Classical Music at 180 MPH (O Fortuna Carmina Burana) Piano/Cello
- Classical music Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile ...
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"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
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Classical Medley by Buddy Greene on the Harmonica
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:
1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Joshua Bell Stop and Hear the Music by the Washington Post
From the Washington Post:
Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
From the Washington Post:Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
The Making of a Musician Joshua Bell
The career of Joshua Bell is documented in this video vignette following his career from childhood to virtuoso violinist. From the Live From Lincoln Center broadcast on December 31, 2007. Hosted by Renee Fleming.
The career of Joshua Bell is documented in this video vignette following his career from childhood to virtuoso violinist. From the Live From Lincoln Center broadcast on December 31, 2007. Hosted by Renee Fleming.
Guitar Impossible stop motion music short by MysteryGuitarMan
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.
I know. I was bored.
Like this video? Tweet about it!
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My Website: http://www.pennajoe.com/
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Song is Mozart - Marriage of Figaro
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.I know. I was bored.
Like this video? Tweet about it!
http://bit.ly/GuitarTweet
Get my t-shirts:
http://bit.ly/MGMshirts
MY LINKS:
Watch my other videos:
http://www.youtube.com/MysteryGuitarMan
My Website: http://www.pennajoe.com/
Follow me on Twitter:
http://www.twitter.com/MysteryGuitarM
...and Facebook:
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Song is Mozart - Marriage of Figaro
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Toccata and Fugue - J.S. Bach
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Summertime - Piano Improvisation
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
Joseph Haydn 1732 31 May 1809 Symphony no 88 Omagiu
English: (Franz) Joseph Haydn, (March 31, 1732 - May 31, 1809) was one of the greatest and most important composers of the Classical era. He was called the "Father of the Symphony", because he helped build the modern form of symphonies, and wrote 104 of them of his own. Deutsch: (Franz) Joseph Haydn, (31. März 1732 - 31. Mai 1809) war einer der größten und wichtigsten Komponisten der Klassik. Er wurde "Vater der Symphonien" genannt, da er die moderne Form der Symphonie schuf und insgesamt 104 selbst schrieb. ORCHESTRA SIMFONICĂ A FILARMONICII PAUL CONSTANTINESCU DIRECTOR: prof. CORNELIU NICOLAE IRIMIA DIRECTOR ARTISTIC: OCTAVIAN DAVID DIRECTOR ONORIFIC:ILARION IONESCU GALAŢI RADU POSTĂVARU dirijor OVIDIU BĂLAN dirijor ROMEO RÎMBU - dirijor Solişti concertişti: GABRIEL CROITORU vioară IOANA-MARIA LUPAŞCU - pian Concertmaestru: ADRIAN CEAPĂ Concertmaestru: COSMIN STOICA VIOARA I ADRIAN TOTTI -şef partidă; LODRIN MARIN ;ILIANA ISTRATE GABRIELA MIHAIŢĂ; RODICA ION ; ANA-MARIA TRUŢĂ GEORGIANA IONESCU; DAN GAGIU ;STOICA SPIRIDON BOGDAN IONIŢĂ; DANA-CORINA PINTEA; CĂLIN CEAPĂ VIOARA A II-A MIHAI MIŞOV- şef partidă STELIAN NEMŢANU-şef partidă IOLANDA VASILESCU; IULIAN TOMESCU; CARMEN NASSE ANA-CARMEN VIERU; MIHAELA BORDEA ;OANA MAREŞ VENERA GAGIU; GEORGIANA CARAIVAN; IULIA BÂNDILĂ VIOLA GABRIEL IACOB -şef partidă MIHAELA TOMA; COSMIN FAUR ;GEORGIANA MUNTEANU MIRELA IVAN; GEORGIANA NAE VIOLONCEL SABIN VERBOSCHI;- şef partidă MIHAELA DASCĂLU; ADRIANA LUPU ;ELENA CÂRLIG SERGIU MARIN <b>...</b>
