Carl Maria von Weber - Theme and Variations for clarinet
- Classical music composed by Carl Maria von Weber Clarinet Festival - Piotrków Trybunalski 2007 Second prize from kat.I ( music school first level ) Andrzej Ciepliński - 14years old clarinet
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Donal Fox: Scarlatti Jazz Suite Project
Donal Fox's jazz plays upon many traditions <br /><br />"Fox's band has the Modern Jazz Quartet's poise <br />and John Coltrane Quartet's power" <br /><br />Composer/pianist Donal Fox has forged a unique amalgam of jazz, Latin American, and classical music. Past projects have focused on Johann Sebastian Bach, but the centerpiece of Saturday night's Regattabar performance was a jazz suite incorporating the music of Domenico Scarlatti . <br /><br />Fox was accompanied by vibraphonist Stefon Harris, bassist John Lockwood , and drummer Terri Lyne Carrington. This instrumentation inevitably brings the Modern Jazz Quartet to mind, but Fox's band married that group's cool poise with the power and momentum of the John Coltrane Quartet. <br /><br />The opening number was based on an Astor Piazzolla tango. Rather than presenting the usual string of solos, piano and vibraphone engaged in a fluid, improvisatory dialogue. Lockwood and Carrington's bass and drums provided active but essentially supportive background for the friendly jousting of Fox and Harris. <br /><br />The second number was Fox's ``Inventions in Blue," which drew from Bach's Two-Part Invention No. 4 in D Minor. It began as a rapid, African-sounding vamp, spelled by lyrical piano chords that floated over the pulsating rhythm. Harris's swinging, bluesy solo was bouyed by Lockwood's walking bass and Carrington's urgent ride cymbal. <br /><br />By Kevin Lowenthal, Globe Correspondent June 2006 <br />© Copyright 2006 The New York Times Company
Donal Fox's jazz plays upon many traditions <br /><br />"Fox's band has the Modern Jazz Quartet's poise <br />and John Coltrane Quartet's power" <br /><br />Composer/pianist Donal Fox has forged a unique amalgam of jazz, Latin American, and classical music. Past projects have focused on Johann Sebastian Bach, but the centerpiece of Saturday night's Regattabar performance was a jazz suite incorporating the music of Domenico Scarlatti . <br /><br />Fox was accompanied by vibraphonist Stefon Harris, bassist John Lockwood , and drummer Terri Lyne Carrington. This instrumentation inevitably brings the Modern Jazz Quartet to mind, but Fox's band married that group's cool poise with the power and momentum of the John Coltrane Quartet. <br /><br />The opening number was based on an Astor Piazzolla tango. Rather than presenting the usual string of solos, piano and vibraphone engaged in a fluid, improvisatory dialogue. Lockwood and Carrington's bass and drums provided active but essentially supportive background for the friendly jousting of Fox and Harris. <br /><br />The second number was Fox's ``Inventions in Blue," which drew from Bach's Two-Part Invention No. 4 in D Minor. It began as a rapid, African-sounding vamp, spelled by lyrical piano chords that floated over the pulsating rhythm. Harris's swinging, bluesy solo was bouyed by Lockwood's walking bass and Carrington's urgent ride cymbal. <br /><br />By Kevin Lowenthal, Globe Correspondent June 2006 <br />© Copyright 2006 The New York Times Company
Carl Maria von Weber : Der Freischutz - Overture
Title : Carl Maria von Weber , Der Freischutz - Overture Date : 1820
Title : Carl Maria von Weber , Der Freischutz - Overture Date : 1820
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Ave Maria for violin and piano by Schubert (fantasy video)
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Violin Lessons for Beginners - How to play Ave Maria
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Ave Maria on the Classical Guitar | Maestro Jerard's Melodic Cuisin
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Jean Sibelius, Valse Triste (orch.Herbert von Karajan)
(R)*.... ,Great Music,Great Orchestra!!!! "Valse Triste" stupenda e nello stesso tempo rilassante musica classica- Beautiful and relaxing classic music video edited by a.vullo
