Albinoni: Concerto In B Flat, Op 7 No.3 (III Allegro)

Albinoni: Concerto In B Flat, Op 7 No.3 (III Allegro) - Tine Thing H

Classical music Albinoni: Concerto In B Flat, Op 7 No.3 (III Allegro) performed by Tine Things Helseth & composed by Tomaso Albinoni (P) 2007 Simax Classics Genre: Classical Released: Jun 01, 2009

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UPDATE 15th September 2011: I have released my 3rd CD called "AIR". I play music by: Dowland, Galilei, Weiss, Bach, Handel, Albinoni and Pachelbel. All, popular classical pieces that I have been asked to record on a CD. You can order it from my website per-olovkindgren.com and soon also listen to sound samples there. ____________________________ This is the beautiful "Adagio" by T. Albinoni (1671-1750) There was a storm in Copenhagen while recording this so you can sometimes hear the wind in the trees outside. Sorry! I control many things but not the weather... yet! LOL This arr. (sheet music and TAB) can be found at www.per-olovkindgren.com Kindly, Per-Olov

Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov

Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato

Argerich plays Tchaikovsky Piano Concerto Part 1

Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.

Sarah Chang Mendelssohn Violin Concerto Mvt2

Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.

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Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.

Rachmaninoff - Vocalise For Violin

Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.

Americas Got Talent - Jackie Evancho 10 Opera Singer

The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.

Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!

By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.

Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.

LIFELINE LIVE:More on Jackie, plus see video

During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."

The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.

Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.

"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.

A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."

Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."

The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.

Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."

He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.

"Whatever she picks, she will do well."

http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com

Jung Lin Performing Liszts Hungarian Rhapsody no 2

Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization

Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.

-----

"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.

In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.

Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.

Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera

"Ah! Fors'e lui"
"Sempre Libera"

Sokcho Summer Festival,
Sokcho, South Korea, 2005.

Luciano Pavarotti - La Donna è Mobile Rigoletto

The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).

La Donna è Mobile - Giuseppe Verdi

La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero

Sempre un'amabile
Leggiadro viso
In pianto o in riso
Ãˆ menzognero

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier

è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core

Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...

Root Beer Mozart

For Mozart's birthday... this is the Overture of "Die ZauberflÃ¶te" by Mozart. Played on root beer bottles.

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Portuguese subtitles by:
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Toccata and Fugue - J.S. Bach

Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.

Alison Balsom - Hummel Trumpet Concerto in E flat, Rondo

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Johann Nepomuk Hummel: Rondo in E flat, Op. 11

Earl Wild plays this beautiful Rondo by Hummel, written at around 1804. A piece rather reminiscent of the Classical than Hummel's own early Romantic period - after all, Hummel was taught by Mozart..

Franz Schubert: Piano Trio No.2 in E flat, Op. 100, D. 929, 2: Andan

Beaux Arts Trio: Menahem Pressler, piano Daniel Hope, violin Antonio Meneses, cello

Chopin Mazurka op17 No 4 - Michel Mananes Live

Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html

Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]

He was born in the village of Å»elazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."

In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]

Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, Ã©tude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.

Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.

Hannah plays Chopin Nocturne 20 in C Sharp Minor

8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.

Patricio Molina Chopin Scherzo No4

PATRICIO MOLINA - www.patriciomolina.cl
A Concert in NJPAC (New Jersey Performing Art Center), in Newark 2006.
Concierto en NJPAC (Centro de Actuacion y Artes de New Jersey), en Newark 2006.
Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: FrÃ©dÃ©ric [FranÃ§ois] Chopin; surname pronunciation in English: IPA: /ËˆÊƒoÊŠpÃ¦n/, in French: IPA: [ÊƒÉ”pÉ›Ìƒ]; March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets by reason of superfine imagination and fastidious craftsmanship.[4]

Chopin was born in the village of Å»elazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."

