A Suwanai plays Paganini Violin Concerto No1 1 of 5
- Classical music composed by Niccolò Paganini Tchaikovsky Competition 1990
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Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
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Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
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Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
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13 yr. old guitarist plays Paganini Caprice #5
alexraz.com Alex Raz is in eighth grade, from Cleveland Ohio. Playing a very complicated piece from composer Nicolo Paganini. Alex has been featured on Yahoo.com's front page, and won the NBA Cleveland Cavs Top Talent contest at age 12.
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Rachmaninoff Rhapsody on a Theme of Paganini 18th Variation
visit my webpage - www.joolsscott.co.uk The Rhapsody on a Theme of Paganini (Russian Рапсодия на тему Паганини, Rapsodiya na temu Paganini) in A minor, opus 43, is a concertante work (20 to 25 minutes in length), written by Sergei Rachmaninoff. It is written for solo piano and symphony orchestra, closely resembling a piano concerto. The work was written at Villa Senar, according to the score, from July 3 to August 18, 1934. Rachmaninoff himself, a noted interpreter of his own works, played the solo piano part at the piece's premiere at the Lyric Opera House in Baltimore, Maryland on November 7, 1934 with the Philadelphia Orchestra conducted by Leopold Stokowski. You can download my most recent 10 track piano album for $4 at payloadz.com The piece is a set of 24 variations on the twenty-fourth and last of Niccolò Paganini's Caprices for solo violin, which has inspired works by several composers. The slow eighteenth variation is by far the most well-known, and it is often included on classical music compilations without the rest of the work. It is based on an inversion of the melody of Paganini's theme. In other words, the A minor Paganini theme is played "upside down" in D flat major. Rachmaninoff himself recognized the appeal of this variation, saying "This one, is for my agent." This variation has been featured in several movies, including 1953 The Story of Three Loves 1954 Rhapsody 1980 Somewhere in Time 1991 Dead Again 1995 Sabrina 1998 Ronin In collaboration with <b>...</b>
visit my webpage - www.joolsscott.co.uk The Rhapsody on a Theme of Paganini (Russian Рапсодия на тему Паганини, Rapsodiya na temu Paganini) in A minor, opus 43, is a concertante work (20 to 25 minutes in length), written by Sergei Rachmaninoff. It is written for solo piano and symphony orchestra, closely resembling a piano concerto. The work was written at Villa Senar, according to the score, from July 3 to August 18, 1934. Rachmaninoff himself, a noted interpreter of his own works, played the solo piano part at the piece's premiere at the Lyric Opera House in Baltimore, Maryland on November 7, 1934 with the Philadelphia Orchestra conducted by Leopold Stokowski. You can download my most recent 10 track piano album for $4 at payloadz.com The piece is a set of 24 variations on the twenty-fourth and last of Niccolò Paganini's Caprices for solo violin, which has inspired works by several composers. The slow eighteenth variation is by far the most well-known, and it is often included on classical music compilations without the rest of the work. It is based on an inversion of the melody of Paganini's theme. In other words, the A minor Paganini theme is played "upside down" in D flat major. Rachmaninoff himself recognized the appeal of this variation, saying "This one, is for my agent." This variation has been featured in several movies, including 1953 The Story of Three Loves 1954 Rhapsody 1980 Somewhere in Time 1991 Dead Again 1995 Sabrina 1998 Ronin In collaboration with <b>...</b>
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part2
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
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Erik Satie - Gymnopédie No1 Orchestra
Title: Erik Satie - Gymnopédie No.1 ( Orchestra )
From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
Title: Erik Satie - Gymnopédie No.1 ( Orchestra )From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
Hungarian Dance no17
Kogan playing Brahms´s Hungarian Dance no17. I think the arr. is from Kreisler, but I am not sure. I love these pieces, an excelent work done by Brahms garrisonnig these popular and gipsy themes and bringinnig to the classical repertoire. Similar to what Bela Bartok done with Romenian dances and Villa Lobos with the 'Suite Popular Brasileira' for guitar, in Brazil (!). Kogan tocando a Dança Hungara no17 de Brahms. Acho que o arranjo é do Kreisler, mas naum tenho certeza. Eu adoro estas peças, um ótimo trabalho do Brahms juntando esses temas popular e ciganos e trazendo para o repertório erudito. Parecido com o que o Bela Bartok fez com as Danças Romenas e Villa Lobos com a 'Suite Popular Brasileira' para violão, no Brasil (!).
