Smetana - Ma Vlast - Mvt 1a - Vyšehrad - My Fatherland - Second Que
- Classical music composed by Bedřich Smetana Movement 1a of "Ma Vlast", My Fatherland, by Bedřich Smetana, named "Vyšehrad". QYO2, Second Queensland Youth Orchestra conducted by Sergei V Korschmin is performing this beautiful symphonic poem while on tour in Sydney. Live footage in HD with Dolby Stereo Sound. These talented musicians, 13 to 23 years of age, are performing at a lunchtime concert in Verbrugghen Hall, Sydney Conservatorium of Music on 27 June 2010. All the players are members of the Second Queensland Youth Orchestra, a full symphony orchestra based in Brisbane, Australia. qyo.org.au Here are the links for the entire concert Mvt 1a www.youtube.com Mvt 1b www.youtube.com Mvt 2a www.youtube.com Mvt 2b www.youtube.com Mvt3 www.youtube.com Mvt 4a www.youtube.com Mvt 4b www.youtube.com Mvt 5a www.youtube.com Mvt 5b www.youtube.com Mvt 6a www.youtube.com Mvt 6b www.youtube.com Má Vlast is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements, the individual pieces were conceived as a set of individual works. This, the first poem, Vyšehrad (The High Castle), premiered on 14 March 1875. It describes the Vyšehrad castle in Prague which was the seat of the earliest Czech kings. It was written during the summer of 1874 when Bedřich Smetana began to go deaf. He woke on the morning of 20 October to find himself completely unable to hear anything. The previous night he had gone to the opera with some hearing ...
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http://www.susanna-yoko-henkel.com
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Susanna Yoko Henkel (violin), Monika Leskovar (cello) and Milana Chernyavska (piano) perform Bedrich Smetana's Piano Trio in G minor op. 15 at the Zagreb International Chamber Music Festival 2007 (October 19th 2007) - http://www.zagreb-festival.comhttp://www.susanna-yoko-henkel.com
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Der stille Bach zur Moldaumusik ! Das komplette Video gibt es auf meinem NatureandClassic Kanal ! (Hier ist nur die gekürzte Version): www.youtube.com Hier sehen sie Aufnahmen vom Stillen Bach in Weingarten. (bei Ravensburg) Oberschwaben) Für die Musik habe ich eine Lizenz ! Leider...
Der stille Bach zur Moldaumusik ! Das komplette Video gibt es auf meinem NatureandClassic Kanal ! (Hier ist nur die gekürzte Version): www.youtube.com Hier sehen sie Aufnahmen vom Stillen Bach in Weingarten. (bei Ravensburg) Oberschwaben) Für die Musik habe ich eine Lizenz ! Leider...
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A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
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Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Smetana - Ma Vlast - Mvt 3 - Šárka - My Fatherland - Second Queens
Ma Vlast, Movement 3, Šárka, My Fatherland by Bedřich Smetana. QYO2, Second Queensland Youth Orchestra conducted by Sergei V Korschmin is performing this beautiful symphonic poem while on tour in Sydney. Live footage in HD with Dolby Stereo Sound. These talented musicians, 13 to 23 years of age, are performing at a lunchtime concert in Verbrugghen Hall, Sydney Conservatorium of Music on 27 June 2010. All the players are members of the Second Queensland Youth Orchestra, a full symphony orchestra based in Brisbane, Australia. qyo.org.au Here are the links for the entire concert Mvt 1a www.youtube.com Mvt 1b www.youtube.com Mvt 2a www.youtube.com Mvt 2b www.youtube.com Mvt3 www.youtube.com Mvt 4a www.youtube.com Mvt 4b www.youtube.com Mvt 5a www.youtube.com Mvt 5b www.youtube.com Mvt 6a www.youtube.com Mvt 6b www.youtube.com Má Vlast is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements, the individual pieces were conceived as a set of individual works. Šárka - The third poem was finished on 20 February 1875 and is named for the Amazon warrior Šárka from the ancient Czech legend of the Maidens' War. She ties herself to a tree as bait and waits to be saved by the prince Ctirad, claiming to be an unwilling captive of the rebelling women. She gets his comrades drunk on mead, and when they are asleep she persuades Ctirad, who quickly fell in love with her, to sound a <b>...</b>
