Evgeny Kissin - Prokofiev Piano Concertos 2 & 3 (HD)
- Classical music composed by Sergei Prokofiev GET YOUR COPY OF THE GRAMMY AWARD-WINNING ALBUM HERE: tinyurl.com For his third EMI Classics release, Evgeny Kissin has turned to repertoire from his native Russia, Sergei Prokofievs Piano Concertos Nos. 2 & 3. The performances were recorded live at the Royal Festival Hall in January 2008 with Vladimir Ashkenazy conducting the Philharmonia Orchestra. This is his first recording of Prokofievs Concerto No 2. ________________________________________ More information: www.emiclassics.com ________________________________________ Buy from Amazon (USA) www.amazon.com ________________________________________ Buy from Amazon (UK): astore.amazon.co.uk ________________________________________ Buy from Amazon (FR): www.amazon.fr ________________________________________ Buy from Amazon (DE): www.amazon.de ________________________________________ www.emiclassics.com http www.emiclassics.de
Related Videos
Evgeny Kissin Liszt-La Campanella in gis-moll
Here La Campanella played by Evgeny Kissin. Story: When Niccolo Paganini came to Pariz , he met Franz Liszt,Felix Mendelssohn,Gioacchino Rossini and Frederic Chopin. Liszt used La Campanella from Paganini`s violin concerto no.2 in b-minor.LIszt simply loved Paganini virtuosity. And then he wrote 6 Grandes Etudes de Paganini. The famous are no.2,no.3(La Campanella) and no.5 (La Chasse/La Caccia)
Here La Campanella played by Evgeny Kissin. Story: When Niccolo Paganini came to Pariz , he met Franz Liszt,Felix Mendelssohn,Gioacchino Rossini and Frederic Chopin. Liszt used La Campanella from Paganini`s violin concerto no.2 in b-minor.LIszt simply loved Paganini virtuosity. And then he wrote 6 Grandes Etudes de Paganini. The famous are no.2,no.3(La Campanella) and no.5 (La Chasse/La Caccia)
Evgeny Kissin plays Chopin-Waltz op.64 n.2 Chanson de Ledieu
Evgeny Kissin plays Waltz op.64 no.2 Chanson de ledieu by Frederic Francois Chopin.
Evgeny Kissin plays Waltz op.64 no.2 Chanson de ledieu by Frederic Francois Chopin.
Evgeny Kissin - Liszt, Sonata in B minor
Excerpt from a performance at the Verbier Festival 2011. Franz Liszt, Sonata in B minor, S.178 (excerpt) Evgeny Kissin, piano Directed by Anaïs Spiro Each year, medici.tv webcasts over 80 free live concerts and offers a catalogue of over 600 classical music films available through subscription. More information on www.medici.tv
Excerpt from a performance at the Verbier Festival 2011. Franz Liszt, Sonata in B minor, S.178 (excerpt) Evgeny Kissin, piano Directed by Anaïs Spiro Each year, medici.tv webcasts over 80 free live concerts and offers a catalogue of over 600 classical music films available through subscription. More information on www.medici.tv
Chopin - Polonaise, Op. 53 (Kissin)
Polonaise, Op. 53 Evgeny Kissin, piano The Polonaise in A-flat major, Op. 53 (nicknamed Heroic, or Heroique) for solo piano was written by Frédéric Chopin in 1842. This masterpiece is one of Chopin's most popular compositions and has always been a favorite of the classical piano repertoire. The piece requires exceptional pianistic skills and requires virtuosity to be played at an appropriate level of quality. Although the piece is labeled as a polonaise, it has little to do with the typical polonaise style. It presents two sections with a polonaise rhythm, but most of it has no particular polonaise attribute. It has been said that Chopin had composed the piece having a free and powerful Poland in mind, which may have led him to label it as a polonaise. Another possibility is that this Polonaise is closely related to the Polonaise in A major, Op. 40, No. 1, known as the Military Polonaise, which, unlike Op. 53, is a true polonaise. Frederic Chopin (1810 - 1849)
Polonaise, Op. 53 Evgeny Kissin, piano The Polonaise in A-flat major, Op. 53 (nicknamed Heroic, or Heroique) for solo piano was written by Frédéric Chopin in 1842. This masterpiece is one of Chopin's most popular compositions and has always been a favorite of the classical piano repertoire. The piece requires exceptional pianistic skills and requires virtuosity to be played at an appropriate level of quality. Although the piece is labeled as a polonaise, it has little to do with the typical polonaise style. It presents two sections with a polonaise rhythm, but most of it has no particular polonaise attribute. It has been said that Chopin had composed the piece having a free and powerful Poland in mind, which may have led him to label it as a polonaise. Another possibility is that this Polonaise is closely related to the Polonaise in A major, Op. 40, No. 1, known as the Military Polonaise, which, unlike Op. 53, is a true polonaise. Frederic Chopin (1810 - 1849)
Kissin -Rachmaninov piano concerto n.2, I. Moderato (part1)
The Rachmaninov C minor concerto, with Evgeny Kissin, accompanied by Sir Andrew Davis conducting the BBCSO.
