonata No. 1) --1st movement (Allegro Moderato) Music by Manuel M. Ponce Taylor NS54-CE, hybrid classical
Gavota (Manuel M. Ponce)
Una pieza clásica de vez en cuando para recordar... Esta preciosa Gavota, perteneciente a la Suite Antigua, fue escrita por Ponce en 1931 cuando la música barroca estaba de moda. Al parecer Ponce fue el autor, pero la publicación original se atribuyó erróneamente a Alessandro Scarlatti. La composición de Ponce es tan perfecta y tan barroca que hoy sigue habiendo controversia respecto a la verdadera autoría de la obra. Ponce era sencillamente un genio. --------------------------------------- A classical piece from time to time to remember... This beautiful Gavotte, included in the Suite Antigua, was composed by Ponce in 1931 when the baroque music was trendy. It seems Ponce was the author in fact, but the original edition was wrongly attributed to Alessandro Scarlatti. Ponce's composition was so perfect and so baroque than even at present the controversy regarding the truth copyright goes on. Ponce was simply a genius.
Una pieza clásica de vez en cuando para recordar... Esta preciosa Gavota, perteneciente a la Suite Antigua, fue escrita por Ponce en 1931 cuando la música barroca estaba de moda. Al parecer Ponce fue el autor, pero la publicación original se atribuyó erróneamente a Alessandro Scarlatti. La composición de Ponce es tan perfecta y tan barroca que hoy sigue habiendo controversia respecto a la verdadera autoría de la obra. Ponce era sencillamente un genio. --------------------------------------- A classical piece from time to time to remember... This beautiful Gavotte, included in the Suite Antigua, was composed by Ponce in 1931 when the baroque music was trendy. It seems Ponce was the author in fact, but the original edition was wrongly attributed to Alessandro Scarlatti. Ponce's composition was so perfect and so baroque than even at present the controversy regarding the truth copyright goes on. Ponce was simply a genius.
NAPOLEÓN COSTE- ANDANTE Op. 64 (MANUEL ESPINÁS)
THE CUBAN- MEXICAN CLASSICAL GUITAR PLAYER MANUEL ESPINÁS PERFORMANCE DURING THE INTERNATIONAL GUITAR FESTIVAL IN PARACHO, MICHOACÁN, MÉXICO, IN THE YEAR 2004. PLAYING ANDANTE Op.64 BY NAPOLEÓN COSTE, GAVOTTE CHORO, VALSA CHORO, AND MAZURKA CHORO BY HEITOR VILLA-LOBOS AND FINALLY SONATINA MERIDIONAL BY MANUEL M. PONCE.
THE CUBAN- MEXICAN CLASSICAL GUITAR PLAYER MANUEL ESPINÁS PERFORMANCE DURING THE INTERNATIONAL GUITAR FESTIVAL IN PARACHO, MICHOACÁN, MÉXICO, IN THE YEAR 2004. PLAYING ANDANTE Op.64 BY NAPOLEÓN COSTE, GAVOTTE CHORO, VALSA CHORO, AND MAZURKA CHORO BY HEITOR VILLA-LOBOS AND FINALLY SONATINA MERIDIONAL BY MANUEL M. PONCE.
