Bassoon & Piano: Telemann, Sonata in F minor
- Classical music composed by Georg Philipp Telemann Sonata in F minor, TWV 41:f1, for Bassoon and Keyboard, 3rd & 4th movements, Georg Philipp Telemann (1681-1767) 21 October 2007 Postlude (recorded at practice session) Wendy Large, Bassoon Wayne Burcham-Gulotta, Piano Church of the Redeemer, Episcopal Morristown, NJ, USA
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Liszt/Bettez-Hungarian Rhapsody no 2-the Sooner Bassooners
Classical music-Hungarian Rhapsody no 2 by Franz Liszt-arranged for 4 bassoons and contrabassoon by Michel Bettez-performed by the Sooner Bassooners conducted by Carl Rath
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Anderson & Roe Piano Duet play "BLUE DANUBE FANTASY"
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
Anderson & Roe Piano Duo play "LIBERTANGO" (Piazzolla)
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
A Clockwork Orange - Extended Theme & Title Music
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Telemann, Paris Quartet VI, fifth movement, Distrait (animated balls
The fifth movement of Georg Philipp Telemann's sixth Paris Quartet, performed by Concerto Amabile, accompanied by an animated score. FAQ Q: Who is playing this piece? A: This performance is from 1990; the performers are the members of the group Concerto Amabile (Kathleen Kraft, traverso, Elizabeth Blumenstock, violin, Elisabeth Le Guin, violoncello, and Phebe Craig, harpsichord) joined by viola da gambist Margriet Tindemans. Q: This is lovely; where can I hear the rest of the movements of this piece? A: This recording is from the Wild Boar CD "Concerto Amabile, George Phillip Telemann, 'Paris' Quartets 2, 3 & 6" (WLBR8801). I don't know whether the CD is available, but I'm going to find out; I will post information here when I do. Q: How did you get the animation synchronized with the recording? A: First I entered the score into the notation program Sibelius. Then, I made a half-speed version of the recording (with the Amazing Slow-Downer software), and adjusted the notation to match (added the ornaments, shortened notes, mistakes made by the performers, etc). Then, while listening to the half-speed recording, I recorded a MIDI click-track. Finally, I fed the score and the click-track into some software I wrote, which adjusted the timings of score to match the click-track. The adjusted version of the score is what my animation software takes as input. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate <b>...</b>
The fifth movement of Georg Philipp Telemann's sixth Paris Quartet, performed by Concerto Amabile, accompanied by an animated score. FAQ Q: Who is playing this piece? A: This performance is from 1990; the performers are the members of the group Concerto Amabile (Kathleen Kraft, traverso, Elizabeth Blumenstock, violin, Elisabeth Le Guin, violoncello, and Phebe Craig, harpsichord) joined by viola da gambist Margriet Tindemans. Q: This is lovely; where can I hear the rest of the movements of this piece? A: This recording is from the Wild Boar CD "Concerto Amabile, George Phillip Telemann, 'Paris' Quartets 2, 3 & 6" (WLBR8801). I don't know whether the CD is available, but I'm going to find out; I will post information here when I do. Q: How did you get the animation synchronized with the recording? A: First I entered the score into the notation program Sibelius. Then, I made a half-speed version of the recording (with the Amazing Slow-Downer software), and adjusted the notation to match (added the ornaments, shortened notes, mistakes made by the performers, etc). Then, while listening to the half-speed recording, I recorded a MIDI click-track. Finally, I fed the score and the click-track into some software I wrote, which adjusted the timings of score to match the click-track. The adjusted version of the score is what my animation software takes as input. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate <b>...</b>
Telemann, Paris Quartet III, first movement (animated balls+bars)
The first movement of Georg Philipp Telemann's third Paris Quartet, performed by Concerto Amabile, accompanied by an animated score. FAQ Q: Who is playing this piece? A: This performance is from 1990; the performers are the members of the group Concerto Amabile (Kathleen Kraft, traverso, Elizabeth Blumenstock, violin, Elisabeth Le Guin, violoncello, and Phebe Craig, harpsichord) joined by viola da gambist Margriet Tindemans. Q: This is lovely; where can I hear the rest of the movements of this piece? A: This recording is from the Wild Boar CD "Concerto Amabile, George Phillip Telemann, 'Paris' Quartets 2, 3 & 6" (WLBR8801). I don't know whether the CD is available, but I'm going to find out; I will post information here when I do. Q: I don't like that balls(/bars) display; can I see this with the bars(/balls) display? A: Yes, I've done both versions; here's the balls: www.youtube.com and here are the bars: www.youtube.com and if you can't make up your mind, here's one with both www.youtube.com Q: How did you get the animation synchronized with the recording? A: First I entered the score into the notation program Sibelius. Then, I made a half-speed version of the recording (with the Amazing Slow-Downer software), and adjusted the notation to match (added the ornaments, shortened notes, mistakes made by the performers, etc). Then, while listening to the half-speed recording, I recorded a MIDI click-track. Finally, I fed the score and the click-track into some software I <b>...</b>