The Rachmaninov C minor concerto, with Evgeny Kissin, accompanied by Sir Andrew Davis conducting the BBCSO.
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Richter - Prokofiev's Piano Sonata 2 Op 14 Mvt IV - Vivace
Sviatoslav Richter plays Piano Sonata #2 in D minor, Op. 14 by Prokofiev (Recorded in B/W for telecast in 1964).
Mvt. IV. Vivace
Sviatoslav Richter plays Piano Sonata #2 in D minor, Op. 14 by Prokofiev (Recorded in B/W for telecast in 1964).Mvt. IV. Vivace
S. Prokofiev – Piano Sonata No.1 Op.1 in f minor (Jamina Ger
Jamina Gerl plays S. Prokofiev – Piano Sonata No.1 Op.1 in f minor
Jamina Gerl plays S. Prokofiev – Piano Sonata No.1 Op.1 in f minor
Di Wu plays Brahms, Bach, Debussy, Liszt, and Prokofiev
Di Wu performs excerpts from five classical pieces: -Brahms' Variations on a Theme by Pagannini -Bach's Toccata in F-sharp minor -Debussy's Estampes -Liszt's Sonata in B-minor -Prokofiev's Seventh Sonata, Third Movement
Di Wu performs excerpts from five classical pieces: -Brahms' Variations on a Theme by Pagannini -Bach's Toccata in F-sharp minor -Debussy's Estampes -Liszt's Sonata in B-minor -Prokofiev's Seventh Sonata, Third Movement
Prokofiev Symphony No.1 "Classical" - 4th Movement
Valery GERGIEV conducts Wiener Philharmoniker @ SALZBURGER FESTSPIELE 2000 ワレリー・ゲルギエフ指揮 ウィーンフィルハーモニー管弦楽団 (2000年ザルツブルグ音楽祭)
Valery GERGIEV conducts Wiener Philharmoniker @ SALZBURGER FESTSPIELE 2000 ワレリー・ゲルギエフ指揮 ウィーンフィルハーモニー管弦楽団 (2000年ザルツブルグ音楽祭)
Summertime - Piano Improvisation
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
The Next Mozart 6-Year Old Piano Prodigy Wows All
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
Liszt-Piano concertos 1 & 2/ Pennario / Leibowitz/ London Symphony 1
Rare. Rene Leibowitz conducts the London Symphony Orchestra Leonard Pennario, piano 1963 Leonard Pennario, America's Greatest Pianist. Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Leonard Pennario (July 9, 1924 - June 27, 2008) was an American classical pianist. He was born in Buffalo, New York, and grew up in Los Angeles, remaining there for his entire career. He first came to notice when he performed Edvard Grieg's Piano Concerto at age 12, with the Dallas Symphony Orchestra. The scheduled performer had fallen ill, Pennario's piano playing had come to the attention of the conductor Eugene Goossens, who recommended him as the soloist after being assured by Pennario that he knew the work. In fact, he had never seen the music or even heard it, but he learned it in a week. He studied with Isabelle Vengerova and Olga Steeb and attended the University of Southern California, where he studied composition with Ernst Toch. World War II <b>...</b>
Rare. Rene Leibowitz conducts the London Symphony Orchestra Leonard Pennario, piano 1963 Leonard Pennario, America's Greatest Pianist. Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Leonard Pennario (July 9, 1924 - June 27, 2008) was an American classical pianist. He was born in Buffalo, New York, and grew up in Los Angeles, remaining there for his entire career. He first came to notice when he performed Edvard Grieg's Piano Concerto at age 12, with the Dallas Symphony Orchestra. The scheduled performer had fallen ill, Pennario's piano playing had come to the attention of the conductor Eugene Goossens, who recommended him as the soloist after being assured by Pennario that he knew the work. In fact, he had never seen the music or even heard it, but he learned it in a week. He studied with Isabelle Vengerova and Olga Steeb and attended the University of Southern California, where he studied composition with Ernst Toch. World War II <b>...</b>
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Hannah plays Chopin Nocturne 20 in C Sharp Minor
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Anderson & Roe Piano Duet play "BLUE DANUBE FANTASY"
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
Anderson & Roe Piano Duo play "LIBERTANGO" (Piazzolla)
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
A Clockwork Orange - Extended Theme & Title Music
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Child Prodigy Wonders Of Innocence Part 23
Prelude
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
PreludeShirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
Andre Rieu 3 year old violinist Akim Camara 2005
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.
