Por Ti Mi Corazón (Shortened Version) - Manuel M. Ponce
- Classical music composed by Manuel Ponce The second piece in "Tres Canciones Populares Mexicanas" by Manuel M. Ponce (1882-1948) of Mexico. This is gross. Sorry. Due to the digital camera I'm using, I had to play a shortened version of this beautiful piece. That weird thing you see on my right thumb is my fake nail. Happy watching! ¡Gracias por mirar!
Related Videos
Classical Interpretations Armin van Buuren by Noord Nederlands Orkest Official Report
American composer Tom Trapp translated Armin van Buurens tracks into classical compositions, which were played by the Noord Nederlands Orchestra on March 5th, 2010 in Groningen. From Communication to Serenity and In and Out of Love, a big selection of his catalogue was translated into classical compositions and played live by the orchestra. Dance foundation recorded the official video report of the event.
American composer Tom Trapp translated Armin van Buurens tracks into classical compositions, which were played by the Noord Nederlands Orchestra on March 5th, 2010 in Groningen. From Communication to Serenity and In and Out of Love, a big selection of his catalogue was translated into classical compositions and played live by the orchestra. Dance foundation recorded the official video report of the event.
Chris Thile - Mandolin Concerto (Ad astra per alia porci)
Mandolin Concerto (Ad astra per alia porci)<br /><br />written by Chris Thile of Punch Brothers and Nickel Creek<br /><br />Movements<br />1 “A March, a Waltz and a Jig”<br />2 “Air on the F Train”<br />3 “The Fifth Glass”<br /><br />orchestration: solo mandolin; 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 2 horns; timpani; percussion; piano; strings<br /><br />January 2010 in Los Angeles with the Los Angeles Chamber Orchestra<br /><br />Jeffrey Kahane, director<br />Chris Thile, mandolin
Mandolin Concerto (Ad astra per alia porci)<br /><br />written by Chris Thile of Punch Brothers and Nickel Creek<br /><br />Movements<br />1 “A March, a Waltz and a Jig”<br />2 “Air on the F Train”<br />3 “The Fifth Glass”<br /><br />orchestration: solo mandolin; 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 2 horns; timpani; percussion; piano; strings<br /><br />January 2010 in Los Angeles with the Los Angeles Chamber Orchestra<br /><br />Jeffrey Kahane, director<br />Chris Thile, mandolin
"Recuerdos de la Alhambra" por José Luis León.
Recuerdos de la Alhambra (estudio tremolo, en este caso el que se usa en flamenco que consta de una figura más) De: Francisco Tárrega (1852-1909) Tárrega, ha sido uno de los más prolíferos compositores para la guitarra clásica española, que jamás haya existido. Recollections of the Alhambra (I study tremolo. In this case which is used in flamenco that has a shape, one more note) Of: Francisco Tárrega (1852-1909) Tárrega, has been one of more prolíferos composers for the classic Spanish guitar, which has never existed.
Recuerdos de la Alhambra (estudio tremolo, en este caso el que se usa en flamenco que consta de una figura más) De: Francisco Tárrega (1852-1909) Tárrega, ha sido uno de los más prolíferos compositores para la guitarra clásica española, que jamás haya existido. Recollections of the Alhambra (I study tremolo. In this case which is used in flamenco that has a shape, one more note) Of: Francisco Tárrega (1852-1909) Tárrega, has been one of more prolíferos composers for the classic Spanish guitar, which has never existed.
Laura sings "Summertime" from Porgy and Bess
Laura Workman McMurtrey sings the classical version of "Summertime" from George Gershwin's opera "Porgy and Bess."
Laura Workman McMurtrey sings the classical version of "Summertime" from George Gershwin's opera "Porgy and Bess."
