Rachmaninoff-Volodos - Andante from Cello Sonata Op. 19 LIVE
- Classical music composed by Sergei Rachmaninoff Rachmaninoff-Volodos - Andante from Cello Sonata Op. 19 Harout Senekeremian, piano Live at CLASSICAL UNDERGROUND - Los Angeles, CA
Related Videos
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Brahms Piano Quartet C Minor 3rd mvt Andante opus 60
One of Brahms' most beautiful slow movements, for string trio with piano.
FAQ
Q: Who is playing this piece?
A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org).
Q: Who is this Brahms person?
A: You can read about him here
http://en.wikipedia.org/wiki/Brahms
Q: If it's a piano quartet, why do I hear violins?
A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure.
Q: Something sounds wrong in the second beat of the measure that starts at 5:26.
A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp.
Q: This is really beautiful; what other pieces are like this?
A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start.
Q: Is there a way I could make the bar-graph scores myself?
A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here:
http://www.musanim.com/player/
There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first:
http://www.classicalarchives.com/
Q: Could you do a MAM video of _________?
A: Please read this:
http://www.musanim.com/all/MAMRequests.html
Q: Can I get a DVD with videos like this?
A: Yes:
http://www.musanim.com/mam/video.html
Q: What do the colors in the bar-graph score mean?
A: The colors indicate: violin, viola, violoncello, piano top staff, piano bottom staff.
Q: Why do the scores move at different speeds?
A: The bar-graph score is graphical, and in it, time translates exactly into horizontal position; conventional notation is symbolic, so there is usually one symbol per note, regardless of whether it's a long or a short note, and the symbols are more or less evenly spaced (for legibility); so, when the notes are faster, the notation needs to move faster to keep up.
Q: Why am I crying?
A: I don't know, but the first time I heard this piece in a concert, I cried too. I also cried the first time I read through it with string players. Something about it.
.
One of Brahms' most beautiful slow movements, for string trio with piano.FAQ
Q: Who is playing this piece?
A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org).
Q: Who is this Brahms person?
A: You can read about him here
http://en.wikipedia.org/wiki/Brahms
Q: If it's a piano quartet, why do I hear violins?
A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure.
Q: Something sounds wrong in the second beat of the measure that starts at 5:26.
A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp.
Q: This is really beautiful; what other pieces are like this?
A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start.
Q: Is there a way I could make the bar-graph scores myself?
A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here:
http://www.musanim.com/player/
There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first:
http://www.classicalarchives.com/
Q: Could you do a MAM video of _________?
A: Please read this:
http://www.musanim.com/all/MAMRequests.html
Q: Can I get a DVD with videos like this?
A: Yes:
http://www.musanim.com/mam/video.html
Q: What do the colors in the bar-graph score mean?
A: The colors indicate: violin, viola, violoncello, piano top staff, piano bottom staff.
Q: Why do the scores move at different speeds?
A: The bar-graph score is graphical, and in it, time translates exactly into horizontal position; conventional notation is symbolic, so there is usually one symbol per note, regardless of whether it's a long or a short note, and the symbols are more or less evenly spaced (for legibility); so, when the notes are faster, the notation needs to move faster to keep up.
Q: Why am I crying?
A: I don't know, but the first time I heard this piece in a concert, I cried too. I also cried the first time I read through it with string players. Something about it.
.
Wolfgang Amadeus Mozart - Piano Concerto No. 21 - Andante
Piano Concerto No. 21 - Andante "Elvira Madigan"
Piano Concerto No. 21 - Andante "Elvira Madigan"
Brahms, Piano Quartet, C Minor, 3rd mvt, Andante, opus 60
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First <b>...</b>
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First <b>...</b>
Walton - Concerto for Viola - Andante Comodo - Joyalene Ng
Concerto for Viola (1929) <br />I. Andante comodo <br /><br />By William Walton (1902-1983) was a British composer and conductor. When commissioned to write this viola concerto he admitted to knowing very little of the viola except that it made a rather awful sound! To me this piece portrays a lyrical and melancholy mood despite its moments of dissonance. If it sounds too awful, you can blame int on Walton's perception of the viola. <br /><br />Performers: <br />Joyalene Ng, viola; <br />Cynthia Westerbeck, piano accompaniment
Concerto for Viola (1929) <br />I. Andante comodo <br /><br />By William Walton (1902-1983) was a British composer and conductor. When commissioned to write this viola concerto he admitted to knowing very little of the viola except that it made a rather awful sound! To me this piece portrays a lyrical and melancholy mood despite its moments of dissonance. If it sounds too awful, you can blame int on Walton's perception of the viola. <br /><br />Performers: <br />Joyalene Ng, viola; <br />Cynthia Westerbeck, piano accompaniment
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Janine Jansen - Meditation From Thais Massenet
Berlin - June 18, 2006
Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Berlin - June 18, 2006Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Meditation from Thais Valerie Kim with Dominique Kim
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Elgar Cello Concerto 1st mov
First Movement (Adagio - Moderato)
Cello: Jacqueline Du Pre
Conducer: Daniel Barenboim
First Movement (Adagio - Moderato)Cello: Jacqueline Du Pre
Conducer: Daniel Barenboim
Moonlight Sonata, 3rd Movement - Beethoven
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Moonlight Sonata, 1st Movement - Ludwig van Beethoven
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
First Movement from Piano Sonata in E-flat minor - Samuel Barber
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Piano Sonata by Aaron Copland
Mario Ajero performs the first movement of the Piano Sonata (1939-1941) by the American composer, Aaron Copland. This performance was at Paul F. Sharp Concert Hall at the Catlett Music Center at the University of Oklahoma. For more performances, visit The Piano Podcast on iTunes and http://marioajero.blogspot.com
Mario Ajero performs the first movement of the Piano Sonata (1939-1941) by the American composer, Aaron Copland. This performance was at Paul F. Sharp Concert Hall at the Catlett Music Center at the University of Oklahoma. For more performances, visit The Piano Podcast on iTunes and http://marioajero.blogspot.com
Adagio for Strings, Op. 11 - Samuel Barber
Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.
Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.
Allegretto from Piano Sonata No. 17 in D minor, Op. 31, No. 2 - Beethoven
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 3rd Movement
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 2nd Movemen
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Goldberg Variation No. 19 - J.S. Bach
Kaare Norge's classical guitar performance of Bach's Goldberg Variation No. 19.
Kaare Norge's classical guitar performance of Bach's Goldberg Variation No. 19.
Ella Fitzgerald - Summertime TV Special 1968
Ella Fitzgerald sings "Summertime" (from "Porgy and Bess" - George and Ira Gershwin) in a TV Special from 1968. (From Globo TV, Brazil).
Ella Fitzgerald sings "Summertime" (from "Porgy and Bess" - George and Ira Gershwin) in a TV Special from 1968. (From Globo TV, Brazil).
Miles Davis "Summertime" (1958)
"Summertime" is a track from the album "Porgy and Bess" by jazz trumpet musician Miles Davis, released in 1958 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's opera Porgy and Bess. The album was recorded in four sessions on July 22, July 29, August 4 and August 18 in 1958 at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. For many jazz critics, Porgy and Bess is regarded as historic. In 1958, Davis was one of many jazz musicians growing dissatisfied with bebop, seeing its increasingly complex chord changes as hindering creativity. Five years earlier, in 1953, pianist George Russell published his Lydian Chromatic Concept of Tonal Organization, which offered an alternative to the practice of improvisation based on chords. Abandoning the traditional major and minor key relationships of Western music, Russell developed a new formulation using scales or a series of scales for improvisations. Russell's approach to improvisation came to be known as modal in jazz. Davis saw Russell's methods of composition as a means of getting away from the dense chord-laden compositions of his time, which Davis had labeled "thick". Modal composition, with its reliance on scales and modes, represented, as Davis put it,[3] "a return to melody". In a <b>...</b>
"Summertime" is a track from the album "Porgy and Bess" by jazz trumpet musician Miles Davis, released in 1958 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's opera Porgy and Bess. The album was recorded in four sessions on July 22, July 29, August 4 and August 18 in 1958 at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. For many jazz critics, Porgy and Bess is regarded as historic. In 1958, Davis was one of many jazz musicians growing dissatisfied with bebop, seeing its increasingly complex chord changes as hindering creativity. Five years earlier, in 1953, pianist George Russell published his Lydian Chromatic Concept of Tonal Organization, which offered an alternative to the practice of improvisation based on chords. Abandoning the traditional major and minor key relationships of Western music, Russell developed a new formulation using scales or a series of scales for improvisations. Russell's approach to improvisation came to be known as modal in jazz. Davis saw Russell's methods of composition as a means of getting away from the dense chord-laden compositions of his time, which Davis had labeled "thick". Modal composition, with its reliance on scales and modes, represented, as Davis put it,[3] "a return to melody". In a <b>...</b>
Chopin Mazurka op17 No 4 - Michel Mananes Live
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Ludovico Einaudi - Divenire Live Palazzo Te Mantova
Ludovico Einaudi performing Divenire at Palazzo Te (Mantova) on July 14th 2007.
Ludovico Einaudi performing Divenire at Palazzo Te (Mantova) on July 14th 2007.
