Sonata para piano ( Claro de Luna ) Richard Clayderman
- Classical music composed by Ludwig van Beethoven Sonata para piano nº 14 (Beethoven) es el nombre que recibe la Sonata Nº 14 en Do sostenido menor "Quasi una fantasia", Op.27, Nº 2, de Ludwig van Beethoven. Se trata de una de las obras más conocidas del autor, junto con el primer movimiento de la Quinta Sinfonía y su obra de piano Para Elisa. Nótese que Claro de Luna es un nombre incorrecto, ya que esa es una pieza del autor francés Claude Debussy. Compuesta en 1801, estuvo dedicada a su alumna, la Condesa Giulietta Guicciardi, de 17 años, y de quien se decía que estaba enamorado. El apodo "Claro de Luna" se haría popular después de la muerte de Beethoven, surgiendo a raíz de una comparación que el poeta y crítico musical alemán Ludwig Rellstab realizó entre el primer movimiento de la pieza y el claro de luna del Lago de Lucerna. (wikipedia)
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Moonlight Sonata, 1st Movement - Ludwig van Beethoven
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
First Movement from Piano Sonata in E-flat minor - Samuel Barber
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.
Piano Sonata by Aaron Copland
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Mario Ajero performs the first movement of the Piano Sonata (1939-1941) by the American composer, Aaron Copland. This performance was at Paul F. Sharp Concert Hall at the Catlett Music Center at the University of Oklahoma. For more performances, visit The Piano Podcast on iTunes and http://marioajero.blogspot.com
Cinema Paradiso: Love Theme
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
Intersection Cinema Paradiso
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classical cinema paradiso piano cello violin Kristina Reiko Cooper John Novacek Laura Frautschi Intersection
Cinema Paradiso: Main Title (Ennio Morricone)
"Cinema Paradiso" by Ennio Morricone My arrangement No tabs or scores available from me. I don't have anything written down! Taylor NS54-CE, hybrid classical
"Cinema Paradiso" by Ennio Morricone My arrangement No tabs or scores available from me. I don't have anything written down! Taylor NS54-CE, hybrid classical
Música china tradicional (clásica) para la guitarra China y la cí
La belleza y gracia de la música tradicional china, relajación y meditación, interpretada por la famosa virtuoso - solista Liu Fang en el laúd chino (pipa, o la guitarra China) y la cítara china (guzheng) - El encanto de la música clásica oriental! Liu Fang plays "mei hua san nong" (Three variation of plum blossom) on guzheng and "Ba Wang xie Jia" on pipa, with introduction by Lorraine Chalifoux of Radio-Canada, extracted from a documentary of CBC TV (BravoCanada). Note that Ms Chalifoux compares Chinese traditional classical music with western classical music such as Bach, Mozart and Beethoven: "Just like the western classical music that can touch the hearts of Chinese people, so the music Liu Fang interprets can equally touch the heart of Quebecoises". Chinesische Musik aus der klassischen Tradition Literaten: Liu Fang spielt die berühmten Guqin-Musik "Drei Variationen von Pflaumenblüte" auf der Zither Guzheng und "Ba Jia Wang Xie" auf der Laute Pipa. Music Video Clip von CBC TV. Chinese traditionele muziek voor luit (of gitaar) pipa en citer guzheng. música tradicional chinesa da tradição clássica literatos para guzheng (cítara chinesa) e pipa (alaúde chinês). Solista: Liu Fang (劉芳). Традиционная китайская музыка от классической традиции литераторов для гуженг (китайская цитра) и пипа (китайский лютня). Солист: Лю Фан (劉芳). 중국전통음악: 리우팡의비파연주中国琵琶と古箏奏者劉芳の芸術短片來自加拿大電視台BRAVO頻道（綜藝）2008年一月十二日晚播放的紀錄片。 這裡摘錄了琵琶 <b>...</b>
