Victor Borge (Pyotr Tchaikovsky, Frederic Chopin, Johannes Brahms, F
- Classical music composed by Pyotr Ilyich Tchaikovsky Victor Borge is an enigma for me. Though many would consider him to be simply a clown, albeit a clown spoofing classical music, some of his work is, to say the least, strikingly acute and tantalizingly interesting. The present piece is proof of this. The variations form is well-known and appears in virtually any classical music period. It would seem almost impossible to do anything new with the form but Borge proves us wrong by adopting a very unusual approach. He chooses a painstakingly well-known theme, here - "Happy birthday to you", and sets about to create variations to it. But it is only the top of the iceberg: each variation is, effectually, the way a certain composer would write the theme itself. All in all, there are eleven variations of very different composers: we start by passing through Bach and Mozart and finish with Irving and some modern composer whose name I do not know (and Borge's hilarious pronunciation does not help :P). Some of these variations are preceded by a snatch on the composer's original work from which Borge then proceeds to develop the variation. Moreover, some of his variations are rather charming (Brahms or Bach (in spite of a ridiculously humorous long descending line repeated two times)) or even, dare I say it, moving (Beethoven, in spite of some goofing on Borge's part, gets one of the better treatments). I've marked the movements in the video itself but you can also check the title which includes all composers presented in the order ...
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Victor Borge - Hungarian Rhapsody No. 2
Victor Borge was classical piano's class clown :) the man was a genius.
In this skit, he .. well.. just watch :)
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Victor Borge - Hungarian Rhapsody No. 2 piano jokes
Victor Borge was classical piano's class clown :) the man was a genius. In this skit, he .. well.. just watch :)
Victor Borge was classical piano's class clown :) the man was a genius. In this skit, he .. well.. just watch :)
Victor Wooten - Classical Thump
This is the first Victor Wooten song I ever heard, from then on I was hooked. <br /><br />The skill level involved in playing this almost makes up for that ridiculous get up he is wearing.
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Victoria & Daniel's Wedding - Chinese Ballet / Acrobatics - Pre Wed
Wu Zhengdan & Wei Baouhua from China dance to Pyotr Ilyich Tchaikovsky's "Swan Lake"
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Raul Borges - Valse Venezolano - Work for Guitar
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Von guten Mächten wunderbar geborgen - Classical Guitar Solo - Lobp
Text: Dietrich Bonhoeffer, Musik: Siegfried Fietz, Arranged and played by Michael Henze
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Part 2 Russian Classical Songs: Glinka, Tchaikovsky, Rachmaninov Par
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Part 1 Classial Russian Songs: Tchaikovsky, Rachmaninoff, Glinka, an
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TCHAIKOVSKY, Nutcracker Suite Sugar Plum Fairy. Classical Music vide
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≈ www.wavesdvd.com ≈ Relax Now. Visit our Channel. 8-) Enjoy our Holiday Christmas card e-card music video. Take a beach break with our "HD Hawaii Beaches" DVD & Blu-Ray. Please, FAVORITE & SUBSCRIBE. See our CHANNEL with 199+ Videos, A+ Channel Links & FREE i-phone app www.youtube.com...
