Theme from Swan Lake, Guitar Transcription - Pyotr Ilyich Tchaikovsk
- Classical music composed by Pyotr Ilyich Tchaikovsky www.onlineguitaracademy.net - One of the most instantly recognizable tunes from music written originally for the ballet, the Theme from Swan Lake has enjoyed new heights of popularity in recent times, thanks to the award-winning film, Black Swan. Its poignant, melodic line thrills as it builds up to a climax. On the guitar, the piece becomes more intimate, a portrait in music. Truly, on the classical guitar, the fragility of the central character, Odette, who turns into a swan under the spell of a sorcerer, comes to center stage. Ifyou would like to learn to play this piece and add it to your repertoire, take advantage of the free mini-lesson on this piece, available on Los Angeles Guitar Academy's website, http To access sheet music, close-up, slow walk-through clips for this piece and LAGA's complete online classical guitar lesson program to bring your playing up to this level and beyond, enroll in a full subscription to LAGA's online classical guitar lessons, LAGA Classical. You can get started today by signing up for a free, no-obligation, three-day trial on the website listed above. For updates on our latest music postings, please subscribe to our YouTube channel on the button below. Thanks!
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Pirates of the Caribbean [Main Theme] by hemo
![Pirates of the Caribbean [Main Theme] by hemo](http://img.classicalclips.com/hZddYKqCqfU3UJ3Z.jpg "Pirates of the Caribbean [Main Theme] by hemo")
I HAVEN'T GOT TABS, I played it by ear, so I won't answer to people who ask for tabs. sorry. 1 million views 03/04/2008. _______________________________ Mp3 download: www.myspace.com _______________________________ My cover of this song -He's a Pirate- on classical guitar. On this video i'm playing the lead guitar, but rhythm guitars and others (2nd, 3rd guitar..) are also recorded by me. NOTE: I have also uploaded an animated version (uhm.. i think it's better) that includes the rhythm guitar video.. check it if u want: www.youtube.com Sorry but i don't have tabS =( i picked up the notes by ear.. Thanks for your comments :) Hope you enjoy. _____________________________________ HONORS: #15 - Most Discussed (All Time) - Spain #9 - Most Discussed (All Time) - Music - Spain #48 - Most Responded (All Time) - Spain #14 - Most Responded (All Time) - Music - Spain #68 - Most Viewed (All Time) - Music - Spain #26 - Top Favorites (All Time) - Spain #20 - Top Favorites (All Time) - Music - Spain #3 - Top Rated (All Time) - Spain #97 - Top Rated (All Time) - Music - GLOBAL #3 - Top Rated (All Time) - Music - Spain __________________________________ NO TENGO TABS, la saqué de oído, lo sientooooo, no contesto a la gente q pide tablaturas pq preguntan a diario y lo he dicho ya en todos los idiomas =( He's a pirate, tema principal de Piratas del Caribe. En el vídeo toco la guitarra principal, de fondo (es un audio) suenan la rítmica y demás arreglos que también grabé yo antes de grabar <b>...</b>
I HAVEN'T GOT TABS, I played it by ear, so I won't answer to people who ask for tabs. sorry. 1 million views 03/04/2008. _______________________________ Mp3 download: www.myspace.com _______________________________ My cover of this song -He's a Pirate- on classical guitar. On this video i'm playing the lead guitar, but rhythm guitars and others (2nd, 3rd guitar..) are also recorded by me. NOTE: I have also uploaded an animated version (uhm.. i think it's better) that includes the rhythm guitar video.. check it if u want: www.youtube.com Sorry but i don't have tabS =( i picked up the notes by ear.. Thanks for your comments :) Hope you enjoy. _____________________________________ HONORS: #15 - Most Discussed (All Time) - Spain #9 - Most Discussed (All Time) - Music - Spain #48 - Most Responded (All Time) - Spain #14 - Most Responded (All Time) - Music - Spain #68 - Most Viewed (All Time) - Music - Spain #26 - Top Favorites (All Time) - Spain #20 - Top Favorites (All Time) - Music - Spain #3 - Top Rated (All Time) - Spain #97 - Top Rated (All Time) - Music - GLOBAL #3 - Top Rated (All Time) - Music - Spain __________________________________ NO TENGO TABS, la saqué de oído, lo sientooooo, no contesto a la gente q pide tablaturas pq preguntan a diario y lo he dicho ya en todos los idiomas =( He's a pirate, tema principal de Piratas del Caribe. En el vídeo toco la guitarra principal, de fondo (es un audio) suenan la rítmica y demás arreglos que también grabé yo antes de grabar <b>...</b>
Cinema Paradiso: Love Theme
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
A Clockwork Orange - Extended Theme & Title Music
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Janine Jansen - Meditation From Thais Massenet
Berlin - June 18, 2006
Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Berlin - June 18, 2006Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Meditation from Thais Valerie Kim with Dominique Kim
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Carnival of the Animals - The Swan
Mischa Maisky performs a lushly romantic cello solo in the most famous movement of the suite. Julian Rachlin and friends CHAMBER MUSIC FESTIVAL A film by Jasmina Hajdany; music written by Camille Saint-Saens.