La belleza y gracia de la música tradicional china, relajación y meditación, interpretada por la famosa virtuoso - solista Liu Fang en el laúd chino (pipa, o la guitarra China) y la cítara china (guzheng) - El encanto de la música clásica oriental! Liu Fang plays "mei hua san nong" (Three variation of plum blossom) on guzheng and "Ba Wang xie Jia" on pipa, with introduction by Lorraine Chalifoux of Radio-Canada, extracted from a documentary of CBC TV (BravoCanada). Note that Ms Chalifoux compares Chinese traditional classical music with western classical music such as Bach, Mozart and Beethoven: "Just like the western classical music that can touch the hearts of Chinese people, so the music Liu Fang interprets can equally touch the heart of Quebecoises". Chinesische Musik aus der klassischen Tradition Literaten: Liu Fang spielt die berühmten Guqin-Musik "Drei Variationen von Pflaumenblüte" auf der Zither Guzheng und "Ba Jia Wang Xie" auf der Laute Pipa. Music Video Clip von CBC TV. Chinese traditionele muziek voor luit (of gitaar) pipa en citer guzheng. música tradicional chinesa da tradição clássica literatos para guzheng (cítara chinesa) e pipa (alaúde chinês). Solista: Liu Fang (劉芳). Традиционная китайская музыка от классической традиции литераторов для гуженг (китайская цитра) и пипа (китайский лютня). Солист: Лю Фан (劉芳). 중국전통음악: 리우팡의비파연주中国琵琶と古箏奏者劉芳の芸術短片來自加拿大電視台BRAVO頻道（綜藝）2008年一月十二日晚播放的紀錄片。 這裡摘錄了琵琶 <b>...</b>
Summertime - Piano Improvisation
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
The Next Mozart 6-Year Old Piano Prodigy Wows All
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
Vitaly Pisarenko plays Standchen (Serenade) by Schubert/Liszt
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Die Moldau (Smetana)
Der stille Bach zur Moldaumusik ! Das komplette Video gibt es auf meinem NatureandClassic Kanal ! (Hier ist nur die gekürzte Version): www.youtube.com Hier sehen sie Aufnahmen vom Stillen Bach in Weingarten. (bei Ravensburg) Oberschwaben) Für die Musik habe ich eine Lizenz ! Leider...
Der stille Bach zur Moldaumusik ! Das komplette Video gibt es auf meinem NatureandClassic Kanal ! (Hier ist nur die gekürzte Version): www.youtube.com Hier sehen sie Aufnahmen vom Stillen Bach in Weingarten. (bei Ravensburg) Oberschwaben) Für die Musik habe ich eine Lizenz ! Leider...
My Favourite Classical Music (Part 2)
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
Edgar Cruz - Bohemian Rhapsody (classical guitar)
videoprogressions.tv "Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
videoprogressions.tv "Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
claro de luna - debussy
La Suite bergamasque de Claude Debussy es una suite para piano en varios movimientos. Aunque fue escrita en 1890, la obra no se publicó hasta 1905, y eso pese a que su autor intentó que no viese la luz, pues creía que esta obra de juventud estaba muy por debajo del nivel de sus composiciones más modernas. La Suite toma su nombre de las máscaras de la Commedia dell'Arte de Bérgamo (Comedia del arte de Bérgamo) y está inspirada en las Fêtes galantes (Fiestas galantes) de Verlaine. Está dividida en cuatro piezas: un Preludio, un Minueto, el Claro de luna (la pieza más popular de Debussy) y un dinámico y contrastante Pasapiés.
La Suite bergamasque de Claude Debussy es una suite para piano en varios movimientos. Aunque fue escrita en 1890, la obra no se publicó hasta 1905, y eso pese a que su autor intentó que no viese la luz, pues creía que esta obra de juventud estaba muy por debajo del nivel de sus composiciones más modernas. La Suite toma su nombre de las máscaras de la Commedia dell'Arte de Bérgamo (Comedia del arte de Bérgamo) y está inspirada en las Fêtes galantes (Fiestas galantes) de Verlaine. Está dividida en cuatro piezas: un Preludio, un Minueto, el Claro de luna (la pieza más popular de Debussy) y un dinámico y contrastante Pasapiés.