Ma Vlast, Movement 3, Šárka, My Fatherland by Bedřich Smetana. QYO2, Second Queensland Youth Orchestra conducted by Sergei V Korschmin is performing this beautiful symphonic poem while on tour in Sydney. Live footage in HD with Dolby Stereo Sound. These talented musicians, 13 to 23 years of age, are performing at a lunchtime concert in Verbrugghen Hall, Sydney Conservatorium of Music on 27 June 2010. All the players are members of the Second Queensland Youth Orchestra, a full symphony orchestra based in Brisbane, Australia. qyo.org.au Here are the links for the entire concert Mvt 1a www.youtube.com Mvt 1b www.youtube.com Mvt 2a www.youtube.com Mvt 2b www.youtube.com Mvt3 www.youtube.com Mvt 4a www.youtube.com Mvt 4b www.youtube.com Mvt 5a www.youtube.com Mvt 5b www.youtube.com Mvt 6a www.youtube.com Mvt 6b www.youtube.com Má Vlast is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements, the individual pieces were conceived as a set of individual works. Šárka - The third poem was finished on 20 February 1875 and is named for the Amazon warrior Šárka from the ancient Czech legend of the Maidens' War. She ties herself to a tree as bait and waits to be saved by the prince Ctirad, claiming to be an unwilling captive of the rebelling women. She gets his comrades drunk on mead, and when they are asleep she persuades Ctirad, who quickly fell in love with her, to sound a <b>...</b>
8-bit Classical: Smetana, Vltava (Moldau) from Ma Vlast
I don't know what it is about 19th century nationalist composers, but there's something in their music that just makes me fell all warm and patriotic on the inside. I did not make the Midi file used for this. (I might upload the rest if the small amount of people that watch my videos want them, the other movements weren't arranged in Midi very well, so they're not that great.)
I don't know what it is about 19th century nationalist composers, but there's something in their music that just makes me fell all warm and patriotic on the inside. I did not make the Midi file used for this. (I might upload the rest if the small amount of people that watch my videos want them, the other movements weren't arranged in Midi very well, so they're not that great.)
Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part2
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part1
Mendelssohn Violin Concerto Movement 1 Allegro, molto appassionato: PART 1 OF 2
SARAH CHANG, NEW YORK
PHILHARMONIC and KURT MASUR - AVERY FISHER HALL 1995
PART2 HERE: http://youtube.com/watch?v=0_3PJf4lAj0
***SPECIAL THANKS TO YOUTUBE USER belgradegeneve FOR THE VIDEOS!***
Mendelssohn Violin Concerto Movement 1 Allegro, molto appassionato: PART 1 OF 2SARAH CHANG, NEW YORK
PHILHARMONIC and KURT MASUR - AVERY FISHER HALL 1995
PART2 HERE: http://youtube.com/watch?v=0_3PJf4lAj0
***SPECIAL THANKS TO YOUTUBE USER belgradegeneve FOR THE VIDEOS!***
Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Beethoven Piano Sonata No. 26 in E-flat Major, Op. 81a - Rudolf Serkin
Rare video of Rudolf Serkin performing Beethoven's "Les Adieux" Sonata.
Rare video of Rudolf Serkin performing Beethoven's "Les Adieux" Sonata.
Achucarro - Rachmaninov Piano Concerto No 3 Mvt 1a
Joaquín Achúcarro plays Rachmaninoff Piano Concerto No 3 conducted by Walter Weller (February 1987, Madrid) Achúcarro is the subject of a new film produced by Opus Arte. The film features a performance of Brahms Piano Concerto No. 2 with the London Symphony Orchestra and Sir Colin Davis in St Luke's Hall, as well as a solo performance filmed amongst the paintings in the Goya Gallery of the Prado Museum in Madrid. It has been released on DVD and Blu-Ray and is available here:- www.prestoclassical.co.uk
Joaquín Achúcarro plays Rachmaninoff Piano Concerto No 3 conducted by Walter Weller (February 1987, Madrid) Achúcarro is the subject of a new film produced by Opus Arte. The film features a performance of Brahms Piano Concerto No. 2 with the London Symphony Orchestra and Sir Colin Davis in St Luke's Hall, as well as a solo performance filmed amongst the paintings in the Goya Gallery of the Prado Museum in Madrid. It has been released on DVD and Blu-Ray and is available here:- www.prestoclassical.co.uk
Narciso Yepes - Concierto del Sur de Ponce (1a)
Concierto del Sur de Manuel Ponce. Homenaje de Narciso Yepes a Andrés Segovia. Madrid, 1987.
