Tongthong (age 7) : Henry Lemoine's Etude Op.37 No.17 and Beethoven'
- Classical music Henry Lemoine ( Etude Op. 37 No.17 ) LV Beethoven ( Sonatina in G Major), played by Tongthong ( Pert ) when he was 7 years old
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9-year-old Tongthong ธงทอง : Thailand's got Talent
Tongthong Tongthong ( Pert ) ; Age 7 : First Prize Winner - Piano Duet ( Category : Age 8 and under ) Yamaha Thailand Music Festival 2008 / Age 8 : First Prize Winner - Classical Piano ( Category : Age 8 and under ) Yamaha Thailand Music Festival 2009 / Age 9 : First Prize Winner - Classical Piano ( Category : Age 11 and under ) Yamaha Thailand Music Festival 2010 / **************************************************************************************** In this VDO ; - Alfredo Casella's Polka Gallop / Friedrich Burgmuller's Douce Plainte Op.100 No.16 / JS Bach's Little Prelude in E Major - BWV 937 --- performed when he was 8 yrs old - Felix Mendelssohn's Kinderstucke Op.72 No.6 Vivace --- performed when he was 9 yrs old =Special Thanks to Aj. Porntip Wong-ariyakawee= **************************************************************************************** ด.ช.ธงทอง ธงทอง ( Pert ) ; - 7 ขวบ : ชนะเลิศ Piano Duet ( รุ่นอายุไม่เกิน 8 ปี ) Yamaha Thailand Music Festival 2008 - 8 ขวบ : ชนะเลิศ Classical Piano ( รุ่นอายุไม่เกิน 8 ปี ) Yamaha Thailand Music Festival 2009 - 9 ขวบ : ชนะเลิศ Classical Piano ( รุ่นอายุไม่เกิน 11 ปี ) Yamaha Thailand Music Festival 2010 ****************************************************************************************
Tongthong Tongthong ( Pert ) ; Age 7 : First Prize Winner - Piano Duet ( Category : Age 8 and under ) Yamaha Thailand Music Festival 2008 / Age 8 : First Prize Winner - Classical Piano ( Category : Age 8 and under ) Yamaha Thailand Music Festival 2009 / Age 9 : First Prize Winner - Classical Piano ( Category : Age 11 and under ) Yamaha Thailand Music Festival 2010 / **************************************************************************************** In this VDO ; - Alfredo Casella's Polka Gallop / Friedrich Burgmuller's Douce Plainte Op.100 No.16 / JS Bach's Little Prelude in E Major - BWV 937 --- performed when he was 8 yrs old - Felix Mendelssohn's Kinderstucke Op.72 No.6 Vivace --- performed when he was 9 yrs old =Special Thanks to Aj. Porntip Wong-ariyakawee= **************************************************************************************** ด.ช.ธงทอง ธงทอง ( Pert ) ; - 7 ขวบ : ชนะเลิศ Piano Duet ( รุ่นอายุไม่เกิน 8 ปี ) Yamaha Thailand Music Festival 2008 - 8 ขวบ : ชนะเลิศ Classical Piano ( รุ่นอายุไม่เกิน 8 ปี ) Yamaha Thailand Music Festival 2009 - 9 ขวบ : ชนะเลิศ Classical Piano ( รุ่นอายุไม่เกิน 11 ปี ) Yamaha Thailand Music Festival 2010 ****************************************************************************************
Edvard Grieg : Elfin Dance (Elfentanz), by Tongthong (age 8)
Edvard Grieg : Elfin Dance ( Elfentanz ) - Grieg Lyric Pieces Book I Op.12 No.4 Fairy Dance, played by Tongthong when he was 8 years old
Edvard Grieg : Elfin Dance ( Elfentanz ) - Grieg Lyric Pieces Book I Op.12 No.4 Fairy Dance, played by Tongthong when he was 8 years old
Alfredo Casella : Galop Final (Polka Gallop), by Tongthong (age 8)
Alfredo Casella : Galop Final ( Polka Gallop ), played by Tongthong ( Pert ) when he was 8 years old
Alfredo Casella : Galop Final ( Polka Gallop ), played by Tongthong ( Pert ) when he was 8 years old
Mendelssohn : Kinderstucke Op.72 No.6 Vivace, by Tongthong (age 9)
Felix Mendelssohn : Kinderstucke / Christmas Pieces Op. 72 No.6 Vivace, played by Tongthong ( Pert ) when he was 9 years old
Felix Mendelssohn : Kinderstucke / Christmas Pieces Op. 72 No.6 Vivace, played by Tongthong ( Pert ) when he was 9 years old
Umi Garrett: Golliwogg's cakewalk by Debussy (age10)