In Paris, Chopin made a comfortable living as a composer and piano teacher, while giving few public performances. An ardent Polish patriot,[5] in France he used the French versions of his given names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[6][7][8] After some ill-fated romantic involvements with Polish ladies, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[9]

Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[10] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, Ã©tude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music. His mazureks and polonaises are touchstones of Polish national classic music.

Chopin - Fantasie Impromptu Op66 - 7 Year Old Prodigy

Chopin - Fantasie Impromptu Op.66

Jascha Heifetz plays Brahms Hungarian Dance No. 7

Jascha Heifetz plays Hungarian Dance #7 by Johannes Brahms (transcribed by Heifetz).

Accompanist: Emanuel Bay

Allegretto from Piano Sonata No. 17 in D minor, Op. 31, No. 2 - Beethoven

Beethoven's "Tempest Sonata", played by Wilhelm Kempff.

Gorécki - Symphonie No.3 - 2nd Movement

Henryk Gorécki (1933) is a polish composer of contemporary classical music. Górecki's most popular piece is his "Third Symphony", also known as the "Symphony of Sorrowful Songs". The work is slow and contemplative, and each of the three movements are composed for orchestra and solo soprano. The libretto for the first movement is taken from a 15th century lament, while second movement uses the words of a teenage girl, Helena Błażusiak, which she wrote on the wall of a Gestapo prison cell in Zakopane to invoke the protection of the Virgin Mary. The third uses the text of a Silesian folk song which describes the pain of a mother searching for a son killed in the Silesian uprisings. The dominant themes of the symphony are motherhood and separation through war. While the first and third movements are written from the perspective of a parent who has lost a child, the second movement is from that of a child separated from a parent. The first paintings are from El Greco (1541-1614) - a painter, sculptor, and architect of the Spanish Renaissance. El Greco's dramatic and expressionistic style was met with puzzlement by his contemporaries but found appreciation in the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism, while his personality and works were a source of inspiration for poets and writers such as Rainer Maria Rilke and Nikos Kazantzakis. El Greco has been characterized by modern scholars as an artist so individual that he belongs to no ...

Erik Satie - Gymnopedie No.3 (Orchestrated by Debussy)

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality. Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them. By the end of 1896 Satie's popularity and financial situation were ebbing. Debussy, whose popularity was rising at the time, helped draw public attention to the work of his friend. Debussy expressed his belief that the 2nd ...

Wolfgang Amadeus Mozart's Concerto No.3 in G major K. 216 sheet mus

http://www.virtualsheetmusic.com/video55 Virtual Sheet Music presents the famous Wolfgang Amadeus Mozart's Concerto No.3 in G major K. 216 for violin and piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about violin and piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.

Brahms Piano Sonata No.3 in F Minor 1/5 Jonathan Plowright

Johannes Brahms (1833-1897) Piano Sonata No.3 in F Minor Op.5, played by Jonathan Plowright. I Allegro maestoso This is the first part of Brahms's piano sonata No. 3 in F minor (Op. 5) played by British virtuoso Jonathan Plowright. It was recorded live at the Wigmore Hall, London on Saturday 15th November 2008. Ed Keohane writes: "Johannes Brahms was born in Hamburg in 1833. He excelled at the piano from an early age he also played cello and the horn and was taught free of charge by Eduard Marxsen, a leading Hamburg pianist and composer, who instilled in the young Brahms a lifelong love of Bach and the Viennese Classical composers. Indeed his first solo piano recitals, in 1848 and 1849, featured works by Bach and Beethoven. "Brahms completed his third and final piano sonata in October 1853, the year that he became friends with the violinist Joseph Joachim and first met Robert and Clara Schumann. Brahms's music made a huge impression on Schumann, who wrote that each work was so different from the others that it seemed to stream from its own individual source. He also remarked how, at Brahmss hand, the piano became an orchestra of lamenting and loudly jubilant voices and his sonatas veiled symphonies. "The genial and demonic sides to Brahms's personality are both evident in this colossal five-movement work. The spectacular opening gives way to a beautiful slow movement, above which Brahms wrote a verse by the poet Sternau: Der Abend dämmert, das Mondlicht scheint Da sind ...