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
1Luna Leonora duetto, Verdi: Il Trovatore
www.michelekalmandi.com Conte di Luna Michele Kalmandi Leonora: Anda-Louise Bogza Verdi: Il Trovatore Cond.: Maestro Alessandro Pagliazzi Live recording OpernAir Gars am Kamp, Austria 2007. e-mail: baritonokalmandi@yahoo.it In Settembre / Ottobre 2010 Michele Kalmandi canterá il ruolo di protagonista nel Macbeth Verdiano con la New Zealand Opera, a Wellington e Auckland, lavorando con il regista di fama mondiale Tim Albery. Durante la stagione teatrale 2009-2010 interpreta con grande successo il ruolo di NABUCCO nel teatro „Aalto Opera" di Essen, Germania ed viene invitato anche per la prossima stagione per ulteriore rappresentazioni; canta all'Opera di Stato di Budapest il ruolo di WOLFRAM (Tannhäuser) nel Novembre 2009. Sempre a Budapest e RODRIGO POSA in „Don Carlos" nel Gennaio 2010, cosí come nelle riprese di Maggio. Nelle recite di Maggio 2010 canterá al fianco di Norma Fantini, Ferruccio Furlanetto e Giuseppe Gipali, sotto la bachetta di M° Adam Fischer. Nel Giugno 2010 canterá il ruolo di SCARPIA (Puccini: Tosca) al Teatro Reale di Stoccolma sotto la direzione del M° Pier Giorgio Morandi; nel Luglio 2010 sará di nuovo NABUCCO a Regensburg, Germania nel Festival Estivo „Thurn und Taxis Schlossfestspiele". Nel Febbraio 2010 canta in Finlandia a Helsinki, Turku e Kuopio concerti di promozione per Savonlinna Festival, con arie di Donizetti, Verdi e Puccini sotto la direzione del M° Alberto Hold-Garrido. Recentemente nel Dicembre 2009 ha cantato il CONTE DI LIUNA <b>...</b>
www.michelekalmandi.com Conte di Luna Michele Kalmandi Leonora: Anda-Louise Bogza Verdi: Il Trovatore Cond.: Maestro Alessandro Pagliazzi Live recording OpernAir Gars am Kamp, Austria 2007. e-mail: baritonokalmandi@yahoo.it In Settembre / Ottobre 2010 Michele Kalmandi canterá il ruolo di protagonista nel Macbeth Verdiano con la New Zealand Opera, a Wellington e Auckland, lavorando con il regista di fama mondiale Tim Albery. Durante la stagione teatrale 2009-2010 interpreta con grande successo il ruolo di NABUCCO nel teatro „Aalto Opera" di Essen, Germania ed viene invitato anche per la prossima stagione per ulteriore rappresentazioni; canta all'Opera di Stato di Budapest il ruolo di WOLFRAM (Tannhäuser) nel Novembre 2009. Sempre a Budapest e RODRIGO POSA in „Don Carlos" nel Gennaio 2010, cosí come nelle riprese di Maggio. Nelle recite di Maggio 2010 canterá al fianco di Norma Fantini, Ferruccio Furlanetto e Giuseppe Gipali, sotto la bachetta di M° Adam Fischer. Nel Giugno 2010 canterá il ruolo di SCARPIA (Puccini: Tosca) al Teatro Reale di Stoccolma sotto la direzione del M° Pier Giorgio Morandi; nel Luglio 2010 sará di nuovo NABUCCO a Regensburg, Germania nel Festival Estivo „Thurn und Taxis Schlossfestspiele". Nel Febbraio 2010 canta in Finlandia a Helsinki, Turku e Kuopio concerti di promozione per Savonlinna Festival, con arie di Donizetti, Verdi e Puccini sotto la direzione del M° Alberto Hold-Garrido. Recentemente nel Dicembre 2009 ha cantato il CONTE DI LIUNA <b>...</b>
