Dvořák: Slavonic Dance, Op. 46/8 / Rattle · Berliner Philharmonik
- Classical music composed by Antonín Dvořák Full-length concert at www.digitalconcerthall.com Antonín Dvořák: Slavonic Dance in G minor, Op. 46 No. 8 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 6 January 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
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Antonín Dvořák: Stabat Mater II (Talich cond.)
Antonín Dvořák (1841-1904) Stabat Mater, Cantata for Soloists, Choir and Orchestra op. 58 (B 71, 1876-77) II. Quartetto. Andante sostenuto (Quis est homo, qui non fleret) Václav Talich Václav Talich (28 May 1883 16 March 1961) began his career as a talented violinistfirst in a student orchestra in Klatovy, then from 1897 to 1903 at the conservatory in Prague where he studied with the celebrated Otakar Ševčík. Finally he served as concert master of the Berlin Philharmonic, where a fateful turning point occurred. That orchestras chief conductor, Arthur Nikisch, so fascinated the twenty-one-year-old Talich that he decided to become a conductor himself. Then came fifteen years of wandering and gathering experience. In 1905 he worked in Odessa for a little less than a year, before moving to Tbilisi where he conducted for the very first time. For two years he tried to establish himself as a choirmaster and conductor in Prague, but then from 1908 to 1912 he served in Ljubljana as chief conductor of the Slovenian Philharmonic. Before the First World War broke out he was able to study in Leipzig with Max Reger and Arthur Nikisch, to spend several months studying in Milan, and to lead the opera company in Plzeň starting in 1912. From 1915 to 1918 he occasionally taught violin, performed as a violist with the famous Czech Quartet, studied scores, and in his free moments educated himselffor example by reading classical literature in Greek and Latin. The door to the Czech Philharmonic <b>...</b>
Antonín Dvořák (1841-1904) Stabat Mater, Cantata for Soloists, Choir and Orchestra op. 58 (B 71, 1876-77) II. Quartetto. Andante sostenuto (Quis est homo, qui non fleret) Václav Talich Václav Talich (28 May 1883 16 March 1961) began his career as a talented violinistfirst in a student orchestra in Klatovy, then from 1897 to 1903 at the conservatory in Prague where he studied with the celebrated Otakar Ševčík. Finally he served as concert master of the Berlin Philharmonic, where a fateful turning point occurred. That orchestras chief conductor, Arthur Nikisch, so fascinated the twenty-one-year-old Talich that he decided to become a conductor himself. Then came fifteen years of wandering and gathering experience. In 1905 he worked in Odessa for a little less than a year, before moving to Tbilisi where he conducted for the very first time. For two years he tried to establish himself as a choirmaster and conductor in Prague, but then from 1908 to 1912 he served in Ljubljana as chief conductor of the Slovenian Philharmonic. Before the First World War broke out he was able to study in Leipzig with Max Reger and Arthur Nikisch, to spend several months studying in Milan, and to lead the opera company in Plzeň starting in 1912. From 1915 to 1918 he occasionally taught violin, performed as a violist with the famous Czech Quartet, studied scores, and in his free moments educated himselffor example by reading classical literature in Greek and Latin. The door to the Czech Philharmonic <b>...</b>
Antonin DVORAK: "The New World" Symphony
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) 3. Scherzo: Molto Vivace -- Poco sostenuto The Symphony No. 9, in E Minor "From the New World" (Op. 95), popularly known as the New World Symphony, was composed by Antonín Dvořák in 1893 during his visit to the United States from 1892 to 1895. It is by far his most popular symphony, and one of the most popular symphonies in the modern repertory. It is in four movements: 1. Adagio -- Allegro molto 2. Largo 3. Scherzo: Molto Vivace -- Poco sostenuto 4. Allegro con fuoco Dvorak stated that the third movement scherzo was "suggested by the scene at the feast in Hiawatha where the Indians dance". "The Song of Hiawatha" is an 1855 epic poem by Henry Wadsworth Longfellow based on the legends of the Ojibway Indians. (We appreciate Wikipaedia's contributions in the descriptions here)
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) 3. Scherzo: Molto Vivace -- Poco sostenuto The Symphony No. 9, in E Minor "From the New World" (Op. 95), popularly known as the New World Symphony, was composed by Antonín Dvořák in 1893 during his visit to the United States from 1892 to 1895. It is by far his most popular symphony, and one of the most popular symphonies in the modern repertory. It is in four movements: 1. Adagio -- Allegro molto 2. Largo 3. Scherzo: Molto Vivace -- Poco sostenuto 4. Allegro con fuoco Dvorak stated that the third movement scherzo was "suggested by the scene at the feast in Hiawatha where the Indians dance". "The Song of Hiawatha" is an 1855 epic poem by Henry Wadsworth Longfellow based on the legends of the Ojibway Indians. (We appreciate Wikipaedia's contributions in the descriptions here)
Dvořák: Cello Concerto / Isserlis · Gilbert · Berliner Philharmo
Full-length concert at www.digitalconcerthall.com Antonín Dvořák: Cello Concerto / Steven Isserlis, cello · Alan Gilbert, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 19 April 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Antonín Dvořák: Cello Concerto / Steven Isserlis, cello · Alan Gilbert, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 19 April 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Antonin Dvorak: Humoresque Op. 101 No. 7
Played on a Yamaha P140 digital piano. I'm sorry for the noise in the record. It is result of Yamaha's headphones output and microphone input with automatic level adjustment on camcorder. I hope that sound quality is still acceptable.