The first movement of Georg Philipp Telemann's third Paris Quartet, performed by Concerto Amabile, accompanied by an animated score. FAQ Q: Who is playing this piece? A: This performance is from 1990; the performers are the members of the group Concerto Amabile (Kathleen Kraft, traverso, Elizabeth Blumenstock, violin, Elisabeth Le Guin, violoncello, and Phebe Craig, harpsichord) joined by viola da gambist Margriet Tindemans. Q: This is lovely; where can I hear the rest of the movements of this piece? A: This recording is from the Wild Boar CD "Concerto Amabile, George Phillip Telemann, 'Paris' Quartets 2, 3 & 6" (WLBR8801). I don't know whether the CD is available, but I'm going to find out; I will post information here when I do. Q: I don't like that balls(/bars) display; can I see this with the bars(/balls) display? A: Yes, I've done both versions; here's the balls: www.youtube.com and here are the bars: www.youtube.com and if you can't make up your mind, here's one with both www.youtube.com Q: How did you get the animation synchronized with the recording? A: First I entered the score into the notation program Sibelius. Then, I made a half-speed version of the recording (with the Amazing Slow-Downer software), and adjusted the notation to match (added the ornaments, shortened notes, mistakes made by the performers, etc). Then, while listening to the half-speed recording, I recorded a MIDI click-track. Finally, I fed the score and the click-track into some software I <b>...</b>
Telemann, Paris Quartet III, first movement (animated score)
The first movement of Georg Philipp Telemann's third Paris Quartet, performed by Concerto Amabile, accompanied by an animated score. FAQ Q: Who is playing this piece? A: This performance is from 1990; the performers are the members of the group Concerto Amabile (Kathleen Kraft, traverso, Elizabeth Blumenstock, violin, Elisabeth Le Guin, violoncello, and Phebe Craig, harpsichord) joined by viola da gambist Margriet Tindemans. Q: This is lovely; where can I hear the rest of the movements of this piece? A: This recording is from the Wild Boar CD "Concerto Amabile, George Phillip Telemann, 'Paris' Quartets 2, 3 & 6" (WLBR8801). I don't know whether the CD is available, but I'm going to find out; I will post information here when I do. Q: I don't like that balls(/bars) display; can I see this with the bars(/balls) display? A: Yes, I've done both versions; here's the balls: www.youtube.com and here are the bars: www.youtube.com and if you can't make up your mind, here's one with both www.youtube.com Q: How did you get the animation synchronized with the recording? A: First I entered the score into the notation program Sibelius. Then, I made a half-speed version of the recording (with the Amazing Slow-Downer software), and adjusted the notation to match (added the ornaments, shortened notes, mistakes made by the performers, etc). Then, while listening to the half-speed recording, I recorded a MIDI click-track. Finally, I fed the score and the click-track into some software I <b>...</b>
The first movement of Georg Philipp Telemann's third Paris Quartet, performed by Concerto Amabile, accompanied by an animated score. FAQ Q: Who is playing this piece? A: This performance is from 1990; the performers are the members of the group Concerto Amabile (Kathleen Kraft, traverso, Elizabeth Blumenstock, violin, Elisabeth Le Guin, violoncello, and Phebe Craig, harpsichord) joined by viola da gambist Margriet Tindemans. Q: This is lovely; where can I hear the rest of the movements of this piece? A: This recording is from the Wild Boar CD "Concerto Amabile, George Phillip Telemann, 'Paris' Quartets 2, 3 & 6" (WLBR8801). I don't know whether the CD is available, but I'm going to find out; I will post information here when I do. Q: I don't like that balls(/bars) display; can I see this with the bars(/balls) display? A: Yes, I've done both versions; here's the balls: www.youtube.com and here are the bars: www.youtube.com and if you can't make up your mind, here's one with both www.youtube.com Q: How did you get the animation synchronized with the recording? A: First I entered the score into the notation program Sibelius. Then, I made a half-speed version of the recording (with the Amazing Slow-Downer software), and adjusted the notation to match (added the ornaments, shortened notes, mistakes made by the performers, etc). Then, while listening to the half-speed recording, I recorded a MIDI click-track. Finally, I fed the score and the click-track into some software I <b>...</b>
Moonlight Sonata, 3rd Movement - Beethoven
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Moonlight Sonata, 1st Movement - Ludwig van Beethoven
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
First Movement from Piano Sonata in E-flat minor - Samuel Barber
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Piano Sonata by Aaron Copland
Mario Ajero performs the first movement of the Piano Sonata (1939-1941) by the American composer, Aaron Copland. This performance was at Paul F. Sharp Concert Hall at the Catlett Music Center at the University of Oklahoma. For more performances, visit The Piano Podcast on iTunes and http://marioajero.blogspot.com
Mario Ajero performs the first movement of the Piano Sonata (1939-1941) by the American composer, Aaron Copland. This performance was at Paul F. Sharp Concert Hall at the Catlett Music Center at the University of Oklahoma. For more performances, visit The Piano Podcast on iTunes and http://marioajero.blogspot.com
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Toccata and Fugue - J.S. Bach
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Hannah plays Chopin Nocturne 20 in C Sharp Minor
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
