Claude Debussy, Reverie (compare with vers. II at mdbownds)

Classical music composed by Claude Debussy Now, go to Debussy Reverie - second version - search user mdbownds

Claude Debussy - Prelude to the Afternoon of a Faun

Painting - On the Hudson Artist - Thomas Doughty

With visual arts by Spadecaller, this video features pianist David Delucia's recording of Debussy's dreamy classic, Reverie.

Claude Debussy's, Syrinx sheet music - Video Score

http://www.virtualsheetmusic.com/video53<br />Virtual Sheet Music presents the famous Debussy's Syrinx for Flute. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about Guitar sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.

Claude Debussy - Beau Soir

This classic piece is accompanied by a poem, "Before the Wars" by Spadecaller and the paintings of Bouguereau, Glover, Rousseau, and Rubens.

DEBUSSY, Clair de Lune song Piano - Classical Music Video #2. Twilig

2 of 6 - DEBUSSY, Clair de Lune Piano song - Classical Music Video #2. Twilight Inspiring scene HD sleep - ≈ www.wavesdvd.com ≈ Relax Now. Visit our Channel. 8-) Debussy, Clair de Lune Piano - Classical Music Video #2. Twilight Ocean Waves Clare HD Claude JOIN US ON YOUTUBE -1: www.youtube...

Di Wu plays Brahms, Bach, Debussy, Liszt, and Prokofiev

Di Wu performs excerpts from five classical pieces: -Brahms' Variations on a Theme by Pagannini -Bach's Toccata in F-sharp minor -Debussy's Estampes -Liszt's Sonata in B-minor -Prokofiev's Seventh Sonata, Third Movement

Debussy, Arabesque #1, Piano Solo (animation ver. 2)

First Arabesque, by Claude Debussy, performed by Stephen Malinowski, accompanied by an animated score.FAQ Q: Where can I get free sheet music for this piece? A: Here: www.musanim.com Q: Can I download this video (for my iPod/iPad/iPhone/etc.)? A: Yes, you can get it here: musanim.cerizmo.com Q: Can you please do a video of ______? A: Please see: www.musanim.com Q: I don't like this version of the animation ... A: I've posted several versions; see if you like any of these better: www.youtube.com www.youtube.com www.youtube.com www.youtube.com Q: Who is Debussy? A: A French composer; you can read about him here: en.wikipedia.org Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com .

Debussy, First Arabesque (piano solo, animation version 3)

First Arabesque, by Claude Debussy, performed by Stephen Malinowski, accompanied by an animated score. FAQ Q: Where can I get free sheet music for this piece? A: Here: www.musanim.com Q: Can I download this video (for my iPod/iPad/iPhone/etc.)? A: Yes, you can get it here: musanim.cerizmo.com Q: Can you please do a video of ______? A: Please see: www.musanim.com Q: I don't like this version of the animation ... A: I've posted several versions; see if you like any of these better: www.youtube.com www.youtube.com www.youtube.com www.youtube.com Q: Who is Debussy? A: A French composer; you can read about him here: en.wikipedia.org Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com .

Debussy: Reverie ドビュッシー夢想

Claude-Achille Debussy (1862-1918) was a French composer who developed the "impressionist" style, which was an outgrowth of the "symbolist" movement in literature. Debussy sought to free music from what he believed to be rigid rules associated with most German oriented classical music. Some of the techniques Debussy used were whole-tone scales, exotic and eastern scales, chord clusters, glissandos, extreme dynamics, and the absence or disguising of barlines. Debussy remains one of the great innovators in piano music and orchestration in the entire history of music. Get Debussy's 24 Preludes, all in one volume: www.sheetmusicplus.com Get Debussy's Complete Suite Bergamasque (includes Clair de Lune): www.sheetmusicplus.com Get Debussy's Children's Corner Suite: www.sheetmusicplus.com Get the sheet music to Clair de Lune: www.sheetmusicplus.com Get the sheet music to the First Arabesque: www.sheetmusicplus.com Soft and Beautiful Piano Music Playlist: www.youtube.com BachScholar™ Website: www.bachscholar.com Buy Albums and MP3s: www.cdbaby.com www.amazon.com Download Bach Tempo Studies: stores.lulu.com

Robert Schumann - Traumerei / Reverie

Robert Schumann - "Traumerei/Reverie" played by Gionex

Kapustin Etude 2 - Reverie (Kapustin plays Kapustin)

www.myspace.com (Audio from Album Kapustin plays Kapustin) Nikolai Girshevich Kapustin (Russian: Николай Гиршевич Капустин) (born November 22, 1937 in Gorlovka, Ukraine) is a Ukrainian composer and pianist. Kapustin studied piano with Avrelian Rubakh (pupil of Felix Blumenfeld who also taught Simon Barere and Vladimir Horowitz) and, later, Alexander Goldenweiser at the Moscow Conservatory. During the 1950s he acquired a reputation as a jazz pianist, arranger and composer. He is steeped, therefore, in both the traditions of classical virtuoso pianism and improvisational jazz.

Jacqueline du Pré - Mendelssohn Song without words

F.Mendelssohn - Song without words in D major, Op.109

Jacqueline du Pré (1945-1987) and Iris du Pré

Joshua Bell Plays The Girl With the Flaxen Hair

Joshua Bell plays The Girl With the Flaxen Hair by Debussy along with the Orpheus Chamber Orchestra.

Meditation from Thais Valerie Kim with Dominique Kim

Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10

With Love - Classical Spanish Guitar

I don't have tabs or sheet music for this song yet. Its an improvisation in free time which makes it a little challenging to transcribe. I haven't had time to work on it yet. If there are any volunteers out there that would like to attempt a transcription I would very much appreciate it. -John, Sept. 14th, 2010

for my sweet emma and ani.
MP3: http://www.cdbaby.com/cd/JohnHClarke1

Johann Strauss II - The Blue Danube Waltz

Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867

From Wikipedia,The Blue Danube is the common English title of An der schÃ¶nen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener MÃ¤nnergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"

The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.

The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.

It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.

The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.

Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.

A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.

After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.

The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.

Joshua Bell Plays the Bruch Violin Concerto II Adagio

Joshua Bell performs the popular Bruch's First Violin Concerto in G minor, op.26.
The beautiful slow movement.

Rhapsody on a Theme of Paganini III

Mikhail Pletnev plays Rachmaninov!

Johann Strauss II - The Blue Danube Waltz

Title : Johann Strauss II , The Blue Danube Waltz Date : 1867 From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs. It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan <b>...</b>

Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera

"Ah! Fors'e lui"
"Sempre Libera"

Sokcho Summer Festival,
Sokcho, South Korea, 2005.

Maria Callas - La Traviata

Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'Ã¨ lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953

VIOLETTA (sola)
Ãˆ strano! Ãˆ strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'Ã¨ lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'Ã¨ palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano Ã¨ questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or piÃ¹?
Che far degg'io? Gioire,
di voluttÃ ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor Ã¨ palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sÃ¬! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor Ã¨ palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.

Toccata and Fugue - J.S. Bach

Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.

Summertime - Piano Improvisation

at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.

Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.

About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.

Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet â€” painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.

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