Carnival of the Animals - Finale
- Classical music composed by Camille Saint-Saëns With Sir Roger Moore, Julian Rachlin, Mischa Maisky & many more... Julian Rachlin´s festival unites the best and finest musicians of the classical music world. Enjoy!!! A film by Jasmina Hajdany; music written by Camille Saint-Saëns
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Carnival of the Animals - The Swan
Mischa Maisky performs a lushly romantic cello solo in the most famous movement of the suite. Julian Rachlin and friends CHAMBER MUSIC FESTIVAL A film by Jasmina Hajdany; music written by Camille Saint-Saens.
Mischa Maisky performs a lushly romantic cello solo in the most famous movement of the suite. Julian Rachlin and friends CHAMBER MUSIC FESTIVAL A film by Jasmina Hajdany; music written by Camille Saint-Saens.
Carnival of the Animals - Introduction & Lion
Julian Rachlin unites in his festival the best and finest musicians of the classical music world. Enjoy the performance by an all star-cast including Sir Roger Moore, Julian Rachlin, Mischa Maisky & many more. A film by Jasmina Hajdany Written by Camille Saint-Saëns.
Julian Rachlin unites in his festival the best and finest musicians of the classical music world. Enjoy the performance by an all star-cast including Sir Roger Moore, Julian Rachlin, Mischa Maisky & many more. A film by Jasmina Hajdany Written by Camille Saint-Saëns.
Sigurd Rascher - Variations on the Carnival of Venice
Sigurd Rascher - Carnival of Venice 1953: One of the fathers of the classical saxophone. He not only is one of the pioneers of making the saxophone an instrument recognized in classical music, but also the father of the altisimmo register or "top tones. David Tudor is at the piano.
Sigurd Rascher - Carnival of Venice 1953: One of the fathers of the classical saxophone. He not only is one of the pioneers of making the saxophone an instrument recognized in classical music, but also the father of the altisimmo register or "top tones. David Tudor is at the piano.
PAGANINI Carnival of Venice by VADIM REPIN & Chung Myung-Whu
The famous CARNIVAL OF VENICE composed by NICCOLO PAGANINI and executed by the Russian violinist VADIM REPIN and Symphony Orchestra conducted by CHUNG MYUNG-WHUN... Paganini, Repin and Myung-Whun, three BIG NAMES for a beautiful piece of art, perfect classical music expression executed with his Guarnieri's Violin by Vadim Repin. For more info: www.italianbusinessguide.com CARNIVAL OF VENICE - NICOLO PAGANINI - CARNEVALE DI VENEZIA Niccolò Paganini (October 27, 1782 May 27, 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. Another aspect of Paganini's violin techniques concerned his flexibility. He had exceptionally long fingers and was capable of playing three octaves across four strings in a hand span, a feat that is still considered impossible by today's standards. His seemingly unnatural ability might have been a result of Marfan syndrome or Ehlers-Danlos syndrome VADIM REPIN RUSSIAN VIOLINIST Vadim Repin (born Novosibirsk, Western Siberia, 31 August 1971) a Russian violinist, Repin studied with Zakhar Bron and was revered throughout Russia as a child prodigy. At the age of 17, Vadim Repin became the youngest winner of the Queen Elisabeth Music Competition in Brussels, the world's premier violin competition Vadim Repin has recorded violin concertos by Beethoven, Mozart, Sibelius, Tchaikovsky, Prokofiev, Shostakovich and <b>...</b>
The famous CARNIVAL OF VENICE composed by NICCOLO PAGANINI and executed by the Russian violinist VADIM REPIN and Symphony Orchestra conducted by CHUNG MYUNG-WHUN... Paganini, Repin and Myung-Whun, three BIG NAMES for a beautiful piece of art, perfect classical music expression executed with his Guarnieri's Violin by Vadim Repin. For more info: www.italianbusinessguide.com CARNIVAL OF VENICE - NICOLO PAGANINI - CARNEVALE DI VENEZIA Niccolò Paganini (October 27, 1782 May 27, 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. Another aspect of Paganini's violin techniques concerned his flexibility. He had exceptionally long fingers and was capable of playing three octaves across four strings in a hand span, a feat that is still considered impossible by today's standards. His seemingly unnatural ability might have been a result of Marfan syndrome or Ehlers-Danlos syndrome VADIM REPIN RUSSIAN VIOLINIST Vadim Repin (born Novosibirsk, Western Siberia, 31 August 1971) a Russian violinist, Repin studied with Zakhar Bron and was revered throughout Russia as a child prodigy. At the age of 17, Vadim Repin became the youngest winner of the Queen Elisabeth Music Competition in Brussels, the world's premier violin competition Vadim Repin has recorded violin concertos by Beethoven, Mozart, Sibelius, Tchaikovsky, Prokofiev, Shostakovich and <b>...</b>
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Child Prodigy Wonders Of Innocence Part 23
Prelude
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
PreludeShirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.