(R)*.... ,Great Music,Great Orchestra!!!! "Valse Triste" stupenda e nello stesso tempo rilassante musica classica- Beautiful and relaxing classic music video edited by a.vullo
"Concertino Op. 26" by Carl Maria von Weber
"Concertino Op. 26" by Carl Maria von Weber. More videos in www.jorgevariego.com
"Concertino Op. 26" by Carl Maria von Weber. More videos in www.jorgevariego.com
Weber Clarinet Concerto No 2 Mvt 3 ( Alla Polacca ) Narek Arutyunian
Narek Arutyunian 15 years old performs the final moviement from the second clarinet concerto by Carl Maria Weber , recorded in Rachmaninov 's Hall of Moscow State Conservatory. International Soloist Narek Arutyunian was born in Gyumri, Armenia in 1992. When Narek was 10, he took the clarinet in his hands for the first time ever. He studied at the Central Music School of the Tchaikovsky Moscow State Conservatory (2003-2009) ,at the Tchaikovsky Moscow State Conservatory in class of Evgeny Petrov (2009-2010) Since 2010 he studies at Queens College of the City University of New York in class of Charles Neidich. In Recital Narek has appeared at such prestigious venues as the Carnegie Hall in New York, the Louvre Auditorium in Paris, the Museum of Grenoble, Glenn Gould Studio in Toronto, "Palazzo del Principe" in Genova, Teatro Savio in Messina, Kaliningrad Philharmonic Hall,Glendale Presbyterian Church in Los Angeles, Chamber Hall of the Moscow Philharmonic Society Narek has performed numerous concerts major concert halls all throughout Europe and North America Theatre des Champs Elysees in Paris, Rudolfinum - Dvorak Hall in Prague, Kennedy Center in Washington DC, United Nations Hall in Geneva, Tchaikovsky Concert Hall in Moscow , George Weston Recital Hall in Toronto, Great, Small and Rachmaninov Halls of the Moscow Conservatory, St.Petersburg Philharmonic Hall , Svetlanov's, Theater and Chamber Halls of Moscow International House of Music , Kaufmann Hall in New York Narek <b>...</b>
Narek Arutyunian 15 years old performs the final moviement from the second clarinet concerto by Carl Maria Weber , recorded in Rachmaninov 's Hall of Moscow State Conservatory. International Soloist Narek Arutyunian was born in Gyumri, Armenia in 1992. When Narek was 10, he took the clarinet in his hands for the first time ever. He studied at the Central Music School of the Tchaikovsky Moscow State Conservatory (2003-2009) ,at the Tchaikovsky Moscow State Conservatory in class of Evgeny Petrov (2009-2010) Since 2010 he studies at Queens College of the City University of New York in class of Charles Neidich. In Recital Narek has appeared at such prestigious venues as the Carnegie Hall in New York, the Louvre Auditorium in Paris, the Museum of Grenoble, Glenn Gould Studio in Toronto, "Palazzo del Principe" in Genova, Teatro Savio in Messina, Kaliningrad Philharmonic Hall,Glendale Presbyterian Church in Los Angeles, Chamber Hall of the Moscow Philharmonic Society Narek has performed numerous concerts major concert halls all throughout Europe and North America Theatre des Champs Elysees in Paris, Rudolfinum - Dvorak Hall in Prague, Kennedy Center in Washington DC, United Nations Hall in Geneva, Tchaikovsky Concert Hall in Moscow , George Weston Recital Hall in Toronto, Great, Small and Rachmaninov Halls of the Moscow Conservatory, St.Petersburg Philharmonic Hall , Svetlanov's, Theater and Chamber Halls of Moscow International House of Music , Kaufmann Hall in New York Narek <b>...</b>
Anton Webern: String Quartet, Op. 28 (1938)
I. Mässig II. Gemächlich III. Sehr fliessend Twelve-tone work using Webern's typical distillations of classical form: variations (mvt. 1), scherzo (mvt. 2) and rondo (mvt. 3). Through the use of canon and fugue in the second and particularly third movements, he was proud of his fusion of "horizontal" and "vertical" methods of composition. Lasalle Quartet performs. Art by Paul Klee.
I. Mässig II. Gemächlich III. Sehr fliessend Twelve-tone work using Webern's typical distillations of classical form: variations (mvt. 1), scherzo (mvt. 2) and rondo (mvt. 3). Through the use of canon and fugue in the second and particularly third movements, he was proud of his fusion of "horizontal" and "vertical" methods of composition. Lasalle Quartet performs. Art by Paul Klee.
