The Notorious B.I.G. & Sadat X ft Debussy's Prélude ...
- Classical music composed by Claude Debussy free mp3 → soundcloud.com/forjerz/the-notorious-b-i-g-feat-sadat/download all instruments played by Dan Kreiger produced by Dan Kreiger "Come On" (feat. Sadat X) by C.Wallace aka The Notorious B.I.G. Prélude from Suite "Pour le piano" by Claude Debussy inspired by Michel Camilo derivative work For Jerz is Dan Kreiger always in progress
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Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.
This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Johann Strauss II - The Blue Danube Waltz
Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Title : Johann Strauss II , The Blue Danube WaltzDate : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
The Notorious B.I.G. (ft. Verdi/Liszt's ...
free mp3 → http://soundcloud.com/forjerz/verdilisztbiggie/download<br /><br />Pianist: Dan Kreiger (aka For Jerz) || Rigoletto by Giuseppe Verdi || Concert-Paraphrase about the quartet by Franz Liszt || "Think Big'" by Christopher Wallace (aka The Notorious B.I.G.) || Produced and Arranged by Dan Kreiger (aka For Jerz) || derivative work
free mp3 → http://soundcloud.com/forjerz/verdilisztbiggie/download<br /><br />Pianist: Dan Kreiger (aka For Jerz) || Rigoletto by Giuseppe Verdi || Concert-Paraphrase about the quartet by Franz Liszt || "Think Big'" by Christopher Wallace (aka The Notorious B.I.G.) || Produced and Arranged by Dan Kreiger (aka For Jerz) || derivative work
Anderson & Roe Piano Duet play "BLUE DANUBE FANTASY"
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
www.andersonroe.com | "A New Account of the Blue Danube Waltzes," composed and performed by the Anderson & Roe Piano Duo Camera work Estelle Choi, Yalin Chi, Greg Anderson, Elizabeth Roe Watch the outtakes in the video response section below! In composing this work, we sought to emphasize the emotions that hide beneath the surface of the typically restrained Viennese Waltz. Note: the narrative is not a representation of reality. Yes, we're really playing the piano, but no, we didn't actually meet over a lost mitten, and no, we're not actually romantic lovers. :-) Be sure to watch for: * The choreography of our hands. We wanted to show the similarity between four hands playing together on a piano and four feet on a dance floor. Be sure to listen for: * The musical combining of themes. At times, melodies are layered atop one another, most notably at the climax. Believe it or not, seven melodies from throughout the piece are being played simultaneously (7:49 - 8:10), a real compositional feat! The sheet music for this arrangement is for sale. Visit www.andersonroe.com to instantly purchase a PDF of the score! Or you can purchase the sheet music on amazon.com : www.amazon.com Both the piece and the video are featured on the Anderson & Roe Piano Duo's debut album, "Reimagine." Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of <b>...</b>
Anderson & Roe Piano Duo play "LIBERTANGO" (Piazzolla)
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
www.andersonroe.com | Anderson & Roe play their own arrangement of Astor Piazzolla's "Libertango." * Camera work Ming Wang, Greg Anderson, Elizabeth Roe * Teacher's voice: Estelle Choi A performance of this piece is featured on the Anderson & Roe Piano Duo debut album, "Reimagine!" Greg Anderson & Elizabeth Joy Roe showcase their unique approach to classical music and the piano duo genre in this adrenalized album, featuring breathtaking music, a hard-core performance of Stravinsky's 'Rite of Spring,' and a bonus DVD of music videos. Buy it today on CD Baby (cdbaby.com ), Amazon, iTunes, and DigStation. WATCH the REIMAGINE "TRAILER" here: youtube.com .
A Clockwork Orange - Extended Theme & Title Music
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Joshua Bell Plays The Girl With the Flaxen Hair
Joshua Bell plays The Girl With the Flaxen Hair by Debussy along with the Orpheus Chamber Orchestra.
Joshua Bell plays The Girl With the Flaxen Hair by Debussy along with the Orpheus Chamber Orchestra.
The Next Mozart 6-Year Old Piano Prodigy Wows All
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".
The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
Murray Perahia - Felix Mendelssohn Fantasy in F- Scottish Sonata Op28
Murray (Moshe) Perahia was born in the Bronx borough of New York City to a family of Sephardi Jewish origin. According to the biography on his Mozart piano sonatas CD, his first language was Ladino. The family came from Thessaloniki. His father moved to the United States in 1935; many family members perished in the Holocaust a few years later.