bit.ly ♫ bit.ly ♫ bit.ly July 2010. Umi Garrett performed a recital at Barkley Theatre, Irvine, California for the annual reception of Philharmonic Society of Orange County. Umi playing with Keith Lockhart of the Boston Pops! Gotta love this video... -- Umi Garrett is a phenomenon. She is known to the world as the 10 year old girl who can play the piano upside down. Classically trained, Umi made headlines all over the world after appearing on the Ellen DeGeneres show and wowing audiences; she's played concerts in places like Steinway Hall in New York City and with amazing people like those of the Boston Pops Symphony Orchestra, all in the last 3 years of her admittedly long life. Indeed, it's not hard to see why Umi Garrett is truly an inspiration to us all.
bit.ly ♫ bit.ly ♫ bit.ly July 2010. Umi Garrett performed a recital at Barkley Theatre, Irvine, California for the annual reception of Philharmonic Society of Orange County. Umi playing with Keith Lockhart of the Boston Pops! Gotta love this video... -- Umi Garrett is a phenomenon. She is known to the world as the 10 year old girl who can play the piano upside down. Classically trained, Umi made headlines all over the world after appearing on the Ellen DeGeneres show and wowing audiences; she's played concerts in places like Steinway Hall in New York City and with amazing people like those of the Boston Pops Symphony Orchestra, all in the last 3 years of her admittedly long life. Indeed, it's not hard to see why Umi Garrett is truly an inspiration to us all.
Daniel Gortler - Langsam getragen. (Fantasie in C major, Op. 17) (R.
This recording of selected piano works by Robert Schumann was conceived as a tribute to the composer on the occasion of the 200th anniversary of his birth Fantasie (Obolen auf Beethovens Monument) in C major, Op. 17 III - Langsam getragen. Durchweg leise zu halten - Etwas bewegter (Romeo Records, NY) R. Schumann 2 CDs Album, Romeo (NEW) . International Record Review,Britain February 2011 Edition The Israeli pianist Daniel Gortler has been performing to steady international acclaim since winning third prize in the Geneva Competition in 1984. His recordings include the complete Mendelssohn Songs Without Words as well as a collection of Schubert songs with soprano Sharon-Rostorf Zamir (both for Romeo Records). In the present two-disc Schumann set, which is my introduction to his playing, he reveals a high level of technical refinement and-more importantly- a distinctive musical personality. In this over-familiar repertoire, which sometimes invites interpretative extremes, he wins by playing simply and directly. This is not to say that he plays without color and imagination, for these are in abundance, but rather to say that at no moment does he let his pianism draw our attention away from the music. He seems to deliver the letter as well as the spirit of these scores in a way that is rare among younger pianists. It is especially refreshing to hear such musicality applied to Op. 13, a work that is often played mainly as a technical tour de force but that is here treated as a <b>...</b>
This recording of selected piano works by Robert Schumann was conceived as a tribute to the composer on the occasion of the 200th anniversary of his birth Fantasie (Obolen auf Beethovens Monument) in C major, Op. 17 III - Langsam getragen. Durchweg leise zu halten - Etwas bewegter (Romeo Records, NY) R. Schumann 2 CDs Album, Romeo (NEW) . International Record Review,Britain February 2011 Edition The Israeli pianist Daniel Gortler has been performing to steady international acclaim since winning third prize in the Geneva Competition in 1984. His recordings include the complete Mendelssohn Songs Without Words as well as a collection of Schubert songs with soprano Sharon-Rostorf Zamir (both for Romeo Records). In the present two-disc Schumann set, which is my introduction to his playing, he reveals a high level of technical refinement and-more importantly- a distinctive musical personality. In this over-familiar repertoire, which sometimes invites interpretative extremes, he wins by playing simply and directly. This is not to say that he plays without color and imagination, for these are in abundance, but rather to say that at no moment does he let his pianism draw our attention away from the music. He seems to deliver the letter as well as the spirit of these scores in a way that is rare among younger pianists. It is especially refreshing to hear such musicality applied to Op. 13, a work that is often played mainly as a technical tour de force but that is here treated as a <b>...</b>