This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Johann Strauss II - The Blue Danube Waltz
Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Title : Johann Strauss II , The Blue Danube WaltzDate : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Saint-Saens : The Swan ( Le Cygne ) - Carnival of the Animals
Title : Saint-Saens : The Swan From Wikipedia: Le Cygne, or The Swan, is the thirteenth movement of The Carnival of the Animals by Camille Saint-Saëns. This piece features a solo cello in tenor clef and two accompaniment pianos.The piece is in 6/4 time, with a key signature of G major. It makes use of legato and slurring, the music should flow like a swan gliding through the water. This piece is often played using much vibrato. This is the only movement from the Carnival of the Animals that the composer would allow to be played in public during his lifetime as he thought the remaining movements were too frivolous and would damage his reputation as a serious composer. The piece was written in tenor clef, although there are some arrangements in bass clef. Because the high range of the cello is displayed in this piece, the voice is often misnamed as the violin. The cello, however, has an extremely large range and can play in this register, and its tones are rounder and more mellow..
Title : Saint-Saens : The Swan From Wikipedia: Le Cygne, or The Swan, is the thirteenth movement of The Carnival of the Animals by Camille Saint-Saëns. This piece features a solo cello in tenor clef and two accompaniment pianos.The piece is in 6/4 time, with a key signature of G major. It makes use of legato and slurring, the music should flow like a swan gliding through the water. This piece is often played using much vibrato. This is the only movement from the Carnival of the Animals that the composer would allow to be played in public during his lifetime as he thought the remaining movements were too frivolous and would damage his reputation as a serious composer. The piece was written in tenor clef, although there are some arrangements in bass clef. Because the high range of the cello is displayed in this piece, the voice is often misnamed as the violin. The cello, however, has an extremely large range and can play in this register, and its tones are rounder and more mellow..
Carnival of the Animals - Fossils
«Julian Rachlin & friends» CHAMBER MUSIC FESTIVAL Camille Saint-Saëns mimics his own composition, the Danse Macabre, which makes heavy use of the xylophone to evoke the image of skeletons dancing, the bones clacking together to the beat. Xylophone: Jan Lotko A film by Jasmina Hajdany
«Julian Rachlin & friends» CHAMBER MUSIC FESTIVAL Camille Saint-Saëns mimics his own composition, the Danse Macabre, which makes heavy use of the xylophone to evoke the image of skeletons dancing, the bones clacking together to the beat. Xylophone: Jan Lotko A film by Jasmina Hajdany
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
YouTube Symphony Orchestra 2011 Grand Finale
Join 101 musicians from over 30 countries who make up the YouTube Symphony Orchestra 2011 playing a spectacular Grand Finale concert at Sydney Opera House.The musicians met for a weeklong celebration of music in Sydney culminating in the Grand Finale featuring animated visuals on the interior and exterior projections by Obscura Digital on the iconic sails, all synchronised to the music of the YouTube Symphony Orchestra 2011's performance and conducted by YouTube Symphony Orchestra Artistic Advisor Michael Tilson Thomas. 