Gustav Mahler - Symphony No. 4 - 3 (3/3) - Leonard Bernstein
- Classical music composed by Gustav Mahler Gustav Mahler Symphony No. 4 in G major 3rd Movement (3/3) Ruhevoll, poco adagio performed by the Vienna Philharmonic Orchestra (Wiener Philharmoniker) conducted by Leonard Bernstein
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Gustavo Dudamel leads El Sistema's top youth orchestra
http://www.ted.com The Teresa Carre_o Youth Orchestra contains the best high school musicians from Venezuela's life-changing music program, El Sistema. Led here by Gustavo Dudamel, they play Shostakovich's Symphony No. 10, 2nd movement, and Arturo Mšrquez' Danz‹n No. 2.
http://www.ted.com The Teresa Carre_o Youth Orchestra contains the best high school musicians from Venezuela's life-changing music program, El Sistema. Led here by Gustavo Dudamel, they play Shostakovich's Symphony No. 10, 2nd movement, and Arturo Mšrquez' Danz‹n No. 2.
Gustav Mahler - Adagietto (from Symphony N°5)
Gustav Mahler's Adagietto from the Fifth Symphony. The audio recording here is specialy edited for the YouTube channel in order to maintain its completeness. There are no cut parts, this is the whole Adagietto, for your enjoyment. ---------------------------------- A note from the author(s): Dear, friends, I thank you for your nice comments and I am glad that you are enjoying these beautiful musical master pieces. I noticed that, from time to time, people will ask why is the image of Jean-Marc Barr on some of the clips. Well, it is a long story. Me (Mare79, a "name" from the image) and "Mayol" (a friend of mine) have made these several classical music videos during the time we were on one forum once. The picture of Jean-Marc Bar was the image of his avatar, and since all these videos were generally his idea, we decided to place a full photo of Jean-Marc in them. Jean-Marc had a role in one of his movies where he played a character named Mayol, so... It was just an idea at that time, but it still remained after all, since we didn't want to remove the video in order to upload a new one without this photo and make this clip an invalid entry in your favourites playlists. So, the smaller image represents the photo of the composer. Enjoy the music, and have a nice day. Best regards to all.
Gustav Mahler's Adagietto from the Fifth Symphony. The audio recording here is specialy edited for the YouTube channel in order to maintain its completeness. There are no cut parts, this is the whole Adagietto, for your enjoyment. ---------------------------------- A note from the author(s): Dear, friends, I thank you for your nice comments and I am glad that you are enjoying these beautiful musical master pieces. I noticed that, from time to time, people will ask why is the image of Jean-Marc Barr on some of the clips. Well, it is a long story. Me (Mare79, a "name" from the image) and "Mayol" (a friend of mine) have made these several classical music videos during the time we were on one forum once. The picture of Jean-Marc Bar was the image of his avatar, and since all these videos were generally his idea, we decided to place a full photo of Jean-Marc in them. Jean-Marc had a role in one of his movies where he played a character named Mayol, so... It was just an idea at that time, but it still remained after all, since we didn't want to remove the video in order to upload a new one without this photo and make this clip an invalid entry in your favourites playlists. So, the smaller image represents the photo of the composer. Enjoy the music, and have a nice day. Best regards to all.
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. The symphony is in four movements: 1. Andante comodo (D major); 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major); 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor); 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major). Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler. The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force". The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills <b>...</b>
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. The symphony is in four movements: 1. Andante comodo (D major); 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major); 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor); 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major). Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler. The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force". The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills <b>...</b>
Gustavo Dudamel Live from Caracas
Conductor Gustavo Dudamel and the Simon Bolivar Youth Orchestra create an exciting performance that flows from Joropo across Venezuelan waltzes to the Merengue. The young musicians of the Simon Bolívar Youth Orchestra along with luminary conductor Gustavo Dudamel invite you to a unique and consummate performance from the newly opened Concert Hall in Caracas, Venezuela, Dudamel's home country. Despite his young age, Dudamel has become a force to be reckoned with in the classical world. His wild, fervent stylings draw crowds of thousands. Here, Dudamel and the youth orchestra's repertoire flows from the stirring Joropo across Venezuelan waltzes to the Merengue, creating a musical tapestry that is varied and vital. OVATION TV, ART LIKE NEVER BEFORE. TV LIKE NOTHING ELSE. www.ovationtv.com