English: (Franz) Joseph Haydn, (March 31, 1732 - May 31, 1809) was one of the greatest and most important composers of the Classical era. He was called the "Father of the Symphony", because he helped build the modern form of symphonies, and wrote 104 of them of his own. Deutsch: (Franz) Joseph Haydn, (31. März 1732 - 31. Mai 1809) war einer der größten und wichtigsten Komponisten der Klassik. Er wurde "Vater der Symphonien" genannt, da er die moderne Form der Symphonie schuf und insgesamt 104 selbst schrieb. ORCHESTRA SIMFONICĂ A FILARMONICII PAUL CONSTANTINESCU DIRECTOR: prof. CORNELIU NICOLAE IRIMIA DIRECTOR ARTISTIC: OCTAVIAN DAVID DIRECTOR ONORIFIC:ILARION IONESCU GALAŢI RADU POSTĂVARU dirijor OVIDIU BĂLAN dirijor ROMEO RÎMBU - dirijor Solişti concertişti: GABRIEL CROITORU vioară IOANA-MARIA LUPAŞCU - pian Concertmaestru: ADRIAN CEAPĂ Concertmaestru: COSMIN STOICA VIOARA I ADRIAN TOTTI -şef partidă; LODRIN MARIN ;ILIANA ISTRATE GABRIELA MIHAIŢĂ; RODICA ION ; ANA-MARIA TRUŢĂ GEORGIANA IONESCU; DAN GAGIU ;STOICA SPIRIDON BOGDAN IONIŢĂ; DANA-CORINA PINTEA; CĂLIN CEAPĂ VIOARA A II-A MIHAI MIŞOV- şef partidă STELIAN NEMŢANU-şef partidă IOLANDA VASILESCU; IULIAN TOMESCU; CARMEN NASSE ANA-CARMEN VIERU; MIHAELA BORDEA ;OANA MAREŞ VENERA GAGIU; GEORGIANA CARAIVAN; IULIA BÂNDILĂ VIOLA GABRIEL IACOB -şef partidă MIHAELA TOMA; COSMIN FAUR ;GEORGIANA MUNTEANU MIRELA IVAN; GEORGIANA NAE VIOLONCEL SABIN VERBOSCHI;- şef partidă MIHAELA DASCĂLU; ADRIANA LUPU ;ELENA CÂRLIG SERGIU MARIN <b>...</b>
Caro Mio Ben by Tommaso Giordani (1730-1806)
The classic Neopolitan love song! The bane of begining singers worldwide. 8) Well, I thought that you should go overboard a little since its a love song. Nothing wrong with having some fun with music, is there?. The painters included with the song are (in no particular order): Ghirlandaio, Homer, Rockwell, Vermeer, Goya, & Vieux. Try and match them. Why use a Commodore Amiga? It does sounds somewhat like a Harpsichord/Virginal which was all you had to play on in the 18th Century, so I hope that it makes it seem as if you were being transported back in time. 8) Enjoy. Since the issue of the name has come up, I'll just write what was in the score book I used. I was singing from the book "26 Italian Songs and Arias" by the Alfred Publishing Co. edited by John Glenn Patton. "Nov/Dec 1981: The familiar edition, edited by Parisotti in 1890, names the composer as Giuseppe Giordani (no relation to Tommaso). The evidence for Tommaso as the actual composer is given in the next article. Background: English enthusiasm for Italian opera continued throughout the 170s, adn it continues today. Sixty years after Bononcini composed Griselda for London, Tommaso Giordani composed "Caro mio ben" for a concert there. A native of Naples, Giordani lived most of his life in London and published many vocal and instumental compositions there."
The classic Neopolitan love song! The bane of begining singers worldwide. 8) Well, I thought that you should go overboard a little since its a love song. Nothing wrong with having some fun with music, is there?. The painters included with the song are (in no particular order): Ghirlandaio, Homer, Rockwell, Vermeer, Goya, & Vieux. Try and match them. Why use a Commodore Amiga? It does sounds somewhat like a Harpsichord/Virginal which was all you had to play on in the 18th Century, so I hope that it makes it seem as if you were being transported back in time. 8) Enjoy. Since the issue of the name has come up, I'll just write what was in the score book I used. I was singing from the book "26 Italian Songs and Arias" by the Alfred Publishing Co. edited by John Glenn Patton. "Nov/Dec 1981: The familiar edition, edited by Parisotti in 1890, names the composer as Giuseppe Giordani (no relation to Tommaso). The evidence for Tommaso as the actual composer is given in the next article. Background: English enthusiasm for Italian opera continued throughout the 170s, adn it continues today. Sixty years after Bononcini composed Griselda for London, Tommaso Giordani composed "Caro mio ben" for a concert there. A native of Naples, Giordani lived most of his life in London and published many vocal and instumental compositions there."
