Concertgebouw Orchestra Mahler Symphony No.1 Mariss Jansons

Classical music composed by Gustav Mahler Gustav Mahler Symphony No.1, 2nd movement, Royal Concertgebouw Orchestra, Mariss Jansons, Vesko Eschkenazy concertmaster

UvA-Orchestra J.Pzn Sweelinck: Trololo (Het Concertgebouw, Amsterdam

Edward Khills famous YouTube hit Trololo was performed in one of the most pretigious and best concerthalls in the world, Het Concertgebouw in Amsterdam. It was a great success and the second time the crowd sings along! University of Amsterdam Orchestra J.Pzn Sweelinck Solist: Iuriii Samoilov, Roeland de Bruin Arrangement: Hugo Bouma* Het Concertgebouw, Amsterdam (23 juni 2011) Website: www.sweelinckorkest.nl Twitter: @sweelinckorkest ==== NRC.nl hierover: Kent u Eduard Khil nog? De sovjet-crooner (wiki), die vorig jaar niet van YouTube was af te slaan met zijn 'Trololo'? Binnenkort maken zijn wanstaltig monotone klanken hun debuut in het Concertgebouw in Amsterdam. Symfonieorkest UvA-Orkest J.Pzn Sweelinck speelt 23 juni naast de eerste symfonie van Johannes Brahms, de Lieder eines Fahrenden Gesellen van Mahler, ook een eigen versie van 'Ik ben blij, want ik ga eindelijk weer naar huis', zoals het nummer dat Khil 'trololoot' eigenlijk heet. youtu.be ====== Camera: Thomas vd Vlugt *(please contact Hugo Bouma on facebook if you want to play this piece with your orchestra).

Concertgebouw Orchestra Mahler Symphony No.4 Haitink Eschkenazy - vi

Gustav Mahler Symphony No.4 movement No.2 Royal Concertgebouw Orchestra, Bernard Haitink, Vesko Eschkenazy - violin solo

Concertgebouw Orchestra Mahler Das Lied Von Der Erde Haitink

Gustav Mahler Das Lied von der Erde - Der Trunkene in Fruhling, Royal Concertgebouw Orchestra, Bernard Haitink, Robert Dean Smith, Vesko Eschkenazy - concertmaster

Erik Satie - Gymnopédie No1 Orchestra

Title: Erik Satie - Gymnopédie No.1 ( Orchestra )

From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.

These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.

Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.

Johannes Brahms -- YouTube Symphony Orchestra

www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.

Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.

Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra

Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.

Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.

Perpetuum Mobile- Penguin Cafe Orchestra

This is the Penguin Cafe Orchestra playing the song Perpetuum Mobile.

I'd also like to recommend the videos posted by "madandcrazychild" from which I discovered this truly amazing piece of music.

Gustav Mahler - Adagietto (from Symphony N°5)

Gustav Mahler's Adagietto from the Fifth Symphony. The audio recording here is specialy edited for the YouTube channel in order to maintain its completeness. There are no cut parts, this is the whole Adagietto, for your enjoyment. ---------------------------------- A note from the author(s): Dear, friends, I thank you for your nice comments and I am glad that you are enjoying these beautiful musical master pieces. I noticed that, from time to time, people will ask why is the image of Jean-Marc Barr on some of the clips. Well, it is a long story. Me (Mare79, a "name" from the image) and "Mayol" (a friend of mine) have made these several classical music videos during the time we were on one forum once. The picture of Jean-Marc Bar was the image of his avatar, and since all these videos were generally his idea, we decided to place a full photo of Jean-Marc in them. Jean-Marc had a role in one of his movies where he played a character named Mayol, so... It was just an idea at that time, but it still remained after all, since we didn't want to remove the video in order to upload a new one without this photo and make this clip an invalid entry in your favourites playlists. So, the smaller image represents the photo of the composer. Enjoy the music, and have a nice day. Best regards to all.

G. Mahler, Symphony nr. 5, Adagietto / Morte a Venezia

Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )

Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam

The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. The symphony is in four movements: 1. Andante comodo (D major); 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major); 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor); 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major). Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler. The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force". The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills ...

JOHN BELL YOUNG plays MAHLER: ADAGIETTO

FOR MY FRIEND, CORNELIA NETTER (1934-2011) IN MEMORIAM. John Bell Young plays his piano transcription of Mahler's Adagietto from the Fifth Symphony. Copyright 1989, John Bell Young. All rights reserved. ASCAP www.johnbellyoung.com. Photos credit: Gordon Richardson. With permission of the photographer. www.capetownskies.com/sunbeams.htm Thanks to Mike Connolly for assembling this lovely montage. "In this brave new world of pianistic obligatory democracy made of verifiably good (if not great) and accomplished (if not perfect) players, JOHN BELL YOUNG stands out as one of the unsung heroes of the end of this epoch. He is at once a pianist endowed with the rare gift of musical story-telling, a charmer with a rare understanding of the beauty and power of harmony, and a performer full of savoir-faire, genuine temperament and true love for his instrument" Michel Block Pianist, recording artist EMI, ProPiano Records "Let me say at once that I find your playing extremely accomplished and sensitive ... superb playing... Altogether, I think it is a wonderful achievement that you have recorded these works." -Sir Charles Mackerras "I still find this disc [Prisms] the most satisfying and artistic piano recital ever recorded." -Hugh Downs, ABC-News "20/20" "John Bell Young is an American pianist who has established himself as a Scriabinist of international repute. His recital disc features striking readings of sonatas 5 and 7, plus a number of shorter works (Americus 1013). His reading ...

Dublin Philharmonic Dvorak New World Symphony - 1st Mvt

Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson

Wolfgang Amadeus Mozart - Symphony No 25 in G minor

Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner

Chopin - Polonaise in A, Op.40 No.1, ' Military '

Title : Frederic Chopin ,Polonaise in A, Op.40 No.1, 'Military' From Wikipedia, The Polonaise in A-flat major, Op. 53 or (French: Polonaise héroïque, Heroic Polonaise) was written by Frédéric Chopin in 1842 for solo piano. This masterpiece is one of Chopin's most popular compositions and is still a current favorite of the classical pianoforte repertoire. The piece requires exceptional pianistic skills and requires virtuosity in order to be played at an appropriate level of quality. Although the piece is labeled as a polonaise, it has little to do with the typical polonaise style. It presents two sections with a polonaise rhythm, but most of it has no particular polonaise attribute. It has been said that Chopin had composed the piece having a free and powerful Poland in mind, which may have led him to label it as a Polonaise.[citation needed] Another possibility is that the Heroic Polonaise is closely related to the Polonaise in A major, Op.40, No. 1, known as the Military Polonaise. The introduction section of the Heroic is obviously inspired by the Military, which, unlike the Heroic, was a true polonaise. The tempo of the piece is Alla polacca e maestoso ("like a polonaise and majestic"). The form is ternary (ABA), with a 30-second introduction. The piece has a grand introduction with fast ascending chromatic notes in both hands, setting the mood of the piece. It shows the heroic side of Chopin's art.The first theme is a dance-like theme and is in the tonic key of A-flat ...

Erik Satie - Gymnopédie No.1

Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd. The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies ...

Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa

Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa

Rubinstein - Brahms, Piano Concerto No.1 - I Maestoso (1/3)

Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were ...

Verdi: Requiem / Jansons · BR Chor · Berliner Philharmoniker

Full-length concert at www.digitalconcerthall.com Giuseppe Verdi: "Dies irae" from Messa da Requiem / Mariss Jansons, conductor · Peter Dijkstra, chorus master · Chor des Bayerischen Rundfunks · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 13 March 2010 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de

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