Concierto del Sur de Manuel Ponce. Homenaje de Narciso Yepes a Andrés Segovia. Madrid, 1987.
Mendelssohn, Reformation Symphony, Mov 1a (1/4) Brasilia, Ira Levin
Mendelssohn 5th Symphony Reformation Symphony Orquestra Sinfonica do Teatro Nacional Claudio Santoro Brasilia Conductor Ira Levin July, 7th, 2009 The Dresden amen is a sequence of six notes sung by choirs during church services in the German state of Saxony from at least the beginning of the 19th century. The motif was particularly associated with the city of Dresden, hence it became known as the Dresden amen. It was composed by Johann Gottlieb Naumann (1741-1801) for use in the Court Church in Dresden. Such was its popularity that it spread to other churches in Saxony, both Catholic and Lutheran. The sequence is significant in Western classical music because it has been used in various forms by composers since the 19th century. Felix Mendelssohn used the Dresden amen in the first movement of his fifth symphony, the "Reformation". The theme was also used by Richard Wagner, most notably in his last opera, Parsifal. Wagner was a Kapellmeister in Dresden from 1842 to 1849, however he would probably have learnt the motif as a boy during his attendance at church in Dresden. It was incorporated into one of his earliest operas Das Liebesverbot, and also appears in the Third Act of Tannhäuser. Anton Bruckner also uses the Dresden amen in the adagio of his last symphony, the 9th, while Gustav Mahler incorporated it into the fourth movement of his First Symphony and the last movement of his Second Symphony. Eric Ball's tone poem The Kingdom Triumphant, a musical picture of the <b>...</b>
Mendelssohn 5th Symphony Reformation Symphony Orquestra Sinfonica do Teatro Nacional Claudio Santoro Brasilia Conductor Ira Levin July, 7th, 2009 The Dresden amen is a sequence of six notes sung by choirs during church services in the German state of Saxony from at least the beginning of the 19th century. The motif was particularly associated with the city of Dresden, hence it became known as the Dresden amen. It was composed by Johann Gottlieb Naumann (1741-1801) for use in the Court Church in Dresden. Such was its popularity that it spread to other churches in Saxony, both Catholic and Lutheran. The sequence is significant in Western classical music because it has been used in various forms by composers since the 19th century. Felix Mendelssohn used the Dresden amen in the first movement of his fifth symphony, the "Reformation". The theme was also used by Richard Wagner, most notably in his last opera, Parsifal. Wagner was a Kapellmeister in Dresden from 1842 to 1849, however he would probably have learnt the motif as a boy during his attendance at church in Dresden. It was incorporated into one of his earliest operas Das Liebesverbot, and also appears in the Third Act of Tannhäuser. Anton Bruckner also uses the Dresden amen in the adagio of his last symphony, the 9th, while Gustav Mahler incorporated it into the fourth movement of his First Symphony and the last movement of his Second Symphony. Eric Ball's tone poem The Kingdom Triumphant, a musical picture of the <b>...</b>
Smetana - Ma Vlast - Mvt 1b - Vyšehrad - My Fatherland - Second Que
Movement 1b of "Ma Vlast", My Fatherland, by Bedřich Smetana, named "Vyšehrad". QYO2, Second Queensland Youth Orchestra conducted by Sergei V Korschmin is performing this beautiful symphonic poem while on tour in Sydney. Live footage in HD with Dolby Stereo Sound. These talented musicians, 13 to 23 years of age, are performing at a lunchtime concert in Verbrugghen Hall, Sydney Conservatorium of Music on 27 June 2010. All the players are members of the Second Queensland Youth Orchestra, a full symphony orchestra based in Brisbane, Australia. qyo.org.au Here are the links for the entire concert Mvt 1a www.youtube.com Mvt 1b www.youtube.com Mvt 2a www.youtube.com Mvt 2b www.youtube.com Mvt3 www.youtube.com Mvt 4a www.youtube.com Mvt 4b www.youtube.com Mvt 5a www.youtube.com Mvt 5b www.youtube.com Mvt 6a www.youtube.com Mvt 6b www.youtube.com Má Vlast is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements, the individual pieces were conceived as a set of individual works. This, the first poem, Vyšehrad (The High Castle), premiered on 14 March 1875. It describes the Vyšehrad castle in Prague which was the seat of the earliest Czech kings. It was written during the summer of 1874 when Bedřich Smetana began to go deaf. He woke on the morning of 20 October to find himself completely unable to hear anything. The previous night he had gone to the opera with some hearing <b>...</b>