Monique Haas - Mozart Piano Concerto no.21 (III) - Allegro vivace as

Wolfgang A. Mozart - Piano Concerto no.21 in C major K.467 (III) - Allegro vivace assai. Monique Haas, piano. SWF Sinfonieorchester - Hans Rosbaud. Recorded in 1956.

Ingrid Haebler plays Schubert Sonata No.13, D.664 (III)

Piano Sonata No.13 in A major, D.664 (op. post.120) is composed in the summer of 1819. PART I : www.youtube.com - Allegro moderato PART II : www.youtube.com - Andante PART III : - Allegro ~~~ Ingrid Haebler (1929) Austrian pianist. She started piano as a little girl, begining her musical training with her mother, and making her public debut in Salzburg at the age of 11. She then pursued her studies with Scholz at the Salzburg Mozarteum, then with Weingarten and Hauser at the Vienna Academy of Music. She also attended the master-classes of Nikita Magaloff at the Geneva Conservatory and of the French pianist Marguerite Long at the Paris Conservatory. In 1952 she was co-winner of the 2nd prize at the Geneva Competition (no 1st prize was awarded), and in 1954 she took 1st prize in both the Munich Competition and the Geneva Schubert Competition. She won the Harriet Cohen Beethoven Medal in 1957. Ingrid Haebler then appeared with many of the leading orchestras of the day and at the principal festivals. In 1959 she made her USA debut as soloist with the Minneapolis Symphony Orchestra. She also appeared as a recitalist and chamber music player. As a duo recitalist, she often performed with the violinist Henryk Szeryng. From 1969 to 1971 Ingrid Haebler was a professor at the Salzburg Mozarteum. She was awarded the Mozart medals of Vienna in 1971 and of the Salzburg Mozarteum in 1980, and in 1986 she received the Medal of Honor of Vienna. Ingrid Haebler is considred as one of the ...

(III) E.Gismonti( Arr. L.Brouwer)：Gismontiana for 4 Guitars & Stri

Eguberto Gismonti(1947- ) Arr. Leo Brouwer：Gismontiana for 4 Guitars and String Orchestra *Taiwan Premiere I. Frevo II. Agua e vinho III. Baiao malandro 吉斯蒙第(1947- ),布勞艾編曲：為4把吉他與弦樂團所寫的《吉斯蒙第風格音樂》*台灣首演I.佛列佛舞曲II. 水與美酒III. 擺搖舞曲《六條絃的交響樂》Maestro Shin-ichi FUKUDA & Friends Date : 2010 12 09 Venue: 國家音樂廳Taipei National Concert Hall 福田進一Shin-ichi FUKUDA 、莊村清志Kiyoshi SHOMURA、大萩康司Yasuji OHAGI、劉士堉Shih-yu LIU 指揮鄭立彬Li-pin CHENG, Conductor 台北愛樂青年管弦樂團Taipei Philharmonic Youth Orchestra

(III) FJ Haydn -〈The Creation〉Oratorio / Die Schöpfung, Oratori

Franz Joseph Haydn (1732~1809) 《The Creation》oratorio, Hob. XXI:2 (1798) - English version, Vienna 1800 - (Part 1, Scene 3 / The Third Day) 6. Recitative - And God said: "Let the waters under the heaven be gathered" 7. Aria - "Rolling in foaming billows" 8. Recitative - And God said: "Let the earth bring forth grass, the herb" 9. Aria - "With verdure clad the fields appear" Emma Kirkby (soprano / Gabriel) Anthony Rolfe Johnson (tenor / Uriel) Michael George (bass / Raphael) Choir of New College, Oxford The Chorus of Academy of Ancient Music The Academy of Ancient Music Christopher Hogwood (conductor) The Creation (German: Die Schöpfung) is an oratorio written between 1796 and 1798 by Joseph Haydn (H. 21/2), and considered by many to be his masterpiece. The oratorio depicts and celebrates the creation of the world as described in the biblical Book of Genesis and in Paradise Lost. Haydn was inspired to write a large oratorio during his visits to England in 1791-1792 and 1794-1795, when he heard oratorios of Handel performed by large forces. Israel in Egypt is believed to have been one of these. It is likely that Haydn wanted to try to achieve results of comparable weight, using the musical language of the mature classical style. The work on the oratorio lasted from October 1796 to April 1798. It was also a profound act of faith for this deeply religious man, who appended the words "Praise to God" at the end of every completed composition. He later remarked, "I was never ...