Georg Philipp Telemann (1681-1767) - Concerto for Flauto Traverso an
Ars Antigua Presents - Georg Philipp Telemann (1681-1767) - Concerto for Flauto Traverso and Strings in G-Major Our program this month (features the rarely performed Concerto for Flauto Traverso and strings in G Major by Georg Philipp Telemann (1681-1767). This performance by Ars Antigua directed by Jerry Fuller features baroque flute soloist Cuauhetemoc Trejo. Telemanns little performed, but excellent, flute concerto is in the French style with a tip of the hat to Polish music in the last movement. Unlike the typical baroque concerto in 3 movements, this concerto is in four character movements, which hints of the French orchestra suite with its prominent dance rhythms. ArsAntiguaPresents.com, directed by Jerry Fuller, is a series free video web cast programs of music from the Renaissance, Baroque, and Classical eras performed on period instruments.Video production by Phillip W. Serna for ArsAntiguaPresents.com.Copyright 2009 Jerry Fuller. This work is licensed under a Creative Commons Attribution Noncommercial Share Alike 3.0 License. Jason Heath, podmaster Phillip W. Serna, Youtube channelmaster ArsAntiguaPresents.com is edited and mixed by Jesse McQuarters, producer at the WFMT Radio Network and Associate Producer of Exploring Music with Bill McGlaughlin. For more information on Ars Antigua Presents programming, visit www.arsantiguapresents.com
Ars Antigua Presents - Georg Philipp Telemann (1681-1767) - Concerto for Flauto Traverso and Strings in G-Major Our program this month (features the rarely performed Concerto for Flauto Traverso and strings in G Major by Georg Philipp Telemann (1681-1767). This performance by Ars Antigua directed by Jerry Fuller features baroque flute soloist Cuauhetemoc Trejo. Telemanns little performed, but excellent, flute concerto is in the French style with a tip of the hat to Polish music in the last movement. Unlike the typical baroque concerto in 3 movements, this concerto is in four character movements, which hints of the French orchestra suite with its prominent dance rhythms. ArsAntiguaPresents.com, directed by Jerry Fuller, is a series free video web cast programs of music from the Renaissance, Baroque, and Classical eras performed on period instruments.Video production by Phillip W. Serna for ArsAntiguaPresents.com.Copyright 2009 Jerry Fuller. This work is licensed under a Creative Commons Attribution Noncommercial Share Alike 3.0 License. Jason Heath, podmaster Phillip W. Serna, Youtube channelmaster ArsAntiguaPresents.com is edited and mixed by Jesse McQuarters, producer at the WFMT Radio Network and Associate Producer of Exploring Music with Bill McGlaughlin. For more information on Ars Antigua Presents programming, visit www.arsantiguapresents.com
Igor Stravinsky: Agon (1957)
Igor Stravinsky (1882-1971): Agon, balletto per dodici danzatori (1957) -- Boston Symphony Orchestra diretta da Erich Leinsdorf -- I. Pas de quatre II. Double pas de quatre III. Triple pas de quatre IV. Prelude First pas de trois V. Sarabande-step VI. Gailliarde VII. Coda VIII. Interlude Second pas de trois IX. Bransle simple X. Bransle gay XI. Bransle double XII. Interlude XIII. Pas de deux XIV. Four duos XV. Four trios ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
Igor Stravinsky (1882-1971): Agon, balletto per dodici danzatori (1957) -- Boston Symphony Orchestra diretta da Erich Leinsdorf -- I. Pas de quatre II. Double pas de quatre III. Triple pas de quatre IV. Prelude First pas de trois V. Sarabande-step VI. Gailliarde VII. Coda VIII. Interlude Second pas de trois IX. Bransle simple X. Bransle gay XI. Bransle double XII. Interlude XIII. Pas de deux XIV. Four duos XV. Four trios ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