Perahia began studying the piano at age four with a teacher he says was "very limiting" because she made him play a single piece until it was perfect. He says his musical interests blossomed at age fifteen for reasons he can't explain, and he began to practice seriously. At seventeen, Perahia attended Mannes College, where he studied keyboard, conducting, and composition with his teacher and mentor Mieczysław Horszowski. During the summer, he also attended Marlboro, where he studied with musicians Rudolf Serkin, Alexander Schneider, and Pablo Casals, among others. He played duets for piano four hands with Serkin, who later made Perahia his assistant at the Curtis Institute in Philadelphia, a position he held for over a year.
In 1965 Perahia won the Young Concert Artists International Auditions. In 1972, he was the first North American to win first prize at the Leeds Piano Competition, helping to cement its reputation for advancing the careers of young pianistic talent. Dr. Fanny Waterman recalls anecdotally (in Wendy Thompson's book Piano Competition: The Story of the Leeds) that Horszowski had phoned her prior to the competition, announcing that he would be the winner. Other American contestants had apparently withdrawn their applications upon hearing that Perahia would be competing.
Perahia resides in London.
]Music career
In 1973 he worked with Benjamin Britten and Peter Pears at the Aldeburgh Festival, and with fellow pianist Radu Lupu. He was co-artistic director of the Festival from 1981 to 1989.
In the 1980s, Perahia was invited to work with Vladimir Horowitz, an admirer of his art. Perahia says this had a defining influence on his pianism.
Perahia's first major recording project was the complete piano concertos by Mozart, conducted from the keyboard with the English Chamber Orchestra. In the 1980s, he also recorded all the Beethoven piano concertos, with Bernard Haitink and the Royal Concertgebouw Orchestra.
[edit]Hand injury
In 1990, Perahia suffered a cut to his right thumb, which became septic. He took antibiotics for this condition, but they affected his health. In 1992, his career was threatened by a bone abnormality in his hand causing inflammation requiring several years away from the keyboard, and a series of operations. During that time, he says, he found solace through studying the music of Johann Sebastian Bach. After being given the all-clear, he produced in the late 1990s a series of award-winning recordings of Bach's keyboard works, most notably a cornerstone rendition of the Goldberg Variations.
(Wikipedia)
Murray (Moshe) Perahia was born in the Bronx borough of New York City to a family of Sephardi Jewish origin. According to the biography on his Mozart piano sonatas CD, his first language was Ladino. The family came from Thessaloniki. His father moved to the United States in 1935; many family members perished in the Holocaust a few years later.Perahia began studying the piano at age four with a teacher he says was "very limiting" because she made him play a single piece until it was perfect. He says his musical interests blossomed at age fifteen for reasons he can't explain, and he began to practice seriously. At seventeen, Perahia attended Mannes College, where he studied keyboard, conducting, and composition with his teacher and mentor Mieczysław Horszowski. During the summer, he also attended Marlboro, where he studied with musicians Rudolf Serkin, Alexander Schneider, and Pablo Casals, among others. He played duets for piano four hands with Serkin, who later made Perahia his assistant at the Curtis Institute in Philadelphia, a position he held for over a year.
In 1965 Perahia won the Young Concert Artists International Auditions. In 1972, he was the first North American to win first prize at the Leeds Piano Competition, helping to cement its reputation for advancing the careers of young pianistic talent. Dr. Fanny Waterman recalls anecdotally (in Wendy Thompson's book Piano Competition: The Story of the Leeds) that Horszowski had phoned her prior to the competition, announcing that he would be the winner. Other American contestants had apparently withdrawn their applications upon hearing that Perahia would be competing.
Perahia resides in London.
]Music career
In 1973 he worked with Benjamin Britten and Peter Pears at the Aldeburgh Festival, and with fellow pianist Radu Lupu. He was co-artistic director of the Festival from 1981 to 1989.
In the 1980s, Perahia was invited to work with Vladimir Horowitz, an admirer of his art. Perahia says this had a defining influence on his pianism.
Perahia's first major recording project was the complete piano concertos by Mozart, conducted from the keyboard with the English Chamber Orchestra. In the 1980s, he also recorded all the Beethoven piano concertos, with Bernard Haitink and the Royal Concertgebouw Orchestra.
[edit]Hand injury
In 1990, Perahia suffered a cut to his right thumb, which became septic. He took antibiotics for this condition, but they affected his health. In 1992, his career was threatened by a bone abnormality in his hand causing inflammation requiring several years away from the keyboard, and a series of operations. During that time, he says, he found solace through studying the music of Johann Sebastian Bach. After being given the all-clear, he produced in the late 1990s a series of award-winning recordings of Bach's keyboard works, most notably a cornerstone rendition of the Goldberg Variations.