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Summertime - Piano Improvisation
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
Erik Satie - Gymnopédie No1 Orchestra
Title: Erik Satie - Gymnopédie No.1 ( Orchestra )
From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
Title: Erik Satie - Gymnopédie No.1 ( Orchestra )From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
Janine Jansen - Meditation From Thais Massenet
Berlin - June 18, 2006
Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Berlin - June 18, 2006Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Chopin Mazurka op17 No 4 - Michel Mananes Live
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Mozart: Rondo Alla Turca トルコ行進曲 (older version)
Online Piano Lessons! All Levels! 8e992hnjrhia1y8ot3h9tp1x30.hop.clickbank.net Wolfgang Amadeus Mozart (1756-1791) has been one of the most enduring composers in history and was the most influential and prominent composer in the Classical Era. Mozart was a child prodigy who was already composing and performing for royalty at age 5 and composed his first opera at age 12. Although Mozart composed in virtually all genres and was especially famous for his serious and comic operas, it was the the piano (pianoforte) that remained the primary source of inspiration throughout his short life. Get Mozart's Complete Sonatas and Fantasias for Piano: www.sheetmusicplus.com Get the excellent Henle edition of the famous K545 Sonata: www.sheetmusicplus.com Get the sheet music to Rondo Alla Turca: www.sheetmusicplus.com BachScholar™ Website: www.bachscholar.com Buy Albums and MP3s: www.cdbaby.com www.amazon.com Download Bach Tempo Studies: stores.lulu.com
Online Piano Lessons! All Levels! 8e992hnjrhia1y8ot3h9tp1x30.hop.clickbank.net Wolfgang Amadeus Mozart (1756-1791) has been one of the most enduring composers in history and was the most influential and prominent composer in the Classical Era. Mozart was a child prodigy who was already composing and performing for royalty at age 5 and composed his first opera at age 12. Although Mozart composed in virtually all genres and was especially famous for his serious and comic operas, it was the the piano (pianoforte) that remained the primary source of inspiration throughout his short life. Get Mozart's Complete Sonatas and Fantasias for Piano: www.sheetmusicplus.com Get the excellent Henle edition of the famous K545 Sonata: www.sheetmusicplus.com Get the sheet music to Rondo Alla Turca: www.sheetmusicplus.com BachScholar™ Website: www.bachscholar.com Buy Albums and MP3s: www.cdbaby.com www.amazon.com Download Bach Tempo Studies: stores.lulu.com
pachelbel's Canon in D--Soothing music(the best version)
Music Title: Canon in D Composer: J. Pachelbel Genre: Classic relax, feel the music and feel free to comment on the video and the music. I hope everyone will enjoy to hear the music. Enjoy and relax... (^-^)
Music Title: Canon in D Composer: J. Pachelbel Genre: Classic relax, feel the music and feel free to comment on the video and the music. I hope everyone will enjoy to hear the music. Enjoy and relax... (^-^)
Maksim Mrvica - Grieg's A Minor Piano Concerto (Crossover Version)
For scores and more please visit www.maksimmrvica.com Maksim Mrvica performing a Crossover version of Grieg's A minor Piano Concerto, live at the Roundhouse - London Maksim Mrvica Crossover Grieg Roundhouse London Croatia Piano Classical
For scores and more please visit www.maksimmrvica.com Maksim Mrvica performing a Crossover version of Grieg's A minor Piano Concerto, live at the Roundhouse - London Maksim Mrvica Crossover Grieg Roundhouse London Croatia Piano Classical
Pachelbel - Canon in D Major (Original Version)