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Pirates of the Caribbean [Main Theme] by hemo
![Pirates of the Caribbean [Main Theme] by hemo](http://img.classicalclips.com/hZddYKqCqfU3UJ3Z.jpg "Pirates of the Caribbean [Main Theme] by hemo")
I HAVEN'T GOT TABS, I played it by ear, so I won't answer to people who ask for tabs. sorry. 1 million views 03/04/2008. _______________________________ Mp3 download: www.myspace.com _______________________________ My cover of this song -He's a Pirate- on classical guitar. On this video i'm playing the lead guitar, but rhythm guitars and others (2nd, 3rd guitar..) are also recorded by me. NOTE: I have also uploaded an animated version (uhm.. i think it's better) that includes the rhythm guitar video.. check it if u want: www.youtube.com Sorry but i don't have tabS =( i picked up the notes by ear.. Thanks for your comments :) Hope you enjoy. _____________________________________ HONORS: #15 - Most Discussed (All Time) - Spain #9 - Most Discussed (All Time) - Music - Spain #48 - Most Responded (All Time) - Spain #14 - Most Responded (All Time) - Music - Spain #68 - Most Viewed (All Time) - Music - Spain #26 - Top Favorites (All Time) - Spain #20 - Top Favorites (All Time) - Music - Spain #3 - Top Rated (All Time) - Spain #97 - Top Rated (All Time) - Music - GLOBAL #3 - Top Rated (All Time) - Music - Spain __________________________________ NO TENGO TABS, la saqué de oído, lo sientooooo, no contesto a la gente q pide tablaturas pq preguntan a diario y lo he dicho ya en todos los idiomas =( He's a pirate, tema principal de Piratas del Caribe. En el vídeo toco la guitarra principal, de fondo (es un audio) suenan la rítmica y demás arreglos que también grabé yo antes de grabar <b>...</b>
I HAVEN'T GOT TABS, I played it by ear, so I won't answer to people who ask for tabs. sorry. 1 million views 03/04/2008. _______________________________ Mp3 download: www.myspace.com _______________________________ My cover of this song -He's a Pirate- on classical guitar. On this video i'm playing the lead guitar, but rhythm guitars and others (2nd, 3rd guitar..) are also recorded by me. NOTE: I have also uploaded an animated version (uhm.. i think it's better) that includes the rhythm guitar video.. check it if u want: www.youtube.com Sorry but i don't have tabS =( i picked up the notes by ear.. Thanks for your comments :) Hope you enjoy. _____________________________________ HONORS: #15 - Most Discussed (All Time) - Spain #9 - Most Discussed (All Time) - Music - Spain #48 - Most Responded (All Time) - Spain #14 - Most Responded (All Time) - Music - Spain #68 - Most Viewed (All Time) - Music - Spain #26 - Top Favorites (All Time) - Spain #20 - Top Favorites (All Time) - Music - Spain #3 - Top Rated (All Time) - Spain #97 - Top Rated (All Time) - Music - GLOBAL #3 - Top Rated (All Time) - Music - Spain __________________________________ NO TENGO TABS, la saqué de oído, lo sientooooo, no contesto a la gente q pide tablaturas pq preguntan a diario y lo he dicho ya en todos los idiomas =( He's a pirate, tema principal de Piratas del Caribe. En el vídeo toco la guitarra principal, de fondo (es un audio) suenan la rítmica y demás arreglos que también grabé yo antes de grabar <b>...</b>
Cinema Paradiso: Love Theme
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.
A Clockwork Orange - Extended Theme & Title Music
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Toccata and Fugue - J.S. Bach
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
Aria From Bach's Goldberg Variations - Daniel Barenboim
Daniel Barenboim playing Aria from Goldberg Variations by Johann Sebastian Bach.
Daniel Barenboim playing Aria from Goldberg Variations by Johann Sebastian Bach.
Goldberg Variations Part 112 - J.S. Bach
Johann Sebastian Bach's Goldberg Variations (arr. for string trio by Dmitri Sitkovetsky). Julian Rachlin (violin), Nobuko Imai (viola), Mischa Maisky (cello). Performed during the "Julian Rachlin and Friends" Festival in Dubrovnik, Croatia in 2006.
Johann Sebastian Bach's Goldberg Variations (arr. for string trio by Dmitri Sitkovetsky). Julian Rachlin (violin), Nobuko Imai (viola), Mischa Maisky (cello). Performed during the "Julian Rachlin and Friends" Festival in Dubrovnik, Croatia in 2006.