Mischa Maisky performs a lushly romantic cello solo in the most famous movement of the suite. Julian Rachlin and friends CHAMBER MUSIC FESTIVAL A film by Jasmina Hajdany; music written by Camille Saint-Saens.
Swan Lake Ballet Tchaikovsky Act 1 part 1
Academical Orchestra St. Petersburg Conductur : W. Fedotov Choreography: Marius Petipa/Leonid Ivanov Ballet of the Kirov Theatre St. Petersburg Odette/Odile : Yelena Yevteyeva Siegfried : John Markovsky Rothbart : Makhmud Esambayev The Fool : Valery Panov The Prince´s Mother : Alla Kabarova Servant : Viktor Ryazanov Historical Recording from 1968 Screen Adaption : Konstantin Sergeyev Director : Appollinary Dudko The four-act ballet Swan Lake,based on a German fairy tale and with music by Peter Ilyich Tchaikovsky,was first produced in Moscow in 1877 at the Bolshoi Theatre with a choreography by Julius Reisinger and was a total failure.After Tchaikovsky´s death in 1893,a memorial to the composer presented the second act,succesfully recoreographed by Lev Ivanov.In 1895 a completely new version of the ballet,choreographed by Ivanov and Marius Petipa was staged at the Mariinsky Theatre in St. Petersburg and this time the ballet received the appreciation that it had rightfully deserved.The new choreography fulfilled the expectations of the Russian public as it added an element of "pressure" to the copmosition. This recording presents a "classical" staging of the ballet from 1968 which based on the Ivanov/Petipa choreography.This Russian screen version of Swan Lake is a colourful and magnificent version of one of the ballet classics of all time,performed by the world.famous Kirov ensemble.
Academical Orchestra St. Petersburg Conductur : W. Fedotov Choreography: Marius Petipa/Leonid Ivanov Ballet of the Kirov Theatre St. Petersburg Odette/Odile : Yelena Yevteyeva Siegfried : John Markovsky Rothbart : Makhmud Esambayev The Fool : Valery Panov The Prince´s Mother : Alla Kabarova Servant : Viktor Ryazanov Historical Recording from 1968 Screen Adaption : Konstantin Sergeyev Director : Appollinary Dudko The four-act ballet Swan Lake,based on a German fairy tale and with music by Peter Ilyich Tchaikovsky,was first produced in Moscow in 1877 at the Bolshoi Theatre with a choreography by Julius Reisinger and was a total failure.After Tchaikovsky´s death in 1893,a memorial to the composer presented the second act,succesfully recoreographed by Lev Ivanov.In 1895 a completely new version of the ballet,choreographed by Ivanov and Marius Petipa was staged at the Mariinsky Theatre in St. Petersburg and this time the ballet received the appreciation that it had rightfully deserved.The new choreography fulfilled the expectations of the Russian public as it added an element of "pressure" to the copmosition. This recording presents a "classical" staging of the ballet from 1968 which based on the Ivanov/Petipa choreography.This Russian screen version of Swan Lake is a colourful and magnificent version of one of the ballet classics of all time,performed by the world.famous Kirov ensemble.