Joseph Haydn - Die Jahreszeiten (1801)
Extract of the Spring. Recorded live at the flemish festival in 1990 and co-produced by the VRT. Performers: Krisztina Laki (soprano), Helmut Wildhaber (tenor), Peter Lika (bass). Choir of the Flemish Opera, Orchestra: La Petite Bande. Musical Direction: Sigiswald Kuijken
Extract of the Spring. Recorded live at the flemish festival in 1990 and co-produced by the VRT. Performers: Krisztina Laki (soprano), Helmut Wildhaber (tenor), Peter Lika (bass). Choir of the Flemish Opera, Orchestra: La Petite Bande. Musical Direction: Sigiswald Kuijken
Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Frédéric Chopin - Prelude in E-Minor (op.28 no. 4)
Frédéric Chopin-Prelude in E-Minor (op.28 no. 4) Played by: Aldona Dvarionaite Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin;March 1, 1810 -- October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century. Chopin was a genius of universal appeal. His music conquers the most diverse audiences. When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition. All over the world men and women know his music. They love it. They are moved by it. Yet it is not "Romantic music" in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art. Even in this abstract atomic age, where emotion is not fashionable, Chopin endures. His music is the universal language of human communication. When I play Chopin I know I speak directly to the hearts of people! Chopin's music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint. This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication. Three of <b>...</b>
Frédéric Chopin-Prelude in E-Minor (op.28 no. 4) Played by: Aldona Dvarionaite Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin;March 1, 1810 -- October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century. Chopin was a genius of universal appeal. His music conquers the most diverse audiences. When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition. All over the world men and women know his music. They love it. They are moved by it. Yet it is not "Romantic music" in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art. Even in this abstract atomic age, where emotion is not fashionable, Chopin endures. His music is the universal language of human communication. When I play Chopin I know I speak directly to the hearts of people! Chopin's music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint. This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication. Three of <b>...</b>
Mozart-Symphony No. 41 "Jupiter"/Leibowitz/Pt. 1 (of 3)
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Mozart - Rondo Alla Turca (Orchestra)
Mozart Rondo Alla Turca Orchestra, Turkish March, Classical Music Fantastic symphony of Wolfang Amadeus Mozart.
Mozart Rondo Alla Turca Orchestra, Turkish March, Classical Music Fantastic symphony of Wolfang Amadeus Mozart.
Mozart: Rondo Alla Turca トルコ行進曲 (older version)
Online Piano Lessons! All Levels! 8e992hnjrhia1y8ot3h9tp1x30.hop.clickbank.net Wolfgang Amadeus Mozart (1756-1791) has been one of the most enduring composers in history and was the most influential and prominent composer in the Classical Era. Mozart was a child prodigy who was already composing and performing for royalty at age 5 and composed his first opera at age 12. Although Mozart composed in virtually all genres and was especially famous for his serious and comic operas, it was the the piano (pianoforte) that remained the primary source of inspiration throughout his short life. Get Mozart's Complete Sonatas and Fantasias for Piano: www.sheetmusicplus.com Get the excellent Henle edition of the famous K545 Sonata: www.sheetmusicplus.com Get the sheet music to Rondo Alla Turca: www.sheetmusicplus.com BachScholar™ Website: www.bachscholar.com Buy Albums and MP3s: www.cdbaby.com www.amazon.com Download Bach Tempo Studies: stores.lulu.com
Online Piano Lessons! All Levels! 8e992hnjrhia1y8ot3h9tp1x30.hop.clickbank.net Wolfgang Amadeus Mozart (1756-1791) has been one of the most enduring composers in history and was the most influential and prominent composer in the Classical Era. Mozart was a child prodigy who was already composing and performing for royalty at age 5 and composed his first opera at age 12. Although Mozart composed in virtually all genres and was especially famous for his serious and comic operas, it was the the piano (pianoforte) that remained the primary source of inspiration throughout his short life. Get Mozart's Complete Sonatas and Fantasias for Piano: www.sheetmusicplus.com Get the excellent Henle edition of the famous K545 Sonata: www.sheetmusicplus.com Get the sheet music to Rondo Alla Turca: www.sheetmusicplus.com BachScholar™ Website: www.bachscholar.com Buy Albums and MP3s: www.cdbaby.com www.amazon.com Download Bach Tempo Studies: stores.lulu.com