(Wikipedia)
Joshua Bell - Faure - Apres un reve After a dream
Joshua Bell, violin Michael Stern, conductor Orchestra of St. Luke's
Joshua Bell, violin Michael Stern, conductor Orchestra of St. Luke's
Sido ft. Chopin's Nocturne cis-Moll Op(posth) - ...
Pianist: Dan Kreiger (aka For Jerz) || Nocturne No. 20 Op. posth. in C-sharp Minor (1830) by Frédéric Chopin || "Arschficksong" by P. Würdig aka Sido || Produced and Arranged by Dan Kreiger (aka For Jerz) || derivative work
Pianist: Dan Kreiger (aka For Jerz) || Nocturne No. 20 Op. posth. in C-sharp Minor (1830) by Frédéric Chopin || "Arschficksong" by P. Würdig aka Sido || Produced and Arranged by Dan Kreiger (aka For Jerz) || derivative work
Viennese Waltz (dance ft on Dancing With the Stars and Blue Danube )
Strauss Waltzes is a part of an exclusive series that features short version classics themes from movies, television dance shows, classical, music video clips medley and variations of Argentine Tango, Viennese waltz, disco, rumba, Cha-cha, Swing, Foxtrot, Jive, Lambada, Bolero, Two-step, Quick Step and others. Recently featured as the Royal Wedding Waltz danced by Crown Princess Victoria of Sweden and Prince Daniel Westling . Waltzes were featured on shows such as Dancing With the Stars DWTS 2011 season 11 episode w/ Brandy, Margaret Cho, Jennifer Grey, Florence Henderson Audrina Patridge Bristol Palin, Michael Bolton, Rick Fox, Andre Rieu , David Hasselhoff, Kyle Massey, Mike The Situation Carson Kressley & Anna Trebunskaya, Lacey Schwimmer, JR Martinez, Karina Smirnoff , Kym Johnson, Dovolani, Derek Hough, Edyta Sliwinska, Cheryl Burke; figure skating ( Yu-Na Kim, Michelle Kwan; Die Fledermaus) the international Superstars of Dance preview / NBC (w/ Nigel Lithgoe, Michael Flatley ); Romeo and Juliet, SoYou Think You Can Dance ( Simon Fuller , Nigel Lithgoe , Barry Adelman / Dick Clark Productions ) Curb Your Enthusiasm w/ Larry David. The Blue Danube Waltz was featured in the movie soundtrack of Titanic ( James Cameron /with Leonardo DiCaprio, Kate Winslet, Billy Zane, Frances Fisher, Victor Garber, Gloria Stuart ) Roxanne w/ Steve Martin (The Jerk, King Tut , Father of the Bride , snl comedy, The Crow) Daryl Hannah, Damon Wayans , Kevin Nealon) the television show <b>...</b>
Strauss Waltzes is a part of an exclusive series that features short version classics themes from movies, television dance shows, classical, music video clips medley and variations of Argentine Tango, Viennese waltz, disco, rumba, Cha-cha, Swing, Foxtrot, Jive, Lambada, Bolero, Two-step, Quick Step and others. Recently featured as the Royal Wedding Waltz danced by Crown Princess Victoria of Sweden and Prince Daniel Westling . Waltzes were featured on shows such as Dancing With the Stars DWTS 2011 season 11 episode w/ Brandy, Margaret Cho, Jennifer Grey, Florence Henderson Audrina Patridge Bristol Palin, Michael Bolton, Rick Fox, Andre Rieu , David Hasselhoff, Kyle Massey, Mike The Situation Carson Kressley & Anna Trebunskaya, Lacey Schwimmer, JR Martinez, Karina Smirnoff , Kym Johnson, Dovolani, Derek Hough, Edyta Sliwinska, Cheryl Burke; figure skating ( Yu-Na Kim, Michelle Kwan; Die Fledermaus) the international Superstars of Dance preview / NBC (w/ Nigel Lithgoe, Michael Flatley ); Romeo and Juliet, SoYou Think You Can Dance ( Simon Fuller , Nigel Lithgoe , Barry Adelman / Dick Clark Productions ) Curb Your Enthusiasm w/ Larry David. The Blue Danube Waltz was featured in the movie soundtrack of Titanic ( James Cameron /with Leonardo DiCaprio, Kate Winslet, Billy Zane, Frances Fisher, Victor Garber, Gloria Stuart ) Roxanne w/ Steve Martin (The Jerk, King Tut , Father of the Bride , snl comedy, The Crow) Daryl Hannah, Damon Wayans , Kevin Nealon) the television show <b>...</b>
John Williams and Julian Bream Play Debussy's Clair de Lune
John Williams and Julian Bream: C.Debussy-Clair de Lune
John Williams and Julian Bream: C.Debussy-Clair de Lune
Claude Debussy's, Syrinx sheet music - Video Score