Maurice Duruflé : Requiem pour chœur et orgue (1947) 1/4 **MUST BE
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 1/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 1- Introït et Kyrie (7.45) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la plus virulente d'un <b>...</b>
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 1/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 1- Introït et Kyrie (7.45) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la plus virulente d'un <b>...</b>
Tine Thing Helseth: Haydn Trumpet Concerto, 3rd mvt
Get the SACD here: goo.gl iTunes: goo.gl Tine Thing Helseth made her recording debut release on SACD internationally in February 2008, toghether with Norwegian Chamber Orchestra. This video was made during the recording sessions.
Get the SACD here: goo.gl iTunes: goo.gl Tine Thing Helseth made her recording debut release on SACD internationally in February 2008, toghether with Norwegian Chamber Orchestra. This video was made during the recording sessions.
Brahms: Hungarian Dance 5 - 6 Cecchetto
Vittorio Cecchetto conducting "Città Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Vittorio Cecchetto conducting "Città Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Donal Fox: Scarlatti Jazz Suite Project
Donal Fox's jazz plays upon many traditions <br /><br />"Fox's band has the Modern Jazz Quartet's poise <br />and John Coltrane Quartet's power" <br /><br />Composer/pianist Donal Fox has forged a unique amalgam of jazz, Latin American, and classical music. Past projects have focused on Johann Sebastian Bach, but the centerpiece of Saturday night's Regattabar performance was a jazz suite incorporating the music of Domenico Scarlatti . <br /><br />Fox was accompanied by vibraphonist Stefon Harris, bassist John Lockwood , and drummer Terri Lyne Carrington. This instrumentation inevitably brings the Modern Jazz Quartet to mind, but Fox's band married that group's cool poise with the power and momentum of the John Coltrane Quartet. <br /><br />The opening number was based on an Astor Piazzolla tango. Rather than presenting the usual string of solos, piano and vibraphone engaged in a fluid, improvisatory dialogue. Lockwood and Carrington's bass and drums provided active but essentially supportive background for the friendly jousting of Fox and Harris. <br /><br />The second number was Fox's ``Inventions in Blue," which drew from Bach's Two-Part Invention No. 4 in D Minor. It began as a rapid, African-sounding vamp, spelled by lyrical piano chords that floated over the pulsating rhythm. Harris's swinging, bluesy solo was bouyed by Lockwood's walking bass and Carrington's urgent ride cymbal. <br /><br />By Kevin Lowenthal, Globe Correspondent June 2006 <br />© Copyright 2006 The New York Times Company
Donal Fox's jazz plays upon many traditions <br /><br />"Fox's band has the Modern Jazz Quartet's poise <br />and John Coltrane Quartet's power" <br /><br />Composer/pianist Donal Fox has forged a unique amalgam of jazz, Latin American, and classical music. Past projects have focused on Johann Sebastian Bach, but the centerpiece of Saturday night's Regattabar performance was a jazz suite incorporating the music of Domenico Scarlatti . <br /><br />Fox was accompanied by vibraphonist Stefon Harris, bassist John Lockwood , and drummer Terri Lyne Carrington. This instrumentation inevitably brings the Modern Jazz Quartet to mind, but Fox's band married that group's cool poise with the power and momentum of the John Coltrane Quartet. <br /><br />The opening number was based on an Astor Piazzolla tango. Rather than presenting the usual string of solos, piano and vibraphone engaged in a fluid, improvisatory dialogue. Lockwood and Carrington's bass and drums provided active but essentially supportive background for the friendly jousting of Fox and Harris. <br /><br />The second number was Fox's ``Inventions in Blue," which drew from Bach's Two-Part Invention No. 4 in D Minor. It began as a rapid, African-sounding vamp, spelled by lyrical piano chords that floated over the pulsating rhythm. Harris's swinging, bluesy solo was bouyed by Lockwood's walking bass and Carrington's urgent ride cymbal. <br /><br />By Kevin Lowenthal, Globe Correspondent June 2006 <br />© Copyright 2006 The New York Times Company
