Thou knowest, Lord, the secrets of our hearts (Purcell)
- Classical music composed by Henry Purcell This is one of Henry Purcell's anthems, written for the funeral of Queen Mary II in 1695. It was performed in December last year in the church of the Holy Sepulchre, Warsaw, Poland at a concert in aid of the Halemba Tragedy, by the Fundacja Nowa Orkiestra Kameralna Choir ( www.fnok.pl ) and conducted by Richard Bylicki Berkeley.
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YOU CANNOT START WITHOUT ME - Valery Gergiev - Maestro Trailer
Valery Gergiev is widely acclaimed as one of the leading conductors of our time. Currently director of the Mariinsky Theater in St. Petersburg, he also holds posts at the Metropolitan Opera in New York, the London Symphony Orchestra, and the Rotterdam Orchestra, among others. You Cannot Start Without Me offers viewers an exclusive year in the life look at Gergiev on the go: rehearsal excerpts and performance sequences will be interspersed with the Maestros myriad of activities in London, New York and St. Petersburg over the course of a season to create an intimate portrait of a true classical music dynamo. In cinema verité style, the camera will capture his process and communications with musicians to illuminate his rehearsal strategy and technique—how he knows when to stop, when to speak, and when not to interrupt the music, encouraging or correcting with a glance. Proceeding on several levels simultaneously, this performance-documentary will allow viewers to know and understand Gergiev the man in order to better appreciate the brilliance of Gergiev the conductor.
Valery Gergiev is widely acclaimed as one of the leading conductors of our time. Currently director of the Mariinsky Theater in St. Petersburg, he also holds posts at the Metropolitan Opera in New York, the London Symphony Orchestra, and the Rotterdam Orchestra, among others. You Cannot Start Without Me offers viewers an exclusive year in the life look at Gergiev on the go: rehearsal excerpts and performance sequences will be interspersed with the Maestros myriad of activities in London, New York and St. Petersburg over the course of a season to create an intimate portrait of a true classical music dynamo. In cinema verité style, the camera will capture his process and communications with musicians to illuminate his rehearsal strategy and technique—how he knows when to stop, when to speak, and when not to interrupt the music, encouraging or correcting with a glance. Proceeding on several levels simultaneously, this performance-documentary will allow viewers to know and understand Gergiev the man in order to better appreciate the brilliance of Gergiev the conductor.
Mendelssohn: Song Without Words, op. 19 no. 1
Felix Mendelssohn (1809-1847) was a pianist, organist, and composer who belongs to the "first generation" of 19th-century romantic composers (along with Berlioz, Chopin, Schumann, and Liszt). Mendelssohn's music was unique among composers of his era in that it was more rooted in classical traditions than the music of his contemporaries--in other words, he was more a classical composer living in the romantic era rather than a purely romantic composer (like Schumann, for example). Mendelssohn's music is marked by grace, elegance, and beautiful melodies.
Felix Mendelssohn (1809-1847) was a pianist, organist, and composer who belongs to the "first generation" of 19th-century romantic composers (along with Berlioz, Chopin, Schumann, and Liszt). Mendelssohn's music was unique among composers of his era in that it was more rooted in classical traditions than the music of his contemporaries--in other words, he was more a classical composer living in the romantic era rather than a purely romantic composer (like Schumann, for example). Mendelssohn's music is marked by grace, elegance, and beautiful melodies.
Songs Without Words Op19 1 Felix Mendelssohn
Lieder ohne Worte (songs without words) Opus 19 song 1 Composed 1830-32 by Felix Mendelssohn I loved it the moment I heard it! I had to share it.
Lieder ohne Worte (songs without words) Opus 19 song 1 Composed 1830-32 by Felix Mendelssohn I loved it the moment I heard it! I had to share it.
Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.
This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Johann Strauss II - The Blue Danube Waltz
Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Title : Johann Strauss II , The Blue Danube WaltzDate : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Thou Knowest Lord The Secrets Of Our Hearts
Henry Purcell wrote this anthem for the funeral of Queen Mary in 1694. He died himself a year later.
Henry Purcell wrote this anthem for the funeral of Queen Mary in 1694. He died himself a year later.
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Child Prodigy Wonders Of Innocence Part 23
Prelude
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
PreludeShirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
Antonio Vivaldi - The Four Seasons
concerto Teatro Asioli di Correggio 2005 ENSEMBLE GUIDANTUS www.ensembleguidantus.com
concerto Teatro Asioli di Correggio 2005 ENSEMBLE GUIDANTUS www.ensembleguidantus.com
Our Farewell - Within Temptation
READ: This song is NOT our farewell by within temptation, but it's "moldau" by smetana, I had to change the audio due to a copyright claim. I'm very sorry for this. New upload: www.youtube.com A music video made by Kittenzilla. Contains random images I found on the web. This video is purely fanmade, I do not own any of the images music, they are not mine, etc. Song: Our Farewell Artist: Within Temptation Please check my other video's and rate & comment!! :) Thanks, Cynthia PS: There are some images from "Pon and Zi". They aren't made by me, but by Azuzephre.
READ: This song is NOT our farewell by within temptation, but it's "moldau" by smetana, I had to change the audio due to a copyright claim. I'm very sorry for this. New upload: www.youtube.com A music video made by Kittenzilla. Contains random images I found on the web. This video is purely fanmade, I do not own any of the images music, they are not mine, etc. Song: Our Farewell Artist: Within Temptation Please check my other video's and rate & comment!! :) Thanks, Cynthia PS: There are some images from "Pon and Zi". They aren't made by me, but by Azuzephre.
My Favourite Classical Music (Part 2)
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
André Rieu Launches North American Tour
André Rieu, the world’s most popular classical artist who is renowned for his energetic and festive live concerts, is returning to North America in the fall for "An Evening with Andre Rieu." Rieu’s 2011 North American tour kicks off September 10 in Calgary, Alberta at the Scotiabank Saddledome, followed by 20 concerts in the East Coast and Midwest area. The complete itinerary can be found below. To view Multimedia News Release, go to http://multivu.prnewswire.com/mnr/prne/andrerieu/48906/André Rieu, the world’s most popular classical artist who is renowned for his energetic and festive live concerts, is returning to North America in the fall for "An Evening with Andre Rieu." Rieu’s 2011 North American tour kicks off September 10 in Calgary, Alberta at the Scotiabank Saddledome, followed by 20 concerts in the East Coast and Midwest area. The complete itinerary can be found below. To view Multimedia News Release, go to http://multivu.prnewswire.com/mnr/prne/andrerieu/48906/
André Rieu, the world’s most popular classical artist who is renowned for his energetic and festive live concerts, is returning to North America in the fall for "An Evening with Andre Rieu." Rieu’s 2011 North American tour kicks off September 10 in Calgary, Alberta at the Scotiabank Saddledome, followed by 20 concerts in the East Coast and Midwest area. The complete itinerary can be found below. To view Multimedia News Release, go to http://multivu.prnewswire.com/mnr/prne/andrerieu/48906/André Rieu, the world’s most popular classical artist who is renowned for his energetic and festive live concerts, is returning to North America in the fall for "An Evening with Andre Rieu." Rieu’s 2011 North American tour kicks off September 10 in Calgary, Alberta at the Scotiabank Saddledome, followed by 20 concerts in the East Coast and Midwest area. The complete itinerary can be found below. To view Multimedia News Release, go to http://multivu.prnewswire.com/mnr/prne/andrerieu/48906/
Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart. This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic. Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart. This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic. Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