(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Moonlight Sonata, 3rd Movement - Beethoven
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Richard Wagner - Siegfried Funeral March (HD)
Ho sempre temuto ("artisticamente parlando") questo brano spettacolare di musica classica. A mio modo di vedere è la piu' alta e potente rappresentazione musicale accostabile a Dio. La parte fra il minuto 2.50 fino alla fine e' sublime. Il video vuole essere un tributo alla potenza generatrice della Terra e di Colui che tutto ha creato (con un piccolo cammeo in onore della Trilogia del Nibelungo). I always feared (artistically speaking) this spectacular piece of classical music. The way I see it is the most 'high and mighty musical performance be compared to God's hand between the minute 2:50 to the end and' sublime. The video is a tribute to the generative power of the Earth and everything that He has created (with a cameo in honor of the Trilogy of the Nibelung). By IlSignoreNeroo blog.libero.it
Ho sempre temuto ("artisticamente parlando") questo brano spettacolare di musica classica. A mio modo di vedere è la piu' alta e potente rappresentazione musicale accostabile a Dio. La parte fra il minuto 2.50 fino alla fine e' sublime. Il video vuole essere un tributo alla potenza generatrice della Terra e di Colui che tutto ha creato (con un piccolo cammeo in onore della Trilogia del Nibelungo). I always feared (artistically speaking) this spectacular piece of classical music. The way I see it is the most 'high and mighty musical performance be compared to God's hand between the minute 2:50 to the end and' sublime. The video is a tribute to the generative power of the Earth and everything that He has created (with a cameo in honor of the Trilogy of the Nibelung). By IlSignoreNeroo blog.libero.it
Für Elise - DUBSTEP REMIX (HD)
Dubstep remix of the song for piano Für Elise by Ludwig van Beethoven. Even though someone used a dislike bot on all my vids i want to see if that green bar will get bigger since this is so popular. So rate away! :) Become a fan of Fredzo on facebook! www.facebook.com *Rate, Comment, and Subscribe!*
Dubstep remix of the song for piano Für Elise by Ludwig van Beethoven. Even though someone used a dislike bot on all my vids i want to see if that green bar will get bigger since this is so popular. So rate away! :) Become a fan of Fredzo on facebook! www.facebook.com *Rate, Comment, and Subscribe!*
La Modau de Bedrich Smetana sur des photos de Prague. (HD)
LA MOLDAU La Moldau (Vltava en Tchèque) est une rivière de la république Tchèque qui traverse la Bohème, passe à Prague avant de se jeter dans l'Elbe. Le compositeur tchèque Bedrich Smetana (1824 - 1884) est l'auteur de poèmes symphoniques Ma Patrie parmi lesquels figure La Moldau. En écoutant son oeuvre symphonique, on peut suivre le cours de cette magnifique rivière, de sa naissance jusqu'à l'instant où elle se jette dans l'Elbe dont-elle est un des affluents. J'ai tenté l'exercice de retranscrire en vers les notes de cette symphonie. Les mélomanes jugeront du résultat. La Moldau Un air papillonnant dune flûte en roseau, Un léger pincement dun doigt sur une corde Et lon entend déjà le petit chant de leau Quun vent de violons enveloppe et déborde. Et il descend, descend jusquau bout de larcher, Ce ruisseau ravissant traversant la Bohème Qui valse sur un air tout bien endimanché En faisant miroiter ses éclats de diadème. Au milieu des forêts, gîtes des farfadets, Sécoule son courant, étiré par un cuivre, Où sabreuve un grand cerf qui, roi des cervidés, Entend le son du cor dans le bois le poursuivre. Puis son onde frissonne aux accords guillerets Annonçant sur la rive une fête champêtre, Egayant les blés mûrs colorant les adrets Et dont les chants joyeux sen viennent la repaître. La nuit tout en douceur tend son voile bleuté En laissant séchapper, des cordes de la harpe, Les douces roussalkas qui, dans la pureté, Portent pour seuls atours les astres en écharpe. Saint-Jean <b>...</b>
LA MOLDAU La Moldau (Vltava en Tchèque) est une rivière de la république Tchèque qui traverse la Bohème, passe à Prague avant de se jeter dans l'Elbe. Le compositeur tchèque Bedrich Smetana (1824 - 1884) est l'auteur de poèmes symphoniques Ma Patrie parmi lesquels figure La Moldau. En écoutant son oeuvre symphonique, on peut suivre le cours de cette magnifique rivière, de sa naissance jusqu'à l'instant où elle se jette dans l'Elbe dont-elle est un des affluents. J'ai tenté l'exercice de retranscrire en vers les notes de cette symphonie. Les mélomanes jugeront du résultat. La Moldau Un air papillonnant dune flûte en roseau, Un léger pincement dun doigt sur une corde Et lon entend déjà le petit chant de leau Quun vent de violons enveloppe et déborde. Et il descend, descend jusquau bout de larcher, Ce ruisseau ravissant traversant la Bohème Qui valse sur un air tout bien endimanché En faisant miroiter ses éclats de diadème. Au milieu des forêts, gîtes des farfadets, Sécoule son courant, étiré par un cuivre, Où sabreuve un grand cerf qui, roi des cervidés, Entend le son du cor dans le bois le poursuivre. Puis son onde frissonne aux accords guillerets Annonçant sur la rive une fête champêtre, Egayant les blés mûrs colorant les adrets Et dont les chants joyeux sen viennent la repaître. La nuit tout en douceur tend son voile bleuté En laissant séchapper, des cordes de la harpe, Les douces roussalkas qui, dans la pureté, Portent pour seuls atours les astres en écharpe. Saint-Jean <b>...</b>