Happy Birthday To You (Song + Variations) Classical Piano
**** HAPPYBIRTHDAY **** These are my Happy Birthday Variations. I improvise a new rendition every time I get a birthday request when entertaining on piano. Quite often people sing, and there's often a cake and candles as well! Inspired by sir Mozart and his piano sonata in A major. subscribe if you want to hear more music! visit my webpage www.joolsscott.co.uk Happy Birthday Song!! happybirthdaytoyou. "Happy Birthday to You," also known more simply as "Happy Birthday," is a traditional American song that is sung with joy to celebrate and commemorate the anniversary of a person's birth. Per the Guinness Book of World Records, "Happy Birthday to You" is presently noted as the most well recognized song in the English language, followed by, yet just as well liked, "For He's a Jolly Good Fellow" and "Auld Lang Syne. In spite of it's lyrics, the basic melody of "Happy Birthday to You" comes from the roundelay song "Good Morning to All," which was written and simply composed by the two American sisters Patty Hill and Mildred J. Hill in 1893 In 1935 "Happy Birthday to You" was copyrighted as a work for hire by Preston Ware Orem for the Summy Company, the publisher of "Good Morning to All". The Rocky Horror Picture Show The Zucker brothers learned about the copyright issue unwittingly when they decided to include a gag in The Kentucky Fried Movie that had made them laugh growing up A man sings "Happy Birthday" to remind himself of his own name. King of the Hill uses a song written <b>...</b>
**** HAPPYBIRTHDAY **** These are my Happy Birthday Variations. I improvise a new rendition every time I get a birthday request when entertaining on piano. Quite often people sing, and there's often a cake and candles as well! Inspired by sir Mozart and his piano sonata in A major. subscribe if you want to hear more music! visit my webpage www.joolsscott.co.uk Happy Birthday Song!! happybirthdaytoyou. "Happy Birthday to You," also known more simply as "Happy Birthday," is a traditional American song that is sung with joy to celebrate and commemorate the anniversary of a person's birth. Per the Guinness Book of World Records, "Happy Birthday to You" is presently noted as the most well recognized song in the English language, followed by, yet just as well liked, "For He's a Jolly Good Fellow" and "Auld Lang Syne. In spite of it's lyrics, the basic melody of "Happy Birthday to You" comes from the roundelay song "Good Morning to All," which was written and simply composed by the two American sisters Patty Hill and Mildred J. Hill in 1893 In 1935 "Happy Birthday to You" was copyrighted as a work for hire by Preston Ware Orem for the Summy Company, the publisher of "Good Morning to All". The Rocky Horror Picture Show The Zucker brothers learned about the copyright issue unwittingly when they decided to include a gag in The Kentucky Fried Movie that had made them laugh growing up A man sings "Happy Birthday" to remind himself of his own name. King of the Hill uses a song written <b>...</b>
Mozarts Variations On Ah Vous Dirai-je Maman, K265/300e: X (Twinkle
A Chaos variation of "Variations On Ah Vous Dirai-je Maman, K265/300e: X" from the Dr Zaius release: DR ZAIUS PRESENTS: HUXLEY'S MONKEYS & THE CLASSICAL DECONSTRUCTION: Twinkle Twinkle Little Star (12 Variations On 'Ah, Vous Dirai-je, Maman' )
A Chaos variation of "Variations On Ah Vous Dirai-je Maman, K265/300e: X" from the Dr Zaius release: DR ZAIUS PRESENTS: HUXLEY'S MONKEYS & THE CLASSICAL DECONSTRUCTION: Twinkle Twinkle Little Star (12 Variations On 'Ah, Vous Dirai-je, Maman' )
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".
The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
Fanfare for the Common Man Aaron Copland
WOODY HERMAN and the THUNDERING HERD
Nice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
WOODY HERMAN and the THUNDERING HERDNice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
Max Bruch-Allegro con Moto, Op. 83--clarinet, viola & piano
Max Bruch-Eight Pieces for Clarinet, Viola & Piano, II. Allegro con Moto in B Minor, Op. 83--Jonathan Garza, clarinet; Joyalene Ng, viola; Cynthia Westerbeck, piano. <br /><br />Pacific Union College Music Department presents: Violist Joyalene Ng; "Music for the 20th Century Romantic," Sunday, Nov. 16, 2008. Paulin Hall Auditorium. <br /><br />"Max Bruch (1838-1920) a German composer, was a hard core romantic - at least from the way this composition sounds. This piece is the second out of eight short pieces for clarinet, viola, and piano, and I picked it because of the luscious sweeping piano lines."--Joyalene Ng.
Max Bruch-Eight Pieces for Clarinet, Viola & Piano, II. Allegro con Moto in B Minor, Op. 83--Jonathan Garza, clarinet; Joyalene Ng, viola; Cynthia Westerbeck, piano. <br /><br />Pacific Union College Music Department presents: Violist Joyalene Ng; "Music for the 20th Century Romantic," Sunday, Nov. 16, 2008. Paulin Hall Auditorium. <br /><br />"Max Bruch (1838-1920) a German composer, was a hard core romantic - at least from the way this composition sounds. This piece is the second out of eight short pieces for clarinet, viola, and piano, and I picked it because of the luscious sweeping piano lines."--Joyalene Ng.