[Arthaus 100713] TCHAIKOVSKY: Swan Lake (Bolshoi Ballet, 1989)
![[Arthaus 100713] TCHAIKOVSKY: Swan Lake (Bolshoi Ballet, 1989)](http://img.classicalclips.com/DcVgraeCOo9GHQ29.jpg "[Arthaus 100713] TCHAIKOVSKY: Swan Lake (Bolshoi Ballet, 1989)")
From the Bolshoi Theatre 1989. Swan Lake is the very essence of classical ballet and has a rather venerable history of its own. First choreographed in 1877 by the great Marius Petipa for the Bolshoi, this original choreography has since been tweaked by almost every choreographer to get hold of it down through the years. Yuri Grigorovich keeps the general outline of the story of a prince who falls in love with the mythic half-woman, half-swan Odette (only to betray her when she appears to him in disguise as Odile). Grigorovich however added a controversial twist with his inclusion of a psychological dimension to the proceedings: the evil sorcerer cast as the dark twin of the hero-prince. The pearl of this production is undoubtedly Alla Mikhalchenko as Odette-Odile. Her impressive technique and brilliant acting gives the character a new expressive dimension. (Arthaus 100713) More Info.: www.naxos.com
From the Bolshoi Theatre 1989. Swan Lake is the very essence of classical ballet and has a rather venerable history of its own. First choreographed in 1877 by the great Marius Petipa for the Bolshoi, this original choreography has since been tweaked by almost every choreographer to get hold of it down through the years. Yuri Grigorovich keeps the general outline of the story of a prince who falls in love with the mythic half-woman, half-swan Odette (only to betray her when she appears to him in disguise as Odile). Grigorovich however added a controversial twist with his inclusion of a psychological dimension to the proceedings: the evil sorcerer cast as the dark twin of the hero-prince. The pearl of this production is undoubtedly Alla Mikhalchenko as Odette-Odile. Her impressive technique and brilliant acting gives the character a new expressive dimension. (Arthaus 100713) More Info.: www.naxos.com
TCHAIKOVSKY: Swan Lake - Лебединое Озеро
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) Valse (Corps de Ballet) Swan Lake (Russian: Лебединое Озеро, Lebedinoye Ozero, Swan Lake) is a ballet by Pyotr Ilyich Tchaikovsky presented in either four Acts, four Scenes (primarily outside Russia and Eastern Europe) or three Acts, four Scenes (primarily in Russia and Eastern Europe), based on a libretto by Vladimir Begichev and (possibly) Vasily Geltser, fashioned from an ancient German legend, which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. It was originally choreographed by Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky (opus 20). First presented as The Lake of the Swans by the Ballet of the Moscow Imperial Bolshoi Theatre on February 20/March 4, 1877 (Julian/Gregorian calendar dates) in Moscow, Russia. Although the ballet is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the revival by Marius Petipa and Lev Ivanov, staged for the Imperial Ballet, first presented January 15, 1895 at the Imperial Mariinsky Theatre in St. Petersburg, Russia. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's kapellmeister Riccardo Drigo. (We appreciate Wikipaedia's contributions in the descriptions here)
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) Valse (Corps de Ballet) Swan Lake (Russian: Лебединое Озеро, Lebedinoye Ozero, Swan Lake) is a ballet by Pyotr Ilyich Tchaikovsky presented in either four Acts, four Scenes (primarily outside Russia and Eastern Europe) or three Acts, four Scenes (primarily in Russia and Eastern Europe), based on a libretto by Vladimir Begichev and (possibly) Vasily Geltser, fashioned from an ancient German legend, which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. It was originally choreographed by Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky (opus 20). First presented as The Lake of the Swans by the Ballet of the Moscow Imperial Bolshoi Theatre on February 20/March 4, 1877 (Julian/Gregorian calendar dates) in Moscow, Russia. Although the ballet is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the revival by Marius Petipa and Lev Ivanov, staged for the Imperial Ballet, first presented January 15, 1895 at the Imperial Mariinsky Theatre in St. Petersburg, Russia. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's kapellmeister Riccardo Drigo. (We appreciate Wikipaedia's contributions in the descriptions here)
Edgar Cruz - Bohemian Rhapsody classical guitar
http://videoprogressions.tv/downloads/product_info.php?products_id=35
"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
http://videoprogressions.tv/downloads/product_info.php?products_id=35"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
Romance - classical guitar tremolo solo
http://nylonguitarist.com
The classic Spanish Ballad played tremolo style.
http://nylonguitarist.comThe classic Spanish Ballad played tremolo style.