[EuroArts 2057758] WALDBUHNE IN BERLIN 2009 - TCHAIKOVSKY, PI / RACH
Yefim Bronfman, piano Berliner Philharmoniker Sir Simon Rattle This program will be released on Blu-ray disc in June 2010. Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was Russian rhythms, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. www.naxos.com
Yefim Bronfman, piano Berliner Philharmoniker Sir Simon Rattle This program will be released on Blu-ray disc in June 2010. Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was Russian rhythms, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. www.naxos.com
Frédéric Chopin - Prelude in E-Minor (op.28 no. 4)
Frédéric Chopin-Prelude in E-Minor (op.28 no. 4) Played by: Aldona Dvarionaite Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin;March 1, 1810 -- October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century. Chopin was a genius of universal appeal. His music conquers the most diverse audiences. When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition. All over the world men and women know his music. They love it. They are moved by it. Yet it is not "Romantic music" in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art. Even in this abstract atomic age, where emotion is not fashionable, Chopin endures. His music is the universal language of human communication. When I play Chopin I know I speak directly to the hearts of people! Chopin's music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint. This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication. Three of <b>...</b>
Frédéric Chopin-Prelude in E-Minor (op.28 no. 4) Played by: Aldona Dvarionaite Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin;March 1, 1810 -- October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century. Chopin was a genius of universal appeal. His music conquers the most diverse audiences. When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition. All over the world men and women know his music. They love it. They are moved by it. Yet it is not "Romantic music" in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art. Even in this abstract atomic age, where emotion is not fashionable, Chopin endures. His music is the universal language of human communication. When I play Chopin I know I speak directly to the hearts of people! Chopin's music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint. This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication. Three of <b>...</b>
Frederic Chopin - Waltz No 19 in A Minor
This is Waltz Op. posthumous No. 19 in A minor, composed by Frederic Chopin. I performed this after two years of learning playing piano (from the scratch). This piece was used as a theme in the Chopin - Desire for Love movie: www.youtube.com There is even a song based on this waltz performed by Edyta Geppert, named 'Na krakowskim, czy w Nohant'. So, if you are not a big fan of classical music, but have got an impression you have heard this song before (and wondering where), this may be the answer. You can download the piano scores from here: icking-music-archive.org
This is Waltz Op. posthumous No. 19 in A minor, composed by Frederic Chopin. I performed this after two years of learning playing piano (from the scratch). This piece was used as a theme in the Chopin - Desire for Love movie: www.youtube.com There is even a song based on this waltz performed by Edyta Geppert, named 'Na krakowskim, czy w Nohant'. So, if you are not a big fan of classical music, but have got an impression you have heard this song before (and wondering where), this may be the answer. You can download the piano scores from here: icking-music-archive.org
Dang Truong Giang plays Waltz in A minor Op. Posth by Frederic Chopi
This delicate, haunting Waltz in another work that adds to the mystery and mastery of Chopin. This Waltz has long been a favorite of amateur pianists, as its one of the least difficult pieces of Chopins to play. Well, the NOTES may not be hard, but the FEELING? Rarely is this piece performed with such sensitivity, transparency and grace. Now, for the mystery part: There is a lot of confusion over the title and date of this Waltz. It was published after Chopins death, and therefore carries no opus number (It is not to be confused with the Waltz in A Minor, Op. 34, No. 2). In fact, the most popular published score didnt appear until 1955! So, i try to transcript this beautiful piece for classic guitar solo. Hope you enjoy!
This delicate, haunting Waltz in another work that adds to the mystery and mastery of Chopin. This Waltz has long been a favorite of amateur pianists, as its one of the least difficult pieces of Chopins to play. Well, the NOTES may not be hard, but the FEELING? Rarely is this piece performed with such sensitivity, transparency and grace. Now, for the mystery part: There is a lot of confusion over the title and date of this Waltz. It was published after Chopins death, and therefore carries no opus number (It is not to be confused with the Waltz in A Minor, Op. 34, No. 2). In fact, the most popular published score didnt appear until 1955! So, i try to transcript this beautiful piece for classic guitar solo. Hope you enjoy!
