Tango in D, Op.165 - Isaac Albéniz
- Classical music composed by Isaac Albéniz Wei Wen plays Albéniz' Tango in D, Op.165, from Suite Espanola.
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Anderson & Roe Piano Duo play "LIBERTANGO" (Piazzolla)
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
ASTOR PIAZZOLLA - LIBERTANGO performed by HET CONSORT
Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. Like the guitarist Andres Segovia Piazzolla has taken his instrument and the tango on to an international concert stage. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. In this time he composed his famous Libertango, a work that brought him fame and an enormous success in Europe.The setting for mandolin orchestra of Piazzollas Libertango by the conductor of HET CONSORT was made after hearing the fine arrangement of the work for accordion orchestra that was made by the Dutch musician Marc Belder. With his orchestration as the <b>...</b>
Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. Like the guitarist Andres Segovia Piazzolla has taken his instrument and the tango on to an international concert stage. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. In this time he composed his famous Libertango, a work that brought him fame and an enormous success in Europe.The setting for mandolin orchestra of Piazzollas Libertango by the conductor of HET CONSORT was made after hearing the fine arrangement of the work for accordion orchestra that was made by the Dutch musician Marc Belder. With his orchestration as the <b>...</b>
Tango - Isaac Albéniz
Classical guitarist Nelson Amos plays Tango by Isaac Albeniz at his faculty recital given in 1988 at Eastern Michigan University.
Classical guitarist Nelson Amos plays Tango by Isaac Albeniz at his faculty recital given in 1988 at Eastern Michigan University.
Verano Porteno a Tango by Astor Piazzolla- classical guitar
CD "Inspiracao" available at: www.michaellucarelli.com Michael Lucarelli perfroms Astor Piazzolla's Verano Porteno on classical guitar
CD "Inspiracao" available at: www.michaellucarelli.com Michael Lucarelli perfroms Astor Piazzolla's Verano Porteno on classical guitar
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
A. Vivaldi, Guitar Concerto in D, 2nd Mvt, Boris Bagger Guitar Orche
Antonio Vivaldi, Guitar Concerto in D, 2nd Mvt, played and arranged by Prof. Boris Björn Bagger, classical guitar - www.borisbagger.de, Prof. Boris Björn Bagger is teaching guitar at the University of Music in Karlsruhe Germany, www.hfm-karlsruhe.de live concert in Tallinn Estonia, 30.9.2005, conductor: Leslie B. Dunner (USA), Estonian National Symphony Orchestra (www.erso.ee ), sheet music & CD available here www.edition49.de (arrangements for several instruments are available) Musikhochschule Karlsruhe Hochschule Musik
Antonio Vivaldi, Guitar Concerto in D, 2nd Mvt, played and arranged by Prof. Boris Björn Bagger, classical guitar - www.borisbagger.de, Prof. Boris Björn Bagger is teaching guitar at the University of Music in Karlsruhe Germany, www.hfm-karlsruhe.de live concert in Tallinn Estonia, 30.9.2005, conductor: Leslie B. Dunner (USA), Estonian National Symphony Orchestra (www.erso.ee ), sheet music & CD available here www.edition49.de (arrangements for several instruments are available) Musikhochschule Karlsruhe Hochschule Musik
Guten Abend, Gute Nacht - Wiegenlied von Johannes Brahms - Lullaby f
Guten Abend gute Nacht von J. Brahms - Version von Daniel Westphal Good evening, good night - Lullabye for Julian für meinen Sohn Julian ! Guten Abend gute Nacht Text Guten Abend, gute Nacht mit Rosen bedacht mit Näglein besteckt Schlupf unter die Deck Morgen früh, wenn Gott will wirst du wieder geweckt Guten Abend, gute Nacht von Englein bewacht die zeigen im Traum dir Christkindleins Baum Schlaf nun seelig und süß schau ins Traum Paradies Text: Erste Strophe aus " Des Knaben Wunderhorn " - 1808 zweite Strophe von Georg Scherer - 1849 bzw Karl Simrock ? Musik: Johannes Brahms - 1868
Guten Abend gute Nacht von J. Brahms - Version von Daniel Westphal Good evening, good night - Lullabye for Julian für meinen Sohn Julian ! Guten Abend gute Nacht Text Guten Abend, gute Nacht mit Rosen bedacht mit Näglein besteckt Schlupf unter die Deck Morgen früh, wenn Gott will wirst du wieder geweckt Guten Abend, gute Nacht von Englein bewacht die zeigen im Traum dir Christkindleins Baum Schlaf nun seelig und süß schau ins Traum Paradies Text: Erste Strophe aus " Des Knaben Wunderhorn " - 1808 zweite Strophe von Georg Scherer - 1849 bzw Karl Simrock ? Musik: Johannes Brahms - 1868