JOHANN PACHELBEL (1653-1706) Canon and Gigue for three violins and basso continuo in D major 1. Canon 2. Gigue Performed by Hesperion XXI Directed by Jordi Savall *Those of you who have never listened to a period instrument performance of Pachelbel's famous (or for cellists, infamous) canon in D major may be surprised by the rather sprightly tempo of this interpretation. This is because the version we know of today was popularized by Jean-François Paillards recording made in 1970. This performance is very much in the romantic style, which is rather unfitting considering piece written in the middle Baroque. The original score of the piece has no tempo indication for the canon, however the time-signature, the notation of the piece, and the playing style and methodology of Pachelbel and the Baroque era does not suggest that the piece should played at the characteristically romantic "largo molto" tempo most people are used to today. The musicians of Hesperion XXI, known for their authentic, highly informed, and frankly beautiful performances do not try to sound different and stylish, but rather attempt to perform the piece the way Pachelbel himself would have intended it to be performed back in the 1680s on instruments he himself would have been familiar with. **The chord sequence (IV vi iii IV I ii V7) in this canon is one of the most popular chordal progressions in western music. As well as being found in various classical music pieces, this sequence can also be found in <b>...</b>
JOHANN PACHELBEL (1653-1706) Canon and Gigue for three violins and basso continuo in D major 1. Canon 2. Gigue Performed by Hesperion XXI Directed by Jordi Savall *Those of you who have never listened to a period instrument performance of Pachelbel's famous (or for cellists, infamous) canon in D major may be surprised by the rather sprightly tempo of this interpretation. This is because the version we know of today was popularized by Jean-François Paillards recording made in 1970. This performance is very much in the romantic style, which is rather unfitting considering piece written in the middle Baroque. The original score of the piece has no tempo indication for the canon, however the time-signature, the notation of the piece, and the playing style and methodology of Pachelbel and the Baroque era does not suggest that the piece should played at the characteristically romantic "largo molto" tempo most people are used to today. The musicians of Hesperion XXI, known for their authentic, highly informed, and frankly beautiful performances do not try to sound different and stylish, but rather attempt to perform the piece the way Pachelbel himself would have intended it to be performed back in the 1680s on instruments he himself would have been familiar with. **The chord sequence (IV vi iii IV I ii V7) in this canon is one of the most popular chordal progressions in western music. As well as being found in various classical music pieces, this sequence can also be found in <b>...</b>
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Aaron Shearer with Manuel Barrueco
Aaron Shearer: A Life With The Guitar - Aaron Shearer at Manuel Barrueco's Master Class - Documentary available on DVD - http://www.mlfilms.com/ - dailymotion Clip Authorized by MLF - Michael Lawrence Films
Aaron Shearer: A Life With The Guitar - Aaron Shearer at Manuel Barrueco's Master Class - Documentary available on DVD - http://www.mlfilms.com/ - dailymotion Clip Authorized by MLF - Michael Lawrence Films
Manuel Barrueco plays Asturias
Manuel Barrueco: A Gift and a Life - <br />Documentary available on DVD - http://www.mlfilms.com/ - dailymotion Clip Authorized by MLF - Michael Lawrence Films
Manuel Barrueco: A Gift and a Life - <br />Documentary available on DVD - http://www.mlfilms.com/ - dailymotion Clip Authorized by MLF - Michael Lawrence Films
Nelson Amos plays "Estrellita" by Manuel Ponce
"Estrellita" by Manuel Ponce for classical guitar Professor Nelson Amos EMU Eastern Michigan University Purchase this song on Nelson's CD "Summer Serenade." Available on iTunes and CD Baby. www.cdbaby.com
"Estrellita" by Manuel Ponce for classical guitar Professor Nelson Amos EMU Eastern Michigan University Purchase this song on Nelson's CD "Summer Serenade." Available on iTunes and CD Baby. www.cdbaby.com
Mendelssohn Piano Trios: Itzhak Perlman, Yo-Yo Ma & Emanuel Ax Album