Haydn: Trumpet Concerto In e Flat (I Allegro) - Tine Thing Helseth

Haydn: Trumpet Concerto In e Flat (I Allegro) by Tine Things Helseth & composed by Franz Joseph Haydn (P) 2007 Simax Classics Genre: Classical Released: Jun 01, 2009

Weber, concert n. 1. (I Mov. Allegro) Calogero Palermo clarinet

Calogero Palermo plays Carl Maria Von Weber, concerto n° 1 in fa minore per clarinetto e orchestra op. 73 - www.calogeropalermo.com

Vivaldi, Winter, Four Seasons (Allegro), with animated score

The first movement of Antonio Vivaldi's "Winter" (from The Four Seasons)), performed by the orchestra of the US Air Force Band, accompanied by an animated score.FAQ Q: Where can I get free sheet music of this piece (opus 8 #4, RV297)? A: Here tinyurl.com Q: How did you get the animation synchronized with the recording? A: First I entered the score into the notation program Sibelius. Then, I made a half-speed version of the recording (with the Amazing Slow-Downer software), and adjusted the notation to match (added the ornaments, shortened notes, mistakes made by the performers, etc). Then, while listening to the half-speed recording, I recorded a MIDI click-track. Finally, I fed the score and the click-track into some software I wrote, which adjusted the timings of score to match the click-track. The adjusted version of the score is what my animation software takes as input. Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Why don't you show the notes of the harpsichord? A: There are various reasons, some aesthetic, some practical, some conceptual. Vivaldi did not write a harpsichord part; it was the practice at the time for the harpsichord player to improvise a part from the bass line ...

Geza Hosszu Legocky & Giorgia Tomassi (Preludium & Allegro)

Fritz Kreisler: Preludium and Allegro for Violin and Piano. Live from the Progetto Argerich. Lugano 2005Biography Praised by musicians, audiences, and music critics as a rising "tour de force" in the classical music scene, Géza Hosszu-Legocky's critical acclaim culminated with the nomination of two Grammy® Awards, including the "Best Classical Music Album 2005" and "Best Chamber Music Recording 2005" for his recording of the Schumann Violin Sonata in A minor and other chamber music works with an all-star cast including Martha Argerich, Maxim Vengerov, Lilya Zilberstein, and Gabriela Montero on EMI Classics recorded in 2004. In 2003, he released his first EMI Classics recording performing traditional Hungarian Gypsy music with his ensemble "The 5 DeVils". Known for his passionate and fiery interpretations of classical, jazz, and Hungarian gypsy music, he first made his public debut at the age of 9 on Austrian Television "ORF". Since then, he has performed with the National Hungarian Orchestra of Budapest and performed in Argentina, France, Germany, Spain, Japan, Italy, and the USA. As a guest soloist, he has been invited to perform with the major orchestras and ensembles throughout the world including the Orchestre Philharmonique de Radio France with Myung-Whun Chung, NHK Orchestra in Tokyo with Charles Dutoit, and the Kremerata Baltica with Gidon Kremer. His regular chamber music partners include Martha Argerich, Gautier Capucon, Renaud Capucon, Nelson Freire, Ivry Gitlis ...

