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Isaac Albéniz

Video Source
Los Angeles Guitar Academy
Duration: 7:12

Segovia’s version of Asturias, op. 232, no. 1 by Isaac Albéniz is both inspiring and nostalgic for guitarists. While some criticize the liberties taken in the arrangement, Dr. Emre’s adaptation remains true to the composer’s intentions with efficient fingerings and position shifts. Arranged and performed by Emre Sabuncuoglu, this rendition is published by Los Angeles Guitar Academy and is available as sheet music and tabs on their website. For more great pieces and tutorials, subscribe to their YouTube channel or explore their online lesson program with slow walkthrough videos. A free trial is also available for their online programs.


About the composer…

Isaac Albéniz, born in 1860 in Spain, showed prodigious talent from a young age and began his musical training at the conservatory in Barcelona. His early works were influenced by Spanish folk music and he gained recognition for his unique style that blended traditional Spanish melodies with classical harmonies. Albéniz’s musical career took him to various European countries, where he performed as a concert pianist and composer. He eventually settled in Paris, where he became a prominent figure in the French music scene.

Albéniz’s works spanned various genres, including piano compositions, orchestral pieces, and operas. His most famous composition is the suite Iberia, which consists of twelve piano pieces that depict different regions of Spain. This work showcases Albéniz’s ability to capture the essence of Spanish culture through music. Another notable composition is the opera “Pepita Jiménez,” which premiered in 1896 and received critical acclaim.

Throughout his life, Albéniz’s works were highly regarded for their technical complexity and emotional depth. His compositions continue to be performed and admired by classical music enthusiasts around the world. Isaac Albéniz’s contributions to the world of classical music have solidified his place as one of the most influential composers of his time.

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