G. Mahler, Symphony nr. 5, Adagietto / Morte a Venezia
- Classical music composed by Gustav Mahler Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )
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{subscribe}Comment+rate=subscribe Hey im Vi and Im 13 at the moment of this recording. For those who are wondering where i got the music, I got it from the book Wolfgang Amadeus Mozart sonatas and three fantasias for the piano original version unedited Volume II. Lilamah Link:www.youtube.com Looking forward to your subscription! History on Mozart: Musical genius Wolfgang Amadeus Mozart was born to Leopold Mozart and his wife Anna Maria Pertl in Salzburg, Austria on January 27, 1756. Leopold Mozart was a successful composer and violinist and served as assistant concertmaster at the Salzburg court. Mozart and his older sister Maria Anna "Nannerl" were the couple's only surviving children, and their musical education began at a very young age. The archbishop of the Salzburg court, Sigismund von Schrattenbach was very supportive of the Mozart children's remarkable activities. By the time Mozart was five years old, he began composing minuets. The next year, he and his sister were taken to Munich and Vienna to play a series of concert tours. Both children played the harpsichord, but Mozart had also mastered the violin. In 1763, when Mozart was seven years old, his father took leave of his position at the Salzburg court to take the family on an extended concert tour of western Europe. Mozart and his sister performed in the major musical centers, including Stuttgart, Mannheim, Mainz, Frankfurt, Brussels, Paris, London, and Amsterdam. They did not return to Salzburg until 1766 <b>...</b>
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Gustav Mahler's Adagietto from the Fifth Symphony. The audio recording here is specialy edited for the YouTube channel in order to maintain its completeness. There are no cut parts, this is the whole Adagietto, for your enjoyment. ---------------------------------- A note from the author(s): Dear, friends, I thank you for your nice comments and I am glad that you are enjoying these beautiful musical master pieces. I noticed that, from time to time, people will ask why is the image of Jean-Marc Barr on some of the clips. Well, it is a long story. Me (Mare79, a "name" from the image) and "Mayol" (a friend of mine) have made these several classical music videos during the time we were on one forum once. The picture of Jean-Marc Bar was the image of his avatar, and since all these videos were generally his idea, we decided to place a full photo of Jean-Marc in them. Jean-Marc had a role in one of his movies where he played a character named Mayol, so... It was just an idea at that time, but it still remained after all, since we didn't want to remove the video in order to upload a new one without this photo and make this clip an invalid entry in your favourites playlists. So, the smaller image represents the photo of the composer. Enjoy the music, and have a nice day. Best regards to all.
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FOR MY FRIEND, CORNELIA NETTER (1934-2011) IN MEMORIAM. John Bell Young plays his piano transcription of Mahler's Adagietto from the Fifth Symphony. Copyright 1989, John Bell Young. All rights reserved. ASCAP www.johnbellyoung.com. Photos credit: Gordon Richardson. With permission of the photographer. www.capetownskies.com/sunbeams.htm Thanks to Mike Connolly for assembling this lovely montage. "In this brave new world of pianistic obligatory democracy made of verifiably good (if not great) and accomplished (if not perfect) players, JOHN BELL YOUNG stands out as one of the unsung heroes of the end of this epoch. He is at once a pianist endowed with the rare gift of musical story-telling, a charmer with a rare understanding of the beauty and power of harmony, and a performer full of savoir-faire, genuine temperament and true love for his instrument" Michel Block Pianist, recording artist EMI, ProPiano Records "Let me say at once that I find your playing extremely accomplished and sensitive ... superb playing... Altogether, I think it is a wonderful achievement that you have recorded these works." -Sir Charles Mackerras "I still find this disc [Prisms] the most satisfying and artistic piano recital ever recorded." -Hugh Downs, ABC-News "20/20" "John Bell Young is an American pianist who has established himself as a Scriabinist of international repute. His recital disc features striking readings of sonatas 5 and 7, plus a number of shorter works (Americus 1013). His reading <b>...</b>