Conductor Gustavo Dudamel and the Simon Bolivar Youth Orchestra create an exciting performance that flows from Joropo across Venezuelan waltzes to the Merengue. The young musicians of the Simon Bolívar Youth Orchestra along with luminary conductor Gustavo Dudamel invite you to a unique and consummate performance from the newly opened Concert Hall in Caracas, Venezuela, Dudamel's home country. Despite his young age, Dudamel has become a force to be reckoned with in the classical world. His wild, fervent stylings draw crowds of thousands. Here, Dudamel and the youth orchestra's repertoire flows from the stirring Joropo across Venezuelan waltzes to the Merengue, creating a musical tapestry that is varied and vital. OVATION TV, ART LIKE NEVER BEFORE. TV LIKE NOTHING ELSE. www.ovationtv.com
G. Mahler, Symphony nr. 5, Adagietto / Morte a Venezia
Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )
Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )
JOHN BELL YOUNG plays MAHLER: ADAGIETTO
FOR MY FRIEND, CORNELIA NETTER (1934-2011) IN MEMORIAM. John Bell Young plays his piano transcription of Mahler's Adagietto from the Fifth Symphony. Copyright 1989, John Bell Young. All rights reserved. ASCAP www.johnbellyoung.com. Photos credit: Gordon Richardson. With permission of the photographer. www.capetownskies.com/sunbeams.htm Thanks to Mike Connolly for assembling this lovely montage. "In this brave new world of pianistic obligatory democracy made of verifiably good (if not great) and accomplished (if not perfect) players, JOHN BELL YOUNG stands out as one of the unsung heroes of the end of this epoch. He is at once a pianist endowed with the rare gift of musical story-telling, a charmer with a rare understanding of the beauty and power of harmony, and a performer full of savoir-faire, genuine temperament and true love for his instrument" Michel Block Pianist, recording artist EMI, ProPiano Records "Let me say at once that I find your playing extremely accomplished and sensitive ... superb playing... Altogether, I think it is a wonderful achievement that you have recorded these works." -Sir Charles Mackerras "I still find this disc [Prisms] the most satisfying and artistic piano recital ever recorded." -Hugh Downs, ABC-News "20/20" "John Bell Young is an American pianist who has established himself as a Scriabinist of international repute. His recital disc features striking readings of sonatas 5 and 7, plus a number of shorter works (Americus 1013). His reading <b>...</b>
FOR MY FRIEND, CORNELIA NETTER (1934-2011) IN MEMORIAM. John Bell Young plays his piano transcription of Mahler's Adagietto from the Fifth Symphony. Copyright 1989, John Bell Young. All rights reserved. ASCAP www.johnbellyoung.com. Photos credit: Gordon Richardson. With permission of the photographer. www.capetownskies.com/sunbeams.htm Thanks to Mike Connolly for assembling this lovely montage. "In this brave new world of pianistic obligatory democracy made of verifiably good (if not great) and accomplished (if not perfect) players, JOHN BELL YOUNG stands out as one of the unsung heroes of the end of this epoch. He is at once a pianist endowed with the rare gift of musical story-telling, a charmer with a rare understanding of the beauty and power of harmony, and a performer full of savoir-faire, genuine temperament and true love for his instrument" Michel Block Pianist, recording artist EMI, ProPiano Records "Let me say at once that I find your playing extremely accomplished and sensitive ... superb playing... Altogether, I think it is a wonderful achievement that you have recorded these works." -Sir Charles Mackerras "I still find this disc [Prisms] the most satisfying and artistic piano recital ever recorded." -Hugh Downs, ABC-News "20/20" "John Bell Young is an American pianist who has established himself as a Scriabinist of international repute. His recital disc features striking readings of sonatas 5 and 7, plus a number of shorter works (Americus 1013). His reading <b>...</b>
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Chopin Mazurka op17 No 4 - Michel Mananes Live
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Patricio Molina Chopin Scherzo No4
PATRICIO MOLINA - www.patriciomolina.cl
A Concert in NJPAC (New Jersey Performing Art Center), in Newark 2006.
Concierto en NJPAC (Centro de Actuacion y Artes de New Jersey), en Newark 2006.
Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin; surname pronunciation in English: IPA: /ˈʃoʊpæn/, in French: IPA: [ʃɔpɛ̃]; March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets by reason of superfine imagination and fastidious craftsmanship.[4]
Chopin was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, Chopin made a comfortable living as a composer and piano teacher, while giving few public performances. An ardent Polish patriot,[5] in France he used the French versions of his given names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[6][7][8] After some ill-fated romantic involvements with Polish ladies, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[9]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[10] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music. His mazureks and polonaises are touchstones of Polish national classic music.
PATRICIO MOLINA - www.patriciomolina.clA Concert in NJPAC (New Jersey Performing Art Center), in Newark 2006.
Concierto en NJPAC (Centro de Actuacion y Artes de New Jersey), en Newark 2006.
Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin; surname pronunciation in English: IPA: /ˈʃoʊpæn/, in French: IPA: [ʃɔpɛ̃]; March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets by reason of superfine imagination and fastidious craftsmanship.[4]
Chopin was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, Chopin made a comfortable living as a composer and piano teacher, while giving few public performances. An ardent Polish patriot,[5] in France he used the French versions of his given names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[6][7][8] After some ill-fated romantic involvements with Polish ladies, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[9]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[10] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music. His mazureks and polonaises are touchstones of Polish national classic music.
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Child Prodigy Wonders Of Innocence Part 23
Prelude
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
PreludeShirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
Andre Rieu 3 year old violinist Akim Camara 2005
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.
(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Moonlight Sonata, 3rd Movement - Beethoven
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Rubinstein - Brahms, Piano Concerto No.1 - I Maestoso (3/3)
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were ...
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were ...
Hummel Piano Concerto 5 in A-Flat (3/3) OP. 113
Howard Shelley London Mozart Players Johann Nepomuk Hummel or Jan Nepomuk Hummel (14 November 1778 17 October 1837) was a composer and virtuoso pianist of Austrian origin who was born in Pressburg (Pozsony) (present-day Bratislava, Slovakia), but a part of Kingdom of Hungary when he was born. His music reflects the transition from the Classical to the Romantic musical era.
Howard Shelley London Mozart Players Johann Nepomuk Hummel or Jan Nepomuk Hummel (14 November 1778 17 October 1837) was a composer and virtuoso pianist of Austrian origin who was born in Pressburg (Pozsony) (present-day Bratislava, Slovakia), but a part of Kingdom of Hungary when he was born. His music reflects the transition from the Classical to the Romantic musical era.
Mozart - Sonata for two pianos in D, KV 448 (3/3)
Wolfgang Amadeus Mozart (1756-1791) Sonata for Two Pianos in D major, K. 448 (1781) 3. Allegro molto. Martha Argerich & Alexandre Rabinovitch It is written in strict sonata-allegro form, with three movements. The sonata was composed for a performance he would give with fellow pianist Josephine von Aurnhammer. Mozart composed this in the galant style, with interlocking melodies and simultaneous cadences. This is one of his only formal compositions written exclusively for two pianos. This sonata was also used in the scientific study that tested the theory of the Mozart Effect, suggesting that classical music increases brain activity more positively than other kinds of music. Molto Allegro: Molto Allegro begins with a galloping theme. The cadences used in this movement are similar to those in Mozart's Rondo alla Turca.
Wolfgang Amadeus Mozart (1756-1791) Sonata for Two Pianos in D major, K. 448 (1781) 3. Allegro molto. Martha Argerich & Alexandre Rabinovitch It is written in strict sonata-allegro form, with three movements. The sonata was composed for a performance he would give with fellow pianist Josephine von Aurnhammer. Mozart composed this in the galant style, with interlocking melodies and simultaneous cadences. This is one of his only formal compositions written exclusively for two pianos. This sonata was also used in the scientific study that tested the theory of the Mozart Effect, suggesting that classical music increases brain activity more positively than other kinds of music. Molto Allegro: Molto Allegro begins with a galloping theme. The cadences used in this movement are similar to those in Mozart's Rondo alla Turca.
Hummel-Trumpet concerto in E (3/3)
Johann Nepomuk Hummel (1778-1837) Trumpet concerto in E III.Rondo Håkan Hardenberger, trumpet Academy os St.Martin-in-the-Fields dir. Neville Marriner Digitalised by me from an old vinyl record. The quality is not great but hopefully enjoyable. I did some minor noise and click removal but this too is far from perfect. Track 3/12
Johann Nepomuk Hummel (1778-1837) Trumpet concerto in E III.Rondo Håkan Hardenberger, trumpet Academy os St.Martin-in-the-Fields dir. Neville Marriner Digitalised by me from an old vinyl record. The quality is not great but hopefully enjoyable. I did some minor noise and click removal but this too is far from perfect. Track 3/12
"Dance Me To The End of Love" Leonard Cohen
Music video for Leonard Cohen's song "Dance Me To The End of Love" from his album "Various Positions.' FINAL NOTE FROM THE MAN HIMSELF: 'Dance Me To The End Of Love' ... it's curious how songs begin because the origin of the song, every song, has a kind of grain or seed that somebody hands you or the world hands you and that's why the process is so mysterious about writing a song. But that came from just hearing or reading or knowing that in the death camps, beside the crematoria, in certain of the death camps, a string quartet was pressed into performance while this horror was going on, those were the people whose fate was this horror also. And they would be playing classical music while their fellow prisoners were being killed and burnt. So, that music, "Dance me to your beauty with a burning violin," meaning the beauty there of being the consummation of life, the end of this existence and of the passionate element in that consummation. But, it is the same language that we use for surrender to the beloved, so that the song -- it's not important that anybody knows the genesis of it, because if the language comes from that passionate resource, it will be able to embrace all passionate activity.
