Sarah Chang Mendelssohn Violin Concerto Mvt1 Part1
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Classical music composed by Felix Mendelssohn
Mendelssohn Violin Concerto Movement 1 Allegro, molto appassionato: PART 1 OF 2
SARAH CHANG, NEW YORK
PHILHARMONIC and KURT MASUR - AVERY FISHER HALL 1995
PART2 HERE: youtube.com/watch?v=0_3PJf4lAj0
***SPECIAL THANKS TO YOUTUBE USER belgradegeneve FOR THE VIDEOS!***
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Sarah Chang | Paganini Violin Concerto # 1 Cadenza | 10 Years Old |
www.facebook.com | Follow THE VIOLIN CHANNEL | The #1 violin resource on the planet | A must for all violinists and fans | Keep abreast | news | history | events | concerts | competitions | discussion | community Historical footage of 10 year old Sarah Chang performing the cadenza of Paganini's 1st Violin Concerto | Includes commentary by Yehudi Menuhin and legendary teacher Dorothy DeLay | Recorded in a live concert at the Yehudi Menuhin School in London in 1990 | Also includes footage of Chang's performance of Introduction & Tempo Di Minuetto by Fritz Kreisler
www.facebook.com | Follow THE VIOLIN CHANNEL | The #1 violin resource on the planet | A must for all violinists and fans | Keep abreast | news | history | events | concerts | competitions | discussion | community Historical footage of 10 year old Sarah Chang performing the cadenza of Paganini's 1st Violin Concerto | Includes commentary by Yehudi Menuhin and legendary teacher Dorothy DeLay | Recorded in a live concert at the Yehudi Menuhin School in London in 1990 | Also includes footage of Chang's performance of Introduction & Tempo Di Minuetto by Fritz Kreisler
Ravel´s Bolero - Classical Guitar - Change 360p for 240p to watch i
TO WATCH THIS VIDEO CHANGE 360p FOR 240p AT THE BOTTOM RIGHT CORNER OF THE VIDEO. A beautiful arrangement of this classic for guitar www.elearnguitar.com
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Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Jacqueline du Pré - Mendelssohn Song without words
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Jacqueline du Pré (1945-1987) and Iris du Pré
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Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
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Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
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Mendelssohn A Midsummer Night's Dream (part1) Orchestra: Berlin Orchestra Director: Wilhelm Furtwangler --- (part1) www.youtube.com (part2) www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
Valentina Lisitsa, piano - Rachmaninoff, Sonata No. 1, Part1
Exceptional music & interpretation.... *** Born in Kiev, Ukraine, Valentina Lisitsa started playing piano at the age of three, performing her first solo recital at the age of four. Lisitsa attended the Lysenko music school for Gifted Children and, later, Kiev Conservatory, where she and her future husband, Alexei Kuznetsoff, studied under Dr. Ludmilla Tsvierko. In 1991 they won the first prize in The Murray Dranoff Two Piano Competition. In the same year, they moved to the United States to further their careers as concert pianists. Their New York debut was at the Mostly Mozart Festival at Lincoln Center in 1995. Lisitsa has performed in various venues around the world, including Carnegie Hall, Avery Fisher Hall, and the Musikverein. Recently, she has been the pianist in recital engagements collaborating with violinist Hilary Hahn.[5] Many of Lisitsa's performances, including Frédéric Chopin's Op. 10 and Op. 25 Etudes and Beethoven's Appassionata Sonata, have been made available on her YouTube channel, often in high quality. To date, Lisitsa has recorded 6 CDs (two solo CDs) for Audiofon Records (two are in duet with Alexei Kuznetsoff), a Gold CD for CiscoMusic label with cellist DeRosa, a duet recital on VAI label with violinist Ida Haendel, DVDs of Frédéric Chopin's 24 Etudes, Schubert-Liszt Schwanengesang, and her most recent DVD titled Black and Pink. Lisitsa recently collaborated with HORSE the band on their song, "Rape Escape", featured on their latest album <b>...</b>
Exceptional music & interpretation.... *** Born in Kiev, Ukraine, Valentina Lisitsa started playing piano at the age of three, performing her first solo recital at the age of four. Lisitsa attended the Lysenko music school for Gifted Children and, later, Kiev Conservatory, where she and her future husband, Alexei Kuznetsoff, studied under Dr. Ludmilla Tsvierko. In 1991 they won the first prize in The Murray Dranoff Two Piano Competition. In the same year, they moved to the United States to further their careers as concert pianists. Their New York debut was at the Mostly Mozart Festival at Lincoln Center in 1995. Lisitsa has performed in various venues around the world, including Carnegie Hall, Avery Fisher Hall, and the Musikverein. Recently, she has been the pianist in recital engagements collaborating with violinist Hilary Hahn.[5] Many of Lisitsa's performances, including Frédéric Chopin's Op. 10 and Op. 25 Etudes and Beethoven's Appassionata Sonata, have been made available on her YouTube channel, often in high quality. To date, Lisitsa has recorded 6 CDs (two solo CDs) for Audiofon Records (two are in duet with Alexei Kuznetsoff), a Gold CD for CiscoMusic label with cellist DeRosa, a duet recital on VAI label with violinist Ida Haendel, DVDs of Frédéric Chopin's 24 Etudes, Schubert-Liszt Schwanengesang, and her most recent DVD titled Black and Pink. Lisitsa recently collaborated with HORSE the band on their song, "Rape Escape", featured on their latest album <b>...</b>
Bohemian Rhapsody (classical guitar) - part1
i just start learning Bohemian Rhapsody from Edgar Cruz DVD so its just the first part of the song...
i just start learning Bohemian Rhapsody from Edgar Cruz DVD so its just the first part of the song...
Brahms "Double" concert - Heifetz Feurmann - 1° Part (part1)
Brahms Concerto for violin, cello & orchestra in A minor "Double", Op.102 1° PART (part1) Orchestra: Philadelphia Orchestra Director: Eugene Ormandy Violin: Jascha Heifetz Cello: Emanuel Feurmann --- 1° PART (part1) www.youtube.com 1° PART (part2) www.youtube.com 2° PART www.youtube.com 3° PART www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
Brahms Concerto for violin, cello & orchestra in A minor "Double", Op.102 1° PART (part1) Orchestra: Philadelphia Orchestra Director: Eugene Ormandy Violin: Jascha Heifetz Cello: Emanuel Feurmann --- 1° PART (part1) www.youtube.com 1° PART (part2) www.youtube.com 2° PART www.youtube.com 3° PART www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved

