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Leila Josefowicz | Vieuxtemps Violin Concerto # 5 | 12 Years Old | L
www.facebook.com | Follow THE VIOLIN CHANNEL | The #1 violin resource on the planet | A must for all violinists and fans | Keep abreast | news | history | events | concerts | competitions | discussion | community Part 1 of 3 | Classic footage of 12 year old Leila Josefowicz performing Vieuxtemps Violin Concerto # 5 in A minor | Recorded with the LA Philharmonic, at the Hollywood Bowl, in 1990, under the baton of David Alan Miller
Beethoven, Symphony 5/1, Thielemann, Vienna Philharmonic Orchestra
01 - Allegro con brio (Beethoven, Symphony 5/1, Thielemann, Vienna Philharmonic Orchestra) The Symphony No. 5 in C minor, Op. 67, was written by Ludwig van Beethoven in 1804--08. This symphony is one of the most popular and best-known compositions in all of classical music, and one of the most often played symphonies.[1] It comprises four movements: an opening sonata, an andante, and a fast scherzo which leads attacca to the finale. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterwards. ETA Hoffmann described the symphony as "one of the most important works of the time". The symphony, and the four-note opening motif in particular, are well known worldwide, with the motif appearing frequently in popular culture, from disco to rock and roll, to appearances in film and television.
Gioachino Rossini - L'italiana in Algeri - "Cruda sorte! Amor tira
Out of all Rossini's comic heroines, Isabella would have to be the most assertive, the most charming creation. While other heroines, with possible exception of Matilde, are still characterized by their femininity and they are still very much controlled by the men around them, Isabella is the one who does most of the controlling, making her a most powerful presence in the list of Rossini's heroines. Even her short cavatina is proof to this. Written as a simple succession of cantabile - tempo di mezzo - cabaletta, the piece is so vivacious and so perfect in describing the heroine, that the brevity of it only highlights its' dramatic opportunities. Starting with a furious call of woman who isn't used to being captured by anyone, the cavatina then mellows down as Isabella remembers Lindoro. But the woman soon throws any languishing thoughts to the wind, she is Isabella, after all. Her cabaletta is given to a list of Isabella's womanly weapons, ranging from a sigh to a storm. Teresa Berganza is, perhaps, not the classical tomboyish Isabella we are accustomed to, but her gentle singing and elegant manner are just as welcome. Enjoy :)!
Felix Mendelssohn Bartholdy: Heilig
Chamber Choir of the Classical Diecean Gymnasium Ljubljana, Dir.: Damijan Mocnik, at 11th International Chamber Choir Competition Marktoberdorf 2009 - www.modfestivals.org
M.Mussorgsky: "Pictures at an Exibition" - Promenade 3 . MPO - Yur
Download "Pictures at an Exibition" - rms.downloadcentric.net iTunes, amazon, eMusic... Yuri Botnari - Guest conductor of the Moscow Philharmonic Orchestra. Principal Conductor of the Great Hall Symphony Orchestra of the Moscow State Conservatory. Moscow, Russia.Vice-president of Russian Music Society. Юрий Ботнарь Please "Like" us on Facebook: www.facebook.com
Beethoven - Missa Solemnis (D-Dur, opus 123) Kyrie
Kyrie Edda Moser - Sopran Hanna Schwarz - Mezzosopran Rene Kollo - Tenor Kurt Moll - Bass Concertgebouw Orchestra Conductor, Leonard Bernsrein
Classical Piano Duet 4-hands on Beethoven
really please to play with her! she's so musical! pardon me for my mistakes my friend!
Allemande - Bach (classic guitar)
João caetano plays allemande, from lute suite (bach)
Jascha Heifetz plays Paganini Caprice No. 24
Jascha Heifetz plays Paganini Caprice No. 24 (Auer Edition with Schumann accompaniment). Accompanist: Emanuel Bay
Fur Elise (by Ludwig van Beethoven)
Fur Elise aka Bagatelle in A Minor Though originally written in 1810, "Fur Elise" (aka Bagatelle in a minor), was not published until 1865, 40 years after the composer's death. It was believed that this composition was intended for Therese Malfatti, and was supposed to have been entitled "Fur Therese" (For Therese), a woman Beethoven once courted and proposed marriage to. Malfatti declined in accepting Beethoven's invitation, however, and some have hypothesized that this musical manuscript titled was then changed and dedicated to "Elise" instead. Regardless, this evocative composition was inspired by the intense and effusive emotions provoked by love. And it is with this romantic passion which perhaps distinguishes Beethoven from his classical era counterparts. ***Requested by a listener earlier today*** ***Thanks to my listener who requested this, and brought back memories: 9 years old. Part of one of the 1st solo recitals performed at a state college :)***