Played on a Yamaha P140 digital piano. I'm sorry for the noise in the record. It is result of Yamaha's headphones output and microphone input with automatic level adjustment on camcorder. I hope that sound quality is still acceptable.
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa
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Dvorak Slavonic Dance Op. 72, No. 2. with pictures of Prague
Antonin Dvorak Slavonic Dance Op.72 No.2 played by the Slovak Philharmonic Orchestra - conductor Zdenek Kosler. Photographs taken in Prague in April 2008. Please visit www.photonbooks.com to find out more.
Antonin Dvorak Slavonic Dance Op.72 No.2 played by the Slovak Philharmonic Orchestra - conductor Zdenek Kosler. Photographs taken in Prague in April 2008. Please visit www.photonbooks.com to find out more.
Adagio for Strings, Op. 11 - Samuel Barber
Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.
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Allegretto from Piano Sonata No. 17 in D minor, Op. 31, No. 2 - Beethoven
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 3rd Movement
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 2nd Movemen
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Vitaly Pisarenko plays Standchen (Serenade) by Schubert/Liszt
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Classical Music at 180 MPH (O Fortuna Carmina Burana) Piano/Cello
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Classical/guitar, Jim Greeninger, Recuerdos de la Alhambra
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
Mozart-Symphony No. 41 "Jupiter"/Leibowitz/Pt. 1 (of 3)
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Brahms: Symphony No. 1 / Rattle · Berliner Philharmoniker
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Brahms: Symphony No. 3 / Rattle · Berliner Philharmoniker
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Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 3 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 14 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Sibelius: Symphony No. 5 / Rattle · Berliner Philharmoniker
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Full-length concert at www.digitalconcerthall.com Jean Sibelius: Symphony No. 5 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 22 May 2010 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Sibelius: Symphony No. 2 / Rattle · Berliner Philharmoniker
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Full-length concert at www.digitalconcerthall.com Jean Sibelius: Symphony No. 2 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 20 February 2010 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Brahms: Hungarian Dance No. 15 / Fischer · Berliner Philharmoniker
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Mahler: Symphony No. 3 / Mehta · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Gustav Mahler: Symphony No. 3 / Zubin Mehta, conductor · Berliner Philharmoniker · Lioba Braun, contralto · Rundfunkchor Berlin · Tölzer Knabenchor / Recorded at the Berlin Philharmonie, 21 December 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
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Prokofiev: Symphony No. 5 / Dudamel · Berliner Philharmoniker
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Berliner Philharmoniker Master Class - 1st Violin
Violinist Helmut Mebert gives a master class for the YouTube Symphony Orchestra 2011 introducing the part of the 1st violin in Mendelssohn's Symphony No. 4 "Italian". Learn more at www.youtube.com Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a YouTube Symphony Orchestra. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Website of the Berliner Philharmoniker www.berliner-philharmoniker.de Subscribe to our newsletter www.digitalconcerthall.com
Violinist Helmut Mebert gives a master class for the YouTube Symphony Orchestra 2011 introducing the part of the 1st violin in Mendelssohn's Symphony No. 4 "Italian". Learn more at www.youtube.com Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a YouTube Symphony Orchestra. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Website of the Berliner Philharmoniker www.berliner-philharmoniker.de Subscribe to our newsletter www.digitalconcerthall.com