Music video for Leonard Cohen's song "Dance Me To The End of Love" from his album "Various Positions.' FINAL NOTE FROM THE MAN HIMSELF: 'Dance Me To The End Of Love' ... it's curious how songs begin because the origin of the song, every song, has a kind of grain or seed that somebody hands you or the world hands you and that's why the process is so mysterious about writing a song. But that came from just hearing or reading or knowing that in the death camps, beside the crematoria, in certain of the death camps, a string quartet was pressed into performance while this horror was going on, those were the people whose fate was this horror also. And they would be playing classical music while their fellow prisoners were being killed and burnt. So, that music, "Dance me to your beauty with a burning violin," meaning the beauty there of being the consummation of life, the end of this existence and of the passionate element in that consummation. But, it is the same language that we use for surrender to the beloved, so that the song -- it's not important that anybody knows the genesis of it, because if the language comes from that passionate resource, it will be able to embrace all passionate activity.
Variazioni in Do k265 (Mozart) Leonardo Locatelli
Variazioni in Do K265 di Wolfgang Amadeus Mozart eseguite dal pianista Leonardo Locatelli
Variazioni in Do K265 di Wolfgang Amadeus Mozart eseguite dal pianista Leonardo Locatelli
Sigurd Rascher:Plays Recitative and Abracadabra - Claire Leonard
Sigurd Rascher:Plays Recitative and Abracadabra - Claire Leonard 1953. One of the fathers of the classical saxophone. He not only is one of the pioneers of making the saxophone an instrument recognized in classical music, but also the father of the altisimmo register or "top tones.
Sigurd Rascher:Plays Recitative and Abracadabra - Claire Leonard 1953. One of the fathers of the classical saxophone. He not only is one of the pioneers of making the saxophone an instrument recognized in classical music, but also the father of the altisimmo register or "top tones.
Gustav Mahler - Symphony No. 4 - 1 (1/2) - Leonard Bernstein
Gustav Mahler Symphony No. 4 in G major 1st Movement (1/2) Bedächtig, nicht eilen performed by the Vienna Philharmonic Orchestra (Wiener Philharmoniker) conducted by Leonard Bernstein
Gustav Mahler Symphony No. 4 in G major 1st Movement (1/2) Bedächtig, nicht eilen performed by the Vienna Philharmonic Orchestra (Wiener Philharmoniker) conducted by Leonard Bernstein
Etude No 9, M. Carcassi by Jacob Bernstein
Music & Dance Academy student Jacob Bernstein performs in the 2010 Honors Music Concert in Tucson, Arizona. Mr. Bernstein is a student of Michael Lich.
Music & Dance Academy student Jacob Bernstein performs in the 2010 Honors Music Concert in Tucson, Arizona. Mr. Bernstein is a student of Michael Lich.
Gustav Mahler - Symphony No. 4 - 4 (1/1) - Leonard Bernstein
Gustav Mahler Symphony No. 4 in G major 4th Movement (1/1) Sehr behaglich performed by the Vienna Philharmonic Orchestra (Wiener Philharmoniker) lyrics based on "Des Knaben Wunderhorn" sung by Edith Mathis conducted by Leonard Bernstein
Gustav Mahler Symphony No. 4 in G major 4th Movement (1/1) Sehr behaglich performed by the Vienna Philharmonic Orchestra (Wiener Philharmoniker) lyrics based on "Des Knaben Wunderhorn" sung by Edith Mathis conducted by Leonard Bernstein
Richard Wagner Tannhäuser Ouvertüre Leonard Bernstein New York Phi
now available in one part: www.youtube.com Richard Wagner: Tannhäuser und der Sängerkrieg auf der Wartburg, Ouvertüre - performed by the New York Philharmonic, conducted by Leonard Bernstein, recorded October 26, 1967 at Philharmonic Hall, now Avery Fisher Hall, Lincoln Center, New York City
now available in one part: www.youtube.com Richard Wagner: Tannhäuser und der Sängerkrieg auf der Wartburg, Ouvertüre - performed by the New York Philharmonic, conducted by Leonard Bernstein, recorded October 26, 1967 at Philharmonic Hall, now Avery Fisher Hall, Lincoln Center, New York City
