Rimsky-Korsakov, Concerto for Trombone & Military Band
- Classical music composed by Nikolai Rimsky-Korsakov Nanyang Academy of Fine Arts Symphonic Wind Ensemble Trombone, Fredi Sonderegger Conductor, Richard Adams www.nafa.edu.sg
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Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
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Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
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Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".
The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
Fanfare for the Common Man Aaron Copland
WOODY HERMAN and the THUNDERING HERD
Nice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
WOODY HERMAN and the THUNDERING HERDNice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
Trombone Concerto - II Adagio sostenuto
Concerto in E flat major for trombone and orchestra, Op. 21 (2007) - II Adagio sostenuto - Composer: Geert Van Hoorick - Digital performance using Sibelius 4.1 and Kontakt Player Gold - Feel free to rate and comment here or to review on www.sibeliusmusic.com This is a modern-classical (ie post-romantic, not really modern) trombone concerto. The 1st movement is moderately fast and in sonata form. The 2nd movement (which is my favorite of the three) is slow and in Lied form (ABA). The final movement is fast and in rondo form. There is a cadenza in the final movement. comment on the Trombone forum: "... Overall, it was fantastic to listen to. I would buy this piece just to learn it."
Concerto in E flat major for trombone and orchestra, Op. 21 (2007) - II Adagio sostenuto - Composer: Geert Van Hoorick - Digital performance using Sibelius 4.1 and Kontakt Player Gold - Feel free to rate and comment here or to review on www.sibeliusmusic.com This is a modern-classical (ie post-romantic, not really modern) trombone concerto. The 1st movement is moderately fast and in sonata form. The 2nd movement (which is my favorite of the three) is slow and in Lied form (ABA). The final movement is fast and in rondo form. There is a cadenza in the final movement. comment on the Trombone forum: "... Overall, it was fantastic to listen to. I would buy this piece just to learn it."
Trombone Concerto - I Maestoso
Concerto in E flat major for trombone and orchestra, Op. 21 (2007) - I Maestoso - Composer: Geert Van Hoorick - Digital performance using Sibelius 4.1 and Kontakt Player Gold - Feel free to rate and comment here or to review on www.sibeliusmusic.com This is a modern-classical (ie post-romantic, not really modern) trombone concerto. The 1st movement is moderately fast and in sonata form. The 2nd movement (which is my favorite of the three) is slow and in Lied form (ABA). The final movement is fast and in rondo form. There is a cadenza in the final movement. comment on the Trombone forum: "... Overall, it was fantastic to listen to. I would buy this piece just to learn it."
Concerto in E flat major for trombone and orchestra, Op. 21 (2007) - I Maestoso - Composer: Geert Van Hoorick - Digital performance using Sibelius 4.1 and Kontakt Player Gold - Feel free to rate and comment here or to review on www.sibeliusmusic.com This is a modern-classical (ie post-romantic, not really modern) trombone concerto. The 1st movement is moderately fast and in sonata form. The 2nd movement (which is my favorite of the three) is slow and in Lied form (ABA). The final movement is fast and in rondo form. There is a cadenza in the final movement. comment on the Trombone forum: "... Overall, it was fantastic to listen to. I would buy this piece just to learn it."
Rimsky-Korsakov Tenor Trombone: Rikard Holst
Swedish trombonist Rikard Holst performs a splendid interpretation of the classical Rimsky-Korsakov piece. Here is the third movement.
Swedish trombonist Rikard Holst performs a splendid interpretation of the classical Rimsky-Korsakov piece. Here is the third movement.
