Brahms: Hungarian Dance No. 15 / Fischer · Berliner Philharmoniker
- Classical music composed by Johannes Brahms Full-length concert at www.digitalconcerthall.com Johannes Brahms: Hungarian Dance No. 15 (orch. Iván Fischer) / Iván Fischer, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 24 October 2009. The Berliner Philharmoniker's Digital Concert Hall: dch.berliner-phi...
Related Videos
Brahms: Hungarian Dance 5 - 6 Cecchetto
Vittorio Cecchetto conducting "Città Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Vittorio Cecchetto conducting "Città Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Brahms: Symphony No. 1 / Rattle · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 1 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 1 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 1 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 1 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Brahms: Symphony No. 3 / Rattle · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 3 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 14 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 3 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 14 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
BRAHMS: The Violin Concerto in D Major, Op. 77 - HEIFETZ
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) 3. Allegro Giocoso. Ma Non Troppo Vivace Johannes Brahms' Violin Concerto in D major, Op. 77 is one of the best-known of all violin concertos. It follows the standard concerto form, with three movements in the pattern quick-slow-quick: 1. Allegro non troppo 2. Adagio 3. Allegro giocoso, ma non troppo vivace - Poco piu presto Originally, however, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo, were replaced with what Brahms called a "feeble Adagio." The work was written in 1878 for the violinist and friend of Brahms, Joseph Joachim, who was the dedicatee. Brahms asked Joachim's advice on the writing of the solo violin part. The most familiar cadenzas used in the work are by Joachim, though a number of people have provided alternatives, including Leopold Auer, Max Reger, Fritz Kreisler, Jascha Heifetz, and George Enescu. A recording of the concerto released by Ruggiero Ricci has been coupled with sixteen different cadenzas. The work was premiered by Joachim in Leipzig on January 1, 1879. Various modifications were made between then and the work's publication by Fritz Simrock later in the year. Performed by: Jascha Heifetz (We appreciate Wikipaedia's contributions in the descriptions here)
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) 3. Allegro Giocoso. Ma Non Troppo Vivace Johannes Brahms' Violin Concerto in D major, Op. 77 is one of the best-known of all violin concertos. It follows the standard concerto form, with three movements in the pattern quick-slow-quick: 1. Allegro non troppo 2. Adagio 3. Allegro giocoso, ma non troppo vivace - Poco piu presto Originally, however, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo, were replaced with what Brahms called a "feeble Adagio." The work was written in 1878 for the violinist and friend of Brahms, Joseph Joachim, who was the dedicatee. Brahms asked Joachim's advice on the writing of the solo violin part. The most familiar cadenzas used in the work are by Joachim, though a number of people have provided alternatives, including Leopold Auer, Max Reger, Fritz Kreisler, Jascha Heifetz, and George Enescu. A recording of the concerto released by Ruggiero Ricci has been coupled with sixteen different cadenzas. The work was premiered by Joachim in Leipzig on January 1, 1879. Various modifications were made between then and the work's publication by Fritz Simrock later in the year. Performed by: Jascha Heifetz (We appreciate Wikipaedia's contributions in the descriptions here)
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Brahms Hungarian Dance 5 - 6 Cecchetto
Vittorio Cecchetto conducting "Citta Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Vittorio Cecchetto conducting "Citta Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Jascha Heifetz plays Brahms Hungarian Dance No. 7
Jascha Heifetz plays Hungarian Dance #7 by Johannes Brahms (transcribed by Heifetz).
Accompanist: Emanuel Bay
Jascha Heifetz plays Hungarian Dance #7 by Johannes Brahms (transcribed by Heifetz).Accompanist: Emanuel Bay
Victor Borge - Hungarian Rhapsody No. 2
Victor Borge was classical piano's class clown :) the man was a genius.
In this skit, he .. well.. just watch :)
Victor Borge was classical piano's class clown :) the man was a genius.In this skit, he .. well.. just watch :)
Wine Glass Duo - Anitras Dance Peer Gynt
That's amazing... Professional concert played just on wine glasses. The instrument is called glass harp or musical glasses. E.Grieg - Anitra's Dance (Peer Gynt)
That's amazing... Professional concert played just on wine glasses. The instrument is called glass harp or musical glasses. E.Grieg - Anitra's Dance (Peer Gynt)
Anitras Dance Peer Gynt
The Chamber Orchestra of S.Joao da Madeira Music Academy directed by Richard Tomes plays 'Anitras' Dance' from Peer Gynt by Grieg during a concert at the Music Academy SJM.
in June 2006.