Movement 1b of "Ma Vlast", My Fatherland, by Bedřich Smetana, named "Vyšehrad". QYO2, Second Queensland Youth Orchestra conducted by Sergei V Korschmin is performing this beautiful symphonic poem while on tour in Sydney. Live footage in HD with Dolby Stereo Sound. These talented musicians, 13 to 23 years of age, are performing at a lunchtime concert in Verbrugghen Hall, Sydney Conservatorium of Music on 27 June 2010. All the players are members of the Second Queensland Youth Orchestra, a full symphony orchestra based in Brisbane, Australia. qyo.org.au Here are the links for the entire concert Mvt 1a www.youtube.com Mvt 1b www.youtube.com Mvt 2a www.youtube.com Mvt 2b www.youtube.com Mvt3 www.youtube.com Mvt 4a www.youtube.com Mvt 4b www.youtube.com Mvt 5a www.youtube.com Mvt 5b www.youtube.com Mvt 6a www.youtube.com Mvt 6b www.youtube.com Má Vlast is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements, the individual pieces were conceived as a set of individual works. This, the first poem, Vyšehrad (The High Castle), premiered on 14 March 1875. It describes the Vyšehrad castle in Prague which was the seat of the earliest Czech kings. It was written during the summer of 1874 when Bedřich Smetana began to go deaf. He woke on the morning of 20 October to find himself completely unable to hear anything. The previous night he had gone to the opera with some hearing <b>...</b>
Guitar Impossible stop motion music short by MysteryGuitarMan
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.
I know. I was bored.
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Song is Mozart - Marriage of Figaro
Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing.I know. I was bored.
Like this video? Tweet about it!
http://bit.ly/GuitarTweet
Get my t-shirts:
http://bit.ly/MGMshirts
MY LINKS:
Watch my other videos:
http://www.youtube.com/MysteryGuitarMan
My Website: http://www.pennajoe.com/
Follow me on Twitter:
http://www.twitter.com/MysteryGuitarM
...and Facebook:
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Song is Mozart - Marriage of Figaro
William Tell Overture Rossini with MysteryGuitarMan
for those who haven't figured it out yet, I'm a biiiiig fan of MysteryGuitarman,
check his channel : http://www.youtube.com/user/mysteryguitarman
for those who haven't figured it out yet, I'm a biiiiig fan of MysteryGuitarman,check his channel : http://www.youtube.com/user/mysteryguitarman
My Favourite Classical Music (Part 2)
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
My Favourite Classical Music (Part 1)
My Favorite Classical Music. Part 1: 1) Pachelbel, Canon in D major. 2) Charpentier, Te Deum. Prelude. 3) Vivaldi, The Four Seasons. Spring. 4) Bach, Cantata BWV. 147. Jesu, Joy of Man's Desiring. 5) Bach, Cello Suite No.1, BWV 1007. Prelude. 6) Bach, Toccata and Fugue in D minor, BWV 565. 7) Haendel, Messiah HWV 56, Hallelujah. 8) Haendel, Water Music HWV 348-350, Alla Hornpipe. 9) Mozart, Overture to The Marriage of Figaro, KV 492. 10) Mozart, Symphony 40 in G minor, KV 550. 1st Mov. 11) Mozart, Eine Kleine Nachtmusic KV 525. 12) Mozart, Rondo Alla Turca, KV 331. 13) Mozart, Piano Concerto No.20, KV 466. Romance. 14) Beethoven, Symphony No. 3, Heroica. 15) Beethoven, Symphony No. 5. Allegro con Brio. 16) Beethoven, Symphony No. 6, Pastoral. 17) Beethoven, Symphony No. 9. Choral. 18) Beethoven, Ruins of Athens Op. 113. Turkish March. 19) Beethoven, Bagatelle in A minor. Fur Elise. 20) Beethoven, Moonlight Sonata Op.27. 21) Schubert, Trout Quintet. Die Forelle Op. 114. 22) Schubert, Ave Maria. 23) Schubert, Symphony No. 8, Unfinished. Hope you enjoy this first part!