Anderson & Roe Piano Duet play "BLUE DANUBE FANTASY"
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
Anderson & Roe Piano Duo play "LIBERTANGO" (Piazzolla)
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
A Clockwork Orange - Extended Theme & Title Music
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Chopin - Polonaise in A, Op.40 No.1, ' Military '
Title : Frederic Chopin ,Polonaise in A, Op.40 No.1, 'Military' From Wikipedia, The Polonaise in A-flat major, Op. 53 or (French: Polonaise héroïque, Heroic Polonaise) was written by Frédéric Chopin in 1842 for solo piano. This masterpiece is one of Chopin's most popular compositions and is still a current favorite of the classical pianoforte repertoire. The piece requires exceptional pianistic skills and requires virtuosity in order to be played at an appropriate level of quality. Although the piece is labeled as a polonaise, it has little to do with the typical polonaise style. It presents two sections with a polonaise rhythm, but most of it has no particular polonaise attribute. It has been said that Chopin had composed the piece having a free and powerful Poland in mind, which may have led him to label it as a Polonaise.[citation needed] Another possibility is that the Heroic Polonaise is closely related to the Polonaise in A major, Op.40, No. 1, known as the Military Polonaise. The introduction section of the Heroic is obviously inspired by the Military, which, unlike the Heroic, was a true polonaise. The tempo of the piece is Alla polacca e maestoso ("like a polonaise and majestic"). The form is ternary (ABA), with a 30-second introduction. The piece has a grand introduction with fast ascending chromatic notes in both hands, setting the mood of the piece. It shows the heroic side of Chopin's art.The first theme is a dance-like theme and is in the tonic key of A-flat <b>...</b>
Title : Frederic Chopin ,Polonaise in A, Op.40 No.1, 'Military' From Wikipedia, The Polonaise in A-flat major, Op. 53 or (French: Polonaise héroïque, Heroic Polonaise) was written by Frédéric Chopin in 1842 for solo piano. This masterpiece is one of Chopin's most popular compositions and is still a current favorite of the classical pianoforte repertoire. The piece requires exceptional pianistic skills and requires virtuosity in order to be played at an appropriate level of quality. Although the piece is labeled as a polonaise, it has little to do with the typical polonaise style. It presents two sections with a polonaise rhythm, but most of it has no particular polonaise attribute. It has been said that Chopin had composed the piece having a free and powerful Poland in mind, which may have led him to label it as a Polonaise.[citation needed] Another possibility is that the Heroic Polonaise is closely related to the Polonaise in A major, Op.40, No. 1, known as the Military Polonaise. The introduction section of the Heroic is obviously inspired by the Military, which, unlike the Heroic, was a true polonaise. The tempo of the piece is Alla polacca e maestoso ("like a polonaise and majestic"). The form is ternary (ABA), with a 30-second introduction. The piece has a grand introduction with fast ascending chromatic notes in both hands, setting the mood of the piece. It shows the heroic side of Chopin's art.The first theme is a dance-like theme and is in the tonic key of A-flat <b>...</b>
Tzvi Erez plays Chopin's Military Polonaise, Opus 40 #1
iTunes link itunes.apple.com Tzvi Erez plays Chopin's Military Polonaise on his Vintage 1912 Bosendorfer. Available on the Niv Classical Label. www.nivmusic.com
iTunes link itunes.apple.com Tzvi Erez plays Chopin's Military Polonaise on his Vintage 1912 Bosendorfer. Available on the Niv Classical Label. www.nivmusic.com
First Suite For Military Band in E flat
A cornerstone of the concert band repertoire, this beautiful piece of music was composed by the British composer Gustav Holst. For music buffs from the new school, old school, or the classical school. Enjoy!
A cornerstone of the concert band repertoire, this beautiful piece of music was composed by the British composer Gustav Holst. For music buffs from the new school, old school, or the classical school. Enjoy!