Epica Classical Conspiracy - O Fortuna
Video by: roboxz (boon.hu) EPICA The Classical Conspiracy Show 14.06.2008. Hungary, Miskolc. Palladium O Fortuna (Orff) Dies Irea (Verdi) Ombra Mai Fu (Handel) 1st part, New World Symphony(Dvorak) Spiderman medley Summer 3 (Vivaldi) Montagues & Capulets (Prokovief) Imperial March (Star Wars) Stabat Mater (Pergolesi) Unholy Trinity In the Hall of the Mountain King (Grieg) Pirates of the Caribbean medley Epica program: Indigo / The Last Crusade Sensorium Quietus Chasing the Dragon Feint Never Enough Beyond Belief Cry for the Moon Safeguard to Paradise Blank Infinity Living a Lie The Phantom Agony Sancta Terra Illusive Consensus Consign to Oblivion
Video by: roboxz (boon.hu) EPICA The Classical Conspiracy Show 14.06.2008. Hungary, Miskolc. Palladium O Fortuna (Orff) Dies Irea (Verdi) Ombra Mai Fu (Handel) 1st part, New World Symphony(Dvorak) Spiderman medley Summer 3 (Vivaldi) Montagues & Capulets (Prokovief) Imperial March (Star Wars) Stabat Mater (Pergolesi) Unholy Trinity In the Hall of the Mountain King (Grieg) Pirates of the Caribbean medley Epica program: Indigo / The Last Crusade Sensorium Quietus Chasing the Dragon Feint Never Enough Beyond Belief Cry for the Moon Safeguard to Paradise Blank Infinity Living a Lie The Phantom Agony Sancta Terra Illusive Consensus Consign to Oblivion
Carmina Burana - O Fortuna (Opera & Philharmonic Society - Ancient T
"O Fortuna" by Carl Orff - performed by Plovdiv Opera & Philharmonic Society in Ancient Roman Open-air Theater, Plovdiv, Bulgaria.
"O Fortuna" by Carl Orff - performed by Plovdiv Opera & Philharmonic Society in Ancient Roman Open-air Theater, Plovdiv, Bulgaria.
Epica - The Classical Conspiracy - O Fortuna
The Classical Conspiracy - International Opera Festival (Miskolc 2008.06.14.)
The Classical Conspiracy - International Opera Festival (Miskolc 2008.06.14.)
Carl Orff - O Fortuna - Piano
Outra música da série "Você já ouviu, mas nunca soube o nome". O Fortuna é uma das músicas clássicas mais usadas em filmes, séries e etc, e tem uma história e letra bem interessantes se voce tiver paciência pra procurar e ler. Enfim, enjoy :] O Fortuna é de Carmina Burana, por Carl Orff EDIT: 15.000 exibições! 8D ----- Another "You heard it before, but can't name it" song. O Fortuna is one of the classical songs most used in movies, TV shows, etc, and has a very interesting history and lyrics if you have the patience to look into it. Enjoy :] O Fortuna is from Carmina Burana, by Carl Orff EDIT: 15.000 views! 8D
Outra música da série "Você já ouviu, mas nunca soube o nome". O Fortuna é uma das músicas clássicas mais usadas em filmes, séries e etc, e tem uma história e letra bem interessantes se voce tiver paciência pra procurar e ler. Enfim, enjoy :] O Fortuna é de Carmina Burana, por Carl Orff EDIT: 15.000 exibições! 8D ----- Another "You heard it before, but can't name it" song. O Fortuna is one of the classical songs most used in movies, TV shows, etc, and has a very interesting history and lyrics if you have the patience to look into it. Enjoy :] O Fortuna is from Carmina Burana, by Carl Orff EDIT: 15.000 views! 8D
Aria Vivaldi, Daniel Schnyder, Carmina Quartet, Nina Corti - music &
Aria Vivaldi, excerpt from Metamorphose Concept, choreography and dance by Nina Corti Daniel Schnyder- Saxophone Carmina Quartet Music: Antonio Vivaldi (Griselda) arr. Daniel Schnyder Antonio Vivaldi: unknown opera arias Arrangement for string quartet plus saxophone. Recorded by Daniel Schnyder and Carmina Quartet (Zoom in) Daniel Schnyder is known as a composer/performer with a dynamic reputation in both jazz and classical fields. He appears as a soloist with orchestras playing his "Songbook for Saxophone and Orchestra" and his Oriental Suite beside other works. He played Songbook in Germany and Switzerland on a tour with the NDR Radio Philharmonic in November 2006 and with the MDR Orchestra in 2008. In the Fall 2008 he tours with the Saarlaendische Rundfunk Orchestra as a soloist. Daniel toured Europe and Australia with his trio, featuring David Taylor and Kenny Drew jr., playing the music of Gershwin, Bach, Vivaldi, Wagner and Ellington in addition to his own new compositions bridging the worlds of classical music and jazz. He frequently performs with his special chamber music project for saxophone and string quartet, combining composition and improvisation, jazz and traditional chamber music. His third string quartet was commissioned by the Carmina Quartet, the 4th string quartet was a commission by the Amar Quartett, the 5th str 4tet a commission by the Stradivari Quartet. Carmina Quartet Matthias Enderle, violin Susanne Frank, violin Wendy Champney, viola Stephan <b>...</b>