Maria Callas - La Traviata

Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'Ã¨ lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953

VIOLETTA (sola)
Ãˆ strano! Ãˆ strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'Ã¨ lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'Ã¨ palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano Ã¨ questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or piÃ¹?
Che far degg'io? Gioire,
di voluttÃ ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor Ã¨ palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sÃ¬! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor Ã¨ palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.

Gracia - William Tell Overture

Rossini's classical piece performed by three talented violin player ladies from Hungary

Tine Thing Helseth: Haydn Trumpet Concerto, 3rd mvt

Get the SACD here: goo.gl iTunes: goo.gl Tine Thing Helseth made her recording debut release on SACD internationally in February 2008, toghether with Norwegian Chamber Orchestra. This video was made during the recording sessions.

Liszt, Franz: Csárdás (Czardas) Obstiné by Mehmet Okonsar, piano

Greetings! I am delighted to have you stop by my Youtube channel.. Be sure to do not go away not having placing here your thoughts, in addition to, in cases where you delight in it, remember to publish. Thank you. If you love this remember to easily share this particular video media(s). You are welcome to link up with me via any of the subsequent links: www.facebook.com (my personal space); www.facebook.com (my "fan" page); www.twitter.com (where I "tweet"); or simply be email from the contact page of my official site: www.okonsar.com. You are at the same time welcome to sign-up and start out blogging on my personal music and musicology web-log www.inventor-musicae.com.. As a classical music enthusiast you can certainly not be unaware of http the only classical music video-sharing web page I developed. Subscribe, watch, distribute, easily share and love. My personal CD's usually are available at amazon.com as well as cdaby.com and additionally you may hear to all of the tracks at www.okonsar.com See you on my subsequent publication, rapidly... Mehmet Okonsar ========================== -------------------------- About the WORK: -------------------------- Czardas (Csárdás) obstinée (1882). -------------------------- About the Artist: Mehmet Okonsar is a pianist-composer-conductor and musicologist. Besides his international concert carrier he is a prolific writer. Founder of the first classical music-musicology dedicated blog-site:"inventor-musicae" (www.inventor-musicae.com ...

Canon de Pachelbel - canon a trois voix sur une basse obstinee - Cha

HQ / Stereo LINK: ca.youtube.com I've heard many versions of this timeless piece and this is by far the most exquisite piece I have ever heard! This is one of the greatest hits in the classical world which was composed in the 1680's by Johann Pachelbel. The best way to listen to this is to pay attention to all the instruments and note when movements changes and when instruments are added. The latter part of this piece sings with joy as all the 3 voices come together and create a celebration of what I think is one of the most beloved classical pieces of all times! This is: "Le Canon de Pachebel - canon a trois voix sur une basse obstinee - Chaconne en fa min." Le Canon en ré majeur sur une basse obstinée de Johann Pachelbel fait partie d'une pièce de musique de chambre baroque, écrite aux alentours de 1680 pour trois violons et une basse continue. Œuvre au caractère solennel et majestueux, à quatre temps lents et imposants (généralement autour de 60 à la noire), d'une durée d'un peu moins de quatre minutes, le canonétait à l'origine suivi d'une courte gigue à 12/8, rarement jouée. Deux éléments s'opposent dans cette œuvre : 1) une basse continue immuable, formée le plus souvent d'un violoncelle et d'un clavecin, jouant 28 fois ostinato les deux mêmes mesures d'accompagnement et 2) un thème de quatre mesures, en deux parties superposables, et ses 12 couplets, joués successivement par les trois violons en décalage de deux mesures, c'est-à-dire en canon à trois voix. Voici ...

Soothing Beach scenes with Pachelbel's Canon in D

Soothing and relaxing beach and sunset scenes set to the Pachelbel's Canon in D

pachelbel's Canon in D--Soothing music(the best version)

Music Title: Canon in D Composer: J. Pachelbel Genre: Classic relax, feel the music and feel free to comment on the video and the music. I hope everyone will enjoy to hear the music. Enjoy and relax... (^-^)

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