The Chamber Orchestra of S.Joao da Madeira Music Academy directed by Richard Tomes plays 'Anitras' Dance' from Peer Gynt by Grieg during a concert at the Music Academy SJM. in June 2006.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
WAMozart : Alleluia (from "Exsultate Jubilate") KV 165 (158a)
Sylvia McNair , soprano. Roger Vignoles, piano. Sylvia McNair (born June 23, 1956) is an American opera singer and classical recitalist who has also achieved notable success in the Broadway and cabaret genres. McNair, a soprano, has made several critically acclaimed recordings and has won two Grammy Awards. Official website: www.sylviamcnair.com Roger Vignoles is a British pianist and accompanist. He regularly performs with the worlds leading singers including Kiri Te Kanawa, Thomas Allen, Anne Sofie von Otter, Thomas Hampson, Gitta-Maria Sjøberg, Sarah Walker, Susan Graham, Felicity Lott, Stephan Genz, Monica Groop, Wolfgang Holzmair, Bernarda Fink, Christine Schäfer, Brigitte Fassbaender and Kathleen Battle at many halls and festivals. He also accompanies instrumentalists such as Joshua Bell, Heinrich Schiff, Nobuko Imai and Ralph Kirshbaum, and gives masterclasses around the world. ~ Playlist Mozart: www.youtube.com ~
Sylvia McNair , soprano. Roger Vignoles, piano. Sylvia McNair (born June 23, 1956) is an American opera singer and classical recitalist who has also achieved notable success in the Broadway and cabaret genres. McNair, a soprano, has made several critically acclaimed recordings and has won two Grammy Awards. Official website: www.sylviamcnair.com Roger Vignoles is a British pianist and accompanist. He regularly performs with the worlds leading singers including Kiri Te Kanawa, Thomas Allen, Anne Sofie von Otter, Thomas Hampson, Gitta-Maria Sjøberg, Sarah Walker, Susan Graham, Felicity Lott, Stephan Genz, Monica Groop, Wolfgang Holzmair, Bernarda Fink, Christine Schäfer, Brigitte Fassbaender and Kathleen Battle at many halls and festivals. He also accompanies instrumentalists such as Joshua Bell, Heinrich Schiff, Nobuko Imai and Ralph Kirshbaum, and gives masterclasses around the world. ~ Playlist Mozart: www.youtube.com ~
Arioso from Cantata - BWV 156 - J.S. Bach
Per-Olov Kindgren's arrangement and performance of Bach's beautiful and famous piece, Arioso from BWV 156. This is also named '"Ich steh mit einem Fuss im Grabe." (English: " I stand with one foot in the grave". Original key is F Major but here it has been transposed to A Major to make it easier to play on the guitar. The ending in not always heard (for unknown reasons) but this is the original ending.
Per-Olov Kindgren's arrangement and performance of Bach's beautiful and famous piece, Arioso from BWV 156. This is also named '"Ich steh mit einem Fuss im Grabe." (English: " I stand with one foot in the grave". Original key is F Major but here it has been transposed to A Major to make it easier to play on the guitar. The ending in not always heard (for unknown reasons) but this is the original ending.
Miami Lyric Opera - LA BOHEME - 15 & 17 July 2010
Miami Lyric Opera presents LA BOHEME on 15 & 17 July 2010 at the Colony Theater on Lincoln Road, Miami Beach. LA BOHEME features Jacqueline Quirk,Susana Diaz, Rodolfo Cuevas, Graham Fandrei, Daniel Snodgrass, Diego Baner and Ismael Gonzalez. Artistic Director: Raffael Cardone. Video by the MediaMojoGuy. Distributed by Tubemogul.
Miami Lyric Opera presents LA BOHEME on 15 & 17 July 2010 at the Colony Theater on Lincoln Road, Miami Beach. LA BOHEME features Jacqueline Quirk,Susana Diaz, Rodolfo Cuevas, Graham Fandrei, Daniel Snodgrass, Diego Baner and Ismael Gonzalez. Artistic Director: Raffael Cardone. Video by the MediaMojoGuy. Distributed by Tubemogul.