FOR MY FRIEND, CORNELIA NETTER (1934-2011) IN MEMORIAM. John Bell Young plays his piano transcription of Mahler's Adagietto from the Fifth Symphony. Copyright 1989, John Bell Young. All rights reserved. ASCAP www.johnbellyoung.com. Photos credit: Gordon Richardson. With permission of the photographer. www.capetownskies.com/sunbeams.htm Thanks to Mike Connolly for assembling this lovely montage. "In this brave new world of pianistic obligatory democracy made of verifiably good (if not great) and accomplished (if not perfect) players, JOHN BELL YOUNG stands out as one of the unsung heroes of the end of this epoch. He is at once a pianist endowed with the rare gift of musical story-telling, a charmer with a rare understanding of the beauty and power of harmony, and a performer full of savoir-faire, genuine temperament and true love for his instrument" Michel Block Pianist, recording artist EMI, ProPiano Records "Let me say at once that I find your playing extremely accomplished and sensitive ... superb playing... Altogether, I think it is a wonderful achievement that you have recorded these works." -Sir Charles Mackerras "I still find this disc [Prisms] the most satisfying and artistic piano recital ever recorded." -Hugh Downs, ABC-News "20/20" "John Bell Young is an American pianist who has established himself as a Scriabinist of international repute. His recital disc features striking readings of sonatas 5 and 7, plus a number of shorter works (Americus 1013). His reading <b>...</b>
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Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
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Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
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www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
Mozart-Symphony No. 41 "Jupiter"/Leibowitz/Pt. 1 (of 3)
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
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R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico <b>...</b>
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico <b>...</b>
Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 2)
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 2 - Morte di Isotta Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico,Panama,Costa Rica <b>...</b>
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 2 - Morte di Isotta Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico,Panama,Costa Rica <b>...</b>
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Saverio Mercadante - Il Bravo, ossia La veneziana (1839) - Duet/Scen
Mercadante composed "Il bravo" between 1838 and 1839, not without difficulty, as he had problems with finding a reliable librettist, going through Bindocci, soon replaced with Gaetano Rossi and later on with Marcelliano who, on the composer's demand, was supervised by Felice Romani. The work was written for Domenico Donzelli (nearing the end of an illustrious career) and premiered with an excellent cast (headed by Schoberlechner, the first Elaisa). The success of the opening night at la Scala on the 9th of March, 1839, was complete. No. 4. Duet for Pisani and Carlo. The present piece is one of the most unstraightforward of the whole opera, developing in a style of an intense dialogue between the two characters, interspersed with passionate ariosos and only two actual concentrated passages. The scene opens with a narrative verse for Pisani who recounts to a skeptical Carlo the story of his love for Violetta. Carlo, in a perfect dramatic touch, does not answer the young man in the same melody. Instead, a hurried discussion breaks between the two men, as Carlo finally realizes that Pisani is searching for Il Bravo, in hope of attaining his help in saving Violetta, a desire that Carlo tries to denounce but an affecting appeal by Pisani, asking the older man if had ever lost someone ("a lover, a mother, a father"), leads to a sudden break in the musical flow, as Carlo is reminded of the reason for his tormented soul; however, he tries to hide his sorrow and turns to Pisani <b>...</b>