Richard Clayderman - Healing Medley
awesome relaxing soothing music.. This music is to help you relax, and calm you....Stress reliever A piece of music solo Piano for Richard Clayderman Biography: With his lush, sophisticated, instrumental, approach to pop music, Richard Clayderman (born: Phillipe Pages) is, according to The Guinness Book of World Records, "the most successful pianist in the world." Clayderman's albums routinely sell millions of copies and his concerts are quickly sold out. In a review of his 1985 Carnegie Hall concert, Variety wrote, "(Clayderman's) main appeal lies in his youth and boyish good looks...coupled with his gentlemanly charm and his thick French accent, they promise to rope in the romantically inclined middle-aged Yank ladies who cotton to this ilk of soothing entertainment." Nancy Reagan referred to Clayderman as "the prince of romance." Instructed in classical piano by his father, Clayderman enrolled in the Paris Conservatory of Music at the age of twelve. Four years later, he placed first in a piano competition at the school. Despite his classical background, Clayderman opted for popular music when he launched his professional career. A tour as opening act for French rock musician Johnny Hollyday introduced him to an international following. Clayderman's debut album, Ballade Pour Adeline, recorded at the urging of producers and composers Oliver Toussaint and Paul De Senneville in 1977, sold more than twenty million copies and was distributed in 38 countries. Clayderman, who <b>...</b>
awesome relaxing soothing music.. This music is to help you relax, and calm you....Stress reliever A piece of music solo Piano for Richard Clayderman Biography: With his lush, sophisticated, instrumental, approach to pop music, Richard Clayderman (born: Phillipe Pages) is, according to The Guinness Book of World Records, "the most successful pianist in the world." Clayderman's albums routinely sell millions of copies and his concerts are quickly sold out. In a review of his 1985 Carnegie Hall concert, Variety wrote, "(Clayderman's) main appeal lies in his youth and boyish good looks...coupled with his gentlemanly charm and his thick French accent, they promise to rope in the romantically inclined middle-aged Yank ladies who cotton to this ilk of soothing entertainment." Nancy Reagan referred to Clayderman as "the prince of romance." Instructed in classical piano by his father, Clayderman enrolled in the Paris Conservatory of Music at the age of twelve. Four years later, he placed first in a piano competition at the school. Despite his classical background, Clayderman opted for popular music when he launched his professional career. A tour as opening act for French rock musician Johnny Hollyday introduced him to an international following. Clayderman's debut album, Ballade Pour Adeline, recorded at the urging of producers and composers Oliver Toussaint and Paul De Senneville in 1977, sold more than twenty million copies and was distributed in 38 countries. Clayderman, who <b>...</b>
Steven Rosen and Richard Goering live on ICN6 T.V.