http://www.virtualsheetmusic.com/video53<br />Virtual Sheet Music presents the famous Debussy's Syrinx for Flute. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about Guitar sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
http://www.virtualsheetmusic.com/video53<br />Virtual Sheet Music presents the famous Debussy's Syrinx for Flute. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about Guitar sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
Debussy's Arabesque No 2 - Isao Tomita Style
By Paul Shillito www.classitronic.net Debussy's Arabesque No.2 , An original Electronic version. This is electronic classical music recreated in an Isao Tomita style. For more electronic classical music and not just mine go to www.classitronic.net
By Paul Shillito www.classitronic.net Debussy's Arabesque No.2 , An original Electronic version. This is electronic classical music recreated in an Isao Tomita style. For more electronic classical music and not just mine go to www.classitronic.net
Victor Borge - Debussy's "Clair de Lune"
Heres a more serious Victor Borge playing Claude Debussy's "Clair de Lune," from Suite bergamasque. This isn't the original composition, he seems to add a few notes here and there, maybe for resonance or added harmony.. who knows. Either way, its Victor Borge, one of the 20th Centuries few true piano geniuses. this piece was composed in 1890. (forgive the quality, the video is old and he's playing a Bosendorfer (zing)) :D
Heres a more serious Victor Borge playing Claude Debussy's "Clair de Lune," from Suite bergamasque. This isn't the original composition, he seems to add a few notes here and there, maybe for resonance or added harmony.. who knows. Either way, its Victor Borge, one of the 20th Centuries few true piano geniuses. this piece was composed in 1890. (forgive the quality, the video is old and he's playing a Bosendorfer (zing)) :D
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Prelude from Bach's Lute Suite No. 4 - BWV 1006 - John Williams
John Williams playing Bach's Prelude at the Alhambra Palace.
John Williams playing Bach's Prelude at the Alhambra Palace.
Chopin: Nocturne No. 20 in C-sharp minor, Op. posth. ...
Pianist Dan Kreiger (aka For Jerz) plays Frédéric Chopin's "Nocturne, Op. posth. 1830, in C# minor" Recorded by Theo Aronson in 2005.
Pianist Dan Kreiger (aka For Jerz) plays Frédéric Chopin's "Nocturne, Op. posth. 1830, in C# minor" Recorded by Theo Aronson in 2005.
Andre Rieu Announces North American Tour to Launch April ...
Andre Rieu Announces North American Tour to Launch April 17th. Andre Rieu, the most successful classical artist in the world, will embark on a 35-city concert tour throughout the U.S. and Canada starting April 17th in Toronto at the Air Canada Centre. The 12,000 capacity arena is one of the largest in Canada and is almost sold-out. Together with his 60-piece Johan Strauss Orchestra, the music aficionado tours on five continents, performing to more than 700,000 fans annually around the world. Billboard Magazine named Rieu the number one classical artist in the United States for 2008. In addition, Pollstar Magazine named him one of the Top 10 touring acts in the world, sharing the honor with Madonna, Bruce Springsteen and Coldplay. To view Multimedia News Release, go to http://www.prnewswire.com/mnr/andrerieu/37771/
Andre Rieu Announces North American Tour to Launch April 17th. Andre Rieu, the most successful classical artist in the world, will embark on a 35-city concert tour throughout the U.S. and Canada starting April 17th in Toronto at the Air Canada Centre. The 12,000 capacity arena is one of the largest in Canada and is almost sold-out. Together with his 60-piece Johan Strauss Orchestra, the music aficionado tours on five continents, performing to more than 700,000 fans annually around the world. Billboard Magazine named Rieu the number one classical artist in the United States for 2008. In addition, Pollstar Magazine named him one of the Top 10 touring acts in the world, sharing the honor with Madonna, Bruce Springsteen and Coldplay. To view Multimedia News Release, go to http://www.prnewswire.com/mnr/andrerieu/37771/