0:02:05 Introduction by MTT 0:03:20 Hector Berlioz - Roman Carnival - Overture, Op. 9 (featuring Android Jones - digital artist) 0:13:00 Meet Maria Chiossi - Harp 0:18:00 Percy Grainger - Arrival on a Platform Humlet from in a Nutshell - Suite 0:22:20 Johan Sebastian Bach - Toccata in F major for organ (featuring Cameron Carpenter) 0:30:00 Meet Paulo Calligopoulos - Electric Guitar and violin 0:32:55 Alberto Ginastera - Danza del trigo (Wheat Dance) and Danza final (Malambo) from the ballet Estancia (conducted by Ilyich Rivas) 0:42:22 Wolfgang Amadeus Mozart - 'Caro' bell'idol mio' - Canon in three voices, K562 (featuring the Sydney Children's Choir and soprano Renee Fleming via video) 0:45:14 Meet Xiomara Mass - Oboe 0:48:42 Benjamin Britten - The Young Person's Guide to the Orchestra, Op. 34 1:08:00 William Barton - Kalkadunga (featuring William Barton - Didgeridoo) 1:13:15 Timothy Constable - Suna 1:16:36 Meet Roman Riedel - Trombone 1:18:38 Richard <b>...</b>
Join 101 musicians from over 30 countries who make up the YouTube Symphony Orchestra 2011 playing a spectacular Grand Finale concert at Sydney Opera House.The musicians met for a weeklong celebration of music in Sydney culminating in the Grand Finale featuring animated visuals on the interior and exterior projections by Obscura Digital on the iconic sails, all synchronised to the music of the YouTube Symphony Orchestra 2011's performance and conducted by YouTube Symphony Orchestra Artistic Advisor Michael Tilson Thomas. 0:02:05 Introduction by MTT 0:03:20 Hector Berlioz - Roman Carnival - Overture, Op. 9 (featuring Android Jones - digital artist) 0:13:00 Meet Maria Chiossi - Harp 0:18:00 Percy Grainger - Arrival on a Platform Humlet from in a Nutshell - Suite 0:22:20 Johan Sebastian Bach - Toccata in F major for organ (featuring Cameron Carpenter) 0:30:00 Meet Paulo Calligopoulos - Electric Guitar and violin 0:32:55 Alberto Ginastera - Danza del trigo (Wheat Dance) and Danza final (Malambo) from the ballet Estancia (conducted by Ilyich Rivas) 0:42:22 Wolfgang Amadeus Mozart - 'Caro' bell'idol mio' - Canon in three voices, K562 (featuring the Sydney Children's Choir and soprano Renee Fleming via video) 0:45:14 Meet Xiomara Mass - Oboe 0:48:42 Benjamin Britten - The Young Person's Guide to the Orchestra, Op. 34 1:08:00 William Barton - Kalkadunga (featuring William Barton - Didgeridoo) 1:13:15 Timothy Constable - Suna 1:16:36 Meet Roman Riedel - Trombone 1:18:38 Richard <b>...</b>
Boston Youth Symphony - Verdi's Macbeth - Semi Staged Opera, Finale
Young Musicians of the Boston Youth Symphony (age 12-18) perform MACBETH by Giuseppe Verdi - BYSO semi-staged performance. Boston Youth Symphony Chamber Orchestras - Federico Cortese, Music Director and Conductor. Marc Verzatt, Stage Director Sanders Theatre at Harvard University, January 2011 Macbeth, Louis Otey. Lady Macbeth, Diana Jacklin. Banquo, Jeremy Milner. Macduff, Brian Landry. Malcolm, Steven Sanders. Lady-in-Waiting, Meredeth Kelly. Servant/ Doctor, Jonathan Cole. Assassin/ Apparition/ Herald, Lu Zang With members of the New World Chorale, Holly MacEwen Krafka, Director Finale: Act I "Qual subito Scompiglio" (Macbeth, Lady Macbeth, Banquo, Macduff, Malcolm, Lady in Waiting, Servants) Audio recorded and mastered by Emmanuel Audio Recording - Video by Steve Andrada Experience the Future of Classical Music - www.BYSOweb.org