Chopin Military Polonaise Opus 40 No. 1 in A Major by Tzvi Erez HQ
Tzvi Erez plays Chopin's Military Polonaise Opus 40 No. 1 in A Major. High Quality. No Commentary. Recorded 2003 on a 1912 Bosendorfer. P & C Niv Classical Records. www.nivmusic.com
Tzvi Erez plays Chopin's Military Polonaise Opus 40 No. 1 in A Major. High Quality. No Commentary. Recorded 2003 on a 1912 Bosendorfer. P & C Niv Classical Records. www.nivmusic.com
Taiwan: One-Girl Band a YouTube Sensation
For more news visit ☛ http://english.ntdtv.com Follow us on Twitter ☛ http://twitter.com/NTDTelevision Add us on Facebook ☛ http://facebook.com/NTDTelevision<br /><br />One Taiwanese artist is gaining worldwide attention on YouTube. A video of her playing three instruments at the same time has generated more than four million views in three weeks.<br /><br />While Asian girl bands such as the Wonder Girls and AKB 48 are achieving success around the globe, a "one-girl band" is attracting worldwide attention on the Internet with a video that has generated more than four million YouTube hits within three weeks.<br /><br />The video shows 25-year-old Shara Lin performing Jolin Tsai's "Dancing Diva" on the piano, violin, and zither all at the same time.<br /><br />Lin put the trio performance together within five days for a music training session mixing the classical music into Taiwanese pop music.<br /><br />To incorporate the different instruments, she held the violin by her neck, adjusted the positions of the zither pick, and arranged the positions of the instruments.<br /><br />[Shara Lin, Musical Artist]:<br />"I think the toughest part is to play the piano and the zither simultaneously. We tried many times to finally figure out this position for my left hand to play the piano, and right hand to play the zither. When I have to look at both the piano and the zither, I really wish my eyes could grow wider apart, so if I have to play together, I must play by feel. I have to either feel the keys on the piano and look at the zither, or feel the strings on the zither and look at the piano."<br /><br />Lin is a music major at National Taiwan Normal University and has been playing the piano since she was three.<br /><br />Her love of music quickly expanded into other instruments including the violin, zither, guitar, jazz drums, and harmonica.<br /><br />Lin said she is willing to try other creative music performances, and whether or not she becomes famous, she looks forward to bringing her music to a wider audience.
For more news visit ☛ http://english.ntdtv.com Follow us on Twitter ☛ http://twitter.com/NTDTelevision Add us on Facebook ☛ http://facebook.com/NTDTelevision<br /><br />One Taiwanese artist is gaining worldwide attention on YouTube. A video of her playing three instruments at the same time has generated more than four million views in three weeks.<br /><br />While Asian girl bands such as the Wonder Girls and AKB 48 are achieving success around the globe, a "one-girl band" is attracting worldwide attention on the Internet with a video that has generated more than four million YouTube hits within three weeks.<br /><br />The video shows 25-year-old Shara Lin performing Jolin Tsai's "Dancing Diva" on the piano, violin, and zither all at the same time.<br /><br />Lin put the trio performance together within five days for a music training session mixing the classical music into Taiwanese pop music.<br /><br />To incorporate the different instruments, she held the violin by her neck, adjusted the positions of the zither pick, and arranged the positions of the instruments.<br /><br />[Shara Lin, Musical Artist]:<br />"I think the toughest part is to play the piano and the zither simultaneously. We tried many times to finally figure out this position for my left hand to play the piano, and right hand to play the zither. When I have to look at both the piano and the zither, I really wish my eyes could grow wider apart, so if I have to play together, I must play by feel. I have to either feel the keys on the piano and look at the zither, or feel the strings on the zither and look at the piano."<br /><br />Lin is a music major at National Taiwan Normal University and has been playing the piano since she was three.<br /><br />Her love of music quickly expanded into other instruments including the violin, zither, guitar, jazz drums, and harmonica.<br /><br />Lin said she is willing to try other creative music performances, and whether or not she becomes famous, she looks forward to bringing her music to a wider audience.
Spokane British Brass Band Concert
The Spokane British Brass Band is presenting it's concert, Brass Band Bash, March 25th 2007 3pm at Spokane Falls Community College Music Building Auditorium. Join us for a fun afternoon of brass band music. For more information on tickets or upcomming performances, check us out at <a rel="nofollow" href="http://www.sbbb.org">http://www.sbbb.org</a>
The Spokane British Brass Band is presenting it's concert, Brass Band Bash, March 25th 2007 3pm at Spokane Falls Community College Music Building Auditorium. Join us for a fun afternoon of brass band music. For more information on tickets or upcomming performances, check us out at <a rel="nofollow" href="http://www.sbbb.org">http://www.sbbb.org</a>
Händel - Sarabande (Classical Trance)
Händel - Sarabande Classical Trance Produced & Mixed By Geert Huinink & Alco Lammers
Händel - Sarabande Classical Trance Produced & Mixed By Geert Huinink & Alco Lammers