YO-YO MA BACK TO CLASSICAL WORLD FIRST TIME COLLABORATION WITH MULTIPLE GRAMMY AWARD-WINNING ARTISTS EMANUEL AX ITZHAK PERLMAN MENDELSSOHN: PIANO TRIOS CD OUT NOW Tracks 1. Piano Trio No. 1 in D Minor, Op. 49; I. Molto allegro e agitato 2. Piano Trio No. 1 in D Minor, Op. 49; II. Andante con moto tranquillo 3. Piano Trio No. 1 in D Minor, Op. 49; III. Scherzo: Leggiero e vivace 4. Piano Trio No. 1 in D Minor, Op. 49; IV. Finale: Allegro assai appassionato 5. Piano Trio No. 2 in C Minor Op. 66; I. Allegro energico e con fuoco 6. Piano Trio No. 2 in C Minor Op. 66; II. Andante espressivo 7. Piano Trio No. 2 in C Minor Op. 66; III. Scherzo: Molto allegro quasi presto 8. Piano Trio No. 2 in C Minor Op. 66; IV. Finale: Allegro appassionato 孟德爾頌：鋼琴三重奏【專輯曲目】： 01. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第一樂章：相當快而且激動地02. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第二樂章：相當平靜的行板03. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第三樂章：詼諧曲，輕巧而且活潑地04. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第四樂章：終曲，很快的快板05. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第一樂章：有力而且熱情的快板06. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第二樂章：有表現力的行板07. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第三樂章：詼諧曲，很快的，近乎急板08. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第四樂章：終曲，熱情的快板
YO-YO MA BACK TO CLASSICAL WORLD FIRST TIME COLLABORATION WITH MULTIPLE GRAMMY AWARD-WINNING ARTISTS EMANUEL AX ITZHAK PERLMAN MENDELSSOHN: PIANO TRIOS CD OUT NOW Tracks 1. Piano Trio No. 1 in D Minor, Op. 49; I. Molto allegro e agitato 2. Piano Trio No. 1 in D Minor, Op. 49; II. Andante con moto tranquillo 3. Piano Trio No. 1 in D Minor, Op. 49; III. Scherzo: Leggiero e vivace 4. Piano Trio No. 1 in D Minor, Op. 49; IV. Finale: Allegro assai appassionato 5. Piano Trio No. 2 in C Minor Op. 66; I. Allegro energico e con fuoco 6. Piano Trio No. 2 in C Minor Op. 66; II. Andante espressivo 7. Piano Trio No. 2 in C Minor Op. 66; III. Scherzo: Molto allegro quasi presto 8. Piano Trio No. 2 in C Minor Op. 66; IV. Finale: Allegro appassionato 孟德爾頌：鋼琴三重奏【專輯曲目】： 01. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第一樂章：相當快而且激動地02. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第二樂章：相當平靜的行板03. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第三樂章：詼諧曲，輕巧而且活潑地04. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第四樂章：終曲，很快的快板05. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第一樂章：有力而且熱情的快板06. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第二樂章：有表現力的行板07. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第三樂章：詼諧曲，很快的，近乎急板08. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第四樂章：終曲，熱情的快板
Etude No. 7, M. Carcasi performed by Ally Vanasco
Music & Dance Academy student Ally Vanasco performs in the 2010 Honors Music Concert in Tucson, Arizona. Ms. Vanasco is a student of Michael Lich.
Music & Dance Academy student Ally Vanasco performs in the 2010 Honors Music Concert in Tucson, Arizona. Ms. Vanasco is a student of Michael Lich.
G. Cassado - Suite for Cello Solo, 1st m.
Fantasy Prelude Dmitry Cheglakov - cello Turgenev's library, Moscow
Fantasy Prelude Dmitry Cheglakov - cello Turgenev's library, Moscow
Etude No 9, M. Carcassi by Jacob Bernstein
Music & Dance Academy student Jacob Bernstein performs in the 2010 Honors Music Concert in Tucson, Arizona. Mr. Bernstein is a student of Michael Lich.
Music & Dance Academy student Jacob Bernstein performs in the 2010 Honors Music Concert in Tucson, Arizona. Mr. Bernstein is a student of Michael Lich.
Popular Mexican song by M. Ponce -Richard Arellano- guitar
La Pajarera is a popular mexican song arr. by Mexican composer Manuel Ponce.Video cortesia de Francisco Calcaño
La Pajarera is a popular mexican song arr. by Mexican composer Manuel Ponce.Video cortesia de Francisco Calcaño
Ana Vidovic 2007 - Ponce Fiesta
Short clip Ana Vidovic recital Marquette Michigan July 5 2007 Manuel Ponce - Sonatina Meridional, part 3 - Fiesta
Short clip Ana Vidovic recital Marquette Michigan July 5 2007 Manuel Ponce - Sonatina Meridional, part 3 - Fiesta
Andres Segovia - Chanson - Manuel Ponce
Andres Segovia - Chanson (from Sonata no. III) - Manuel Ponce
Andres Segovia - Chanson (from Sonata no. III) - Manuel Ponce