Handel - Recorder sonata in A minor (live)
Ensemble Estro Cromatico, Milano Marco Scorticati flauto dolce Davide Pozzi clavicembalo Georg Friedrich Händel Sonata a Flauto e Cembalo in La min. (Live concert) Festival internazionale di Musica antica Settimane Barocche di Brescia 10 ottobre 2008, Nave (BS), Italy MARCO SCORTICATI Born in Milan in 1980, he begun studying recorder at a very early age. He took lessons from Giovanni Antonini (from 1990 to '97), Pedro Memelsdorff (with whom he graduated in '99 at the Civica Scuola di Musica Antica in Milan), Walter van Hauwe (from 1999 to 2001 at the "Sweelinck" Conservatorium in Amsterdam) and Kees Boeke (at the Musikhochschule of Zurich, where he graduated in 2003). He also attended the "C. Pollini" Conservatory in Padua obtaining his degree in 1999 and studied composition with Fabio Vacchi at the "G. Verdi" Conservatory in Milan. He studied baroque transverse flute with Marco Brolli in Milan. As a recorder and transverse flute player he regularly performs with his ensemble Estro Cromatico, collaborating with well-known singers such as sopranos Nuria Rial, María Espada, Mária Zádori and counter-tenor Roberto Balconi. He also collaborates ao with Accademia Bizantina (Ottavio Dantone), Europa Galante (Fabio Biondi), Il Giardino Armonico (Giovanni Antonini) and Venice Baroque Orchestra (Andrea Marcon). He has also performed with the Milan Teatro alla Scala Orchestra directed by Ottavio Dantone, Giovanni Antonini and Rinaldo Alessandrini. He appears on CD and DVD recordings <b>...</b>
Ensemble Estro Cromatico, Milano Marco Scorticati flauto dolce Davide Pozzi clavicembalo Georg Friedrich Händel Sonata a Flauto e Cembalo in La min. (Live concert) Festival internazionale di Musica antica Settimane Barocche di Brescia 10 ottobre 2008, Nave (BS), Italy MARCO SCORTICATI Born in Milan in 1980, he begun studying recorder at a very early age. He took lessons from Giovanni Antonini (from 1990 to '97), Pedro Memelsdorff (with whom he graduated in '99 at the Civica Scuola di Musica Antica in Milan), Walter van Hauwe (from 1999 to 2001 at the "Sweelinck" Conservatorium in Amsterdam) and Kees Boeke (at the Musikhochschule of Zurich, where he graduated in 2003). He also attended the "C. Pollini" Conservatory in Padua obtaining his degree in 1999 and studied composition with Fabio Vacchi at the "G. Verdi" Conservatory in Milan. He studied baroque transverse flute with Marco Brolli in Milan. As a recorder and transverse flute player he regularly performs with his ensemble Estro Cromatico, collaborating with well-known singers such as sopranos Nuria Rial, María Espada, Mária Zádori and counter-tenor Roberto Balconi. He also collaborates ao with Accademia Bizantina (Ottavio Dantone), Europa Galante (Fabio Biondi), Il Giardino Armonico (Giovanni Antonini) and Venice Baroque Orchestra (Andrea Marcon). He has also performed with the Milan Teatro alla Scala Orchestra directed by Ottavio Dantone, Giovanni Antonini and Rinaldo Alessandrini. He appears on CD and DVD recordings <b>...</b>
Jake Shimabukuro LIVE Ukulele Concert: While My Guitar Gently Weeps
This concert series is a part of my filmmaking portfolio. Visit my channel for more or youtube.com/kill9tv to see my latest work in the realm of comedy web series. Cheers, Michelle "Kenobi" Osorio, Director. ** More than a MILLION views! Thanks, guys! Jake performs his famous cover of George Harrison's classic, with a new extended intro. Directed and edited by: Michelle Osorio (that's me!) Venue: Belly Up Tavern Camera Operators: Jim Vinson & Michelle Osorio Alot of people ask me questions about camera work, filmmaking, technique, etc. I now have a video blog that is mostly about filmmaking. Be sure to subscribe! www.youtube.com And don't miss the geek comedy web series I co-created, ./shutdown: www.youtube.com
This concert series is a part of my filmmaking portfolio. Visit my channel for more or youtube.com/kill9tv to see my latest work in the realm of comedy web series. Cheers, Michelle "Kenobi" Osorio, Director. ** More than a MILLION views! Thanks, guys! Jake performs his famous cover of George Harrison's classic, with a new extended intro. Directed and edited by: Michelle Osorio (that's me!) Venue: Belly Up Tavern Camera Operators: Jim Vinson & Michelle Osorio Alot of people ask me questions about camera work, filmmaking, technique, etc. I now have a video blog that is mostly about filmmaking. Be sure to subscribe! www.youtube.com And don't miss the geek comedy web series I co-created, ./shutdown: www.youtube.com