Wolfgang Amadeus Mozart - Clarinet Concerto in A Major
Wolfgang Amadeus Mozart - Clarinet Concerto in A Major Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 5 December 1791) was a prolific and influential composer of the Classical era. His more than 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music, and he is among the most enduringly popular of classical composers. Mozart was born in Salzburg into a musical family and showed indications of prodigious abilities at a very young age. When he was five years old, he could both read and write music and had precocious skills as a keyboard and violin player. Much of his childhood and adolescence was taken up with tours, which included performances before many of the royal courts of Europe. In 1773, aged 17, he accepted a post as a court musician in Salzburg, but was unhappy with his low pay and limited opportunities. Over the next eight years, he frequently traveled in search of a better position and composed abundantly. This situation continued until his dismissal from Salzburg in 1781 by his employer, the Prince-Archbishop, and his subsequent departure for Vienna. He spent the rest of his busy life in Vienna, where he achieved relative fame. However, his finances remained precarious, with periods of prosperity and of penury. In 1782, he married Constanze Weber against the wishes of his family; six children were born, of whom two survived infancy <b>...</b>
Wolfgang Amadeus Mozart - Clarinet Concerto in A Major Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 5 December 1791) was a prolific and influential composer of the Classical era. His more than 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music, and he is among the most enduringly popular of classical composers. Mozart was born in Salzburg into a musical family and showed indications of prodigious abilities at a very young age. When he was five years old, he could both read and write music and had precocious skills as a keyboard and violin player. Much of his childhood and adolescence was taken up with tours, which included performances before many of the royal courts of Europe. In 1773, aged 17, he accepted a post as a court musician in Salzburg, but was unhappy with his low pay and limited opportunities. Over the next eight years, he frequently traveled in search of a better position and composed abundantly. This situation continued until his dismissal from Salzburg in 1781 by his employer, the Prince-Archbishop, and his subsequent departure for Vienna. He spent the rest of his busy life in Vienna, where he achieved relative fame. However, his finances remained precarious, with periods of prosperity and of penury. In 1782, he married Constanze Weber against the wishes of his family; six children were born, of whom two survived infancy <b>...</b>
'Andante' from "Clarinet Concerto" - Copland
Richard Stolzman, clarinet Michael Tilson Thomas, conductor 'Andante' from "Clarinet Concerto" Music by Aaron Copland (1900-1990) London Symphony Orchestra "Concerto!" Vol. 5 "Launched in 1994, Classic Arts Showcase is a free cable television program designed to bring the classic arts experience to the largest audience possible by providing video clips of the arts in hopes that we may tempt you, the viewer, to go out and feast from the buffet of arts available in your community. The spectrum of classic arts disciplines aired on Classic Arts Showcase includes video samplings of animation, architectural art, ballet, chamber and choral music, dance, folk art, museum art, musical theater, opera, orchestral, recital, solo instrumental. solo vocal, and theatrical performances, as well as classic film and archival documentaries. If we've inspired you to see a concert, attend a recital, or go to the theatre, please share your story with us. Classic Arts Showcase broadcasts 24-hours from Satellite Galaxy 15 Transponder 5, and is picked up by over 500 Channels in the United States alone. We're available free of charge to PEG channels, PBS, basic cable tiers and non-commercial broadcasters" Download source www.archive.org
Richard Stolzman, clarinet Michael Tilson Thomas, conductor 'Andante' from "Clarinet Concerto" Music by Aaron Copland (1900-1990) London Symphony Orchestra "Concerto!" Vol. 5 "Launched in 1994, Classic Arts Showcase is a free cable television program designed to bring the classic arts experience to the largest audience possible by providing video clips of the arts in hopes that we may tempt you, the viewer, to go out and feast from the buffet of arts available in your community. The spectrum of classic arts disciplines aired on Classic Arts Showcase includes video samplings of animation, architectural art, ballet, chamber and choral music, dance, folk art, museum art, musical theater, opera, orchestral, recital, solo instrumental. solo vocal, and theatrical performances, as well as classic film and archival documentaries. If we've inspired you to see a concert, attend a recital, or go to the theatre, please share your story with us. Classic Arts Showcase broadcasts 24-hours from Satellite Galaxy 15 Transponder 5, and is picked up by over 500 Channels in the United States alone. We're available free of charge to PEG channels, PBS, basic cable tiers and non-commercial broadcasters" Download source www.archive.org