Canon in D, Dave Kim, 5 string electric violin, San Francisco Weddin
Dave Kim Music now available on iTunes and Amazon! iTunes - itunes.apple.com Amazon - tinyurl.com Dave Kim Music San Francisco Dave Kim, multi-instrumentalist, DJ and professional violinist, began his career in music over thirty years ago. He has performed in hundreds of music venues and weddings from a chateau in St. Tropez, France, a castle in Austria and even on the 18th hole at Pebble Beach. He has shared the stage with notable musicians and artists including Hootie and the Blowfish, Everclear, Third Eye Blind, Dishwalla, Marcy Playground, DJ Dan, Kaskade, Mark Farina, Chris Clouse, DJ Donovan, DJ Solomon, David Carvalho, DJ Trevor Simpson (Energy 92.7 FM), DJ AM, Travis Barker of Blink 182 and even The Temptations. Dave Kim plays a five string electric violin and has the ability to sound like many violins with his loop station pedal, a system that enables the ability to record and playback music in real time. It is as if you have hired your own personal orchestra. Dave Kim has performed at the following Club, Music and Wedding Venues Alta Mira Hotel, Sausalito, CA Americano, Hotel Vitale, San Francisco, CA Ana Mandara, San Francisco, CA Apartment 24, San Francisco, CA Arizona Biltmore, Phoenix, AZ Auberge du Soleil, Napa, CA Be Lo, San Diego, CA Beso - Kiss Lounge, Los Angeles, CA Bimbo's 365 Club, Heineken Light Launch party, San Francisco, CA Bitter End , New York, New York Bliss Nightclub, Reno, NV Broadway Studios, San Francisco, CA Castle, Bregnz, Austria <b>...</b>
Dave Kim Music now available on iTunes and Amazon! iTunes - itunes.apple.com Amazon - tinyurl.com Dave Kim Music San Francisco Dave Kim, multi-instrumentalist, DJ and professional violinist, began his career in music over thirty years ago. He has performed in hundreds of music venues and weddings from a chateau in St. Tropez, France, a castle in Austria and even on the 18th hole at Pebble Beach. He has shared the stage with notable musicians and artists including Hootie and the Blowfish, Everclear, Third Eye Blind, Dishwalla, Marcy Playground, DJ Dan, Kaskade, Mark Farina, Chris Clouse, DJ Donovan, DJ Solomon, David Carvalho, DJ Trevor Simpson (Energy 92.7 FM), DJ AM, Travis Barker of Blink 182 and even The Temptations. Dave Kim plays a five string electric violin and has the ability to sound like many violins with his loop station pedal, a system that enables the ability to record and playback music in real time. It is as if you have hired your own personal orchestra. Dave Kim has performed at the following Club, Music and Wedding Venues Alta Mira Hotel, Sausalito, CA Americano, Hotel Vitale, San Francisco, CA Ana Mandara, San Francisco, CA Apartment 24, San Francisco, CA Arizona Biltmore, Phoenix, AZ Auberge du Soleil, Napa, CA Be Lo, San Diego, CA Beso - Kiss Lounge, Los Angeles, CA Bimbo's 365 Club, Heineken Light Launch party, San Francisco, CA Bitter End , New York, New York Bliss Nightclub, Reno, NV Broadway Studios, San Francisco, CA Castle, Bregnz, Austria <b>...</b>
Lamond, Un sospiro Franz Liszt
Classical piano performance conserved via piano roll (Duo Arte 1924 from Aeolian company), needing 3 production runs, involving the artist. Extensive dynamic control is closest to life performance as can be heard on this recording. For information on technology see also www.pianola.org/reproducing/reproducing.cfm The instrument now being used for the DDD-CD registration is a Steinway concert grand.
Classical piano performance conserved via piano roll (Duo Arte 1924 from Aeolian company), needing 3 production runs, involving the artist. Extensive dynamic control is closest to life performance as can be heard on this recording. For information on technology see also www.pianola.org/reproducing/reproducing.cfm The instrument now being used for the DDD-CD registration is a Steinway concert grand.
Isaac Albeniz - Tango Op.165 Nº 2 by Cesar Amaro
Cesar Amaro's transcription of Tango Op. 165, No. 2 by Isaac Albeniz.
Cesar Amaro's transcription of Tango Op. 165, No. 2 by Isaac Albeniz.
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Sevilla by Isaac Albéniz
Edward Grigassy plays his own arrangement of "Sevilla" from Suite Espanola, Op. 47. "Sevilla" was originally written for piano in 1886 by Isaac Albéniz.
Edward Grigassy plays his own arrangement of "Sevilla" from Suite Espanola, Op. 47. "Sevilla" was originally written for piano in 1886 by Isaac Albéniz.