O Magnum mysterium - Giovanni Gabrieli (1557 - 1612) Latin text with
Gabrieli's O magnum mysterium consistently and classically counterpoises two contrasting vocal choirs while maintaining its elegant proportions. Gabrieli divides his text, which celebrates the lowliness of Christ's birth on Christmas, into three unequal parts; each receives a musical section of roughly equal length. The opening phrase, "O great mystery," is sung three times: once by the first choir, once by the slightly lower second choir, and a third time in climactic full polyphony. The second phrase of text, which explains that the great mystery and "wondrous sacrament" allowed mere animals to see the birth of the Saviour, takes the same tripartite structure, with a temporal broadening into triple rhythmic groups. The composer packs the most text into the third section, which extols the manger and the blessed Virgin; twice Gabrieli cycles the contrasted vocal choirs, once aspirantly starting with the lower ensemble and rising to the heights. The choral antiphony becomes thus not only a vehicle for grand effect, but also serves to articulate the very structure of the text and to embody its sense. The radiant conclusion of his motet comes in a fourth section, an extended jubilant "alleluia." A series of syncopated, triple-meter antiphonal statements gradually gives way to a broad, eight-voiced tutti. Whether the two choirs braved the logistical challenges of physical separation or merely sang in proximate alternation, the effect added great luster to the Venetian liturgy.
Gabrieli's O magnum mysterium consistently and classically counterpoises two contrasting vocal choirs while maintaining its elegant proportions. Gabrieli divides his text, which celebrates the lowliness of Christ's birth on Christmas, into three unequal parts; each receives a musical section of roughly equal length. The opening phrase, "O great mystery," is sung three times: once by the first choir, once by the slightly lower second choir, and a third time in climactic full polyphony. The second phrase of text, which explains that the great mystery and "wondrous sacrament" allowed mere animals to see the birth of the Saviour, takes the same tripartite structure, with a temporal broadening into triple rhythmic groups. The composer packs the most text into the third section, which extols the manger and the blessed Virgin; twice Gabrieli cycles the contrasted vocal choirs, once aspirantly starting with the lower ensemble and rising to the heights. The choral antiphony becomes thus not only a vehicle for grand effect, but also serves to articulate the very structure of the text and to embody its sense. The radiant conclusion of his motet comes in a fourth section, an extended jubilant "alleluia." A series of syncopated, triple-meter antiphonal statements gradually gives way to a broad, eight-voiced tutti. Whether the two choirs braved the logistical challenges of physical separation or merely sang in proximate alternation, the effect added great luster to the Venetian liturgy.
Vitaly Pisarenko plays Standchen (Serenade) by Schubert/Liszt
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Classical Music at 180 MPH (O Fortuna Carmina Burana) Piano/Cello
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Classical/guitar, Jim Greeninger, Recuerdos de la Alhambra
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
Mozart-Symphony No. 41 "Jupiter"/Leibowitz/Pt. 1 (of 3)
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Gotthilf Fischer & Chor - Gefangenenchor aus der Oper Nabucco 2007
Gotthilf Fischer & Chor - Gefangenenchor aus der Oper Nabucco 2007 (vor dem Dom von St. Gallen/Schweiz) A composition by Giuseppe Verdi Gesang der Hebräer in Babylonischer Gefangenschaft: Zieht, Gedanken, auf goldenen Flügeln, Zieht, Gedanken, ihr dürft nicht verweilen! Lasst euch nieder auf sonnigen Hügeln, Dort, wo Zions Türme blicken ins Tal! Um die Ufer des Jordan zu grüßen, Zu den teuren Gestaden zu eilen, Zur verlorenen Heimat, der süßen, Zieht Gedanken, lindert der Knechtschaft Qual! Warum hängst du so stumm an der Weide, Goldene Harfe der göttlichen Seher? Spende Trost, süßen Trost uns im Leide und erzähle von glorreicher Zeit. Singe, Harfe, in Tönen der Klage Von dem Schicksal geschlag'ner Hebräer. Als Verkünd'rin des Ew'gen uns sage: Bald wird Juda vom Joch des Tyrannen befreit Bald wird Juda vom Joch des Tyrannen befreit Bald wird Juda vom Joch des Tyrannen befreit Bald wird Juda befreit