Frederic Chopin - Nocturne in E-flat major Op. 9 No. 2
HAPPY BELATED NEW YEARS! XD To start off 2008 with something special and interesting, I've decided to present to you my VERY FIRST CLASSICAL video on YouTube! This is my all-time favorite nocturne by Chopin. I learned this with the help of my piano teacher when I was 10, and when I recently found the sheet music to it again, I sight read it so I could play it for YouTube. **SHEET MUSIC** www.sheetmusicarchive.net Under 'Chopin' in the left hand side, scroll down until you find the right nocturne. :D ENJOY! :)
HAPPY BELATED NEW YEARS! XD To start off 2008 with something special and interesting, I've decided to present to you my VERY FIRST CLASSICAL video on YouTube! This is my all-time favorite nocturne by Chopin. I learned this with the help of my piano teacher when I was 10, and when I recently found the sheet music to it again, I sight read it so I could play it for YouTube. **SHEET MUSIC** www.sheetmusicarchive.net Under 'Chopin' in the left hand side, scroll down until you find the right nocturne. :D ENJOY! :)
Freddy Kempf - Chopin, Etude Op.10 No. 12
Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out concerts. Kempf's <b>...</b>
Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out concerts. Kempf's <b>...</b>
Freddy Kempf - Chopin, Etude Op.10 No. 11 in Eb Major
Allegretto. Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out concerts <b>...</b>
Allegretto. Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out concerts <b>...</b>
Freddy Kempf - Chopin, Etude Op.10 No. 9 in F minor
Allegro molto agitato. Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out <b>...</b>
Allegro molto agitato. Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out <b>...</b>
Chopin, Etude, op. 10 no. 10, A-flat major, Piano Solo (opus 10 #10)
Frederic Chopin's Etude, opus 10 #10 in A-flat major, performed by Stephen Malinowski,accompanied by a scrolling bar-graph score. FAQ Q: You sure are playing slowly for a piece marked "Vivace assai." A: It's true. This piece can be played in a very flashy way, but I didn't feel like it. Q: What instrument are you playing? A: This is the Acoustica "Pianissimo" piano. Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you do a MAM video of ______? A: Please read this: www.musanim.com Q: What do the colors in the bar-graph score mean? A: The colors indicate the "pitch class" of the notes; that is, every A-flat is a certain color (blue), every B-flat is a certain color (violet), etc. The piece is in the key of A-flat, so there's blue at the beginning and end. The choice of colors is based on the "circle of fifths," which you can read about here: en.wikipedia.org This method of coloring notes is described more here: www.musanim.com Because this form of coloring reflects tonality, the places where the piece moves into another key are easily visible; here's a picture of the whole piece: www.musanim.com .
Frederic Chopin's Etude, opus 10 #10 in A-flat major, performed by Stephen Malinowski,accompanied by a scrolling bar-graph score. FAQ Q: You sure are playing slowly for a piece marked "Vivace assai." A: It's true. This piece can be played in a very flashy way, but I didn't feel like it. Q: What instrument are you playing? A: This is the Acoustica "Pianissimo" piano. Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you do a MAM video of ______? A: Please read this: www.musanim.com Q: What do the colors in the bar-graph score mean? A: The colors indicate the "pitch class" of the notes; that is, every A-flat is a certain color (blue), every B-flat is a certain color (violet), etc. The piece is in the key of A-flat, so there's blue at the beginning and end. The choice of colors is based on the "circle of fifths," which you can read about here: en.wikipedia.org This method of coloring notes is described more here: www.musanim.com Because this form of coloring reflects tonality, the places where the piece moves into another key are easily visible; here's a picture of the whole piece: www.musanim.com .
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Johannes Brahms - Hungarian Dance No. 5
Johannes Brahms Hungarian Dance No. 5 in G minor The German composer, pianist, and conductor Johannes Brahms (1833-1897) was one of the most significant composers of the 19th century. His works greatly enriched the romantic repertory.
Johannes Brahms Hungarian Dance No. 5 in G minor The German composer, pianist, and conductor Johannes Brahms (1833-1897) was one of the most significant composers of the 19th century. His works greatly enriched the romantic repertory.
DAVID GARRETT - Hungarian Dance n. 5 (Johannes Brahms).