Young Musicians of the Boston Youth Symphony (age 12-18) perform MACBETH by Giuseppe Verdi - BYSO semi-staged performance. Boston Youth Symphony Chamber Orchestras - Federico Cortese, Music Director and Conductor. Marc Verzatt, Stage Director Sanders Theatre at Harvard University, January 2011 Macbeth, Louis Otey. Lady Macbeth, Diana Jacklin. Banquo, Jeremy Milner. Macduff, Brian Landry. Malcolm, Steven Sanders. Lady-in-Waiting, Meredeth Kelly. Servant/ Doctor, Jonathan Cole. Assassin/ Apparition/ Herald, Lu Zang With members of the New World Chorale, Holly MacEwen Krafka, Director Finale: Act I "Qual subito Scompiglio" (Macbeth, Lady Macbeth, Banquo, Macduff, Malcolm, Lady in Waiting, Servants) Audio recorded and mastered by Emmanuel Audio Recording - Video by Steve Andrada Experience the Future of Classical Music - www.BYSOweb.org
5/6 Radetzky March 2011 New Year´s Concert Vienna, Finale, Johann S
CD and DVD from this concert and tickets for next years to order: www.wienerphilharmoniker.at On January 1, 2011, Franz Welser-Möst takes up the baton for the annual Vienna Philharmonic New Year's Concert, which in terms of its international coverage represents the largest classical music event in the world. This year's concert will once again be broadcast on television and radio to over 70 countries worldwide. The CD recording of this concert will be released on January 7th, with the release of the DVD following one week later on January 14th. The Blu-ray disc will be released on February 11th. All of these recordings can now be ordered here at the Vienna Philharmonic E-Shop. Großer Musikvereinssaal in Vienna Dirigent: Franz Welser-Möst. Johann Strauß: Reiter Marsch, op. 428 Johann Strauß: Donauweibchen, Walzer, op. 427 Johann Strauß: Amazonen Polka, op. 9 Johann Strauß: Debut-Quadrille, op. 2 Joseph Lanner: Die Schönbrunner, Walzer, op. 200 Johann Strauß: Mutig voran!, Polka schnell, op. 432 Johann Strauß: Csárdás aus "Ritter Pasman" Johann Strauß: Abschiedsrufe, Walzer, op 179 Johann Strauß (Vater): Furioso-Galopp nach Liszts Motiven, op. 114 Franz Liszt: Mephisto-Walzer 1 Josef Strauß: Aus der Ferne, Polka Mazur, op. 270 Johann Strauß: Spanischer Marsch, op. 433 Joseph Hellmesberger: Zigeunertanz aus "Die Perle von Iberien" Johann Strauß (Vater): Cachucha Galopp, op. 97 Joseph Strauß: Mein Lebenslauf ist Lieb und Lust, Walzer, op. 263 Eduard Strauß: Ohne Aufenthalt <b>...</b>
CD and DVD from this concert and tickets for next years to order: www.wienerphilharmoniker.at On January 1, 2011, Franz Welser-Möst takes up the baton for the annual Vienna Philharmonic New Year's Concert, which in terms of its international coverage represents the largest classical music event in the world. This year's concert will once again be broadcast on television and radio to over 70 countries worldwide. The CD recording of this concert will be released on January 7th, with the release of the DVD following one week later on January 14th. The Blu-ray disc will be released on February 11th. All of these recordings can now be ordered here at the Vienna Philharmonic E-Shop. Großer Musikvereinssaal in Vienna Dirigent: Franz Welser-Möst. Johann Strauß: Reiter Marsch, op. 428 Johann Strauß: Donauweibchen, Walzer, op. 427 Johann Strauß: Amazonen Polka, op. 9 Johann Strauß: Debut-Quadrille, op. 2 Joseph Lanner: Die Schönbrunner, Walzer, op. 200 Johann Strauß: Mutig voran!, Polka schnell, op. 432 Johann Strauß: Csárdás aus "Ritter Pasman" Johann Strauß: Abschiedsrufe, Walzer, op 179 Johann Strauß (Vater): Furioso-Galopp nach Liszts Motiven, op. 114 Franz Liszt: Mephisto-Walzer 1 Josef Strauß: Aus der Ferne, Polka Mazur, op. 270 Johann Strauß: Spanischer Marsch, op. 433 Joseph Hellmesberger: Zigeunertanz aus "Die Perle von Iberien" Johann Strauß (Vater): Cachucha Galopp, op. 97 Joseph Strauß: Mein Lebenslauf ist Lieb und Lust, Walzer, op. 263 Eduard Strauß: Ohne Aufenthalt <b>...</b>