My Favorite Classical Music. Part 1: 1) Pachelbel, Canon in D major. 2) Charpentier, Te Deum. Prelude. 3) Vivaldi, The Four Seasons. Spring. 4) Bach, Cantata BWV. 147. Jesu, Joy of Man's Desiring. 5) Bach, Cello Suite No.1, BWV 1007. Prelude. 6) Bach, Toccata and Fugue in D minor, BWV 565. 7) Haendel, Messiah HWV 56, Hallelujah. 8) Haendel, Water Music HWV 348-350, Alla Hornpipe. 9) Mozart, Overture to The Marriage of Figaro, KV 492. 10) Mozart, Symphony 40 in G minor, KV 550. 1st Mov. 11) Mozart, Eine Kleine Nachtmusic KV 525. 12) Mozart, Rondo Alla Turca, KV 331. 13) Mozart, Piano Concerto No.20, KV 466. Romance. 14) Beethoven, Symphony No. 3, Heroica. 15) Beethoven, Symphony No. 5. Allegro con Brio. 16) Beethoven, Symphony No. 6, Pastoral. 17) Beethoven, Symphony No. 9. Choral. 18) Beethoven, Ruins of Athens Op. 113. Turkish March. 19) Beethoven, Bagatelle in A minor. Fur Elise. 20) Beethoven, Moonlight Sonata Op.27. 21) Schubert, Trout Quintet. Die Forelle Op. 114. 22) Schubert, Ave Maria. 23) Schubert, Symphony No. 8, Unfinished. Hope you enjoy this first part!
Grillo - Sonata seconda à 7 (Gabriel Garrido & Ensemble Elyma)
※ Listen in stereo ※ youtube.com Giovanni Battista Grillo (15?? ~1622) - Sonata seconda à 7 (1618) - Ensemble Elyma Gabriel Garrido (conductor) Giovanni Battista Grillo (late 16th century Venice, mid-Nov 1622) was an Italian composer and organist. Little is known about Grillo until he was elected organist to the Venetian confraternity 'Scuola Grande di S Rocco' on 28 August 1612. In addition he was appointed first organist of San Marco on 30 December 1619. His music reflects on Giovanni Gabrieli, especially his Sacri concentus ac symphoniae (Venice 1618) which includes vocal canzonas up to 12 parts, using cori spezzati. He is also known for three instrumental canzonas published in Raveri's collection Canzoni per sonare con ogni sorte di stromenti (Venice, 1608)
※ Listen in stereo ※ youtube.com Giovanni Battista Grillo (15?? ~1622) - Sonata seconda à 7 (1618) - Ensemble Elyma Gabriel Garrido (conductor) Giovanni Battista Grillo (late 16th century Venice, mid-Nov 1622) was an Italian composer and organist. Little is known about Grillo until he was elected organist to the Venetian confraternity 'Scuola Grande di S Rocco' on 28 August 1612. In addition he was appointed first organist of San Marco on 30 December 1619. His music reflects on Giovanni Gabrieli, especially his Sacri concentus ac symphoniae (Venice 1618) which includes vocal canzonas up to 12 parts, using cori spezzati. He is also known for three instrumental canzonas published in Raveri's collection Canzoni per sonare con ogni sorte di stromenti (Venice, 1608)
Smetana - Ma Vlast - Mvt 2a - The Moldau - Vltava - Second Queenslan
Movement 2a, Ma Vlast, The Moldau, Vltava, My Fatherland, by Bedřich Smetana. QYO2, Second Queensland Youth Orchestra conducted by Sergei V Korschmin is performing this beautiful symphonic poem while on tour in Sydney. The concert continues here: www.youtube.com Live footage in HD with Dolby Stereo Sound. These talented musicians, 13 to 23 years of age, are performing at a lunchtime concert in Verbrugghen Hall, Sydney Conservatorium of Music on 27 June 2010. All the players are members of the Second Queensland Youth Orchestra, a full symphony orchestra based in Brisbane, Australia. qyo.org.au Here are the links for the entire concert Mvt 1a www.youtube.com Mvt 1b www.youtube.com Mvt 2a www.youtube.com Mvt 2b www.youtube.com Mvt3 www.youtube.com Mvt 4a www.youtube.com Mvt 4b www.youtube.com Mvt 5a www.youtube.com Mvt 5b www.youtube.com Mvt 6a www.youtube.com Mvt 6b www.youtube.com Má Vlast is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements, the individual pieces were conceived as a set of individual works. Vltava, also known by its German name Die Moldau (or The Moldau), was composed between 20 November and 8 December 1874 and was premiered on 4 April 1875. It is about 12 minutes long, and is in the key of E minor. In this piece, Smetana uses tone painting to evoke the sounds of one of Bohemia's great rivers. In his own words: The composition describes the <b>...</b>
Movement 2a, Ma Vlast, The Moldau, Vltava, My Fatherland, by Bedřich Smetana. QYO2, Second Queensland Youth Orchestra conducted by Sergei V Korschmin is performing this beautiful symphonic poem while on tour in Sydney. The concert continues here: www.youtube.com Live footage in HD with Dolby Stereo Sound. These talented musicians, 13 to 23 years of age, are performing at a lunchtime concert in Verbrugghen Hall, Sydney Conservatorium of Music on 27 June 2010. All the players are members of the Second Queensland Youth Orchestra, a full symphony orchestra based in Brisbane, Australia. qyo.org.au Here are the links for the entire concert Mvt 1a www.youtube.com Mvt 1b www.youtube.com Mvt 2a www.youtube.com Mvt 2b www.youtube.com Mvt3 www.youtube.com Mvt 4a www.youtube.com Mvt 4b www.youtube.com Mvt 5a www.youtube.com Mvt 5b www.youtube.com Mvt 6a www.youtube.com Mvt 6b www.youtube.com Má Vlast is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements, the individual pieces were conceived as a set of individual works. Vltava, also known by its German name Die Moldau (or The Moldau), was composed between 20 November and 8 December 1874 and was premiered on 4 April 1875. It is about 12 minutes long, and is in the key of E minor. In this piece, Smetana uses tone painting to evoke the sounds of one of Bohemia's great rivers. In his own words: The composition describes the <b>...</b>
Second Movement from Telemann's Suite in A Minor for Flute
Second movement, called Les Plaisirs, of George Philip Telemann's Suite in A Minor for Recorder (Flute) and Orchestra. Wonderful piece. The picture is one of Telemann himself. Enjoy and thanks for watching.
Second movement, called Les Plaisirs, of George Philip Telemann's Suite in A Minor for Recorder (Flute) and Orchestra. Wonderful piece. The picture is one of Telemann himself. Enjoy and thanks for watching.
Jacqueline du Pré - Mendelssohn Song without words
F.Mendelssohn - Song without words in D major, Op.109
Jacqueline du Pré (1945-1987) and Iris du Pré
F.Mendelssohn - Song without words in D major, Op.109Jacqueline du Pré (1945-1987) and Iris du Pré
Meditation from Thais Valerie Kim with Dominique Kim
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Dvorak - Humoresque - Yo-Yo Ma Itzhak Perlman
Humoresque
Yo-Yo Man, Cello
Itzhak Perlman, Violin
Seiji Ozawa, Conductor
Boston Symphony Orchestra
HumoresqueYo-Yo Man, Cello
Itzhak Perlman, Violin
Seiji Ozawa, Conductor
Boston Symphony Orchestra
Grande Piece Symphonique performed by Organist Joseph Felice
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