Cinema Paradiso: Love Theme
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
Henryk Szeryng plays Brahms Violin Concerto 1st Mov
Henryk Szeryng plays Brahms Violin Concerto in D Major, Op 77: I. Allegro non troppo (First Movement)
Henryk Szeryng plays Brahms Violin Concerto in D Major, Op 77: I. Allegro non troppo (First Movement)
Henry Purcell's Trumpet Voluntary sheet music - Video Score
http://www.virtualsheetmusic.com/video58<br />Virtual Sheet Music presents the famous Henry Purcell's Trumpet Voluntary for piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
http://www.virtualsheetmusic.com/video58<br />Virtual Sheet Music presents the famous Henry Purcell's Trumpet Voluntary for piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
Chopin - Valentina Igoshina - Étude Op. 10, No. 3
♥ ♥•.¸¸.•´¯`•♥ • • ♥ •.¸¸.•´¯`•♥ ♥ (Classical mussiC) www.facebook.com/Classical.Mussic ♥ •.¸¸.•´¯`•♥ ♥ (Classical mussiC) ♥ ♥•.¸¸.•´¯`•♥ • • ♥ •.¸¸.•´¯`•♥ ♥ This is Valentina Igoshina playing Chopin's Étude in E Major, Op. 10, No. 3. Apologies about the editing!
♥ ♥•.¸¸.•´¯`•♥ • • ♥ •.¸¸.•´¯`•♥ ♥ (Classical mussiC) www.facebook.com/Classical.Mussic ♥ •.¸¸.•´¯`•♥ ♥ (Classical mussiC) ♥ ♥•.¸¸.•´¯`•♥ • • ♥ •.¸¸.•´¯`•♥ ♥ This is Valentina Igoshina playing Chopin's Étude in E Major, Op. 10, No. 3. Apologies about the editing!
Freddy Kempf - Chopin, Etude Op.10 No. 12
Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out concerts. Kempf's <b>...</b>
Freddy Kempf is an English pianist, born in 1977 in London to a German father and a Japanese mother. Having resided in London for many years and studying at the Royal Academy of Music, he now lives in Berlin. Taking up the piano at the age of four, Kempf first caught the attention of British concertgoers four years later when he played Mozart's Piano Concerto No. 12, K. 414, with the Royal Philharmonic Orchestra at the Royal Festival Hall. The child virtuoso was shortly invited to Germany to repeat his performance. In 1987, Kempf won the first National Mozart Competition in England and in 1992, was named BBC Young Musician of the Year for his performance of Rachmaninoff's Paganini Rhapsody. In a controversial turn of events, Kempf's early adult career ironically benefited from his failure to win the 1998 International Tchaikovsky Competition in Moscow, where the first prize in the piano section went instead to Denis Matsuev. Apparently, some judges had wanted to award the first prize jointly to Matsuev and Kempf and had successfully negotiated with the Russian Culture Ministry for the additional funding. However, Kempf collected only third prize in the end, which provoked a barrage of indignant protests from the audience and the Russian press, who accused some of the judges of bias (especially towards contestants who also happened to be their former pupils). In April 1999, Kempf returned to Moscow with a series of television broadcasts and sold-out concerts. Kempf's <b>...</b>
Transcendental Etude No. 8 (Wilde Jagd) by Franz Liszt 720P
After playing some basketball on a cool day in Chicago, I thought it would be appropriate to record some Liszt at home. Actually, it's always a good idea to record some Liszt, no matter what the hell you were doing before. I did this in a couple of takes without warmup, i'll probably have more versions of this pretty soon. Thanks for checking it out, it took more attempts to upload it than to record it... I should have the 1080P version up soon hopefully