Mercadante composed "Il bravo" between 1838 and 1839, not without difficulty, as he had problems with finding a reliable librettist, going through Bindocci, soon replaced with Gaetano Rossi and later on with Marcelliano who, on the composer's demand, was supervised by Felice Romani. The work was written for Domenico Donzelli (nearing the end of an illustrious career) and premiered with an excellent cast (headed by Schoberlechner, the first Elaisa). The success of the opening night at la Scala on the 9th of March, 1839, was complete. No. 4. Duet for Pisani and Carlo. The present piece is one of the most unstraightforward of the whole opera, developing in a style of an intense dialogue between the two characters, interspersed with passionate ariosos and only two actual concentrated passages. The scene opens with a narrative verse for Pisani who recounts to a skeptical Carlo the story of his love for Violetta. Carlo, in a perfect dramatic touch, does not answer the young man in the same melody. Instead, a hurried discussion breaks between the two men, as Carlo finally realizes that Pisani is searching for Il Bravo, in hope of attaining his help in saving Violetta, a desire that Carlo tries to denounce but an affecting appeal by Pisani, asking the older man if had ever lost someone ("a lover, a mother, a father"), leads to a sudden break in the musical flow, as Carlo is reminded of the reason for his tormented soul; however, he tries to hide his sorrow and turns to Pisani <b>...</b>
Rondò Veneziano - Odissea Veneziana, arr. for 2 guitars
Rondò Veneziano - Odissea Veneziana, arr. by De Leo for 2 classical guitars Me and my guitar teacher (on the right) at my short year-end concert, 11/06/2008, Busto Garolfo. I wasn't really in the mood, that day :/
Rondò Veneziano - Odissea Veneziana, arr. by De Leo for 2 classical guitars Me and my guitar teacher (on the right) at my short year-end concert, 11/06/2008, Busto Garolfo. I wasn't really in the mood, that day :/
DAVID GARRETT - Carnevale Di Venezia (by Niccolò Paganini)
David Garrett, nome d'arte di David Bongartz (Aquisgrana, 4 settembre 1980), è un violinista e compositore tedesco-statunitense. Biografia Il padre è un avvocato tedesco mentre la madre, Dove Garrett, è una ballerina statunitense. Proprio dalla madre ha preso il cognome utilizzato come nome d'arte. A dieci anni, collabora con la Filarmonica di Amburgo, mentre nel 1994 stipula un accordo con la Deutsche Grammophon per l'incisione di diverse opere come solista. Nel 2008 è entrato nel Guinness dei primati per aver eseguito il volo del calabrone in un minuto e sei secondi. Nel suo album Rock Symphony ha dichiarato come abbia voluto unire il genere classico con il rock fondendo brani della tradizione classica, quali le quattro stagioni di Vivaldi, con il brano Vertigo degli U2. Particolarmente apprezzato come musicista da Zubin Mehta e Daniel Barenboim, suona uno stradivari. Garrett in concerto a Colonia il 15 gennaio 2010 Album Album studio 1995 - Mozart: Concerto per violino K 218 e 271, sonata per violino e pianoforte in B bemolle maggiore, K. 454 1995 - Violin Sonata 1997 - Paganini Caprices 2001 - Tchaikovsky, Conus: Violin Concertos 2002 - Pure Classics 2006 - Free 2007 - Virtuoso 2008 - Encore 2009 - David Garrett 2009 - Classic Romance 2010 - Rock Symphonies Collaborazioni 2004 - Nokia Night of the Proms 2008 - The New Classical Generation 2008 DVD 2009 - David Garrett Live - In Concert & In Private 2010 - David Garrett: Rock Symphonies - Open Air Live
David Garrett, nome d'arte di David Bongartz (Aquisgrana, 4 settembre 1980), è un violinista e compositore tedesco-statunitense. Biografia Il padre è un avvocato tedesco mentre la madre, Dove Garrett, è una ballerina statunitense. Proprio dalla madre ha preso il cognome utilizzato come nome d'arte. A dieci anni, collabora con la Filarmonica di Amburgo, mentre nel 1994 stipula un accordo con la Deutsche Grammophon per l'incisione di diverse opere come solista. Nel 2008 è entrato nel Guinness dei primati per aver eseguito il volo del calabrone in un minuto e sei secondi. Nel suo album Rock Symphony ha dichiarato come abbia voluto unire il genere classico con il rock fondendo brani della tradizione classica, quali le quattro stagioni di Vivaldi, con il brano Vertigo degli U2. Particolarmente apprezzato come musicista da Zubin Mehta e Daniel Barenboim, suona uno stradivari. Garrett in concerto a Colonia il 15 gennaio 2010 Album Album studio 1995 - Mozart: Concerto per violino K 218 e 271, sonata per violino e pianoforte in B bemolle maggiore, K. 454 1995 - Violin Sonata 1997 - Paganini Caprices 2001 - Tchaikovsky, Conus: Violin Concertos 2002 - Pure Classics 2006 - Free 2007 - Virtuoso 2008 - Encore 2009 - David Garrett 2009 - Classic Romance 2010 - Rock Symphonies Collaborazioni 2004 - Nokia Night of the Proms 2008 - The New Classical Generation 2008 DVD 2009 - David Garrett Live - In Concert & In Private 2010 - David Garrett: Rock Symphonies - Open Air Live