Guitar Impossible stop motion music short by MysteryGuitarMan
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.
I know. I was bored.
Like this video? Tweet about it!
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MY LINKS:
Watch my other videos:
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My Website: http://www.pennajoe.com/
Follow me on Twitter:
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Song is Mozart - Marriage of Figaro
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.I know. I was bored.
Like this video? Tweet about it!
http://bit.ly/GuitarTweet
Get my t-shirts:
http://bit.ly/MGMshirts
MY LINKS:
Watch my other videos:
http://www.youtube.com/MysteryGuitarMan
My Website: http://www.pennajoe.com/
Follow me on Twitter:
http://www.twitter.com/MysteryGuitarM
...and Facebook:
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Song is Mozart - Marriage of Figaro
Czardas by Vittorio Monti. Piano Transcription Tzvi Erez
Monti's Czardas transcribed and performed on the Piano by Tzvi Erez. One Take - I left in all the rough edges as this is Hungarian spirited music. P & C Niv Classical. www.nivmusic.com
Monti's Czardas transcribed and performed on the Piano by Tzvi Erez. One Take - I left in all the rough edges as this is Hungarian spirited music. P & C Niv Classical. www.nivmusic.com
Tzvi Erez plays Liszt - Schubert Transcription Ständchen (Serenade)
Album Link: www.nivmusic.com From the album Liszt: Piano Recital - Tzvi Erez plays Liszt's Piano Transcription after Schubert - Serenade in D Minor. 2011 Niv Classical. All Rights Reserved.
Album Link: www.nivmusic.com From the album Liszt: Piano Recital - Tzvi Erez plays Liszt's Piano Transcription after Schubert - Serenade in D Minor. 2011 Niv Classical. All Rights Reserved.
Mozart's Turkish March - Volodos' transcription
The reason why I attend Youtube Symphony is that I have been admiring Lang Lang since he performed in the Hennessy Concert in Hanoi a long time ago. Not only did he play famous classical songs, but he also played Tan Dun's Eight Memories in Watercolor, which impressed me very much. I hope I will find the score someday to play by myself. In the meantime, I choose the Volodos's transcription for Mozart's Turkish March because it sounds really cool. I just ran into it when I was looking for an innovative way to perform this famous song for my talent video. Thank you for watching ^^
The reason why I attend Youtube Symphony is that I have been admiring Lang Lang since he performed in the Hennessy Concert in Hanoi a long time ago. Not only did he play famous classical songs, but he also played Tan Dun's Eight Memories in Watercolor, which impressed me very much. I hope I will find the score someday to play by myself. In the meantime, I choose the Volodos's transcription for Mozart's Turkish March because it sounds really cool. I just ran into it when I was looking for an innovative way to perform this famous song for my talent video. Thank you for watching ^^
Serge Prokofiev : Pierre et le Loup (1936), transcription pour piano
Serge Prokofiev (1891-1953) (Russie) Pierre et le Loup (1936), transcription libre pour piano par Tatania Nikolayeva 1/2 1- Peter (4.03) 2- L'oiseau (0.26) 3- Le Canard (3.26) 4- Le Chat (1.50) Célèbre interprète de Dmitri Shostakovitch, la pianiste Tatania Nikolayeva (1924-1993) déploie dans son interprétation-recréation du conte musical « Pierre et le Loup » (1936) de Sergei Prokofiev une implacable virtuosité qui ne laisse place à aucun sentimentalisme. Cet excès est, selon l'auditeur, une qualité inoubliable ou un défaut frustrant. On peut aussi écouter sur collectionCB, de Sergei Prokofiev, ses « Four Portraits and a Denouement » (1931), suite pour orchestre arrangée de son opéra « The Gambler ». LIST OF THE UPLOADS OF COLLECTIONCB/LISTE DES MISES EN LIGNE DE COLLECTIONCB : knol.google.com