After playing some basketball on a cool day in Chicago, I thought it would be appropriate to record some Liszt at home. Actually, it's always a good idea to record some Liszt, no matter what the hell you were doing before. I did this in a couple of takes without warmup, i'll probably have more versions of this pretty soon. Thanks for checking it out, it took more attempts to upload it than to record it... I should have the 1080P version up soon hopefully
Chopin - Étude Op. 10 No. 12 in C minor "Revolutionary"
Étude Op. 10, No. 12 in C minor known as The Revolutionary Étude, is a solo piano work by Frédéric Chopin written circa 1831. It is the 12th of his first set of etudes - "Douze Grandes Etudes" dedicated to "son ami Franz Liszt" (his friend Franz Liszt). The two sets of Études, Opus 10 and 25, are known collectively as the Chopin Études, although Chopin also contributed three other lesser known études (the Trois Nouvelles Études). History The étude appeared around the same time as the November Uprising in 1831. Chopin was unable to have a strong participating role because of his poor health, and allegedly he poured his emotions on the matter into many pieces that he composed at that time - the Revolutionary Étude standing out as the most notable example. Upon conclusion of Poland's failed revolution against Russia, he cried "All this has caused me much pain. Who could have foreseen it!" Unlike études of prior periods (works designed to emphasize and develop particular aspects of musical technique, cf the much feared but essential School of Velocity, or the Five Finger Exercises by Hanon) the romantic études of composers such as Chopin and Liszt are fully developed musical concert pieces, but still continue to represent a goal of developing stronger technique Technique In the case of The Revolutionary Étude, the technique required in the opening bars is playing an extremely fast, long and loud descending harmonic minor scale mainly in the left hand. The length and the <b>...</b>
Étude Op. 10, No. 12 in C minor known as The Revolutionary Étude, is a solo piano work by Frédéric Chopin written circa 1831. It is the 12th of his first set of etudes - "Douze Grandes Etudes" dedicated to "son ami Franz Liszt" (his friend Franz Liszt). The two sets of Études, Opus 10 and 25, are known collectively as the Chopin Études, although Chopin also contributed three other lesser known études (the Trois Nouvelles Études). History The étude appeared around the same time as the November Uprising in 1831. Chopin was unable to have a strong participating role because of his poor health, and allegedly he poured his emotions on the matter into many pieces that he composed at that time - the Revolutionary Étude standing out as the most notable example. Upon conclusion of Poland's failed revolution against Russia, he cried "All this has caused me much pain. Who could have foreseen it!" Unlike études of prior periods (works designed to emphasize and develop particular aspects of musical technique, cf the much feared but essential School of Velocity, or the Five Finger Exercises by Hanon) the romantic études of composers such as Chopin and Liszt are fully developed musical concert pieces, but still continue to represent a goal of developing stronger technique Technique In the case of The Revolutionary Étude, the technique required in the opening bars is playing an extremely fast, long and loud descending harmonic minor scale mainly in the left hand. The length and the <b>...</b>
Toccata and Fugue - J.S. Bach
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
Beethoven's 5th Symphony - Salsa Style
This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
Beethoven's Ode to Joy on Musical Glasses
Jamey Turner plays Beethoven's Ode to Joy on the "glass harp".
Jamey Turner plays Beethoven's Ode to Joy on the "glass harp".
Allegro con brio from Beethoven's Symphony No. 5 in C minor, Op. 67
The first movement of Beethoven's 5th Symphony.
The first movement of Beethoven's 5th Symphony.