Gotthilf Fischer & Chor - Gefangenenchor aus der Oper Nabucco 2007 (vor dem Dom von St. Gallen/Schweiz) A composition by Giuseppe Verdi Gesang der Hebräer in Babylonischer Gefangenschaft: Zieht, Gedanken, auf goldenen Flügeln, Zieht, Gedanken, ihr dürft nicht verweilen! Lasst euch nieder auf sonnigen Hügeln, Dort, wo Zions Türme blicken ins Tal! Um die Ufer des Jordan zu grüßen, Zu den teuren Gestaden zu eilen, Zur verlorenen Heimat, der süßen, Zieht Gedanken, lindert der Knechtschaft Qual! Warum hängst du so stumm an der Weide, Goldene Harfe der göttlichen Seher? Spende Trost, süßen Trost uns im Leide und erzähle von glorreicher Zeit. Singe, Harfe, in Tönen der Klage Von dem Schicksal geschlag'ner Hebräer. Als Verkünd'rin des Ew'gen uns sage: Bald wird Juda vom Joch des Tyrannen befreit Bald wird Juda vom Joch des Tyrannen befreit Bald wird Juda vom Joch des Tyrannen befreit Bald wird Juda befreit
Robert Schumann - Dichterliebe, Op. 48 Pt 1-4 Fischer-Dieskau Salzbu
I received a kind request (thank you!) to upload some of this performance of Dichterliebe and decided that this would be a perfect presentation to honor Fischer-Dieskau's 84th birthday on May 28. This performance comes from Fischer-Dieskau's debut solo recital at the Salzburg Festival on August 13, 1956. His partner at the piano is Gerald Moore. "Dichterliebe", 'The Poet's Love' (composed 1840), is the best-known song cycle of Robert Schumann (Op. 48). The texts for the 16 songs come from the "Lyrisches Intermezzo" of Heinrich Heine, composed 1822-1823, published as part of the poet's "Das Buch der Lieder". The very natural, almost hyper-sensitive poetical affections of the poems are beautifully mirrored in Schumann's settings, with their miniaturist chromaticism and suspensions. The poet's love is a hothouse of nuanced responses to the delicate language of flowers, dreams and fairy-tales. Schumann adapts the words of the poems to his needs for the songs, sometimes repeating phrases and often rewording a line to supply the desired cadence. Notes from Wikipedia. English translations of the Heine poems by Paul Hindemith. Dichterliebe, Op. 48 Part 1, Songs 1-6 Im wunderschönen Monat Mai, Als alle Knospen sprangen, Da ist in meinem Herzen Die Liebe aufgegangen. Im wunderschönen Monat Mai, Als alle Vögel sangen, Da hab' ich ihr gestanden Mein Sehnen und Verlangen. In the wonderfully beautiful month of May When all the buds are bursting open, There, from my own heart, Bursts <b>...</b>
I received a kind request (thank you!) to upload some of this performance of Dichterliebe and decided that this would be a perfect presentation to honor Fischer-Dieskau's 84th birthday on May 28. This performance comes from Fischer-Dieskau's debut solo recital at the Salzburg Festival on August 13, 1956. His partner at the piano is Gerald Moore. "Dichterliebe", 'The Poet's Love' (composed 1840), is the best-known song cycle of Robert Schumann (Op. 48). The texts for the 16 songs come from the "Lyrisches Intermezzo" of Heinrich Heine, composed 1822-1823, published as part of the poet's "Das Buch der Lieder". The very natural, almost hyper-sensitive poetical affections of the poems are beautifully mirrored in Schumann's settings, with their miniaturist chromaticism and suspensions. The poet's love is a hothouse of nuanced responses to the delicate language of flowers, dreams and fairy-tales. Schumann adapts the words of the poems to his needs for the songs, sometimes repeating phrases and often rewording a line to supply the desired cadence. Notes from Wikipedia. English translations of the Heine poems by Paul Hindemith. Dichterliebe, Op. 48 Part 1, Songs 1-6 Im wunderschönen Monat Mai, Als alle Knospen sprangen, Da ist in meinem Herzen Die Liebe aufgegangen. Im wunderschönen Monat Mai, Als alle Vögel sangen, Da hab' ich ihr gestanden Mein Sehnen und Verlangen. In the wonderfully beautiful month of May When all the buds are bursting open, There, from my own heart, Bursts <b>...</b>
Gotthilf Fischer in Salzburg - Auf den Spuren von WA Mozart 2003
Gotthilf Fischer in Salzburg - Auf den Spuren von WA Mozart 2003 Wolfgang Amadeus Mozart, vollständiger Taufname: Joannes Chrysostomus Wolfgangus Theophilus Mozart (* 27. Januar 1756 in Salzburg; † 5. Dezember 1791 in Wien) war ein Komponist zur Zeit der Wiener Klassik. Sein umfangreiches Werk genießt weltweite Popularität und gehört zu den bedeutendsten im Repertoire der klassischen Musik. Er selbst nannte sich meist Wolfgang Amadé Mozart. Lange Jahre lebte er in seiner Geburtsstadt Salzburg. Nach ihm benannt sind die Mozartkugeln. Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 5 December 1791), was a prolific and influential composer of the Classical era. He composed over six hundred works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers. For a long period Mozart lived in his native town Salzburg. The Mozartkugel (English: Mozart ball), originally known as the Mozartbonbon, was created by the Salzburg confectioner, Paul Fürst in 1890 and named after Wolfgang Amadeus Mozart.