Steven Rosen and Richard Goering,<br />The LeVassor Duo,live on ICN6 Northern Kentucky Magazine with Nancy James, Jan,18,2010. Playing Erev Shel Shoshanim and The Heyser Bulgar, (HOT BULGAR).<br />A PINCH OF OY, A DASH OF AHH! A BISSEL KRECTSER A BISSEL KVELLER .<br />Available at:<br />http://www.cdbaby.com/cd/rosengoering#<br />and:<br />http://www.ourjewishcommunity.org/?s=a+pinch+of+oy%2C+a+dash+of+ah<br />and:<br />These 2 songs are available for individual download at:<br />http://itunes.apple.com/us/album/a-bigger-pinch-of-oy/id385134333<br />or:<br />http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=a+pinch+of+oy&x=0&y=0<br /> Musicians' Bios: St. Paul, Minnesota native Steven Rosen joined the Cincinnati Symphony in 1982. He was previously a member of both the Netherlands Rotterdam Philharmonic and the Israel Chamber Orchestra. He attended the Cleveland Institute of Music and is a former principal violist and soloist with the Toledo Symphony.<br />http://www.facebook.com/pages/LeVassor-duo/248614137294?ref=ts
Steven Rosen and Richard Goering,<br />The LeVassor Duo,live on ICN6 Northern Kentucky Magazine with Nancy James, Jan,18,2010. Playing Erev Shel Shoshanim and The Heyser Bulgar, (HOT BULGAR).<br />A PINCH OF OY, A DASH OF AHH! A BISSEL KRECTSER A BISSEL KVELLER .<br />Available at:<br />http://www.cdbaby.com/cd/rosengoering#<br />and:<br />http://www.ourjewishcommunity.org/?s=a+pinch+of+oy%2C+a+dash+of+ah<br />and:<br />These 2 songs are available for individual download at:<br />http://itunes.apple.com/us/album/a-bigger-pinch-of-oy/id385134333<br />or:<br />http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=a+pinch+of+oy&x=0&y=0<br /> Musicians' Bios: St. Paul, Minnesota native Steven Rosen joined the Cincinnati Symphony in 1982. He was previously a member of both the Netherlands Rotterdam Philharmonic and the Israel Chamber Orchestra. He attended the Cleveland Institute of Music and is a former principal violist and soloist with the Toledo Symphony.<br />http://www.facebook.com/pages/LeVassor-duo/248614137294?ref=ts
Richard Wagner's, Wedding March, String Quartet sheet music - Video
http://www.virtualsheetmusic.com/video46<br />Virtual Sheet Music presents the famous Wagner's Wedding March for a String Quartet. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about String Quartet sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
http://www.virtualsheetmusic.com/video46<br />Virtual Sheet Music presents the famous Wagner's Wedding March for a String Quartet. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about String Quartet sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
Richard Wagner - Siegfried Funeral March (HD)
Ho sempre temuto ("artisticamente parlando") questo brano spettacolare di musica classica. A mio modo di vedere è la piu' alta e potente rappresentazione musicale accostabile a Dio. La parte fra il minuto 2.50 fino alla fine e' sublime. Il video vuole essere un tributo alla potenza generatrice della Terra e di Colui che tutto ha creato (con un piccolo cammeo in onore della Trilogia del Nibelungo). I always feared (artistically speaking) this spectacular piece of classical music. The way I see it is the most 'high and mighty musical performance be compared to God's hand between the minute 2:50 to the end and' sublime. The video is a tribute to the generative power of the Earth and everything that He has created (with a cameo in honor of the Trilogy of the Nibelung). By IlSignoreNeroo blog.libero.it
Ho sempre temuto ("artisticamente parlando") questo brano spettacolare di musica classica. A mio modo di vedere è la piu' alta e potente rappresentazione musicale accostabile a Dio. La parte fra il minuto 2.50 fino alla fine e' sublime. Il video vuole essere un tributo alla potenza generatrice della Terra e di Colui che tutto ha creato (con un piccolo cammeo in onore della Trilogia del Nibelungo). I always feared (artistically speaking) this spectacular piece of classical music. The way I see it is the most 'high and mighty musical performance be compared to God's hand between the minute 2:50 to the end and' sublime. The video is a tribute to the generative power of the Earth and everything that He has created (with a cameo in honor of the Trilogy of the Nibelung). By IlSignoreNeroo blog.libero.it
RICHARD CLAYDERMAN LIVE IN JAPAN 1983
Richard Clayderman playing in Japan in 1983 one of my favorite classical songs: Concerto pour une jeune fille nommee "Je t'aime" Enjoy it!
Richard Clayderman playing in Japan in 1983 one of my favorite classical songs: Concerto pour une jeune fille nommee "Je t'aime" Enjoy it!