Aria Vivaldi, excerpt from Metamorphose Concept, choreography and dance by Nina Corti Daniel Schnyder- Saxophone Carmina Quartet Music: Antonio Vivaldi (Griselda) arr. Daniel Schnyder Antonio Vivaldi: unknown opera arias Arrangement for string quartet plus saxophone. Recorded by Daniel Schnyder and Carmina Quartet (Zoom in) Daniel Schnyder is known as a composer/performer with a dynamic reputation in both jazz and classical fields. He appears as a soloist with orchestras playing his "Songbook for Saxophone and Orchestra" and his Oriental Suite beside other works. He played Songbook in Germany and Switzerland on a tour with the NDR Radio Philharmonic in November 2006 and with the MDR Orchestra in 2008. In the Fall 2008 he tours with the Saarlaendische Rundfunk Orchestra as a soloist. Daniel toured Europe and Australia with his trio, featuring David Taylor and Kenny Drew jr., playing the music of Gershwin, Bach, Vivaldi, Wagner and Ellington in addition to his own new compositions bridging the worlds of classical music and jazz. He frequently performs with his special chamber music project for saxophone and string quartet, combining composition and improvisation, jazz and traditional chamber music. His third string quartet was commissioned by the Carmina Quartet, the 4th string quartet was a commission by the Amar Quartett, the 5th str 4tet a commission by the Stradivari Quartet. Carmina Quartet Matthias Enderle, violin Susanne Frank, violin Wendy Champney, viola Stephan <b>...</b>
Adele - Rolling in the Deep (Piano/Cello Cover)
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download from iTunes here itunes.apple.com Download on Amazon: www.amazon.com For this week's video we decided to challenge ourselves. We picked a pop tune at the top of the charts -- one that wouldn't be an obvious candidate for an instrumental cover. "Rolling in the Deep" jumped out at us. The writers, Paul Epworth and Adele, described it as a "dark blues-y gospel disco tune." What could be more challenging for a classically-trained cellist and pianist? We locked ourselves in the studio (ok, not literally) and began work on the introduction. It wasn't working. The end. Just kidding...:-) The song came alive when we found a destined matchup in the melody from Gustav Holst's classical piece "Jupiter"—a deep melody that rang out when layered on top of everything we were creating for this arrangement. To make a long studio-story short, it all came together after that. ALL sounds were created by acoustic & electric cellos (5 different cellos) and piano. By the time we were finished we had used 60 tracks. Here's a link to the VOCAL VERSION! www.youtube.com What song should we cover next? Leave a comment! Follow the Piano Guys at www.Facebook.com Follow Steven Sharp Nelson at www.Facebook.com Follow Jon Schmidt at www.Facebook.com Credits Rolling in the Deep written by Paul Epworth <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download from iTunes here itunes.apple.com Download on Amazon: www.amazon.com For this week's video we decided to challenge ourselves. We picked a pop tune at the top of the charts -- one that wouldn't be an obvious candidate for an instrumental cover. "Rolling in the Deep" jumped out at us. The writers, Paul Epworth and Adele, described it as a "dark blues-y gospel disco tune." What could be more challenging for a classically-trained cellist and pianist? We locked ourselves in the studio (ok, not literally) and began work on the introduction. It wasn't working. The end. Just kidding...:-) The song came alive when we found a destined matchup in the melody from Gustav Holst's classical piece "Jupiter"—a deep melody that rang out when layered on top of everything we were creating for this arrangement. To make a long studio-story short, it all came together after that. ALL sounds were created by acoustic & electric cellos (5 different cellos) and piano. By the time we were finished we had used 60 tracks. Here's a link to the VOCAL VERSION! www.youtube.com What song should we cover next? Leave a comment! Follow the Piano Guys at www.Facebook.com Follow Steven Sharp Nelson at www.Facebook.com Follow Jon Schmidt at www.Facebook.com Credits Rolling in the Deep written by Paul Epworth <b>...</b>