Serge Prokofiev (1891-1953) (Russie) Pierre et le Loup (1936), transcription libre pour piano par Tatania Nikolayeva 1/2 1- Peter (4.03) 2- L'oiseau (0.26) 3- Le Canard (3.26) 4- Le Chat (1.50) Célèbre interprète de Dmitri Shostakovitch, la pianiste Tatania Nikolayeva (1924-1993) déploie dans son interprétation-recréation du conte musical « Pierre et le Loup » (1936) de Sergei Prokofiev une implacable virtuosité qui ne laisse place à aucun sentimentalisme. Cet excès est, selon l'auditeur, une qualité inoubliable ou un défaut frustrant. On peut aussi écouter sur collectionCB, de Sergei Prokofiev, ses « Four Portraits and a Denouement » (1931), suite pour orchestre arrangée de son opéra « The Gambler ». LIST OF THE UPLOADS OF COLLECTIONCB/LISTE DES MISES EN LIGNE DE COLLECTIONCB : knol.google.com
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Vals de el Lago de los Cisnes - Pyotr Ilyich Tchaikovsky
I do not own this song<br /><br />Vals de el Lago de los Cisnes - Pyotr Ilyich Tchaikovsky
I do not own this song<br /><br />Vals de el Lago de los Cisnes - Pyotr Ilyich Tchaikovsky
Victor Borge (Pyotr Tchaikovsky, Frederic Chopin, Johannes Brahms, F
Victor Borge is an enigma for me. Though many would consider him to be simply a clown, albeit a clown spoofing classical music, some of his work is, to say the least, strikingly acute and tantalizingly interesting. The present piece is proof of this. The variations form is well-known and appears in virtually any classical music period. It would seem almost impossible to do anything new with the form but Borge proves us wrong by adopting a very unusual approach. He chooses a painstakingly well-known theme, here - "Happy birthday to you", and sets about to create variations to it. But it is only the top of the iceberg: each variation is, effectually, the way a certain composer would write the theme itself. All in all, there are eleven variations of very different composers: we start by passing through Bach and Mozart and finish with Irving and some modern composer whose name I do not know (and Borge's hilarious pronunciation does not help :P). Some of these variations are preceded by a snatch on the composer's original work from which Borge then proceeds to develop the variation. Moreover, some of his variations are rather charming (Brahms or Bach (in spite of a ridiculously humorous long descending line repeated two times)) or even, dare I say it, moving (Beethoven, in spite of some goofing on Borge's part, gets one of the better treatments). I've marked the movements in the video itself but you can also check the title which includes all composers presented in the order <b>...</b>
Victor Borge is an enigma for me. Though many would consider him to be simply a clown, albeit a clown spoofing classical music, some of his work is, to say the least, strikingly acute and tantalizingly interesting. The present piece is proof of this. The variations form is well-known and appears in virtually any classical music period. It would seem almost impossible to do anything new with the form but Borge proves us wrong by adopting a very unusual approach. He chooses a painstakingly well-known theme, here - "Happy birthday to you", and sets about to create variations to it. But it is only the top of the iceberg: each variation is, effectually, the way a certain composer would write the theme itself. All in all, there are eleven variations of very different composers: we start by passing through Bach and Mozart and finish with Irving and some modern composer whose name I do not know (and Borge's hilarious pronunciation does not help :P). Some of these variations are preceded by a snatch on the composer's original work from which Borge then proceeds to develop the variation. Moreover, some of his variations are rather charming (Brahms or Bach (in spite of a ridiculously humorous long descending line repeated two times)) or even, dare I say it, moving (Beethoven, in spite of some goofing on Borge's part, gets one of the better treatments). I've marked the movements in the video itself but you can also check the title which includes all composers presented in the order <b>...</b>
Pyotr Ilich Tchaikovsky - Romeo & Juliet Love Theme