Gotthilf Fischer in Salzburg - Auf den Spuren von WA Mozart 2003 Wolfgang Amadeus Mozart, vollständiger Taufname: Joannes Chrysostomus Wolfgangus Theophilus Mozart (* 27. Januar 1756 in Salzburg; † 5. Dezember 1791 in Wien) war ein Komponist zur Zeit der Wiener Klassik. Sein umfangreiches Werk genießt weltweite Popularität und gehört zu den bedeutendsten im Repertoire der klassischen Musik. Er selbst nannte sich meist Wolfgang Amadé Mozart. Lange Jahre lebte er in seiner Geburtsstadt Salzburg. Nach ihm benannt sind die Mozartkugeln. Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 5 December 1791), was a prolific and influential composer of the Classical era. He composed over six hundred works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers. For a long period Mozart lived in his native town Salzburg. The Mozartkugel (English: Mozart ball), originally known as the Mozartbonbon, was created by the Salzburg confectioner, Paul Fürst in 1890 and named after Wolfgang Amadeus Mozart.
Gotthilf Fischer & Chor - Das Lied der Deutschen 2004
Gotthilf Fischer & Chor - Das Lied der Deutschen 2004 (Deutschlandlied 3. Strophe, mit Bildern von der Insel Helgoland) Komponist: Franz Josef Haydn (1732-1809) Text: August Heinrich Hoffmann von Fallersleben (1798-1874), gedichtet auf der Insel Helgoland 1. Instrumental die Melodie des Deutschlandliedes 2. Vocal die 3. Strophe des Deutschlandliedes Einigkeit und Recht und Freiheit für das deutsche Vaterland, danach lasst uns alle streben brüderlich mit Herz und Hand! Einigkeit und Recht und Freiheit sind des Glückes Unterpfand - Blüh´ im Glanze dieses Glückes, blühe deutsches Vaterland!
Gotthilf Fischer & Chor - Das Lied der Deutschen 2004 (Deutschlandlied 3. Strophe, mit Bildern von der Insel Helgoland) Komponist: Franz Josef Haydn (1732-1809) Text: August Heinrich Hoffmann von Fallersleben (1798-1874), gedichtet auf der Insel Helgoland 1. Instrumental die Melodie des Deutschlandliedes 2. Vocal die 3. Strophe des Deutschlandliedes Einigkeit und Recht und Freiheit für das deutsche Vaterland, danach lasst uns alle streben brüderlich mit Herz und Hand! Einigkeit und Recht und Freiheit sind des Glückes Unterpfand - Blüh´ im Glanze dieses Glückes, blühe deutsches Vaterland!
Mahler: Symphony No. 3 / Mehta · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Gustav Mahler: Symphony No. 3 / Zubin Mehta, conductor · Berliner Philharmoniker · Lioba Braun, contralto · Rundfunkchor Berlin · Tölzer Knabenchor / Recorded at the Berlin Philharmonie, 21 December 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Gustav Mahler: Symphony No. 3 / Zubin Mehta, conductor · Berliner Philharmoniker · Lioba Braun, contralto · Rundfunkchor Berlin · Tölzer Knabenchor / Recorded at the Berlin Philharmonie, 21 December 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Prokofiev: Symphony No. 5 / Dudamel · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Serge Prokofiev: Symphony No. 5 / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 7 March 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Serge Prokofiev: Symphony No. 5 / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 7 March 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Berliner Philharmoniker Master Class - 1st Violin
Violinist Helmut Mebert gives a master class for the YouTube Symphony Orchestra 2011 introducing the part of the 1st violin in Mendelssohn's Symphony No. 4 "Italian". Learn more at www.youtube.com Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a YouTube Symphony Orchestra. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Website of the Berliner Philharmoniker www.berliner-philharmoniker.de Subscribe to our newsletter www.digitalconcerthall.com
Violinist Helmut Mebert gives a master class for the YouTube Symphony Orchestra 2011 introducing the part of the 1st violin in Mendelssohn's Symphony No. 4 "Italian". Learn more at www.youtube.com Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a YouTube Symphony Orchestra. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Website of the Berliner Philharmoniker www.berliner-philharmoniker.de Subscribe to our newsletter www.digitalconcerthall.com
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