Kogan playing Brahms´s Hungarian Dance no17. I think the arr. is from Kreisler, but I am not sure. I love these pieces, an excelent work done by Brahms garrisonnig these popular and gipsy themes and bringinnig to the classical repertoire. Similar to what Bela Bartok done with Romenian dances and Villa Lobos with the 'Suite Popular Brasileira' for guitar, in Brazil (!). Kogan tocando a Dança Hungara no17 de Brahms. Acho que o arranjo é do Kreisler, mas naum tenho certeza. Eu adoro estas peças, um ótimo trabalho do Brahms juntando esses temas popular e ciganos e trazendo para o repertório erudito. Parecido com o que o Bela Bartok fez com as Danças Romenas e Villa Lobos com a 'Suite Popular Brasileira' para violão, no Brasil (!).
Emil Gilels--Tchaikovsky Piano Concerto No1 Mvt I (12)
Emil Gilels; Zubin Mehta: New York Philharmonic Orchestra -- Tchaikovsky: Piano Concerto #1 Emil Grigoryevich Gilels ( 1916-1985) was a Soviet pianist, widely considered one of the greatest pianists of the 20th century. His sound was gorgeous and filled with delicate nuances. But for listeners who heard him early in his career, what impressed most about the Gilels sound was its power. In the giant pieces of the piano repertory, he made you feel that the walls trembled with the stupendous bursts of sound that no other pianist seemed able to produce so easily.
Emil Gilels; Zubin Mehta: New York Philharmonic Orchestra -- Tchaikovsky: Piano Concerto #1 Emil Grigoryevich Gilels ( 1916-1985) was a Soviet pianist, widely considered one of the greatest pianists of the 20th century. His sound was gorgeous and filled with delicate nuances. But for listeners who heard him early in his career, what impressed most about the Gilels sound was its power. In the giant pieces of the piano repertory, he made you feel that the walls trembled with the stupendous bursts of sound that no other pianist seemed able to produce so easily.
Flashbacks: Cambry plays Scriabin Etude op8 no12
This was recorded in Ganz Hall at the Chicago College of the performing Arts at Roosevelt University. I was supposed to record Rachmaninoff's Second Piano concerto with my piano professor, but we pushed it back 2 weeks. I had the hall reserved so I decided it would be cool if I just remade some of the older videos that were way lower quality. I recorded 10 videos, 3 of them are new pieces. These are probably some of the last classical music videos i'll upload for now, i'm going to be doing other music types on here, thanks for watching!
This was recorded in Ganz Hall at the Chicago College of the performing Arts at Roosevelt University. I was supposed to record Rachmaninoff's Second Piano concerto with my piano professor, but we pushed it back 2 weeks. I had the hall reserved so I decided it would be cool if I just remade some of the older videos that were way lower quality. I recorded 10 videos, 3 of them are new pieces. These are probably some of the last classical music videos i'll upload for now, i'm going to be doing other music types on here, thanks for watching!
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Chopin Mazurka op17 No 4 - Michel Mananes Live
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Child Prodigy Wonders Of Innocence Part 23
Prelude
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
PreludeShirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
Rachmaninoff Plays Chopin Nocturne Op 9 No 2
Nocturne In E-Flat, Op. 9, No. 2 Sergei Rachmaninov, piano
Nocturne In E-Flat, Op. 9, No. 2 Sergei Rachmaninov, piano
Andre Rieu 3 year old violinist Akim Camara 2005
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.
(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Handel - Water Music Suite in DG Major HWV349350 1
GEORGE FRIDERIC HANDEL (1685-1759)
Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
GEORGE FRIDERIC HANDEL (1685-1759)Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
Brahms Hungarian Dance 5 - 6 Cecchetto
Vittorio Cecchetto conducting "Citta Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Vittorio Cecchetto conducting "Citta Murata Orchestra" live at Teatro Sociale Cittadella 2007.