Piotr Ilich Chaikovski (en ruso Пётр Ильи́ч Чайко́вский) (Nótese que su patronímico - hijo de Iliá - se pronuncia ilích y no ílich); Vótkinsk, 7 de mayo de 1840 - San Petersburgo, 6 de noviembre de 1893 es uno de los compositores rusos más importantes del siglo XIX. A veces se puede encontrar su nombre transcrito del alfabeto cirílico en versiones similares a la francesa e inglesa (Tchaikovsky) o alemana (Tschaikowski). Biografía Según el calendario gregoriano nació el 7 de mayo de 1840 (en la ciudad rusa de Vótkinsk, centro minero e industrial al este de Moscú, cerca de los montes Urales), en el seno de una familia de origen ucraniano. Según el calendario juliano (que en esa época se seguía empleando en Rusia), nació el 25 de abril. Su padre, Iliá Petróvich, ingeniero minero, trabajaba allí a cargo de una importante mina. También residieron varios años en Alapáevsk. La familia vivía al estilo de los grandes terratenientes de la época, tenía una casa imponente y un gran personal a su servicio. Las fuentes rusas mencionan que incluso tuvo bajo sus órdenes una compañía de cien cosacos. Iliá Petróvich casó en segundas nupcias con Aleksandra Adréyevna d'Assier, una aristócrata de origen francés, bella y refinada. De esta unión nacieron seis hijos, de los que Piotr Ilich fue el segundo. Otras fuentes indican que Chaikovski tuvo cuatro hermanos: Modest, Ippolit, Aleksandra y Anatoli. En sus primeros años tuvo como institutriz a Fanny Dürbach, de origen suizo. Inicialmente esta <b>...</b>
Piotr Ilich Chaikovski (en ruso Пётр Ильи́ч Чайко́вский) (Nótese que su patronímico - hijo de Iliá - se pronuncia ilích y no ílich); Vótkinsk, 7 de mayo de 1840 - San Petersburgo, 6 de noviembre de 1893 es uno de los compositores rusos más importantes del siglo XIX. A veces se puede encontrar su nombre transcrito del alfabeto cirílico en versiones similares a la francesa e inglesa (Tchaikovsky) o alemana (Tschaikowski). Biografía Según el calendario gregoriano nació el 7 de mayo de 1840 (en la ciudad rusa de Vótkinsk, centro minero e industrial al este de Moscú, cerca de los montes Urales), en el seno de una familia de origen ucraniano. Según el calendario juliano (que en esa época se seguía empleando en Rusia), nació el 25 de abril. Su padre, Iliá Petróvich, ingeniero minero, trabajaba allí a cargo de una importante mina. También residieron varios años en Alapáevsk. La familia vivía al estilo de los grandes terratenientes de la época, tenía una casa imponente y un gran personal a su servicio. Las fuentes rusas mencionan que incluso tuvo bajo sus órdenes una compañía de cien cosacos. Iliá Petróvich casó en segundas nupcias con Aleksandra Adréyevna d'Assier, una aristócrata de origen francés, bella y refinada. De esta unión nacieron seis hijos, de los que Piotr Ilich fue el segundo. Otras fuentes indican que Chaikovski tuvo cuatro hermanos: Modest, Ippolit, Aleksandra y Anatoli. En sus primeros años tuvo como institutriz a Fanny Dürbach, de origen suizo. Inicialmente esta <b>...</b>
Pyotr Ilyich Tchaikovsky: Swan Lake
www.encognitive.com Swan Lake (Russian Лебединое Озеро, Lebedinoye Ozero) is a ballet, first presented in four acts, Opus 20, by Pyotr Tchaikovsky. The scenario was worked out by Vladimir Begichev and Vasiliy Geltser, fashioned from Russican folk tales[1] and an ancient German legend, which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky (opus 20), composed 1875-1876. The ballet received its premiere on February 27, 1877 at the Bolshoy Theatre in Moscow as The Lake of the Swans. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on January 15, 1895 at the Mariinsky Theatre in St. Petersburg, Russia. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo. en.wikipedia.org
www.encognitive.com Swan Lake (Russian Лебединое Озеро, Lebedinoye Ozero) is a ballet, first presented in four acts, Opus 20, by Pyotr Tchaikovsky. The scenario was worked out by Vladimir Begichev and Vasiliy Geltser, fashioned from Russican folk tales[1] and an ancient German legend, which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky (opus 20), composed 1875-1876. The ballet received its premiere on February 27, 1877 at the Bolshoy Theatre in Moscow as The Lake of the Swans. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on January 15, 1895 at the Mariinsky Theatre in St. Petersburg, Russia. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo. en.wikipedia.org