DAVID GARRETT - Hungarian Dance n.5 (Johannes Brahms). David Garrett (born as David Bongartz on September 4, 1980 ) is a record breaking German/American classical violinist and recording artist. Garrett was born in Aachen, Germany to an American prima ballerina and the German lawyer and jurist, Georg Peter Bongartz. He adopted his mother's maiden name as a pseudonym. Musical education When Garrett was four years old, his father bought a violin for his older brother. The young Garrett took an interest and soon learned to play. A year later, he took part in a competition and won first prize. By the age of seven, he was playing once a week in public. He studied violin at the Lübeck Conservatoire. At the age of 12, Garrett began working with the distinguished Polish violinist Ida Haendel, often traveling to London and other European cities to meet her. He continued his studies at the Royal College of Music in London. In 2004, he graduated from the Juilliard School in New York City and was one of the first students to study there with Itzhak Perlman. Career At the age of 13, Garrett recorded two CDs, appeared on German and Dutch television, and gave a concert in the residence of the Federal Republic of Germany President, the Villa Hammerschmidt, at Dr. von Weizsäcker's personal invitation. He was offered the use of the famous Stradivarius "San Lorenzo", which is among the best instruments of the "golden period". At the age of 14, as the youngest soloist ever, Garrett signed an <b>...</b>
DAVID GARRETT - Hungarian Dance n.5 (Johannes Brahms). David Garrett (born as David Bongartz on September 4, 1980 ) is a record breaking German/American classical violinist and recording artist. Garrett was born in Aachen, Germany to an American prima ballerina and the German lawyer and jurist, Georg Peter Bongartz. He adopted his mother's maiden name as a pseudonym. Musical education When Garrett was four years old, his father bought a violin for his older brother. The young Garrett took an interest and soon learned to play. A year later, he took part in a competition and won first prize. By the age of seven, he was playing once a week in public. He studied violin at the Lübeck Conservatoire. At the age of 12, Garrett began working with the distinguished Polish violinist Ida Haendel, often traveling to London and other European cities to meet her. He continued his studies at the Royal College of Music in London. In 2004, he graduated from the Juilliard School in New York City and was one of the first students to study there with Itzhak Perlman. Career At the age of 13, Garrett recorded two CDs, appeared on German and Dutch television, and gave a concert in the residence of the Federal Republic of Germany President, the Villa Hammerschmidt, at Dr. von Weizsäcker's personal invitation. He was offered the use of the famous Stradivarius "San Lorenzo", which is among the best instruments of the "golden period". At the age of 14, as the youngest soloist ever, Garrett signed an <b>...</b>
Bach, Brahms, Mendelssohn - Pre-Concert Talk
David Gordon introduces the Carmel Bach Festival's Sunday performances of Bach's Christmas Oratorio, Mendelsson's setting of Psalm 42, and Brahms' choral masterpiece "Nänie". <br /><br />A 60-minute lecture given on July 19, 2009, at the Carmel Bach Festival. Filmed and edited by Douglas Mueller. www.bachfestival.org<br /><br />The webpage you are currently viewing is NOT part of the official Carmel Bach Festival website. These videos are posted here as a public educational service by David Gordon and Doug Mueller. <br /><br />For more Festival videos, follow the "carmelbach" link by Bach's picture.<br />
David Gordon introduces the Carmel Bach Festival's Sunday performances of Bach's Christmas Oratorio, Mendelsson's setting of Psalm 42, and Brahms' choral masterpiece "Nänie". <br /><br />A 60-minute lecture given on July 19, 2009, at the Carmel Bach Festival. Filmed and edited by Douglas Mueller. www.bachfestival.org<br /><br />The webpage you are currently viewing is NOT part of the official Carmel Bach Festival website. These videos are posted here as a public educational service by David Gordon and Doug Mueller. <br /><br />For more Festival videos, follow the "carmelbach" link by Bach's picture.<br />
Brahms, Piano Quartet, C Minor, 3rd mvt, Andante, opus 60
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First <b>...</b>
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First <b>...</b>
Rubinstein - Brahms, Piano Concerto No.1 - I Maestoso (1/3)
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were <b>...</b>
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were <b>...</b>
Brahms, Piano Quartet, C Minor, 3rd mvt, Andante, opus 60 (animation
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you do a MAM video of ______? A: Please read <b>...</b>
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you do a MAM video of ______? A: Please read <b>...</b>
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Toccata and Fugue - J.S. Bach
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.