Classical Music Composer Pyotr Ilyich Tchaikovsky Classical Music 18
listenclassicalmusic.blogspot.com http Classical Music Composer Pyotr Ilyich Tchaikovsky Classical Music 1812 Overture Classical Music Composer Pyotr Ilyich Tchaikovsky Classical Music: 1812 Overture The Year 1812, Festival Overture in E flat major, Op. 49, popularly known as the 1812 Overture (French: Ouverture Solennelle, L'Année 1812, Russian: Торжественная увертюра «1812 год», Festival Overture The Year 1812), is an overture written by Russian composer Pyotr Ilyich Tchaikovsky in 1880 to commemorate Russia's defense of Moscow against Napoleon's advancing Grande Armée at the Battle of Borodino in 1812. The overture debuted in the Cathedral of Christ the Saviour in Moscow on August 20, 1882 in the Gregorian or NS calendar (the date in the Julian or OS calendar was August 8). The overture is best known for its climactic volley of cannon fire and ringing chimes. On his 1891 visit to the United States, Tchaikovsky conducted the piece at the dedication of Carnegie Hall in New York City. While this piece has little connection with United States history besides the War of 1812 diverting the British, freeing Napoleon to attack Russia, it is often a staple at Fourth of July celebrations, such as the annual show by the Boston Pops and at Washington DC's annual program called A Capitol Fourth. Instrumentation The 1812 Overture is scored for an orchestra comprising the following: * brass band * woodwind: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets in B♭, 2 bassoons <b>...</b>
listenclassicalmusic.blogspot.com http Classical Music Composer Pyotr Ilyich Tchaikovsky Classical Music 1812 Overture Classical Music Composer Pyotr Ilyich Tchaikovsky Classical Music: 1812 Overture The Year 1812, Festival Overture in E flat major, Op. 49, popularly known as the 1812 Overture (French: Ouverture Solennelle, L'Année 1812, Russian: Торжественная увертюра «1812 год», Festival Overture The Year 1812), is an overture written by Russian composer Pyotr Ilyich Tchaikovsky in 1880 to commemorate Russia's defense of Moscow against Napoleon's advancing Grande Armée at the Battle of Borodino in 1812. The overture debuted in the Cathedral of Christ the Saviour in Moscow on August 20, 1882 in the Gregorian or NS calendar (the date in the Julian or OS calendar was August 8). The overture is best known for its climactic volley of cannon fire and ringing chimes. On his 1891 visit to the United States, Tchaikovsky conducted the piece at the dedication of Carnegie Hall in New York City. While this piece has little connection with United States history besides the War of 1812 diverting the British, freeing Napoleon to attack Russia, it is often a staple at Fourth of July celebrations, such as the annual show by the Boston Pops and at Washington DC's annual program called A Capitol Fourth. Instrumentation The 1812 Overture is scored for an orchestra comprising the following: * brass band * woodwind: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets in B♭, 2 bassoons <b>...</b>
Pyotr Ilyich Tchaikovsky: Sleeping Beauty
www.encognitive.com The Sleeping Beauty (Russian Спящая Красавица, Spyashchaya Krasavitsa) is a ballet in a prologue and three acts, Opus 66, by Pyotr Tchaikovsky. The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois Dormant. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg in 1890. The work is widely regarded as the composer's finest ballet score[citation needed], and has become one of the classical repertoire's most famous ballets. en.wikipedia.org
www.encognitive.com The Sleeping Beauty (Russian Спящая Красавица, Spyashchaya Krasavitsa) is a ballet in a prologue and three acts, Opus 66, by Pyotr Tchaikovsky. The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois Dormant. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg in 1890. The work is widely regarded as the composer's finest ballet score[citation needed], and has become one of the classical repertoire's most famous ballets. en.wikipedia.org
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.
This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
